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Andy Hull
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Key Information
John Andrew Hull (born November 7, 1986) is an American singer, musician and songwriter. He serves as the lead vocalist, rhythm guitarist, and primary songwriter of the indie rock band Manchester Orchestra. He also has a side project, Right Away, Great Captain!, and co-founded another project with his friend and folk musician Kevin Devine by the name of Bad Books. Hull is also co-president of Manchester Orchestra's label, Favorite Gentlemen.
Early life
[edit]Hull was born in Atlanta, Georgia. Hull lived in Richmond Hill, Ontario with his family for seven years before returning to Atlanta when he was 14 years old.[1] His parents bought him a guitar which he taught himself to play. A year later, he began writing and performing songs with a friend who played bass guitar. After that group disbanded, he started another with Manchester Orchestra's keyboard player, Chris Freeman, on drums.
Career
[edit]Hull initially intended Manchester Orchestra to be a solo project, with guest appearances by his friends. "I was listening to a lot of Morrissey and The Smiths," said Hull, "So the city of Manchester really fascinated me, as did the idea of being the leader of an orchestra and having all my friends come in to play."
Feeling increasingly alienated at his "small-town-Georgia, Christian high school", Providence Christian Academy, in suburban Atlanta, Hull spent his senior high school year studying at home. He wrote and recorded his first full-length album in 2004 during the same school year.
Hull and Manchester Orchestra guitarist Robert McDowell wrote music for the 2016 film Swiss Army Man. Hull also had a cameo in the film.
Discography
[edit]- With Manchester Orchestra
- 5 Stories (2004)
- You Brainstorm, I Brainstorm, but Brilliance Needs a Good Editor (2005)
- I'm Like a Virgin Losing a Child (2006)
- Let My Pride Be What's Left Behind (2008)
- Fourteen Years of Excellence (2009)
- Mean Everything to Nothing (2009)
- Live at Park Ave (2009)
- I Could Be the Only One (2010)
- Simple Math (2011)
- COPE (2014)
- HOPE (2014)
- A Black Mile to the Surface (2017)
- The Million Masks of God (2021)
- The Valley of Vision (2023)
- With Bad Books
- The Bitter End (2007)
- The Eventually Home (2008)
- The Church of the Good Thief (2012)
- The Lost Sea (2012)
- With The Tiger Society
- The Tiger Society
- With East on Autry
- Superhits USA (2004)
- Guest appearances
- Winston Audio
- Keeping It Down
- O'Brother
- Sputnik
- Machines Part I
- Easy Talk (Open Your Mouth)
- The Dear Hunter
- I Couldn't Do It Alone – Red
- A Curse of Cynicism – Red
- Deny It All – Red
- Weatherbox
- The Devil And Whom
- Frightened Rabbit
- Architect
- Grouplove
- Make It To Me
- Bones
- TellMeSomethingIDontKnow
- Touché Amoré
- Limelight
- Paris Jackson
- Eyelids
- Tigers Jaw
- I Won't Care How You Remember Me
- Every Time I Die
- Thing with Feathers
- Thrice
- Stare at the Sun
- Say Anything
- SixSixSix
- Rise Against
- Black Crown
- Soundtracks
- Swiss Army Man (2016)
References
[edit]- ^ Matthews, Cameron. "Manchester Orchestra's Andy Hull Relives His 'Tough' Marriage on 'Simple Math'". Spinner. Retrieved April 24, 2011.
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Andy Hull
View on Grokipediafrom Grokipedia
Early life
Upbringing and family background
Andy Hull was born on November 7, 1986, in Atlanta, Georgia.[10] At the age of seven, Hull's family relocated to the greater Toronto area in Ontario, Canada, due to his father's career opportunity as a pastor at the historic People's Church on Sheppard Avenue East.[11][12] They settled in suburban communities such as Richmond Hill, where they lived for the next seven years, immersing Hull in a Canadian cultural context during his formative childhood.[12] In 2000, when Hull was 14, the family returned to Atlanta, marking a significant transition as he adapted to U.S. high school life and the contrasts between his Canadian experiences and Southern American upbringing.[12] Throughout these moves, the close-knit Hull household provided stability, with Hull later describing a strong, supportive relationship with his parents that influenced his personal development.[13] This religious family environment, shaped by his father's pastoral work and his grandmother's background as a classically trained recording artist who performed for Columbia Records in the mid-20th century before becoming a pastor's wife, offered early exposure to music and faith, themes that would later inform Hull's songwriting.[12][3]Initial musical influences and development
Upon returning to Atlanta in his early teens, Andy Hull began teaching himself guitar during high school, initially picking up the instrument after abandoning golf and learning through self-directed practice without formal lessons.[14] This trial-and-error approach, supplemented by basic online resources, allowed him to develop his skills rapidly, leading to his first songwriting efforts around age 14. Hull's early compositions were raw and personal, often recorded in makeshift setups like a friend's basement studio.[14] Hull's primary musical influences during this period included the introspective lyrics of Morrissey and The Smiths, which shaped his focus on emotional depth and narrative storytelling.[15] Additional inspirations came from albums such as Neutral Milk Hotel's In the Aeroplane Over the Sea, Death Cab for Cutie's The Photo Album, and Built to Spill's There's Nothing Wrong with Love, which emphasized DIY ethos and layered instrumentation, as well as indie rock bands like Sunny Day Real Estate for their emotive dynamics.[14][16] These influences encouraged Hull to explore themes of isolation and self-reflection, drawing loosely from his broader worldview shaped by time spent in Canada during childhood. At age 15, Hull started collaborating on songwriting with school friends, producing initial demos using basic recording equipment to capture his growing catalog of material. One such partnership involved a high school acquaintance on bass, marking his shift from solo experimentation to group efforts. During this time, he formed an early unnamed band with future Manchester Orchestra collaborator Chris Freeman, who played drums, alongside other high school peers in Alpharetta, Georgia; the group performed locally but disbanded as lineups shifted.[14] Freeman, a boyhood friend from the Atlanta area, would later join Manchester Orchestra proper.[17] In his senior year, Hull opted to homeschool to prioritize music, completing his studies independently while dedicating time to creative output.[18] This decision enabled him to self-produce and record his debut solo album, 5 Stories, in 2004 under the moniker Manchester Orchestra, though it was released in a limited run of 200 copies at the time; tracks from this era later informed the band's early EP. An unreleased project titled Nobody Sings Anymore also emerged that year, reflecting his burgeoning style of confessional indie rock.[18][19][20]Career
Manchester Orchestra
Andy Hull founded Manchester Orchestra in 2004 as a solo project while still in high school, drawing from influences like The Smiths and Morrissey to craft introspective indie rock songs.[21] By 2006, it had evolved into a full band, with Hull serving as lead vocalist, rhythm guitarist, and primary songwriter alongside guitarist Robert McDowell and bassist Andy Prince.[18] The band's early albums established Hull's raw, emotionally charged songwriting style rooted in emo and indie rock. Their debut, I'm Like a Virgin Losing a Child (2006), captured youthful vulnerability through aggressive guitar riffs and confessional lyrics. Mean Everything to Nothing (2009) built on this with denser production and themes of isolation, while Simple Math (2011) marked a personal turning point, exploring Hull's marriage struggles and triumphs in a more mature, narrative-driven framework.[3] The acoustic companion album Hope (2014) showcased their evolving stage presence through reinterpreted tracks.[22] Hull's songwriting progressed toward orchestral art rock in subsequent releases, incorporating strings, dynamic builds, and broader sonic palettes to convey complex emotional landscapes. Cope (2014) intensified this shift with abrasive riffs and themes of inner turmoil, while A Black Mile to the Surface (2017) embraced cinematic arrangements for reflections on growth and loss. The 2021 album The Million Masks of God delved into grief and faith, using layered instrumentation to process personal tragedies like the deaths of Hull's father and a close friend.[23] This evolution reflected Hull's growth from visceral, youth-driven emo anthems to sophisticated, genre-blending compositions that prioritize thematic depth over raw intensity.[22][24] In 2010, Hull became co-president of Favorite Gentlemen Recordings, the independent label founded by Manchester Orchestra members to support like-minded artists and release the band's work.[25] Touring has been central to their career, with annual holiday events like The Stuffing—now in its 15th edition in 2025—featuring guest performers and full-album performances in Atlanta.[26] In 2025, the band joined Incubus for a summer North American tour, performing alongside the headliners' Morning View setlist celebrations.[27] On November 7, 2025, Manchester Orchestra released Christmas Songs Vol. I & II, a compilation of holiday covers reimagined in their signature earnest style, with proceeds benefiting charitable causes.[9][28]Side projects and collaborations
Andy Hull has pursued several solo endeavors outside his primary band work, beginning with the folk-acoustic project Right Away, Great Captain!, which he initiated as a personal outlet for exploring themes of loss and betrayal through the narrative of a 17th-century sailor. The project spanned 2007 to 2011, yielding three albums characterized by stripped-down acoustic arrangements and introspective lyrics that delve into emotional deterioration and regret. This series allowed Hull to experiment with lo-fi production and confessional storytelling, distinct from his rock-oriented output elsewhere. In 2010, Hull formed the collaborative duo Bad Books with singer-songwriter Kevin Devine, blending their respective indie folk and rock sensibilities into a series of albums that emphasize intimate harmonies and narrative depth.[29] The self-titled debut arrived that year, followed by II in 2012 and III in 2019, with the latter adopting a more acoustic, piano-driven sound to address themes of fatherhood, inequality, and personal turmoil.[29] Recorded sporadically over years with contributions from Manchester Orchestra's Robert McDowell on guitar, the project highlights Hull's role in co-writing and layering vocals, creating a cohesive evolution from earlier, more fragmented indie rock explorations.[30] Hull has also released material under various aliases, including early high school-era efforts with the pop-punk group East on Autry, which laid groundwork for his later songwriting,[31] and a 2020 collection of solo demos titled Who Is Your Humble?, comprising raw 2006–2007 recordings that capture his emerging confessional style. The latter, self-released via Bandcamp, features 10 tracks of unpolished acoustic pieces reflecting isolation and familial ties, offering insight into Hull's pre-fame creative process.[32] In September 2025, Hull provided guest vocals for Matt Maeson's track "Cursive" from the album of the same name, delivering a raw, emotionally charged performance that complements Maeson's introspective alt-rock with haunting harmonies. The collaboration has been noted for its reflective intensity, underscoring Hull's ability to enhance tracks with vulnerable phrasing.[33] Hull has made notable guest appearances on other artists' recordings, including a featured vocal contribution to Rise Against's 2025 album Ricochet on the track "Black Crown," where his interplay with Tim McIlrath amplifies the song's urgent warnings against societal apathy.[34] Earlier, in 2023, he featured on Thrice's re-recorded The Artist in the Ambulance anniversary edition, providing vocals for "Stare at the Sun" alongside a roster of post-hardcore guests, adding emotional weight to the track's existential themes.[35] These features demonstrate Hull's versatility in supporting diverse songwriting visions through his distinctive, emotive delivery. As co-president of the Favorite Gentlemen label, Hull has extended his influence by producing records for emerging indie acts, including guest vocals on tracks from Winston Audio's 2009 grunge-punk album The Red Rhythm and co-producing O'Brother's 2011 post-hardcore effort Garden Window, where he also contributed backing vocals to several songs.[36] These efforts reflect his commitment to nurturing Atlanta's local scene with hands-on guidance in arrangement and recording.[36]Film and production contributions
Andy Hull co-composed the original score for the 2016 film Swiss Army Man, directed by Daniel Kwan and Daniel Scheinert (collectively known as The Daniels), in collaboration with Manchester Orchestra bandmate Robert McDowell. The score, consisting entirely of layered human vocal performances without traditional instrumentation, was created prior to principal photography to allow integration into the narrative, including scenes where characters sing along to the music. For their work, Hull and McDowell received a 2017 International Film Music Critics Association (IFMCA) nomination for Best Original Score for a Comedy Film.[37][38][39] Hull also made a cameo appearance in Swiss Army Man as a cameraman, reflecting his hands-on involvement during filming. This collaboration with The Daniels extended beyond the film; in 2017, the directors helmed the music video for Manchester Orchestra's single "The Sunshine" from the album A Black Mile to the Surface, featuring Hull in a surreal narrative exploring fatherhood.[40][41] As co-president of Favorite Gentlemen Records, the independent label founded by Manchester Orchestra, Hull has overseen production and releases for various artists, including singer-songwriter Kevin Devine, whose 2009 album Brother's Blood was issued on the label. This role has allowed Hull to extend his creative influence into broader production oversight, supporting indie acts aligned with the label's ethos of raw, emotive music.[42][43] Hull's interest in multimedia extends to interdisciplinary projects, as evidenced by Manchester Orchestra's 2023 release The Valley of Vision, a six-track EP co-produced by Hull and McDowell that accompanies a 180-degree virtual reality film directed by Isaac Deitz, blending music with immersive visual storytelling. In a 2024 appearance on the You Made It Weird with Pete Holmes podcast, Hull discussed his experiences scoring films like Swiss Army Man, the vulnerabilities of the creative process in music production, and how multimedia elements enhance narrative depth in his work.[44][45]Discography
With Manchester Orchestra
Andy Hull served as lead vocalist, rhythm guitarist, and primary songwriter on all Manchester Orchestra releases, contributing the core creative direction for the band's output. On later projects, he expanded his involvement to co-production, collaborating with producers like Catherine Marks and Ethan Gruska to shape the sonic landscape.[3][46][47] The band's debut studio album, I'm Like a Virgin Losing a Child (2006), featured Hull's raw, emotive songwriting centered on themes of youth and vulnerability, establishing the group's indie rock foundation.[48] This was followed by Mean Everything to Nothing (2009), where Hull's lyrics delved deeper into personal turmoil and relationships, solidifying Manchester Orchestra's reputation for introspective rock.[48] Simple Math (2011), a concept album drawing from Hull's life experiences, marked a more polished production while retaining emotional intensity; it peaked at No. 21 on the Billboard 200. Cope (2014) represented a heavier, more experimental phase, emphasizing aggressive rock elements and themes of struggle, produced by John Agnello. After this period of experimentation, A Black Mile to the Surface (2017) showcased Hull's co-production role alongside Robert McDowell and Catherine Marks, blending orchestral elements with rock dynamics in a narrative arc about family and loss.[46] The album's expansive sound highlighted Hull's growth as a multi-instrumentalist, incorporating keyboards and percussion. The Million Masks of God (2021) continued this evolution, with Hull co-producing and engineering parts of the record, exploring grief and faith through cinematic arrangements; it earned widespread critical acclaim, including praise from NPR for its thematic depth and from Stereogum for its experimental approach to loss.[47][49] Among EPs and live recordings, Coping (2012) captured Hull's stripped-down vocal delivery on select tracks, emphasizing lyrical intimacy. The live album Hopewell (2013) documented a performance highlighting Hull's dynamic stage presence and guitar work. The Valley of Vision (2023), an EP of six tracks, explored themes of reflection and loss, accompanied by an album-length film. In 2025, Christmas Songs Vol. I & II offered seasonal reinterpretations led by Hull's haunting vocals, with proceeds supporting charitable causes.[9]Solo releases and side projects
Andy Hull's solo work under the alias Right Away, Great Captain! consists of a trilogy of albums that narrate the saga of a 17th-century sailor grappling with themes of loss and redemption. The first installment, The Bitter End, was released on January 14, 2007, via Favorite Gentlemen Recordings, initially as a limited CD and digital download, with later vinyl reissues.[50][51] The second, The Eventually Home, followed on November 11, 2008, also through Favorite Gentlemen, available in CD, digital, and subsequent vinyl formats.[52] The trilogy concluded with The Church of the Good Thief on June 22, 2012, self-released via Bandcamp in digital form, with a comprehensive four-LP box set anthology issued later that year compiling all three albums on vinyl.[50] In collaboration with singer-songwriter Kevin Devine, Hull formed the indie folk project Bad Books, releasing three full-length albums that blend their introspective songwriting styles. The self-titled debut Bad Books emerged on October 19, 2010, digitally via Favorite Gentlemen Recordings, followed by a physical CD on November 9, 2010, and later vinyl editions.[53] The sophomore effort, II, arrived on October 9, 2012, through Triple Crown Records in CD and digital formats, with vinyl reissues on Sargent House in subsequent years. The final album, III, was issued on June 21, 2019, by Loma Vista Recordings, available in digital, CD, and multiple vinyl variants, and received acclaim in indie folk communities for its raw emotional depth and collaborative intimacy.[29][54] Hull has also released archival solo material as standalone EPs. Who Is Your Humble? (Demos: 2006-2007), featuring early unreleased recordings, was made available digitally on Bandcamp on April 2, 2020, with a vinyl edition pressed in 2022 via Convulse Records. Similarly, Born of You (Demos: 2008-2010) collects demos from that period and was released digitally on the same date through Bandcamp, later bundled with Who Is Your Humble? for a dual vinyl release.[55] These projects highlight Hull's foundational folk influences, distributed primarily through independent digital platforms and limited physical runs.Soundtracks and guest features
Hull co-composed the original motion picture soundtrack for the 2016 film Swiss Army Man alongside Robert McDowell, both members of Manchester Orchestra.[56] The 24-track album, released by Lakeshore Records, blends minimalist a cappella elements with orchestral swells, featuring vocal contributions from actors Paul Dano and Daniel Radcliffe on songs such as "Intro Song," "Montage," and "When I Think About Mom."[57] Notable tracks include the folk-inspired "A Better Way" and the upbeat "Cotton Eye Joe," a traditional cover performed with Dano and Radcliffe.[58] The soundtrack earned a nomination for Best Original Score for a Comedy Film from the International Film Music Critics Association in 2017.[38] Beyond film scores, Hull has provided guest vocals and songwriting on tracks by other artists. In 2025, he collaborated with Matt Maeson on "Cursive," a single from Maeson's album A Quiet and Harmless Living, where Hull is credited with composition and lyrics as part of a Manchester Orchestra feature.[59] That same year, Hull contributed featured vocals to "Black Crown" on Rise Against's tenth studio album Ricochet, co-writing the shoegaze-influenced track with the band's frontman Tim McIlrath to create a reverb-heavy, introspective sound.[60][61]| Year | Project | Contribution | Details |
|---|---|---|---|
| 2016 | Swiss Army Man (soundtrack) | Co-composer (with Robert McDowell) | 24 tracks; Lakeshore Records release featuring actor vocals.[56] |
| 2025 | Matt Maeson – "Cursive" (A Quiet and Harmless Living) | Composition, lyrics; guest via Manchester Orchestra | Reflective duet single.[59] |
| 2025 | Rise Against – "Black Crown" (Ricochet) | Featured vocals, co-writer | Shoegaze-style collaboration.[60] |