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Annales (Ennius)
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Annales (Ennius)
Annales (Latin: [anˈnaːleːs]; Annals) is the name of a fragmentary Latin epic poem written by the Roman poet Ennius in the 2nd century BC. While only snippets of the work survive today, the poem's influence on Latin literature was significant. Although written in Latin, stylistically it borrows from the Greek poetic tradition, particularly the works of Homer, and is written in dactylic hexameter. The poem was significantly larger than others from the period, and eventually comprised 18 books.
The subject of the poem is the early history of the Roman state. It is thought to be based mostly on Greek records and the work of Quintus Fabius Pictor. Initially viewed as an important cultural work, it fell out of use sometime in the 4th century AD. No manuscripts survived through the Middle Ages. When interest in the work was revived during the Renaissance period the poem was largely reconstructed from quotations contained in other works. Subsequent academic study of the poem has confirmed its significance for its period.
On the Murcus Remus sits in wait for a sign and watches alone for a favorable flight; but handsome Romulus on the high Aventine seeks and watches for the high-soaring race. They were competing whether to call the city Roma or Remora. All men were anxious over which would be their ruler. They wait, as when the consul prepares to give the signal, everyone eagerly looking to the starting gates for how soon he sends the painted chariots from the barrier: so the people were waiting, visible on each face a concern for their affairs, to which the victory of supreme rule is given. Meanwhile the sun had set into the depth of night. Then struck by rays the shining light showed itself openly and at once on high from far away a beautifully winged leftward flight advanced. Just as the golden sun arises, there comes descending from the sky a dozen blessed bodies of birds, settling themselves on fine and favorable seats. Thus Romulus sees that given to himself alone, approved by auspices, were the base and bulwark of a kingdom.
— One of the longest fragments of the Annales, preserved in Cicero's De Divinatione, detailing the founding of Rome (translation by Sander M. Goldberg and Gesine Manuwald).
Ennius's Annales was the first epic poem that covered the early history of the Roman state. Fragments of the Annales, as well as reports by ancient scholars, suggest that Ennius opened his epic with a recollection of a dream. In this reverie, the poet claims that Homer appeared to him and informed him that, thanks to the transmigration of souls, his spirit had been reborn into Ennius.
The poem—which most speculate proceeded in chronological order—was likely divided into triads with a "concentric, symmetrical structure". In the first seven books, Ennius wrote about mythical and historical past episodes, whereas in the following eight (and eventually, eleven), he wrote about contemporary events. Although most of the poem has been lost, there is a "traditional"—albeit conjectured—organization for the book. Books 1–3 cover the end of the Trojan War in 1184 BC, to the reign of the last king of Rome, Lucius Tarquinius Superbus c. 535–509 BC. Books 4–6 revolve around the early Roman Republic up until the Pyrrhic War in 281–271 BC. Books 7–9 deal briefly with the First Punic War (264–241 BC) before covering the Second (218–201 BC) in more detail. Books 10–12 focus on the Second Macedonian War. (The ending to these three books is unclear; Ennius might have concluded with an epilogue, or detailed Rome's campaign against Antiochus III the Great, c. 192 BC.) Books 13–15 detail the Roman–Seleucid War (192–188 BC) until the events of the Aetolian War (191–189 BC). According to Werner Suerbaum and Werner Eck, it is likely that Ennius chose to end the original portion of his opus with the Aetolian War because of the role played in the conflict by one of his patrons, Marcus Fulvius Nobilior.
Sometime after Ennius published his poem, he amended it with three additional books, which concern themselves with the Istrian campaigns (177 BC) and the Macedonian Wars (214–148 BC). The final version of the Annales therefore contained 18 books. According to Pliny the Elder in his Historia Naturalis, it was "on [the] account" of Lucius Caecilius Metellus Denter and his unspecified brother—two Romans whom the poet admired—that Ennius penned the sixteenth book.
According to Suerbaum and Eck, it is likely that Ennius drew mostly on Greek records when he was compiling his poem, although he probably also made use of the Roman historiographer Quintus Fabius Pictor (who wrote in Greek). Additionally, it was assumed for a long time that the structure, title, and contents of the Annales were based on or inspired by the Annales maximi—that is, the prose annals kept by the Pontifex Maximus during the Roman Republic. However, the scholars Sander M. Goldberg and Gesine Manuwald write that while the title of Ennius's poem is reminiscent of the Annales maximi, the idea that the poem is modeled on this official record is "almost certainly anachronistic", since there is very little evidence to suggest that an extensive version of the Annales maximi would have existed around the time that Ennius was writing his work. Given this, they argue that the title "Annales" was likely chosen by Ennius not to connect it to the Annales maximi, but rather to emphasize that he was Rome's very first recorder of historical events (i.e., an "annalist").
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Annales (Ennius)
Annales (Latin: [anˈnaːleːs]; Annals) is the name of a fragmentary Latin epic poem written by the Roman poet Ennius in the 2nd century BC. While only snippets of the work survive today, the poem's influence on Latin literature was significant. Although written in Latin, stylistically it borrows from the Greek poetic tradition, particularly the works of Homer, and is written in dactylic hexameter. The poem was significantly larger than others from the period, and eventually comprised 18 books.
The subject of the poem is the early history of the Roman state. It is thought to be based mostly on Greek records and the work of Quintus Fabius Pictor. Initially viewed as an important cultural work, it fell out of use sometime in the 4th century AD. No manuscripts survived through the Middle Ages. When interest in the work was revived during the Renaissance period the poem was largely reconstructed from quotations contained in other works. Subsequent academic study of the poem has confirmed its significance for its period.
On the Murcus Remus sits in wait for a sign and watches alone for a favorable flight; but handsome Romulus on the high Aventine seeks and watches for the high-soaring race. They were competing whether to call the city Roma or Remora. All men were anxious over which would be their ruler. They wait, as when the consul prepares to give the signal, everyone eagerly looking to the starting gates for how soon he sends the painted chariots from the barrier: so the people were waiting, visible on each face a concern for their affairs, to which the victory of supreme rule is given. Meanwhile the sun had set into the depth of night. Then struck by rays the shining light showed itself openly and at once on high from far away a beautifully winged leftward flight advanced. Just as the golden sun arises, there comes descending from the sky a dozen blessed bodies of birds, settling themselves on fine and favorable seats. Thus Romulus sees that given to himself alone, approved by auspices, were the base and bulwark of a kingdom.
— One of the longest fragments of the Annales, preserved in Cicero's De Divinatione, detailing the founding of Rome (translation by Sander M. Goldberg and Gesine Manuwald).
Ennius's Annales was the first epic poem that covered the early history of the Roman state. Fragments of the Annales, as well as reports by ancient scholars, suggest that Ennius opened his epic with a recollection of a dream. In this reverie, the poet claims that Homer appeared to him and informed him that, thanks to the transmigration of souls, his spirit had been reborn into Ennius.
The poem—which most speculate proceeded in chronological order—was likely divided into triads with a "concentric, symmetrical structure". In the first seven books, Ennius wrote about mythical and historical past episodes, whereas in the following eight (and eventually, eleven), he wrote about contemporary events. Although most of the poem has been lost, there is a "traditional"—albeit conjectured—organization for the book. Books 1–3 cover the end of the Trojan War in 1184 BC, to the reign of the last king of Rome, Lucius Tarquinius Superbus c. 535–509 BC. Books 4–6 revolve around the early Roman Republic up until the Pyrrhic War in 281–271 BC. Books 7–9 deal briefly with the First Punic War (264–241 BC) before covering the Second (218–201 BC) in more detail. Books 10–12 focus on the Second Macedonian War. (The ending to these three books is unclear; Ennius might have concluded with an epilogue, or detailed Rome's campaign against Antiochus III the Great, c. 192 BC.) Books 13–15 detail the Roman–Seleucid War (192–188 BC) until the events of the Aetolian War (191–189 BC). According to Werner Suerbaum and Werner Eck, it is likely that Ennius chose to end the original portion of his opus with the Aetolian War because of the role played in the conflict by one of his patrons, Marcus Fulvius Nobilior.
Sometime after Ennius published his poem, he amended it with three additional books, which concern themselves with the Istrian campaigns (177 BC) and the Macedonian Wars (214–148 BC). The final version of the Annales therefore contained 18 books. According to Pliny the Elder in his Historia Naturalis, it was "on [the] account" of Lucius Caecilius Metellus Denter and his unspecified brother—two Romans whom the poet admired—that Ennius penned the sixteenth book.
According to Suerbaum and Eck, it is likely that Ennius drew mostly on Greek records when he was compiling his poem, although he probably also made use of the Roman historiographer Quintus Fabius Pictor (who wrote in Greek). Additionally, it was assumed for a long time that the structure, title, and contents of the Annales were based on or inspired by the Annales maximi—that is, the prose annals kept by the Pontifex Maximus during the Roman Republic. However, the scholars Sander M. Goldberg and Gesine Manuwald write that while the title of Ennius's poem is reminiscent of the Annales maximi, the idea that the poem is modeled on this official record is "almost certainly anachronistic", since there is very little evidence to suggest that an extensive version of the Annales maximi would have existed around the time that Ennius was writing his work. Given this, they argue that the title "Annales" was likely chosen by Ennius not to connect it to the Annales maximi, but rather to emphasize that he was Rome's very first recorder of historical events (i.e., an "annalist").