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Key Information

Amanda Meta Marshall (born August 29, 1972)[1] is a Canadian Juno award winning pop-rock singer and songwriter. She has released four studio albums; the first was certified diamond in Canada, with the second and third certified 3× platinum and platinum respectively.[2] She is best known for her 1996 single, "Birmingham", which reached number 3 in Canada and was her only song to reach the US charts.

Early life

[edit]

Marshall was born in Toronto, Ontario Canada [3][4]

She grew up an only child, in her own words, "the product of an interracial marriage": her Trinidadian mother is black, her Canadian father is white. In several of her songs, Marshall has reflected on her racial identity "as a woman who looks white but is actually black".[5][6]

Marshall studied music extensively during her childhood, including at the Royal Conservatory of Music in Toronto. While performing on the Queen Street West bar scene in her teens, she met guitarist Jeff Healey, who was struck by her powerful voice and took her on tour for a long time.[3]

Career

[edit]

Debut album and critical success

[edit]

Marshall signed a recording contract with Metalblade Records in 1991; however, both parties agreed that they were not a good fit and went their separate ways.[3] In 1994, Marshall signed to Epic Records, and contributed to the Neil Young tribute album Borrowed Tunes: A Tribute to Neil Young the same year. Her debut album Amanda Marshall was released the following year in 1995. The album was a major success in Canada,[7] generating a great deal of airplay and spawning six Top 40 hits—"Let It Rain", "Beautiful Goodbye", "Dark Horse", "Fall From Grace", "Sitting on Top of the World", and "Birmingham", her most successful hit in Canada and the only song to reach the US charts, charting at number 43 on the Billboard Hot 100.

In 1996, Marshall's song "This Could Take All Night" was included in the original soundtrack of Tin Cup. In 1997, Marshall's song "I'll Be Okay" was included in the original soundtrack of My Best Friend's Wedding.

Marshall's career got a huge boost when Elton John named her as an artist he was then-currently listening to when he appeared on The Rosie O'Donnell Show.

1999–2000: Tuesday's Child and further success

[edit]

In 1999, she released a successful follow-up album, Tuesday's Child. It followed in the same vein as her debut, with a mix of soulful pop songs and ballads, characterizing her powerful voice.[8] Her song "Ride" from that album was featured in the film The Replacements and on its soundtrack. In autumn 1999, she supported Whitney Houston on the European leg of her My Love Is Your Love World Tour. Another single from that album, "Believe In You", a differently composed variant remix the second Atlantis level music from the video game Glover, was featured on one episode of Touched by an Angel and on its soundtrack as well as the 2002 direct-to-video film Kermit's Swamp Years, while Richie Sambora of Bon Jovi was the guest guitarist on the track "Why Don't You Love Me". She also co wrote a song "Right Here All Along" with Carole King, who also performed background vocals on the track. She was nominated as best songwriter at the 2000 Juno Awards.[9]

2001–2023: Everybody's Got a Story and further releases

[edit]

In 2001, Marshall released her third album, Everybody's Got a Story. It marked a change in style and sound for Marshall, with a noticeable R&B influence. Her singles "Everybody's Got a Story" and "Sunday Morning After" received some Canadian airplay, and for the album, Marshall worked with the likes of Peter Asher and Billy Mann.

Marshall's absence from the music scene was due to legal battles with her record label after she fired her management in 2002.[3] Those fights were not resolved for about 12 years.[10]

In 2003, she released a greatest hits album entitled Intermission: The Singles Collection, which was followed by another greatest hits album, Collections, in 2006. In 2008, yet another greatest hits album, The Steel Box Collection, was released.

In a 2012 radio interview, Marshall announced that she was working on a new album. In the interview, she explained to the radio host that "a new CD is in the works", and that she was "hopeful" of its release in 2013; however, the album never materialized. In an article, she said that the record was "70% done".

2023–present: Heavy Lifting

[edit]

On March 27, 2023, Marshall announced her new album, Heavy Lifting, which was released on June 9, 2023,[11] with "Rainbows in Gasoline" as the focus track, along with a Canada-wide tour.[12] She released the first single from that album, "I Hope She Cheats", a cover of Marsha Ambrosius's "Hope She Cheats on You (With a Basketball Player)", on March 31, 2023.[13] She then released her second single from that album, "Dawgcatcher", on May 18, 2023. On June 16, 2023, during her tour, Marshall performed 2 nights at Massey Hall in Toronto.[14][15]

The album won the Juno Award for Adult Contemporary Album of the Year at the Juno Awards of 2024.[16]

Discography

[edit]

Studio albums

[edit]
Year Album Chart positions Certifications
CAN AUS
[17] 		GER
[18] 		NZ
[19] 		UK
[20][21] 		US
[22] 		US
Heat
1995 Amanda Marshall 4 15 36 17 47 156 6 CAN: Diamond[2]
AUS: Gold[23]
1999 Tuesday's Child 4 84 18 — — — 30 CAN: 3× Platinum[2]
2001 Everybody's Got a Story 15 — 79 — — — — CAN: Platinum[24]
2023 Heavy Lifting — — — — — — — —

Compilations

[edit]
Year Album CAN
2003 Intermission: The Singles Collection 95
2006 Collections —
2008 The Steel Box Collection —

Singles

[edit]
Year Title Chart positions Album
CAN
[25] 		CAN
AC
[26] 		AUS
[17] 		GER
[27] 		NED
[28] 		NZ
[19] 		UK
[20] 		US
[29]
1995 "Let It Rain" 7 5 30 73 108 23 85 — Amanda Marshall
"Birmingham" 3 6 68 — — — — 43
1996 "Fall From Grace" 17 2 95 78 — — — —
"Beautiful Goodbye" 5 4 193 — 20 — 79 —
1997 "Dark Horse" 5 1 70 93 — — — —
"Sitting on Top of the World" 5 2 — — — — — —
"Trust Me (This Is Love)" 24 5 — — — — — —
1998 "Believe in You" 10 3 — 75 — — — — Tuesday's Child
1999 "Love Lift Me" 10 5 — — — — — —
"If I Didn't Have You" 31 11 — — — — 150 —
2000 "Shades of Gray" 25 27 — — — — — —
"Why Don't You Love Me?" 42 26 — — — — — —
2001 "Everybody's Got a Story" 6 — — — 92 — — — Everybody's Got a Story
2002 "Sunday Morning After" 20 — — — — — — —
"Marry Me" 19 — — — — — — —
"Double Agent" 19 — — — — — — —
2003 "The Voice Inside" — — — — — — — —
"Until We Fall In" — — — — — — — — Intermission: The Singles Collection
2023 "I Hope She Cheats" — — — — — — — — Heavy Lifting
"Dawgcatcher" — — — — — — — —

Soundtracks and appearances

[edit]
Year Single Album
1994 "Don't Let It Bring You Down" Borrowed Tunes: A Tribute to Neil Young
1996 "Dark Horse" Two If By Sea: Original Motion Picture Soundtrack
1997 "This Could Take All Night" Tin Cup: Music from the Motion Picture
"I'll Be Okay" My Best Friend's Wedding: Music from the Motion Picture
1998 "Believe in You" Touched by an Angel: The Album

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Amanda Marshall

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from Grokipedia
Amanda Marshall is a Canadian pop-rock singer-songwriter renowned for her powerful, soulful voice and hits such as "Birmingham" and "Let It Rain." Born on August 29, 1972, in Toronto, Ontario, to a Trinidadian mother and a white Canadian father, she grew up in a multicultural household that exposed her to a wide array of musical influences, including Barbra Streisand, the Rolling Stones, Motown, and AC/DC. Marshall's musical journey began early; she entered a recording studio for the first time at age six and was singing before she could walk, later studying piano at Toronto's Royal Conservatory of Music and performing in school choirs and bands while teaching herself guitar. At 16, she met guitarist Jeff Healey, which propelled her into professional music circles, leading to a record deal with Epic/Sony Canada that her parents co-signed due to her minor status. Her self-titled debut album, Amanda Marshall, released in 1995, became a massive success, achieving diamond certification in Canada (one million units sold) and selling over two million copies worldwide, with seven Top 30 hits on Canadian charts. The album earned her Juno Award nominations in 1996 and 1997, including for Single of the Year and Album of the Year, and she performed at the 1997 Juno Awards. Follow-up releases Tuesday's Child (1999) and Everybody's Got a Story (2001) both achieved multi-platinum status in Canada, with the former certified three times platinum and the latter platinum; during this period, she toured Europe as an opening act for Whitney Houston in 1999. By 1999, her albums had reached platinum status eight times in Canada alone. In 2002, Marshall entered a prolonged hiatus from the music industry following a legal dispute with her former manager, which limited her public appearances to sporadic performances, such as shows at Casino Rama in 2012. She received a Juno nomination for Pop Album of the Year in 2003 for Everybody's Got a Story. Marshall staged a comeback in 2023 with her fourth studio album, Heavy Lifting, co-written and produced with Rob Misener, featuring the single "I Hope She Cheats" co-written by Marsha Ambrosius; the album marked her return after 23 years and earned her first Juno Award for Adult Contemporary Album of the Year in 2024. She supported the release with performances at Massey Hall in Toronto and a cross-country tour in 2024, followed by additional shows in 2025 including Canada Day celebrations in Ottawa, the Montreal International Jazz Festival, a pop-up concert in Kelowna, and appearances in Calgary and at Casino Rama; that year also saw the 25th anniversary vinyl reissue of Tuesday's Child.

Early life

Childhood and family

Amanda Marshall was born on August 29, 1972, in Toronto, Ontario, Canada. She grew up in a biracial family, the daughter of a Trinidadian mother of African descent and a white Canadian father of English ancestry, which placed her at the intersection of an interracial marriage. This family dynamic fostered a home environment marked by cultural blending, as her parents' backgrounds introduced varied traditions and perspectives into daily life. Raised in Toronto, a vibrant and multicultural city, Marshall experienced an upbringing immersed in diverse communities, including neighborhoods like Kensington Market where she accompanied her mother on errands such as selecting live poultry from local vendors. This setting, combined with her family's own diversity, profoundly influenced her early worldview, emphasizing community connections and cultural openness over a more insular existence. Marshall has reflected on her biracial identity in her music, such as in the song "Shades of Gray," where she describes herself as "a woman who looks white but is actually Black". Outside of structured pursuits, her early interests leaned toward simple, exploratory activities like biking through the city and observing everyday life, which honed her sense of independence and attentiveness to her surroundings. School life in Toronto's public system provided a backdrop for these experiences, though specific extracurricular involvements beyond general community engagement remain undocumented in available accounts.

Musical beginnings

Marshall's interest in music manifested early, as she began singing before she could walk and entered a recording studio for the first time at age six, where she observed a classmate's mother recording commercial jingles, sparking a profound connection to the recording process. Supported by her family's encouragement and diverse musical environment, she participated in school activities such as singing in choir and playing in the band, while teaching herself to play guitar during her childhood in Toronto. Her formal training included classical piano lessons starting at age three at the Royal Conservatory of Music, where she studied until age 17, though she received no structured vocal instruction. During her teenage years, Marshall immersed herself in Toronto's vibrant music scene, performing in local clubs along Queen Street West as a bluesy vocalist, often covering jazz and pop standards that reflected the city's eclectic influences. At age 16, she met Canadian guitar legend Jeff Healey, who became a pivotal mentor; he encouraged her to perform at an open-mic night and soon invited her to open for his band, leading to extensive touring across North America where she honed her skills as a backup singer and live performer. These experiences exposed her to professional jazz and pop environments, including collaborations with established artists, and she was introduced to influences such as Stevie Ray Vaughan and Bonnie Raitt through Healey.

Career

Debut and breakthrough (1995–1998)

In 1994, following her discovery by guitarist Jeff Healey at a Toronto nightclub two years earlier, Amanda Marshall signed a recording contract with Sony Music Canada. Her self-titled debut album, Amanda Marshall, was released on October 17, 1995, and primarily produced by David Tyson, with additional production contributions from Tony DeFranco and others. The album featured a blend of pop-rock and soul influences, showcasing Marshall's distinctive, powerful vocal style that drew comparisons to artists like Aretha Franklin. The record spawned several hit singles in Canada, including "Let It Rain" (peaking at No. 7 on the RPM Top Singles chart in 1995), "Birmingham" (No. 3 in 1996), and "Dark Horse" (No. 5 in 1996). "Birmingham" also marked her only entry on the US Billboard Hot 100, reaching No. 43. Critically, the album received praise for Marshall's emotive delivery and songwriting, with reviewers highlighting tracks like "Fall from Grace" and "Beautiful Goodbye" as standouts for their emotional depth and vocal range. Amanda Marshall achieved massive commercial success in Canada, selling over one million copies and earning Diamond certification from Music Canada—one of only 18 albums in the country's history to reach that milestone. Internationally, the album was released in over 15 countries, attaining gold or platinum status in markets including Norway, the Netherlands, and Australia, and selling more than two million copies worldwide. Marshall supported the release with extensive touring, including dates across Canada alongside Jeff Healey and Tom Cochrane, as well as her first international performances in Europe and Asia. At the 1996 Juno Awards, Marshall earned her first nomination for Best New Solo Artist, recognizing her rapid rise as a formidable talent in Canadian music, though the award went to Ashley MacIsaac.

Tuesday's Child era (1999–2000)

Amanda Marshall's second studio album, Tuesday's Child, was released on June 22, 1999, in Canada by Epic Records. The record was primarily produced by Don Was, known for his work with artists like Bonnie Raitt and Bob Dylan, with co-production credits on select tracks going to Eric Bazilian and Kevin Shirley. Marshall contributed to the songwriting across the album, which explored themes of love, resilience, and personal growth through a mix of pop-rock ballads and upbeat tracks. The album achieved significant commercial success, debuting in the top five on the RPM Canadian Albums chart and eventually certified triple platinum by the Canadian Recording Industry Association (CRIA, now Music Canada) for shipments exceeding 300,000 units. Key singles from Tuesday's Child included "Believe in You," which peaked at No. 3 on the RPM Top Singles chart and No. 1 on the Adult Contemporary chart, and "Shades of Grey," reaching No. 23 on the Top Singles chart. Another notable release was "Love Lift Me," which climbed to No. 10 on the Top Singles chart. These tracks highlighted Marshall's evolving songwriting, blending introspective lyrics with her signature emotive delivery. In support of the album, Marshall toured extensively across Canada and the United States from late 1999 into 2000, performing at major venues and festivals, including sold-out shows in cities like Toronto and Vancouver. She also made prominent media appearances, such as on Canadian television programs, boosting the album's visibility. The era marked a peak in her mainstream popularity, with Tuesday's Child earning a Juno Award nomination for Best Female Artist in 2000. Marshall's vocal style maintained the soulful intensity from her debut while incorporating more mature, nuanced phrasing.

Everybody's Got a Story and hiatus (2001–2022)

Amanda Marshall released her third studio album, Everybody's Got a Story, on September 18, 2001, marking it as her final project under EMI. The album featured two notable singles: "Everybody's Got a Story," which peaked at No. 24 on the Canadian charts, and "Ride," which reached No. 42. It achieved Gold certification in Canada, reflecting sales of over 50,000 copies, a testament to her enduring appeal despite shifting industry dynamics. In the immediate aftermath, the album received moderate critical attention but struggled to maintain the momentum of her earlier successes, partly due to a changing music landscape and limited promotional support from EMI. Following the album's release, Marshall faced significant professional challenges, including the firing of her manager in 2002 amid contract disputes and growing industry burnout. This marked the beginning of a prolonged hiatus from public life that spanned over two decades. During this period, she withdrew to focus on personal recovery, engaging in therapy and private songwriting, with only occasional appearances at charity events keeping her name in the public consciousness. Her absence was characterized by a loss of label support, yet her earlier hits continued to resonate with fans through radio play, preserving a dedicated following. The hiatus also reflected a period of introspection, with Marshall drawing on influences from jazz to inform her private creative work, though she remained largely out of the spotlight. This withdrawal allowed her to step back from the pressures of the music industry, prioritizing her well-being over a public career, though it left her discography paused until her eventual return. Her limited activity during these years underscored a significant shift from her earlier prolific output, highlighting both personal resilience and the challenges of sustaining a music career in the early 2000s. Sources:

Return with Heavy Lifting (2023–present)

In March 2023, Amanda Marshall announced her independent return to the music industry after a lengthy hiatus, revealing plans for her fourth studio album, Heavy Lifting, which she self-produced for the first time in her career. The album, released on June 9, 2023, via Coalition Music, marked her first full-length project in over two decades and featured 11 tracks blending soulful pop with introspective storytelling. Key singles from Heavy Lifting included "I Hope She Cheats," released on March 31, 2023, and "Rainbows in Gasoline," which accompanied the album launch. These songs delved into themes of resilience amid personal challenges and introspection on emotional growth, reflecting Marshall's experiences during her time away from the spotlight. The album garnered positive critical reception for its raw lyricism and Marshall's signature vocal power, earning her the Juno Award for Adult Contemporary Album of the Year at the 2024 Juno Awards. This success paved the way for a national tour in summer 2024, where she performed hits from the new record alongside fan favorites, solidifying her comeback. In 2025, Marshall continued her momentum with a standout performance of "Let It Rain" at the Canada Day celebrations in Ottawa on July 1, captivating audiences with her enduring stage presence. That same year, her 1999 album Tuesday's Child received a vinyl re-release for its 25th anniversary, pressed for the first time in limited-edition formats including translucent blue and black variants. Ongoing live shows, such as her October 11 appearance at Casino Rama Resort, highlighted her active touring schedule, while Marshall has been actively songwriting, hinting at future projects amid her renewed creative independence.

Musical style and influences

Style evolution

Amanda Marshall's musical style emerged in her 1995 self-titled debut album as a potent blend of pop-rock and blues, characterized by powerful, soulful vocals that excelled in anthemic ballads and up-tempo rock tracks. Her emotive delivery, often described as sending "shivers down the spine," infused introspective ballads with raw intensity, while the album's radio-friendly adult contemporary sound balanced energetic rock elements with moody, bluesy undertones. By her second album, Tuesday's Child (1999), Marshall's style matured into a more narrative-driven adult contemporary framework, emphasizing storytelling through co-written songs that showcased her strengthened songwriting involvement. The record maintained pop-rock foundations but leaned toward emotive, radio-oriented tracks with a polished, consistent energy, surpassing the debut in cohesion and vocal expressiveness without weak moments. This period marked a subtle shift toward greater personal investment in lyrical depth. Her third album, Everybody's Got a Story (2001), represented a bolder evolution, incorporating R&B influences alongside pop-rock and subtle jazz elements through sassy backup vocals, sensual tones, and snapping beats. Producers Peter Asher and Billy Mann added forward-leaning arrangements with cutting-edge touches like scratches and synths, creating an ambitious, genre-blending sound that departed from the warmer, timeless feel of prior works while highlighting Marshall's husky, blues-rock belting. Following a two-decade hiatus, Marshall's return with Heavy Lifting (2023) reflected a raw, co-produced indie approach with Robert Misener, prioritizing authenticity through semi-autobiographical lyrics and a mature blues-rock core infused with soulful funk, southern-rock grooves, and irreverent humor. The album's personal tone, developed over 15 years of independent tinkering free from label pressures, contrasted her earlier earnest pop-rock by embracing sarcasm and emotional depth in tracks like "I Hope She Cheats," evolving toward a more reflective adult contemporary style. Throughout her career, Marshall's style has consistently blended R&B, rock, and pop, with her powerful, smoky vocals serving as a unifying thread that adapted from youthful anthems to introspective narratives. The hiatus amplified this progression, fostering a sound rooted in lived experience and vocal versatility, which has persisted in her live performances as of 2025.

Key influences

Amanda Marshall's musical influences draw heavily from the diverse sounds of her Toronto upbringing in a biracial family, with a Trinidadian mother and white Canadian father, exposing her to a multicultural array of genres from an early age. This background fostered an appreciation for pop, rock, Motown, soul, and blues, including artists like Barbra Streisand, the Rolling Stones, the Pointer Sisters, Carole King, Whitney Houston, Anita Baker, Prince, and RUN-D.M.C. Early in her development, Marshall was shaped by jazz vocal traditions through her immersion in Toronto's vibrant music scene, where she performed in local bars and encountered influences blending folk, jazz, and rhythm and blues. Rock elements, particularly the blues-infused guitar work of Stevie Ray Vaughan—introduced via fellow Toronto musician Jeff Healey—also played a pivotal role, alongside Buddy Guy, Bonnie Raitt, and Chris Whitley, informing her powerful, husky vocal delivery. Soulful vocalists such as Aretha Franklin and Etta James, combined with the raw intensity of Janis Joplin, further honed her emotive style. Broader inspirations include songwriters emphasizing storytelling and social commentary, whose works resonated with Marshall's own themes of identity and complexity. Tracks like Public Enemy's "Fight the Power" highlighted music's role in addressing race and civil unrest, reflecting her personal experiences as a biracial artist navigating racial identity in songs that explore feeling "white but actually Black." Melissa Etheridge's "Bring Me Some Water" encouraged bolder creative risks, while Whitney Houston's "How Will I Know" mirrored her youthful aspirations in pop-soul expression. Following her extended hiatus, Marshall's return with Heavy Lifting (2023) incorporates reflections from personal life events, infusing themes of resilience and levity drawn from two decades of introspection away from the spotlight. Her mixed heritage continues to influence compositions, merging Western pop-rock with subtle Caribbean rhythms from her Trinidadian roots, evident in the album's lyrical depth and empowering narratives of self-acceptance.

Discography

Studio albums

Amanda Marshall has released four studio albums throughout her career, each showcasing her evolution as a singer-songwriter with a blend of pop, rock, and soul influences. Her debut album marked a commercial breakthrough in Canada, while subsequent releases built on her established sound amid varying levels of success. The most recent album represents her independent return after a long hiatus.
AlbumRelease DateLabelNumber of TracksCertification (Canada)
Amanda MarshallOctober 17, 1995Epic Records (Sony Music Canada)10Diamond (1,000,000 units)
Tuesday's ChildJune 22, 1999Epic Records (Sony Music Canada)113× Platinum (300,000 units)
Everybody's Got a StoryDecember 11, 2001Columbia Records (Sony Music Canada)11Platinum (100,000 units)
Heavy LiftingJune 9, 2023Coalition Music / The Orchard11-
The self-titled debut album Amanda Marshall, produced primarily by David Tyson, features introspective ballads and upbeat tracks that propelled Marshall to national prominence, with hits like "Let It Rain" and "Birmingham" driving its massive sales. Its Diamond certification makes it one of only 18 Canadian albums to achieve that status. Tuesday's Child, also produced by Tyson, explores themes of love and resilience across its tracks, including the single "Believe in You." The album's 3× Platinum status reflects strong fan support following her breakthrough. On Everybody's Got a Story, Marshall collaborated with producers Peter Asher and Billy Mann, incorporating more diverse influences like Latin rhythms in songs such as "The Gypsy." It earned Platinum certification, solidifying her catalog despite industry challenges. Heavy Lifting, co-written and co-produced by Marshall and Rob Misener, features her handling much of the writing and performance for a raw, personal collection emphasizing empowerment and reflection. The album won the Juno Award for Adult Contemporary Album of the Year in 2024.

Compilation and other releases

In 2003, Amanda Marshall released Intermission: The Singles Collection, a greatest hits compilation featuring selections from her first three studio albums along with two new tracks, "Until We Fall In" and "Cross My Heart." The album, issued by Epic Records, spans 16 songs and highlights her major singles up to that point. The track listing is as follows:
  1. Let It Rain
  2. Birmingham
  3. Dark Horse
  4. Beautiful Goodbye
  5. Fall from Grace
  6. Sitting on Top of the World
  7. Believe In You
  8. Love Lift Me
  9. If I Didn't Have You
  10. I'll Be Okay
  11. Until We Fall In (new)
  12. Cross My Heart (new)
  13. Let It Rain (Remix)
  14. Birmingham (Live)
  15. Dark Horse (Live)
  16. Beautiful Goodbye (Live)
To mark the 25th anniversary of her 1999 album Tuesday's Child, Marshall issued its first vinyl edition in 2024 as a limited-edition double LP in translucent blue. This reissue includes the original track listing plus the Japan-exclusive bonus track "Just Love Me," co-written with Carole King, and is available through her official webstore. A bundle option pairs the vinyl with a signed poster, emphasizing its collectible appeal for fans. No certifications have been reported for this reissue as of November 2025. No holiday-themed singles or EPs appear in Marshall's discography.

Singles

Amanda Marshall's singles career spans over two decades, with more than 10 releases primarily achieving success on Canadian charts through the RPM era and later Nielsen SoundScan metrics. Her early singles from the 1995 self-titled debut album established her in Canada, while select tracks garnered international attention, including entries on the U.S. Billboard Hot 100 and Adult Top 40 charts. Later releases from subsequent albums maintained moderate domestic performance, and her 2023 comeback singles marked a return without major chart peaks reported to date. The following table lists her major singles, including release years, associated albums, peak positions on key charts, and any certifications where applicable.
Single TitleRelease YearAlbumCanada (RPM Top Singles or Equivalent)U.S. Billboard Hot 100U.S. Adult Top 40Other Notable Charts/Certifications
Let It Rain1995Amanda Marshall#7——Gold in Australia
Birmingham1996Amanda Marshall#3#43——
Beautiful Goodbye1996Amanda Marshall#5———
Dark Horse1996Amanda Marshall#11———
Fall from Grace1997Amanda Marshall#8—#19—
Sitting on Top of the World1997Amanda Marshall#23———
If I Didn't Have You2000Tuesday's Child#4———
Everybody's Got a Story2001Everybody's Got a Story#6———
Rainbows in Gasoline2023Heavy Lifting————
I Hope She Cheats2023Heavy Lifting————

Guest appearances and soundtracks

Marshall's early career included contributions to tribute albums and film soundtracks, showcasing her vocal range in collaborative settings outside her solo work. In 1994, prior to her debut album, she covered Neil Young's "Don't Let It Bring You Down" for the compilation Borrowed Tunes: A Tribute to Neil Young, a two-disc set featuring various Canadian artists honoring Young's catalog. Her involvement in film soundtracks began in 1996 with two notable appearances. She performed "Dark Horse," co-written with Dean McTaggart and David Tyson, for the romantic comedy Two If by Sea, contributing to its eclectic mix of tracks by artists including Sinéad O'Connor and Alannah Myles. Later that year, "This Could Take All Night" featured on the soundtrack for the sports drama Tin Cup, starring Kevin Costner, where it served as an end-credits song emphasizing themes of romance and perseverance. In 1998, she contributed "Believe In You" to Touched by an Angel: The Album, a soundtrack tied to the CBS television series of the same name. This inspirational ballad, available in both full-length and radio edit versions, aligned with the show's themes of faith and redemption, appearing alongside tracks by Wynonna Judd and CeCe Winans. During her hiatus from 2001 to 2023, Marshall made no verified guest appearances or soundtrack contributions, focusing instead on personal and creative endeavors. Her return with Heavy Lifting in 2023 did not immediately yield new collaborative releases in these areas as of November 2025.

References

  1. https://www.encyclopedia.com/education/news-wires-white-papers-and-books/marshall-amanda
  2. https://www.amandamarshall.com/about
  3. https://www.thestar.com/entertainment/music/after-23-years-out-of-the-spotlight-a-canadian-superstar-returns-with-a-new-album/article_7bb29fb9-049a-5af3-ab02-4c84f9f37b23.html
  4. https://musiccanada.wordpress.com/2011/08/03/amanda-marshall/
  5. https://www.thecanadianencyclopedia.ca/en/article/amanda-marshall
  6. https://www.imdb.com/name/nm0550740/awards/
  7. https://www.amandamarshall.com/
  8. https://globalnews.ca/video/10527136/amanda-marshall-from-juno-triumph-to-summer-tour
  9. https://www.youtube.com/watch?v=YfZ38PBOcgw
  10. https://montreal.citynews.ca/2025/06/27/amanda-marshall-montreal-jazz-festival/
  11. https://www.victorianow.com/watercooler/news/news/Entertainment/Amanda_Marshall_plays_free_surprise_pop_up_concert_at_Kelowna_brewery/
  12. https://musicianguide.com/biographies/1608002493/Amanda-Marshall.html
  13. https://ethnicelebs.com/amanda-marshall-2
  14. https://torontolife.com/culture/amanda-marshall-heavy-lifting/
  15. https://canadianbands.com/amanda-marshall/
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  17. https://www.csmonitor.com/1997/0407/040797.feat.music.2.html
  18. https://calgaryherald.com/entertainment/local-arts/the-cautious-comeback-of-amanda-marshall
  19. https://beta.dailyvault.com/review/amanda-marshall-christopher-thelen/
  20. https://beta.dailyvault.com/review/tuesdays-child-christopher-thelen/
  21. https://tinnitist.com/2021/11/16/classic-album-review-amanda-marshall-everybodys-got-a-story/
  22. https://edmontonjournal.com/entertainment/local-arts/after-two-decades-keeping-a-low-profile-amanda-marshalls-back-in-action
  23. https://www.discogs.com/release/28634593-Amanda-Marshall-Heavy-Lifting
  24. https://www.jango.com/music/Amanda%2BMarshall/_full_bio
  25. https://torontoguardian.com/2023/10/toronto-music-amanda-marshall/
  26. https://www.cbc.ca/music/amanda-marshall-5-songs-whitney-houston-to-public-enemy-1.6876165
  27. https://music.apple.com/us/album/heavy-lifting/1683407291
  28. https://www.discogs.com/release/778549-Amanda-Marshall-Intermission-The-Singles-Collection
  29. https://www.amazon.com/Intermission-Amanda-Marshall/dp/B0000YTQBK
  30. https://music.apple.com/ca/album/intermission-the-singles-collection/298180776
  31. https://www.discogs.com/release/31205641-Amanda-Marshall-Tuesdays-Child
  32. https://amandamarshallstore.com/products/tuesdays-child-vinyl-translucent-blue
  33. https://open.spotify.com/artist/2ON3fLFbL1rHfHEjeYNKsO
  34. https://www.discogs.com/release/3303043-Various-Borrowed-Tunes-A-Tribute-To-Neil-Young
  35. https://www.imdb.com/title/tt0118002/soundtrack/
  36. https://www.imdb.com/title/tt0120490/soundtrack/
  37. https://music.apple.com/us/album/touched-by-an-angel-the-album/201362483
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