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Anberlin is an American alternative rock band formed in Winter Haven, Florida, in 2002. Since the beginning of 2007, the band consists of lead vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young.

Key Information

Members of Anberlin originally formed a band under the name SaGoh 24/7 in 1998, realizing two studio albums before disbanding, with the members having a change in musical direction and name. Anberlin was formed in 2002; within a year of forming, they had signed with semi-independent record label Tooth & Nail Records and released their debut album, Blueprints for the Black Market. In 2005, the band released their second album, Never Take Friendship Personal.[4] The band's third album, Cities, was released in 2007, and became their first album to reach the top 20 of the Billboard 200, selling 34,000 copies in its debut week.[5]

Anberlin signed with major label Universal Republic in 2007[6] and in 2008 released New Surrender, which peaked at No. 13 on the Billboard 200,[7] with the first single, "Feel Good Drag", claiming No. 1 on the Alternative Songs chart, after 29 weeks in the chart.[8] Prior to the 2010 release of their fifth studio album, Dark Is the Way, Light Is a Place, Anberlin had sold over 1,000,000 albums.[9] Their sixth studio album Vital was released October 16, 2012, and rereleased on Big3 Records under the title Devotion a year later, October 15, 2013.

On January 16, 2014, it was announced that Anberlin would be disbanding in 2014 after recording their seventh studio album, Lowborn, on their original label, Tooth & Nail Records, and touring one last time.[10] After performing concerts in late 2018, the group reunited to tour through 2019. In May 2020, Christian mentioned they were working on new material.[11] Anberlin released their new EP Silverline on July 29, 2022.[12]

In October 2023, Christian announced he was taking an indefinite hiatus from touring with the band and was replaced by Memphis May Fire's Matty Mullins.[13]

History

[edit]

SaGoh 24/7 and the origins of Anberlin (1998–2002)

[edit]

Lead singer Stephen Christian met bassist Deon Rexroat while they were both in high school, and they formed a punk band called SaGoh 24/7. Drummer Sean Hutson and guitarist Joseph Milligan joined the group as well. The band released two albums, Servants After God's Own Heart (1999), and Then I Corrupt Youth (2001), both under Rescue Records.[14] After the albums sold only 1,300 units,[15] Hutson left the band to start a family, and Nathan Young was brought in as a replacement.

Christian, Milligan and Rexroat began working on a side project, marking the beginning of the end for SaGoh 24/7. The side project's sound transformed after a suggestion from Milligan to develop more of a rock sound for Anberlin.[14] They used money left over from shows SaGoh had performed and teamed up with producer Matt Goldman to record five demos. The demos that were then posted on PureVolume (which was mp3.com at the time). On the advice of friends, including Chad Johnson, and Timmy McTague from Underoath, the band signed with Tooth & Nail Records.[16]

Blueprints for the Black Market and Never Take Friendship Personal (2002–2005)

[edit]
Bassist Deon Rexroat performing at Purple Door in August 2007

Out of the five demos Anberlin recorded with Matt Goldman, three were eventually chosen to be reworked for the band's debut album, the lead single "Readyfuels", "Driving" (later renamed "Autobahn") and "Foreign Language". Another song, "Embrace the Dead", was also recorded as a demo track and is often mistaken as an Anberlin song, however, the song didn't make it onto the band's debut album as it didn't constitute the stylistic direction the band wanted to head in.[16]

After hearing demos from the band Acceptance, Anberlin chose to record their debut album with the same producer, Aaron Sprinkle, creating a relationship that would last the entire duration of their time with Tooth & Nail Records.[16] Barely a year after their formation, their first album as a new band was entitled Blueprints for the Black Market (2003). It failed to chart, but spurred on by their debut single, "Readyfuels", the album sold over 60,000 units.[17] They toured steadily with other bands in their label.[citation needed]

Rhythm guitarist Joey Bruce was eventually ejected from the band. According to Christian, he was "all about sex, drugs and rock & roll", and was going in a different direction than the rest of the band.[15] After several failed replacements, Nathan Strayer from The Mosaic took over rhythm guitar duties.

Anberlin released their follow-up to Blueprints, Never Take Friendship Personal, in early 2005, again produced by Aaron Sprinkle. Charting at No. 144 on the Billboard 200,[7] the album brought the band closer to the mainstream. NTFP was generally more well received by critics than Blueprints for the Black Market.[citation needed] Before its release, the band promoted the album by releasing a track per week on their PureVolume and MySpace website accounts, as well as on their own website. Two singles were released from the album: "A Day Late" and "Paperthin Hymn". Both were reasonably successful on alternative rock radio, with the latter peaking at the No. 38 position on the Hot Modern Rock Tracks chart.[18]

Anberlin participated in a number of compilations during this time, recording covers of Bob Dylan's "Like a Rolling Stone", Depeche Mode's "Enjoy the Silence," and the song "Christmas (Baby Please Come Home)".[19][20]

Cities and Lost Songs (2005–2007)

[edit]
Performing in Las Cruces, NM at the 2007 Warped Tour

Anberlin's third album produced by Aaron Sprinkle was released in early 2007 under the title Cities. It sold 34,000 copies in its first week of release, debuted at No. 19 on the Billboard 200 chart, and, like their previous album, received fairly positive reviews from critics. Before the release of Cities, the band released Godspeed EP exclusively through the iTunes Store in late 2006 to give a preview to the new album. In support of the album, Anberlin held their first headlining tour, supported by Bayside, Meg & Dia and Jonezetta.

In an interview about the album, Christian commented that the lyrics throughout the band's discography are progressively becoming more mature. "The first CD (Blueprints for the Black Market) was childish in the manner that it was Man vs. World in the lyrics. The second (Never Take Friendship Personal) was Man Vs. Man. Cities is more adult in the manner that it's Man Vs. Self.[21][22] Cities was the most anticipated album on Jesus Freak Hideout's Most Anticipated Albums of 2007.[23]

Three to four weeks before the release of Cities, it was announced that guitarist Nathan Strayer amicably left the band to go back to the Mosaic and that Christian McAlhaney, formerly of the band Acceptance, would take over as the new guitarist.[24]

A compilation album of unreleased material, called Lost Songs, was released on November 20, 2007. It features B-sides, demos, covers, and acoustic versions of their previous songs as well as other tracks recorded at Sessions@AOL.[25]

Universal Republic signing and New Surrender (2007–2009)

[edit]
Performing at the Commodore Ballroom in May 2009

The band signed to Universal Republic on August 16, 2007, and soon after began to write material for their major-label debut, entitled New Surrender, which was released on September 30, 2008.[6] This was the band's first album to not be distributed through Tooth & Nail Records or produced by Aaron Sprinkle. The first song to be heard from the new album was tentatively titled "Bittersweet Memory" during its initial live performances; it was later renamed to "Breaking", with an acoustic remix of the song included on USB wristbands sold exclusively during the 2008 Warped Tour. On July 11, 2008, the band showcased a second new song called "Disappear" on their MySpace profile.[26] The first actual single from the album was the re-recorded "Feel Good Drag" which was set to go to radio on August 18[27] - eventually being released on August 26.[28]

The band booked eight weeks of recording sessions with noted producer Neal Avron (New Found Glory, Yellowcard, Fall Out Boy) in early February 2008. Stephen Christian stated in an interview, "We're very excited about working with Neal; I think our fans are going to be pleased when they hear the final result."[29] Christian also discussed the difficulties in writing this record. "When you try to write 29 songs lyrically you find yourself topically working in circles; I only go through so much in one year, but needlessly I have dedicated myself to begin searching books, art, and friends for new directions."[30] During the recording process, the band set up a live webcam in the studio so fans could watch them record the album via the band's MySpace profile. New Surrender was placed at the No. 2 spot on Jesus Freak Hideout's 25 Most Anticipated Albums of 2008.[31]

In the week of its release, the album sold 36,000 units, entering the Billboard 200 chart at No. 13.[32] It also placed at No. 5 on the Top Current Rock chart, according to a Universal Republic press release.[33] In support of the album, the band embarked on a fall headlining U.S. tour alongside Scary Kids Scaring Kids, Straylight Run, and There For Tomorrow. Kyle Flynn, formerly of the band Acceptance, joined the band while on tour doing keys, loops, acoustic guitar, and background vocals. The band then traveled to the United Kingdom where they supported Elliot Minor and played a handful of headlining shows with Furthest Drive Home and Data.Select.Party.

Anberlin went into the studio to record several tracks, including a cover of the New Order song "True Faith", which was made available online. The band also recorded a cover of the Danzig song "Mother", which they performed during an interview with Billboard.[34] After supporting Taking Back Sunday throughout May and June 2009, the band planned to start writing the follow-up to New Surrender in the summer, but the release date was undetermined, as the band needed to give the new material the proper time and effort.[35] They also undertook an Australian tour in August, alongside The Academy Is....[36] A b-side from New Surrender, "A Perfect Tourniquet", was released on the soundtrack for the TV show 90210. The cover of New Order's "True Faith" was released to radio airplay on November 17,[37] the same day as the Tooth & Nail released Blueprints for City Friendships: The Anberlin Anthology, which is a 33-song, three-album set including all the songs from their Tooth & Nail studio albums.

Dark Is the Way, Light Is a Place (2010–2011)

[edit]

In an interview with the South Florida Sun-Sentinel in December 2009, it was revealed by lead singer Stephen Christian that the band were tentatively due to enter the studio in the beginning of 2010, with a release probable later in the year. He said "it looks like we are going to go to the studio in January, February or March, right around that time".[38] Drummer Nathan Young stated that the album would be "less poppy" and "darker".[39] Christian posted on his Twitter account in December 2009, that his choice for an album name was "a go" but did not reveal the name.[40]

The band entered Blackbird Studios, Nashville, to begin recording the album in March 2010.[41] It was announced on March 3 that the band would be working with Grammy Award-winning producer, Brendan O'Brien.[42] The tracking of the album was completed on April 9,[43] with mixing commencing on April 13, 2010.[44] In an April 2010 interview with MyMag, Christian stated that the album's release date is "looking like late July or early August" 2010.[45] However, in a May 2010 interview with Spin Magazine, McAlhaney stated that the album would be released in September 2010.[46]

In early June 2010, the album's release date was confirmed to be September 21, 2010.[47] The band also began exposing their new music, with videos of live performances of the album's songs appearing online.[48] A press release revealed on June 17 that Anberlin's fifth studio album would be titled Dark Is the Way, Light Is a Place, taking its title from a line in Dylan Thomas’ "Poem on His Birthday". Along with the disclosure of a track listing, the press release also announced the album's lead single, "Impossible",[49] which went to radio play on July 12, 2010.[50]

When asked about the possible impact of the new album, Stephen replied 'I feel like we're on the brink of something... either world domination or destruction, but either way we're on the brink'.[51]

Anberlin supported Thirty Seconds to Mars on their Closer to the Edge Tour with CB7 during April and May 2011.[52]

Vital and Devotion (2012–2013)

[edit]

In an interview with Common Revolt, Stephen Christian stated that the band had begun work on their next album. A few songs had been written, including one with the working title "Control" (later renamed Orpheum), and a song influenced by the events in Egypt [53] (later confirmed to be "Someone Anyone").[54]

The band announced via Facebook and e-mail in February 2012 that they would be returning to Aaron Sprinkle to record their upcoming album.[citation needed] The band recorded their first three albums with Sprinkle; not only is he a good friend of the band but also a fan favorite. The band will begin recording around the start of March, and are not expected to be finished until May.[55][non-primary source needed] In a 2011 interview, Stephen Christian announced their new album is finally done.[53] On June 11, during the Nashville show of their acoustic tour, Stephen Christian announced that the title of the new record would be Vital, calling the record "their most aggressive to date" and also announced a fall release date.[56] On July 31, the band announced on their official website that Vital was to be released on October 16.[57]

The new album's opening track, "Self-Starter",' was streamed on Billboard.com for free listening on August 17.,[58] and the album's second single, "Someone Anyone" was released on August 22.[59][non-primary source needed]

Infectious Magazine reported on October 26, 2012, that the band had already "made a lot of headway writing for the next record".[60]

The band released "City Electric" on September 20, 2013.[61] It is the first of three new and previously unreleased tracks from their rework of Vital, Devotion which was released on October 15, 2013.[62]

Return to Tooth & Nail, Lowborn and breakup (2014)

[edit]

On the January 16, 2014, the band posted a video in which the band confirmed that this year would be their last and that they would release their seventh, and seemingly final, studio album in mid-2014 on their original label, Tooth & Nail Records. They also stated that they would do their last set of tours following the release to celebrate what the band had become.[10] On May 6, 2014, Anberlin revealed the title of the album, Lowborn, as well as the album artwork.[63] The band played their final show on November 26, 2014, at the House of Blues in Orlando, Florida.[64]

On December 15, 2017, it was announced that the band's former rhythm guitarist Nathan Strayer had died.[65] He was 34.[66]

Reunions, Equal Vision signing and Vega (2018–present)

[edit]

On October 18, 2018, the band announced that they would reunite for one show on December 14 at the Yuengling Center in Tampa, Florida, as part of Underoath's Erase Me Tour.[67] They subsequently announced their first comeback show would be the 13th, a "secret show" at The Orpheum in Tampa.[68] The band implied at these shows that they were coming back full time, as reflected in their social media saying they've been back from 2018 to present.[69] In March 2019, it was announced that the band would perform a series of headlining shows across Australia in May 2019.[70] This expanded to an announcement of a 22-stop U.S. tour the following month.[71] Young stated the band had no plans for a full comeback after the reunion shows.[72] However, Christian revealed in May 2020 that they had reversed course and were in the process of recording new music.[11]

On September 2, 2021, the band released their first new song in over seven years, "Two Graves" on their Youtube channel, and began touring two days later to promote the song.[73]

Anberlin released an EP, Silverline, on July 29, 2022, via Equal Vision Records,[74] with whom they signed earlier in the month. Mixed by Jeremy SH Griffith and Mastered by Jonathan Berlin at The Loft Studio LA.

On June 9, 2023, Anberlin released a single entitled “Lacerate” via Equal Vision Records. It was the first single to feature guitarist Christian McAlhaney on lead vocals and the first from the EP Convinced, which was released on June 30, 2023.[75] Mixed by Jeremy SH Griffith and Mastered by Jonathan Berlin at The Loft Studio LA. After the EP's release, the band appeared at the 3-day Furnace Fest event in September.[76]

On October 10, 2023, lead singer Stephen Christian initially announced an indefinite hiatus from the band for touring. Memphis May Fire singer Matty Mullins was named Anberlin's new live lead vocalist.[13] On June 14, 2024, the band announced their album Vega, which is the combination of their 2022 and 2023 EPs Silverline and Convinced, with a release date of August 2, 2024, as well as featuring two songs with Mullins on lead vocals, "Walk Alone" and "Seven", the former released on June 21 with a music video.[77][78][79] One day before the album's release, the band released the music video for "Seven".[80] On March 21, 2025, the band released Nevertake – a re-recorded version of Never Take Friendship Personal with Mullins on lead vocals.[81]

Origin of name

[edit]

Anberlin lead vocalist Stephen Christian has stated different origins of the band's name in various interviews, prevalent among which was his claim that he had long intended to name his first daughter Anberlin. Struggling to find a name for the band, Stephen suggested it; "We were all sitting around trying to come up with a name. None of us were married or had kids, but one day I was going to name my daughter Anberlin, so I figured we could name the band that until we thought of something better. So we chose Anberlin and no one has thought of anything better."[82] He stated he was no longer going to use Anberlin to name his first daughter, however he said, "If I ever have a daughter and name her Anberlin, she'll think she was named after the band instead of the other way around."[83] Christian had also stated in another interview that the band's name was created when he was thinking about cities in Europe he wanted to visit. In his mind he listed "London, Paris, Rome, and Berlin." Christian thought that "and Berlin" would be an appropriate name for a band, and so when the band was looking for a name Christian suggested "And Berlin," which was then modified to "Anberlin."[84][85]

Christian has since retracted those comments admitting that when the band first started, in interviews they "would take turn making stories about how it came to be" as a joke, as he believed the actual origin of the band name wasn't interesting enough. Christian said there was a story about how his grandfather had "saved a little girl from a World War II bombing... her name was Anberlin" and that they had hit a dog, which had the name Anberlin, with the stories getting more diverse, it was decided they reveal the true origin.[86] He has said the "real" name came from the Radiohead song "Everything in Its Right Place", stating that "There are several stories that have circulated on the internet, but the actual story is when I was in college my favorite band was Radiohead; on one of their songs off the record Kid A there is a background noise on the song "Everything in Its Right Place" (about 2 minutes 31 seconds into the song). While Thom (Yorke) is singing try to say I always thought the background noise sounded like Anberlin, I always thought that Anberlin would have been a great band name and well...it was/is."[38][87][88]

Christianity

[edit]

Over the years, many fans, critics, and other members of the media have consistently characterized Anberlin as a Christian band. However, Stephen Christian stated in an interview that their faith is more complicated than a simple label: "I think we're categorized like that a lot because we're on Tooth & Nail Records, which, years ago, was known as a Christian label and never lost that reputation. I don't care who listens to our records. If it helps people in whatever circumstances they're in, that's amazing, but I definitely don't classify us as a Christian band."[82] Elsewhere, Christian has remarked, "[My faith] affects every single aspect of my life, but I'm not a preacher, I'm an entertainer."[89]

Despite these statements and others of the like, multiple sources list the band as part of the Christian rock genre, and some Anberlin song lyrics do contain Christian references. Furthermore, the band appears at Christian music festivals such as Parachute Music Festival and Cornerstone Festival, and their songs have been included on Christian rock compilation CDs[90] and DVDs.[91] They are also played on the Gospel Music Channel.[92]

Anberlin has also been repeatedly featured in Christian rock magazine HM (Hard Music, which was originally the fanzine Heaven's Metal). Christian submitted a letter to the magazine, criticizing the more overtly religious Christian punk band the Knights of the New Crusade for a promotional image that represented a "black mark on the face of Christianity".[93]

Christian has also said in an interview with Lightforce radio how the band tries to "step out of the bubble" and referred to themselves as being part of Christian music. He discussed in detail what Christians should do in their lives: love and embrace others as Jesus would as well as show God's grace to others. He mentioned as well how the band Fall Out Boy said in an interview that they did not really know much about Jesus until Anberlin toured with them.[94]

In an interview with Smartpunk, drummer Nathan Young commented, "The thing is, some bands that are trying to get out of the Christian market, they get bummed out by questions about it. I don’t really mind it, because I’m a Christian, and I’m okay talking about it. With the whole term 'Christian Band,' I don’t understand how a band can be Christian. We get the question, 'Is Anberlin a Christian band?' and it’s like, yeah, Anberlin is — as humans".[95]

Band members

[edit]

Timeline

Discography

[edit]
Main article: Anberlin discography

Albums

[edit]

EPs

[edit]
  • Silverline (2022)
  • Convinced (2023)

Side projects

[edit]

Anchor & Braille

[edit]
Main article: Anchor & Braille

Stephen Christian formed an acoustic side project, Anchor & Braille. The project was originally a joint venture with Aaron Marsh of the band Copeland; however, Marsh only featured on the project's debut album, entitled Felt, which he also produced.[16] The project first yielded a 7" vinyl, and Felt was released on August 4, 2009.[97] On July 31, 2012, Anchor & Braille's second album, The Quiet Life, was released. Later, in 2016, after the break-up of Anberlin, Anchor & Braille's third studio album, Songs for the Late Night Drive Home, was released.

Carrollhood

[edit]

Nathan Young formed a side project with his brother-in-law Tim McTague of Underoath and Reed Murray in July 2011.[98][99] Carrollhood released their first three-song EP, Afraid, on August 23, 2012. The EP included "Afraid", "Remission" and "Mr. Tampa". The second three-song EP, Violence, was released February 11, 2013. It included "Two Minutes Hate", "Violence", "MDSFWL".

Sins

[edit]

Joseph Milligan formed a side project, "Sins", who released Sink Away on December 19, 2012.[100][101]

Loose Talk

[edit]

Deon Rexroat and Christian McAlhaney started a band called Loose Talk. Former drummer Nathan Young provided the drums for the band's first EP.[102]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Anberlin

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from Grokipedia
Anberlin is an American alternative rock band formed in 2002 in Winter Haven, Florida, known for their emotive lyrics, soaring melodies, and blend of post-hardcore influences with accessible alt-rock arrangements.[1][2] The band's current lineup, stable since 2007, features lead vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nate Young; they evolved from an earlier project called SaGoh 24/7, which disbanded after two albums in the late 1990s.[1][2][3] Anberlin gained prominence with their debut album Blueprints for the Black Market (2003) on Tooth & Nail Records, followed by breakthrough releases like Never Take Friendship Personal (2005), Cities (2007), New Surrender (2008, which peaked at No. 13 on the Billboard 200), Dark Is the Way, Light Is a Place (2010), and Vital (2012, which debuted at No. 9 on the Billboard 200).[2][4][5] Their discography also includes the farewell effort Lowborn (2014), after which the band entered hiatus; however, they reunited in 2019 with a North American tour and later performed livestreams during the COVID-19 pandemic, leading to new material such as the EPs Silverline (2022) and Convinced (2023), and their eighth studio album Vega (2024), self-produced at Feral Sound Studios in Tampa. In October 2023, Christian announced an indefinite hiatus from touring, with Matty Mullins guesting on vocals for live performances and on Vega.[2][6][7] Throughout their career, Anberlin has sold over 1.5 million albums in the U.S., with standout singles like "Feel Good Drag" reaching No. 1 on alternative radio charts, and they have maintained a dedicated fanbase through extensive touring, including the "20 Years of Tears" anniversary tour earlier in 2025.[2][6]

History

Formation and SaGoh 24/7 (1998–2002)

SaGoh 24/7 was formed in 1998 in Winter Haven, Florida, by vocalist Stephen Christian, guitarist Joseph Milligan, bassist Deon Rexroat, and drummer Nathan Young, initially as a Christian punk band.[3][8] The group, whose name stood for "Servants After God's Own Heart," drew from the members' shared faith and local scene influences, with Christian and Rexroat having met in middle school years earlier.[3] They signed with the independent label Rescue Records and released their debut album, Twentyfourseven, in 1999, followed by ...Then I Corrupt Youth in 2001, both showcasing a raw punk sound that sold modestly, around 1,300 copies combined.[9][8][3] By early 2002, creative differences over musical direction—shifting from punk toward alternative rock—and growing interest from Tooth & Nail Records prompted the disbandment of SaGoh 24/7.[3][8] Seeking a fresh start to align with their evolving style and avoid the punk label, the core members recruited guitarist Joey Bruce, who had previously collaborated with them during SaGoh's early recordings, to round out the lineup.[3][8] The band renamed themselves Anberlin in 2002, officially forming under this moniker to reflect a broader artistic identity. In the lead-up to their official debut, Anberlin focused on early live performances across Florida venues and recorded demos with producer Matt Goldman, including tracks like "Readyfuels" and "Autobahn," which garnered attention on platforms like PureVolume with over 25,000 hits.[3] These efforts built momentum, culminating in their signing with Tooth & Nail Records later that year.[3]

Blueprints for the Black Market and early Tooth & Nail years (2002–2005)

In 2002, Anberlin signed with the independent Christian rock label Tooth & Nail Records shortly after forming, which provided the band with their first major platform for distribution and promotion.[10] The band recorded their debut album, Blueprints for the Black Market, over three weeks in Seattle with producer Aaron Sprinkle, who also contributed engineering and mixing. Released on May 6, 2003, via Tooth & Nail, the album explored themes of personal struggle, redemption, and subtle references to faith, reflecting frontman Stephen Christian's introspective lyricism amid the band's transition from their prior project.[11][12][3] To support the release, Anberlin embarked on initial U.S. tours alongside emerging alternative acts like Fall Out Boy, building a grassroots following in the post-hardcore and emo scenes despite the album's modest commercial reception—it sold over 60,000 copies but did not chart on the Billboard 200.[10][3] Building on this foundation, Anberlin returned to the studio with Aaron Sprinkle for their sophomore effort, Never Take Friendship Personal, released on February 8, 2005, through Tooth & Nail. The album shifted toward themes of interpersonal relationships, emotional maturity, and the complexities of loyalty, marking a sonic evolution with more polished alternative rock arrangements.[12][3] The record achieved greater visibility, peaking at No. 144 on the Billboard 200 and No. 3 on the Heatseekers Albums chart, while the lead single "Paperthin Hymn" received notable airplay on alternative and Christian radio stations, helping solidify Anberlin's rising profile in both mainstream alternative rock and Christian music communities.[3]

Cities and expanding fanbase (2005–2007)

Anberlin's third studio album, Cities, was produced by Aaron Sprinkle and released on February 20, 2007, through Tooth & Nail Records. The recording sessions took place in late 2006, building on the band's evolving sound with layered production elements like string sections and harmonized vocals to enhance their alternative rock style. Frontman Stephen Christian described the album's themes as centered on urban life and its personal impacts, reflecting introspection amid city environments through tracks that blend emotional depth with energetic rhythms.[13][14] The album represented a significant commercial milestone, debuting at No. 19 on the Billboard 200 with first-week sales of 34,000 copies, the band's highest chart entry at the time. Lead single "Godspeed" garnered radio airplay and an accompanying music video, helping to broaden the band's reach beyond Christian rock audiences, while the re-recorded version of "Feel Good Drag"—originally from their 2005 album Never Take Friendship Personal—was prepared for later promotion tying into their growing mainstream appeal. This success amplified Anberlin's visibility, attracting interest from major labels for future endeavors.[15] In support of Cities, Anberlin launched their first headlining tour, the Cities Tour, featuring support acts including Bayside, Meg & Dia, and Jonezetta, which ran through much of 2007 and solidified their live reputation with high-energy performances. The band also expanded their fanbase through festival appearances, notably performing on the 2007 Vans Warped Tour across multiple dates, exposing them to diverse punk and alternative crowds. Later that year, on November 20, 2007, Tooth & Nail issued the compilation Lost Songs, a 19-track collection of B-sides, demos, covers (such as Depeche Mode's "Enjoy the Silence"), and acoustic versions spanning their output from 2002 to 2007, providing fans with previously unreleased material that highlighted the band's creative range.[16][17] Amid this period of growth, Anberlin experienced internal shifts in their lineup, with rhythm guitarist Christian McAlhaney joining in early 2007 after the departure of Nathan Strayer, bringing fresh dynamics from his experience in the band Acceptance and helping stabilize the group as they navigated increasing popularity. These changes, combined with the momentum from Cities, positioned Anberlin for a major label transition while maintaining their core identity.

Universal Republic era and New Surrender (2007–2009)

Following the breakthrough success of their 2007 album Cities, which expanded their audience beyond the Christian rock scene, Anberlin signed a major-label deal with Universal Republic Records on August 16, 2007. This move represented a pivotal transition from their independent roots at Tooth & Nail Records to broader mainstream exposure, allowing the band greater resources for production and promotion while retaining creative control.[18] The signing came amid growing demand for their music, as Cities had charted on the Billboard 200 and built a dedicated fanbase through extensive U.S. touring.[19] Anberlin's fourth studio album, New Surrender, was released on September 30, 2008, as their major-label debut. Produced by Neal Avron at NRG Recording Studios and The Boat in Los Angeles, the record marked a departure from their previous collaborations with Aaron Sprinkle, embracing a polished pop-rock sound with atmospheric guitars and anthemic choruses.[20] Lyrically, the album explores themes of personal redemption, surrender to life's challenges, and complex relationships, as articulated by frontman Stephen Christian in promotional materials describing it as a concept around "giving up" destructive elements for renewal.[21] The project evolved their alternative rock style toward more accessible, radio-friendly structures, blending emo influences with soaring melodies. New Surrender debuted at No. 13 on the Billboard 200, selling 36,000 copies in its first week, while the re-recorded lead single "Feel Good Drag"—originally from their 2001 debut—reached No. 1 on the Alternative Songs chart after 29 weeks, becoming their biggest hit to date.[19] To support the album, Anberlin expanded their touring footprint internationally, headlining a UK run in November 2008 that included shows at London's The Forum and Birmingham's Barfly, alongside dates across Europe to capitalize on growing overseas interest.[22] They also gained visibility through mainstream media, including performances and video airplay for "Feel Good Drag" on MTV outlets. Critical reception highlighted the album's high-fidelity production and catchy hooks as strengths, with Jesusfreakhideout.com praising its "strong and demanding" song quality and evolution into a "new chapter" for the band.[23] However, reviews were mixed regarding the commercial polish, with Sputnikmusic calling it "disappointing" for fans seeking the raw edge of prior releases, though still recommendable for its standout moments.[24] Overall, New Surrender solidified Anberlin's crossover appeal, bridging indie credibility with major-label reach.

Dark Is the Way, Light Is a Place (2010–2011)

Anberlin entered the studio in early 2010 to record their fifth studio album, Dark Is the Way, Light Is a Place, at Blackbird Studios in Nashville, Tennessee, under the production of Grammy-winning engineer Brendan O'Brien.[25] The album's title draws from a line in Dylan Thomas's poem "Poem on His Birthday," reflecting the band's interest in exploring contrasts between despair and hope.[26] Released on September 7, 2010, through Universal Republic Records, the record marked the band's continued push into mainstream alternative rock.[25][27] The album represented a sonic evolution for Anberlin, shifting toward a darker, more atmospheric and anthemic style with aggressive guitar riffs, soaring melodies, and subtle electronic textures, moving away from the poppier elements of their prior release.[25][27] Lyrically, it delved into themes of light versus darkness, personal growth through relational turmoil, and the blurred boundaries between good and evil, often framed around love's betrayals and redemptions.[27][28] The lead single, "Impossible," highlighted this with its urgent plea for emotional honesty and a massive, radio-ready chorus, while follow-up "Closer" emphasized introspective vulnerability.[27] Debuting at No. 9 on the Billboard 200, the album achieved the band's highest chart position to date, signaling their major-label momentum.[29] To promote the release, Anberlin launched a headlining fall tour across the United States and Canada, supported by Crash Kings and Civil Twilight, which ran from October to December 2010 and extended into 2011 with additional dates.[30] The band faced heightened pressures from Universal Republic's expectations for broader commercial success, including intensified promotional demands that tested their creative control amid the major-label environment.[31] While no live album was ultimately produced during this cycle, the tour's high-energy performances of new material like "Take Me (As You Found Me)" reinforced their reputation for dynamic stage presence.[30] Critically, Dark Is the Way, Light Is a Place received praise for its emotional depth and production polish, with reviewers noting its captivating variety and evolution from prior works, earning strong endorsements from alternative rock outlets.[32][27] Fans embraced the album's introspective edge, viewing it as a creative high point that deepened their connection to the band's thematic maturity.[33] However, sales fell short of the lofty expectations set by the label's investment and the band's rising profile, debuting solidly but failing to sustain long-term chart traction or match anticipated mainstream breakthrough.[29][27]

Vital, Devotion, and pre-breakup period (2012–2014)

Following the release of Dark Is the Way, Light Is a Place in 2010, Anberlin continued their association with Universal Republic Records for their sixth studio album, Vital, which marked a return to a more aggressive and collaborative songwriting approach. The album was produced by Aaron Sprinkle, who had previously helmed the band's early work on Tooth & Nail Records, including Never Take Friendship Personal (2005) and Cities (2007).[34] Recorded with around 80 demos, Vital emphasized up-tempo tracks with prominent guitar riffs and subtle synth elements for added texture and energy, reflecting the band's desire to recapture the intensity of their live performances.[34][35] Vital was released on October 16, 2012, through Universal Republic Records.[36] It debuted at No. 16 on the Billboard 200 chart, selling approximately 17,000 copies in its first week, and received positive reviews for its dynamic alternative rock sound. Lead singles included "Self-Starter" and "Someone Anyone," both of which highlighted the album's driving rhythms and anthemic choruses, though promotion from the label was limited, hindering broader commercial success.[34] Despite these challenges, the band supported Vital with extensive touring, including the Tour de Vital in early 2013 alongside acts like Paper Route and All Get Out, as well as international dates in Canada and Australia.[37][34] By early 2013, Anberlin's contract with Universal Republic had effectively concluded, as the label's option to renew was not exercised amid broader industry shifts toward pop-oriented acts and reduced support for rock bands.[34] Seeking greater creative control, the band opted for an independent release with Devotion on October 15, 2013, via Big3 Records. This deluxe edition reimagined Vital through remixes and additional tracks, amplifying the electronic elements with sleek, atmospheric pulses and resonant synth layers while retaining the core rock foundation.[38][39] The project included six new songs and a live acoustic disc recorded at the Music Hall of Williamsburg, underscoring the band's experimental side and providing fans with expanded content from their ongoing tours.[38] As touring intensified in 2013, internal discussions among band members increasingly focused on personal fatigue from over a decade of relentless schedules, financial pressures, and commitments to family, leading to a sense of emotional and creative burnout.[40][41] In January 2014, Anberlin announced their impending disbandment after one final album and tour, re-signing with Tooth & Nail Records to release Lowborn that summer as a proper farewell.[42] The announcement on January 16, 2014, framed the decision as a proactive choice to end on their terms, allowing time for individual pursuits while planning extensive farewell shows across North America, Europe, and beyond to celebrate their career.[43]

Hiatus and disbandment (2014–2018)

In January 2014, Anberlin announced that the band would disband following the release of one final album and a worldwide farewell tour, marking the end of their 12-year run to ensure they concluded on a high note rather than fading away.[42] The group cited the desire to prioritize family life, as several members, including frontman Stephen Christian, had young children and sought to be more present at home after years of relentless touring.[44] Creative fatigue from constant album cycles and global travel also played a role, with the band feeling it was time to pursue individual paths while their legacy remained strong.[45] Lowborn, the band's seventh studio album and self-produced effort, arrived on July 22, 2014, via Tooth & Nail Records, serving as a poignant capstone to their discography with tracks blending their signature alternative rock energy and introspective lyrics.[46] The record captured the emotional weight of the impending breakup, featuring raw performances that reflected both closure and unresolved tension, and it debuted at No. 25 on the Billboard 200, underscoring the enduring appeal of their sound. To bid farewell to fans, Anberlin embarked on "The Final Tour" in summer 2014, a comprehensive run that included dates across North America, Europe, Australia, and South America, often selling out venues and creating deeply emotional moments of connection.[47] The tour culminated in their last performance on November 26, 2014, at the House of Blues in Orlando, Florida—their hometown—where the band played a career-spanning setlist, shared heartfelt speeches, and crowd-surfed during encores, providing cathartic closure for both the group and their audience.[48] Although the core touring wrapped in late 2014, scattered dates extended into early 2015, after which the band officially disbanded.[49] Following the disbandment, the members shifted focus to personal and professional pursuits outside the band. Stephen Christian transitioned into full-time ministry, becoming the worship director at Calvary Church in Albuquerque, New Mexico, in May 2015, where he led services and composed worship music while releasing his debut solo album, My Ambition.[50] Guitarist Joseph Milligan immersed himself in music production, working on projects for other artists and contributing to side endeavors that allowed him to hone his skills behind the scenes.[41] Similarly, the other members explored non-touring roles: Christian McAlhaney managed a motorcycle dealership and formed the Southern rock outfit Anchor & Braille, Deon Rexroat co-founded the band Loose Talk with McAlhaney, and drummer Nathan Young drummed for various acts, including Anchor & Braille.[41] During this period, Anberlin remained largely inactive as a unit, with no full-band performances until subtle hints of reconciliation emerged toward 2018.

Reunion, Equal Vision signing, and recent activity (2018–present)

In late 2018, Anberlin announced their reunion after a four-year hiatus, initially for a one-off show with Underoath on December 14 in Tampa, Florida, followed by anniversary tours celebrating their catalog.[51] The band embarked on their first full U.S. tour in five years starting June 10, 2019, from Dallas, Texas, to Atlanta, Georgia, marking a reconciliation among members rather than a permanent full-time commitment at the time.[7] On June 27, 2022, Anberlin signed with Equal Vision Records, ending their independent status and signaling a return to new music production.[52] Their first release under the label was the EP Silverline on July 29, 2022, featuring five new tracks that blended their signature alternative rock with evolved production, representing their initial output in eight years.[53] This was followed by the EP Convinced on June 30, 2023, which included five additional songs continuing the band's post-reunion momentum.[54] Both EPs were later compiled into the full-length album Vega, released on August 2, 2024, with two new tracks featuring guest vocals from Matty Mullins of Memphis May Fire, showcasing a collaborative shift in their sound.[55]

In October 2023, lead vocalist Stephen Christian announced an indefinite hiatus from touring to prioritize his family, health, and community commitments, with Mullins stepping in as a temporary replacement vocalist.[56] This transition influenced subsequent releases, including Nevertake on March 21, 2025—a re-recorded version of their 2005 album Never Take Friendship Personal featuring Mullins on vocals, which refreshed the material for contemporary audiences while honoring the band's origins.[57] As of November 2025, Anberlin remains active, with ongoing tours such as the "20 Years of Tears" anniversary tour, their participation in Vans Warped Tour 2025, and the E.N.D. Cruise in January 2026, alongside indications of plans for further music that reflect a more mature, collaborative evolution in their alternative rock style.[58][59][60]

Background

Origin of the band name

The band's name "Anberlin" originated from lead vocalist Stephen Christian's misinterpretation of background noise in Radiohead's song "Everything in Its Right Place," from the 2000 album Kid A, which he heard as the word "Anberlin."[61] In 2002, while studying at the University of Central Florida, Christian was listening to the track on repeat in his dorm room when he perceived the sound—occurring around the 2:31 mark—as Thom Yorke vocalizing "Anberlin."[62] After searching online and finding no connection to Radiohead, he recognized it as a personal auditory illusion but was drawn to its distinctive, evocative ring.[61] Christian selected the name that year to establish a clean break from the band's prior incarnation as SaGoh 24/7, which had disbanded amid a shift in musical direction, allowing the group to pursue a broader alternative rock identity unburdened by previous associations.[63] The choice aimed to convey an air of intrigue and broad appeal, aligning with the band's desire for a versatile, non-literal moniker.[3] It carries no official acronym or symbolic depth, with Christian describing it explicitly as a spontaneous phonetic creation born from that brainstorming moment, devoid of predefined significance.[61] Early on, the name sparked mild confusion among fans due to Christian offering varied accounts in interviews—such as inspirations from planned family names or other personal tales—but the Radiohead mishearing emerged as the definitive explanation, solidifying "Anberlin" as a hallmark of enigmatic branding in alternative rock.[64]

Relation to Christianity

Anberlin signed with the Christian record label Tooth & Nail Records in late 2002, releasing their first three albums through the imprint before transitioning to major labels.[65] The band's members, including lead vocalist Stephen Christian, share evangelical Christian backgrounds, with Christian and bassist Deon Rexroat having previously formed the explicitly Christian rock group SaGoh 24/7 during high school.[66] Despite these roots, Anberlin has consistently rejected the "Christian band" label. In a 2007 interview, Christian emphasized that while his faith informs his life and songwriting, he avoids exploiting it for marketing purposes, viewing the band's role as reaching broader audiences rather than functioning as a ministry.[3] He reiterated this in 2009, stating, "I just simply write about life experiences, and when God comes out, then God comes out," without intentionally crafting content to appeal to Christian or secular markets exclusively.[67] Christian further clarified in 2017 that labeling Anberlin as a Christian band would feel inauthentic, given that not all members or crew identified as such, though he saw their tours as a mission field for sharing faith organically.[68] Following the band's hiatus, Christian became a pastor at Grace Family Church in 2019, balancing his ministerial duties with Anberlin's activities while the band's approach to faith in their music has remained consistent.[69][70] Lyrics in Anberlin's music frequently incorporate faith-based themes, such as redemption, salvation, and spiritual questioning, drawn from Christian's personal experiences and influences like the Epistle of James and theologian Henri Nouwen.[3] Early works, including their 2003 debut Blueprints for the Black Market, feature more overt references to these elements, reflecting the members' evangelical upbringing. Over time, however, the band's approach evolved toward subtler integration, with later albums like Cities (2007) exploring universal topics like love and vulnerability alongside spiritual undertones, without an intent to proselytize.[3] Christian has described this shift as prioritizing authentic expression over deliberate religious messaging.[68] Anberlin performed at both mainstream events, such as the Vans Warped Tour starting in 2007, and Christian festivals, balancing appeals to diverse listeners.[16] This duality contributed to a divided fanbase, with some embracing the band's subtle Christian elements and others discovering them through secular rock channels, sparking ongoing debates about their categorization.[67] Christian noted in interviews that the group faced criticism from some Christian communities for associating with non-Christian acts, yet this broader reach aligned with their goal of connecting across divides.[3]

Musical style and influences

Musical style

Anberlin's core sound is rooted in alternative rock, blending emo, post-hardcore, and pop-punk elements characterized by high-energy guitar riffs, dynamic rhythms, and Stephen Christian's versatile vocals that range from melodic croons to soaring anthems.[5] This foundation delivers a blend of aggressive drive and emotional intensity, often featuring intricate guitar work and layered instrumentation to create catchy, hook-driven tracks.[71] The band's musical evolution began with a raw, post-hardcore edge on their 2003 debut Blueprints for the Black Market, emphasizing uptempo alt-rockers, prominent guitar hooks, and youthful energy without harsh punk aggression.[72] By the mid-2000s, albums like Cities (2007) and New Surrender (2008) transitioned to anthemic pop-rock, incorporating mature, intricate compositions with nü-emo influences and polished production by Neal Avron, resulting in radio-ready melodies and epic builds.[71][73] In their later period, Vital (2012) marked a shift toward heavier, more aggressive territory with alternative dance-metal vibes, heavy guitar riffs, and subtle 80s pop undertones, while maintaining melodic accessibility.[74] The Devotion compilation album (2013) and post-reunion releases like the Silverline and Convinced EPs (2022 and 2023) further evolved this by integrating atmospheric synths and electronic layers for a textured, emotional depth, often using warbling synthesizers to enhance the atmospheric quality.[75] The 2024 album Vega, a compilation of the prior EPs with additional tracks including heavier riffs and instrumental intensity, continued this diverse alternative rock and pop rock approach, while Nevertake (2025)—a reimagined version of their 2005 album featuring vocalist Matty Mullins amid Christian's hiatus—revived post-hardcore roots with crisp production and nostalgic emo elements.[76][77] Productions in this era, including returns to collaborators like Aaron Sprinkle, emphasize a balance of organic rock elements with modern electronic enhancements for a cohesive, immersive sound.[73] Anberlin's live performances amplify their studio intensity through high-energy sets, passionate crowd engagement, and extended instrumental outros that foster dramatic, participatory moments.[78] Critics have drawn parallels to Jimmy Eat World for their melodic craftsmanship and to U2 for the anthemic scope and emotional resonance in tracks like those on Dark Is the Way, Light Is a Place (2010).[79]

Influences

Anberlin's sound drew from a diverse array of musical influences, with lead singer Stephen Christian citing the 1980s new wave and alternative rock era as a foundational period for his songwriting. He highlighted bands like The Smiths, Morrissey, Depeche Mode, and The Cure as massive early inspirations, particularly for their evocative melody lines and lyrical depth.[31] Christian also named The Beatles as a key influence on his overall songwriting approach, while Radiohead represented a pinnacle of experimental rock that challenged and inspired him, though he noted Anberlin fell short of their complexity. The band's name itself originated from Christian's mishearing of a lyric in Radiohead's "Everything in Its Right Place" as "Anberlin" during a 2002 listening session in his college dorm.[80][61] Beyond rock, Christian's explorations extended to blues pioneers such as Robert Johnson and [Muddy Waters](/page/Muddy Waters), as well as jazz innovators including Dave Brubeck, John Coltrane, and Nina Simone, which informed his broader artistic sensibilities. Drummer Nathan Young's contributions were rooted in punk rock, stemming from his early experiences playing in Tampa Bay-area bands influenced by MxPx.[31][81] The band's melodic urgency and emo-pop balance have frequently drawn comparisons to Jimmy Eat World and Third Eye Blind, while their anthemic scope echoes U2, particularly in atmospheric textures and expansive production on albums like Dark Is the Way, Light Is a Place. These elements manifested in Anberlin's evolution from post-hardcore-tinged roots to polished alternative rock, blending punk energy with introspective lyricism.[3][33]

Band members

Current members

The current lineup of Anberlin, as of 2025, includes its founding members from the band's formation in 2002: Stephen Christian (lead vocals, piano), Joseph Milligan (lead guitar, backing vocals), Deon Rexroat (bass, backing vocals), and Nathan Young (drums).[82] Christian, a founding member, announced an indefinite hiatus from full-time touring in late 2023 (effective 2024) but remains part of the band.[56] Christian McAlhaney joined as rhythm guitarist in 2007, completing the core instrumental lineup that has remained stable since then.[83] Matty Mullins, frontman of Memphis May Fire, joined in 2023 as the band's touring vocalist, filling in for Christian on live performances starting in 2024.[84]

Former members

Anberlin's former members primarily consisted of rhythm guitarists who contributed during the band's early years. Joey Bruce served as rhythm guitarist from the band's formation in 2002 until late 2004. His tenure included contributions to the recording of their debut album Blueprints for the Black Market (2003). Bruce's departure stemmed from internal conflicts, including personal and lifestyle differences with the other members, such as a reported near-physical altercation with vocalist Stephen Christian.[85] This exit, occurring just before sessions for the follow-up album Never Take Friendship Personal (2005), inspired elements of that record's themes on fractured relationships, leading the band to initially use touring guitarist Tony Chavez as a temporary fill-in before seeking a permanent replacement.[85] Nathan Strayer replaced Bruce as rhythm guitarist and backing vocalist, joining in late 2004 and remaining until February 2007. During his time, Strayer contributed significantly to the band's breakthrough album Cities (2007), providing rhythmic support and harmonies that helped solidify Anberlin's post-hardcore sound. He departed amicably to focus on other musical projects, including forming the band The Mosaic, with the group expressing support for his future endeavors.[86][87] Strayer's exit, attributed to differing commitments and work ethic, prompted the recruitment of Christian McAlhaney, which stabilized the lineup as a consistent quintet for the subsequent decade. Tragically, Strayer passed away on December 15, 2017, prompting tributes from the band who described him as a longtime friend and vital part of their history.[86] Beyond these core former members, Anberlin occasionally employed brief touring musicians during the mid-2000s, such as Chavez in 2004, to cover rhythm guitar duties amid lineup transitions, though no additional long-term members were added before the 2018 reunion. These changes in the early years ultimately refined the band's chemistry, allowing them to maintain a focused core group through major releases and tours.[85]

Discography

Studio albums

Anberlin's studio discography spans over two decades, encompassing eight full-length albums released through various labels, primarily Tooth & Nail and Universal Republic early on, and Equal Vision more recently. These albums reflect the band's evolution from alternative rock roots to broader mainstream appeal, with several achieving notable commercial success on the Billboard 200 chart. The following table summarizes the studio albums, including release dates, labels, and peak positions on the Billboard 200 where applicable.
AlbumRelease dateLabelPeak on Billboard 200
Blueprints for the Black MarketMay 6, 2003Tooth & NailDid not chart
Never Take Friendship PersonalFebruary 8, 2005Tooth & NailNo. 144
CitiesJuly 10, 2007Tooth & NailNo. 19
New SurrenderSeptember 30, 2008Universal RepublicNo. 13
Dark Is the Way, Light Is a PlaceSeptember 7, 2010Universal RepublicNo. 9
VitalOctober 16, 2012Tooth & NailNo. 16
LowbornNovember 11, 2014Tooth & NailNo. 25
VegaAugust 2, 2024Equal VisionDid not chart
NevertakeMarch 21, 2025Equal VisionDid not chart
Notes:
  • Vega compiles tracks from the band's prior EPs Silverline (2022) and Convinced (2023), along with two new songs, marking a transitional release following lineup changes.
  • Nevertake is a re-recorded version of the 2005 album Never Take Friendship Personal, featuring vocals from Matty Mullins in place of original singer Stephen Christian.

Extended plays

Anberlin's extended plays encompass compilations of rare material, reunion efforts, and experimental remixes that complement their studio output without overlapping into full-length explorations. Lost Songs, released on September 25, 2007, by Tooth & Nail Records, is a compilation EP featuring B-sides, unreleased tracks, covers, and acoustic versions from the band's early catalog.[88] It peaked at No. 50 on the Top Christian Albums chart, offering fans a curated collection of 19 tracks that highlighted Anberlin's versatility in alternative rock arrangements, including renditions of songs like Depeche Mode's "Enjoy the Silence" and Bob Dylan's "Like a Rolling Stone."[89] The release served as a bridge between their third studio album, Cities, and their major-label debut, encapsulating overlooked gems that deepened appreciation for their songwriting depth. Devotion, issued on October 15, 2013, by Tooth & Nail Records, reimagined tracks from the preceding album Vital through electronic remixes, alongside three new originals and additional B-sides across 18 tracks in its standard edition.[90] Peaking at No. 124 on the Billboard 200, it represented Anberlin's push into synth-driven production during a transitional phase, blending atmospheric layers with their core rock intensity to create a deluxe companion piece that extended Vital's thematic resonance on struggle and renewal. The EP's dual-disc deluxe version further included live recordings, underscoring the band's live energy amid evolving studio experimentation.[39] After a period of hiatus following their 2014 farewell tour, Anberlin marked their reunion with Silverline, a five-track EP released on July 29, 2022, via Equal Vision Records—their first signing with the label in over a decade. Featuring heavy guitar riffs intertwined with electronic elements, tracks like "Two Graves" and "Nothing Lost" signaled a refreshed sound while honoring their post-hardcore roots, achieving critical acclaim for revitalizing the band's presence eight years after Lowborn.[91] This concise release not only tested new collaborative dynamics but also built anticipation for future material, affirming Anberlin's enduring relevance in alternative rock.[92] Building directly on Silverline's momentum, Convinced followed as a five-track EP on June 30, 2023, again through Equal Vision Records, commemorating 21 years since the band's formation.[93] With songs such as "Lacerate" and "Decoder" emphasizing raw emotion and indie-pop influences, it expanded the reunion narrative by integrating more prominent electronic and atmospheric production, resulting in a cohesive 21-minute set that critics praised for its maturity and sonic evolution.[94] The EP solidified Anberlin's post-reunion trajectory, delivering introspective lyrics on personal conviction amid broader themes of resilience.[54]

Side projects

Anchor & Braille

Anchor & Braille is the solo acoustic project of Stephen Christian, the lead vocalist of Anberlin, initiated in 2007 as an outlet for more intimate songwriting separate from the band's alternative rock sound.[95] The project began as Christian's alter-ego for exploring personal and introspective themes through stripped-down arrangements, drawing from his experiences during Anberlin's touring schedule.[96] Its debut album, Felt, was released on August 4, 2009, via Christian's own Wood Water Records, with production by Aaron Marsh of Copeland.[97] The record featured 11 tracks of lo-fi acoustic folk, emphasizing emotional vulnerability in songs like "Rust (The Short Story)" and "Like Steps in a Hallway."[98] The project's second album, The Quiet Life, arrived on July 31, 2012, under Tooth & Nail Records, marking a shift to fuller acoustic folk arrangements while retaining themes of personal reflection and relationships.[99] Christian described the recording process as fragmented, involving contributions from friends and family to recapture a "family vibe," resulting in tracks such as "Rattlesnake!" that blended mellow instrumentation with lyrical introspection.[100] This release allowed Christian to tour independently, including a three-week U.S. run promoting the album before rejoining Anberlin for international dates.[100] Following Anberlin's 2014 farewell tour and subsequent breakup, Anchor & Braille evolved further with the third album, Songs for the Late Night Drive Home, released on February 5, 2016, again via Tooth & Nail Records.[101] The record incorporated indie pop elements, with brighter production and themes of resilience and late-night contemplation in songs like "Watch You Burn" and "Detroit Stab," reflecting Christian's post-Anberlin transition.[102] Collaborations continued to define the project, including work with musicians like Micah Tawlks and Kevin Divine, maintaining its collaborative spirit distinct from Anberlin's lineup.[95] The project released Tension on October 16, 2020, via Tooth & Nail Records, and New Mexico on July 25, 2025, via Equal Vision Records.[103] While the project's activity aligned loosely with Anberlin's hiatus and reunion, Christian sustained Anchor & Braille through selective tours and releases, prioritizing its role as a personal creative space.[104]

Carrollhood

Carrollhood is an electronic and experimental music project initiated in 2011 by Nathan Young, drummer of Anberlin, alongside Tim McTague of Underoath and Reed Murray of Marksmen, all Tampa natives seeking a creative outlet beyond their rock-oriented main bands.[105][106] The group's debut EP, Afraid, was self-released in 2012 and features three tracks—"Afraid," "Remission," and "Mr. Tampa"—that blend soft/heavy dynamics with raw, experimental textures, marking an early exploration of electronic production techniques.[107][108] Follow-up EP Violence, self-released via Bandcamp in February 2013, consists of "Two Minutes Hate," "Violence," and "MDSFWL," emphasizing synth-heavy arrangements infused with ambient influences and a more refined structural approach compared to their initial work.[109][110] The project released a self-titled EP, S/T, in 2018, and performed sporadic live shows, including in 2019. With only EPs to its name, Carrollhood has prioritized honing the members' production expertise in an electronic context, distinct from Anberlin's alternative rock sound, though the project has remained largely dormant since 2019.[111][112]

Sins

Sins is a side project formed by Anberlin guitarist Joseph Milligan in 2011, involving collaborations with other musicians on recordings.[113][114] The project debuted with the self-released album Sink Away on December 19, 2012, during a particularly busy period for Anberlin that included work on their album Vital.[115][116] Sins' music features an alternative rock sound reminiscent of Anberlin but with a distinct, heavier edge in its riffs, exploring introspective themes such as isolation and personal recovery through its lyrics.[113] The band undertook a single promotional tour in support of Sink Away in 2012, serving primarily as a creative outlet for Milligan amid Anberlin's demanding schedule.[115] Following this, Sins released a follow-up EP, The Sky Is Falling, in 2013, and the album Divider in 2015, but the project has remained inactive since then with no further releases or activity.[114][113]

Loose Talk

Loose Talk is a side project formed by Anberlin bassist Deon Rexroat and guitarist Christian McAlhaney, who had been bandmates in the group since its early years. The duo began working on the project prior to Anberlin's 2014 breakup announcement, initially envisioning it as a creative outlet for the pair, who were the only Anberlin members without prior side endeavors.[117][118] The band's sound draws from rock and roll influences, characterized by gritty, bass- and guitar-driven arrangements with a blackened blues edge, often featuring minimal vocals and an experimental, low-key vibe. Hailing from Saint Petersburg, Florida, Loose Talk emphasizes raw, dirty rock elements designed to engage listeners through instrumental intensity rather than elaborate production.[119][120][121] In 2016, Loose Talk independently released their self-titled EP, which includes four tracks: "Time Is Not On Your Side," "Break The Boy," "Goin' Down South," and "Old Bonds." Recorded at Glow in the Dark Studios and produced by Goldman with mixing by Radovanovic, the EP features Nathan Young—Anberlin's former drummer—on percussion, alongside Rexroat on bass and McAlhaney handling guitar and vocals. Distributed primarily through digital platforms like Bandcamp, the release received limited promotion and no accompanying tours, aligning with the project's casual nature during Anberlin's hiatus period.[122] As a low-commitment collaboration, Loose Talk has remained sporadically active, with occasional live performances such as opening for Anberlin in 2019 and a 2020 live stream, but no full-length albums or extensive touring. By 2025, Rexroat described the band as sparsely operational, focusing on intermittent shows without further recorded output.[119][123]

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  39. Anberlin Calls It Quits on Its Own Terms | Phoenix New Times
  40. Anberlin on Getting Back Together: 'It's Reconciliation, It's Not Even ...
  41. Anberlin to break up; release final album in 2014
  42. Anberlin announce break up & final album - Punktastic
  43. Interview: Stephen Christian Talks About Life After Anberlin
  44. Anberlin: The Exit Interview (Part One) - chorus.fm
  45. https://www.discogs.com/release/5908685-Anberlin-Lowborn
  46. Anberlin: The Final Tour 2014 - Jesusfreakhideout.com
  47. Anberlin Live Review: The Final Show w/'68 | House Of Blues Orlando
  48. Anberlin say farewell with last album, final tour - Florida Today
  49. Stephen Christian of Anberlin Becomes a Woship Pastor - JubileeCast
  50. Anberlin Announces Reunion Show With Underoath
  51. Anberlin Reunite for First Tour in Five Years - Loudwire
  52. https://equalvision.com/blogs/news/anberlin-sign-to-evr-and-announce-new-ep-silverline
  53. Anberlin Release Silverline EP On Equal Vision Records
  54. https://equalvision.com/blogs/news/anberlin-release-convinced-ep
  55. https://equalvision.com/blogs/news/anberlin-release-new-album-vega
  56. Anberlin's Stephen Christian Takes Hiatus, Band Names Replacement
  57. JFH News: Anberlin Releases Re-Recorded Album of "Never Take ...
  58. Anberlin
  59. Anberlin - E.N.D. Cruise
  60. Why They're Called... Anberlin - SPIN
  61. Anberlin Artistfacts - Songfacts
  62. The History of Anberlin, Prelude: Just One Year
  63. https://www.amiright.com/artists/anberlin.shtml
  64. Anberlin plays tooth and nail - Iowa State Daily
  65. Winter Haven's Anberlin are Finding Success
  66. Anberlin on being Christian and a band, but not a Christian band
  67. Stephen Christian Interview, Stephen Christian 2017 ...
  68. Anberlin - Alternative Press Magazine
  69. Review: Anberlin – Blueprints For The Black Market | Inner Ear Media
  70. Stephen Christian of Anberlin : Songwriter Interviews
  71. Anberlin: Vital [Album Review] - The Fire Note
  72. Anberlin - Devotion (album review ) - Sputnikmusic
  73. Concert review: Anberlin ignites the Masquerade - UWire
  74. Review: Anberlin - Dark Is the Way, Light Is a Place | Sputnikmusic
  75. Interview : Anberlin | Indie Vision Music
  76. Nate Young - Paiste Artist
  77. Book Musicians Anberlin | Degy Entertainment
  78. Anberlin: The Exit Interview (Part Three) - chorus.fm
  79. Matty Mullins to Fill in as Lead Vocalist of Anberlin on Tour in 2024
  80. The History of Anberlin, Part 2: Never Take Friendship Personal (2004–2006)
  81. Former rhythm guitarist with Anberlin, Nathan Strayer dies
  82. Nate Leaves Anberlin - Driven Far Off
  83. https://www.discogs.com/release/1280549-Anberlin-Lost-Songs
  84. Lost Songs — Anberlin | Last.fm
  85. https://www.discogs.com/master/1027623-Anberlin-Devotion
  86. Anberlin, "Silverline - EP" Review - Jesusfreakhideout.com
  87. Anberlin – Silverline - chorus.fm
  88. https://equalvision.com/blogs/news/anberlin-announce-convinced-ep-release-lacerate-single-video
  89. Anberlin, "Convinced - EP" Review - Jesusfreakhideout.com
  90. Anchor & Braille Songs, Albums, Reviews, Bio &... - AllMusic
  91. Anchor & Braille - Tooth & Nail Records
  92. Anchor & Braille Set Release - antiMusic
  93. https://www.discogs.com/master/491190-Anchor-Braille-Felt
  94. Album Review : Anchor & Braille - The Quiet Life | Indie Vision Music
  95. Interview: Stephen Christian of Anchor & Braille - chorus.fm
  96. Anchor & Braille - Songs for the Late Night Drive Home
  97. 'I'm just programmed that if I don't tour, I don't sell'—Anchor ...
  98. An Interview with Anchor & Braille - NewReleaseToday
  99. Check out Nate Young, Tim McTague and Reed Murray's new side ...
  100. Carrollhood Interview with Nathan Young, Reed Murray & Tim ...
  101. Album Review : Carrollhood - Afraid | Indie Vision Music
  102. Carrollhood - Jesusfreakhideout.com
  103. VIOLENCE. | Carrollhood | CARROLLHOOD
  104. Carrollhood - VIOLENCE. (album review ) - Sputnikmusic
  105. Home team: Tampa supergroup Carrollhood on staying home, new ...
  106. Anberlin guitarist releases new album for Sins project
  107. Sins Discography, Sins Artist Database, Sins - Jesusfreakhideout.com
  108. Sink Away by Sins | CD Reviews And Information ...
  109. Sins reviews, music, news - Sputnikmusic
  110. Interview: Christian McAlhaney of Acceptance - chorus.fm
  111. Loose Talk - The Blackened Blues - HM Magazine
  112. Deon Rexroat and Christian McAlhaney's Loose Talk is in attack mode
  113. Loose Talk | Collaborator Analytics | Songstats
  114. Loose Talk
  115. Self-Titled EP | LOOSE TALK - Bandcamp
  116. Anberlin bassist Deon Rexroat on adapting bands to books ahead of ...
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