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Anne Hathaway
Anne Hathaway
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Anne Jacqueline Hathaway (born November 12, 1982) is an American actress. Her accolades include an Academy Award, a British Academy Film Award, a Golden Globe Award, and a Primetime Emmy Award. Her films have grossed over $6.8 billion worldwide, and she appeared on the Forbes Celebrity 100 list in 2009. She was among the world's highest-paid actresses in 2015.

Key Information

Hathaway performed in several plays in high school. As a teenager, she was cast in the television series Get Real (1999–2000) and made her breakthrough by playing the lead role in the Disney comedy The Princess Diaries (2001). After starring in a string of family films, including Ella Enchanted (2004), Hathaway made a transition to mature roles with the 2005 drama Brokeback Mountain. The comedy-drama The Devil Wears Prada (2006), in which she played an assistant to a fashion magazine editor, was her biggest commercial success to that point. She played a recovering addict in the drama Rachel Getting Married (2008), which earned her a nomination for the Academy Award for Best Actress.

Hathaway had further commercial success in the comedy Get Smart (2008), the romances Bride Wars (2009), Valentine's Day (2010), and Love & Other Drugs (2010), and the fantasy film Alice in Wonderland (2010). In 2012, she starred as Catwoman in her highest-grossing film, The Dark Knight Rises, and played Fantine, a prostitute dying of tuberculosis, in the musical Les Misérables, winning the Academy Award for Best Supporting Actress for the latter. She has since played a scientist in the science fiction film Interstellar (2014), the owner of a fashion website in the comedy The Intern (2015), a haughty actress in the heist film Ocean's 8 (2018), a con artist in the comedy The Hustle (2019), Rebekah Neumann in the miniseries WeCrashed (2022), and an older woman dating a young pop star in the romantic comedy The Idea of You (2024).

Hathaway has won a Primetime Emmy Award for her guest voice role on The Simpsons, sung for soundtracks, appeared on stage, and hosted events. She supports several charitable causes. She is a board member of the Lollipop Theatre Network, an organization that brings films to children in hospitals, and advocates for gender equality as a UN Women goodwill ambassador.

Early life and background

[edit]

Anne Jacqueline "Annie"[1] Hathaway was born on November 12, 1982, in the Brooklyn borough of New York City. She is of Irish, English, German and French descent, her father Gerald, was a labor attorney, and her mother, Kate (née McCauley), is a former actress.[2][3] Hathaway's maternal grandfather was WIP (AM) Philadelphia radio personality Joe McCauley.[4] According to The Daily Telegraph, she was named after William Shakespeare's wife.[5] She has an older brother, Michael, and a younger brother, Thomas.[6] When Hathaway was six, the family moved to Millburn, New Jersey, where she was raised.[7]

Entrance to the theater Paper Mill Playhouse with the poster to a play outside it
As a child, Hathaway appeared in several productions at Paper Mill Playhouse

At age eight,[3] when Hathaway watched her mother perform in the first national tour of Les Misérables as Fantine, she instantly became fascinated with the stage, but her parents were not keen on allowing her to pursue an acting career. After this, Kate quit acting to raise Hathaway and her brothers.[8] Hathaway was raised as Roman Catholic with what she considers to be "really strong values" and wished to be a nun during her childhood, but acting was always a high priority for her.[7][9] Her relationship with the Catholic Church changed at age fifteen, after learning that her older brother was gay.[9] Her family left the church, joining the Episcopal Church because of its acceptance of homosexuality, but they eventually left that too.[10] In 2009, Hathaway described her religious beliefs as "a work in progress".[9]

Hathaway attended Brooklyn Heights Montessori School and Wyoming Elementary School in Millburn.[11] She graduated from Millburn High School, where she played soccer and took part in many plays, including Once Upon a Mattress, in which she portrayed Winnifred.[12] Later, she appeared in the plays Jane Eyre and Gigi, at New Jersey's Paper Mill Playhouse.[13] She studied at the American Academy of Dramatic Arts in 1993 and became the first teenager admitted into the Barrow Group Theater Company's acting program.[14][15] She spent several semesters studying as an English major and political science minor at Vassar College in Poughkeepsie, New York,[16] before transferring to New York University's Gallatin School of Individualized Study.[17]

Between 1998 and 1999, Hathaway sang soprano with the All-Eastern U.S. High School Honors Chorus at Carnegie Hall and in plays at Seton Hall Preparatory School in West Orange, New Jersey. Early in her film career, her acting style and appearance would be likened to Judy Garland—whom she cites as one of her favorite actresses[11]—and Audrey Hepburn.[18][19][20][21] Three days after her performance at Carnegie Hall, Hathaway was cast in the short-lived Fox television series Get Real.[13] She played the teenager Meghan Green, alongside Jon Tenney, Debrah Farentino and Jesse Eisenberg.[22] Despite her early success, Hathaway suffered from depression and anxiety as a teenager. However, she said in 2008 that she had since grown from it.[5] She missed her first college semester for the filming of her cinematic debut, The Princess Diaries (2001).[13] According to Hathaway, she never regretted not completing her degree, as she enjoyed being with others who "were trying to grow up".[17]

Career

[edit]

2001–2004: Early roles and breakthrough

[edit]

In 2001, Hathaway starred in the Disney comedy The Princess Diaries, based on Meg Cabot's novel of the same name. Hathaway portrayed teenager Mia Thermopolis, who discovers that she is the heiress to the throne of the fictional Kingdom of Genovia. Hathaway auditioned for the role during a flight layover on the way to New Zealand.[11] Director Garry Marshall initially considered Liv Tyler for the role, but cast Hathaway after his granddaughters suggested that she had the best "princess" hair.[23] The film became a major commercial success, grossing $165 million worldwide.[24] Many critics lauded Hathaway's performance; a BBC critic noted that "Hathaway shines in the title role and generates great chemistry" and The New York Times' Elvis Mitchell found her to be "royalty in the making, a young comic talent with a scramble of features".[25][26] She earned an MTV Movie Award for Best Breakthrough Female Performance nomination for the role.[27] The same year, Hathaway starred with Christopher Gorham in Mitch Davis's The Other Side of Heaven, which was also distributed by Disney. Inspired by John H. Groberg's memoir In the Eye of the Storm, the film met with mostly negative reviews and was a box-office failure.[28]

In terms of the princess role, there is only so long that you can play those as a young lady before you start feeling really ridiculous. They are so much fun to do, I figure I might as well get the most out of them while I can. Then [I'll] go off and play all the drug addicts and the prostitutes, and all the good ones you win Oscars for a little bit later on.

—Hathaway, 2004[18]

Owing to the success of The Princess Diaries, People magazine named Hathaway one of its breakthrough stars of 2001.[29] In February 2002, Hathaway starred in the City Center Encores! concert production of Carnival! in her New York City stage debut; she was cast as Lili, an optimistic orphan who falls in love with a magician. Before rehearsing with the full cast, Hathaway trained with a vocal coach for two weeks. She memorized almost all her lines and songs at the first read-through.[13] Critics generally praised her for holding her own against well-known actors and heralded her as a new star.[13] In a positive review of the musical, Charles Isherwood of Variety called Hathaway the highlight of the show and "remarkably unaffected and winning", praising her convincing performance.[30] She won a Clarence Derwent Award for Most Promising Female.[31] Later, Hathaway voiced the audiobook release of the first three books in The Princess Diaries novels.[32]

Hathaway portrayed princesses and appeared in family-oriented films over the next three years, subsequently becoming known in mainstream media as a children's role model.[29] After voicing Haru Yoshioka for the English version of The Cat Returns (2002),[33] she starred in Douglas McGrath's comedy-drama Nicholas Nickleby (2002), which opened to positive reviews. However, the film did not enter wide release and failed at the North American box office, totaling less than $4 million in ticket sales.[34] The fantasy romantic comedy Ella Enchanted (2004), in which Hathaway played the titular character, also performed poorly at the box office.[35] She had first read the book on which the film is based when she was 16, and stated that the script was originally much closer to the source material but did not work as a film, and therefore preferred the picture the way it turned out.[18] It opened to mostly mixed reviews.[36] Hathaway sang three songs on the film's soundtrack, including a duet with singer Jesse McCartney.[37]

In 2003, Hathaway turned down the role of Christine Daaé for Joel Schumacher's The Phantom of the Opera (2004), because the production schedule of the film overlapped with The Princess Diaries 2: Royal Engagement (2004).[31] She was initially hesitant and nervous about starring in the sequel, but agreed to it after Marshall convinced her that she was not repeating anything.[18] The film was released in August 2004 to negative reviews,[38] but made $95.1 million against a $40 million budget.[39]

2005–2008: Transition to adult roles and critical recognition

[edit]

Hathaway began taking on adult roles to avoid typecasting,[29] remarking that "anybody who was a role model for children needs a reprieve", but noted that "it's lovely to think that my audience is growing up with me".[40] After replacing Tara Strong for the voice role of Red Puckett in Hoodwinked!,[41] she starred in the drama Havoc (2005) as a spoiled socialite, appearing nude in some of its scenes. While the film was thematically different from her previous releases, Hathaway denied that her role was an attempt to be seen as a more mature actress, citing her belief that performing nudity in certain films is merely a part of what her chosen form of art demands of her; because of this belief she does not consider appearing nude in appropriate films to be morally objectionable.[42] The film was not released in theaters in the United States due to unfavorable critical reception.[43]

In the 2005 drama Brokeback Mountain, which depicts the emotional and sexual relationship between two men married to women, Ennis Del Mar (played by Heath Ledger) and Jack Twist (played by Jake Gyllenhaal), Hathaway played Lureen, the wife of Jack. The actress was originally sent the script with the part of Ennis' wife in mind, but decided to audition for Lureen instead after she read it.[44] She lied during the audition about her knowledge of riding so that the director Ang Lee would cast her, but did subsequently take lessons.[45] The film received critical acclaim and several Academy Award nominations.[46] Peter Travers of Rolling Stone wrote that Hathaway "excels at showing Lureen's journey from cutie-pie to hard case", and Todd McCarthy of Variety credited her for "provid[ing] an entertaining contrast in wifely disappointment".[47][48] Hathaway stated that the content of Brokeback Mountain was more important than its award count, and that making the film made her more aware of the kind of stories she wanted to tell as an actor.[49] At this point, she realized that she wanted to play roles to move audiences or otherwise entertain them so much that they forget about their own lives.[5]

A picture of Anne Hathaway looking into the camera.
Hathaway at the 2007 Deauville American Film Festival

Hathaway starred in the comedy-drama The Devil Wears Prada (2006), based on Lauren Weisberger's novel of the same name, as a college graduate who becomes an assistant to a powerful fashion magazine editor (played by Meryl Streep).[7] She was "the ninth choice" for the part, citing this later as an inspiration for people to never give up,[50] and in preparation she volunteered for a few weeks as an assistant at an auction house.[51] She also followed a weight-loss regimen, along with co-star Emily Blunt, which made them hungry and led to crying.[52] Hathaway stated that working on the film made her respect the fashion industry a great deal more than she did previously, though she admitted that her personal style was something she "still can't get right".[15] The Devil Wears Prada received positive reviews; Roger Ebert called Hathaway "a great beauty [...] who makes a convincing career girl" and Rotten Tomatoes found "Streep in top form and Anne Hathaway more than holding her own".[53][54] It proved to be her most widely seen film to that point, with a worldwide gross of over $326.5 million.[55]

Originally cast in Knocked Up, Hathaway dropped out before production and was replaced with Katherine Heigl. This happened because, according to writer-director Judd Apatow, the actress was uncomfortable with the use of real footage of a woman in labor;[56] she believed it did not contribute to the film's story.[57] Her sole release in 2007 was the biographical romantic drama Becoming Jane, as the titular English author Jane Austen.[49] A fan of Austen since age 14, Hathaway prepared for the role by rereading Austen's books and conducting historical research, such as perusing the author's letters; she also learned sign language, calligraphy, dance choreography, and the piano. She moved to England a month before filming to improve her English accent.[a][59] She received a British Independent Film Award for Best Actress nomination for the film,[60] although some critics negatively focused on her accent and performance.[61]

In October 2008, Hathaway hosted an episode of the NBC late-night sketch comedy Saturday Night Live.[62] She also starred in Peter Segal's film adaptation of Mel Brooks' television series Get Smart, in which she played Agent 99. Calling the role "a childhood dream come true", Hathaway learned martial arts and dancing techniques in preparation.[40] While filming an action sequence, she split the flesh of her shin to the bone, which led to her receiving 15 stitches.[5] The film, centering on an analyst who dreams of becoming a real field agent and a better spy, was a financial success.[63] Hathaway's two other releases of 2008 were the drama Rachel Getting Married and the mystery thriller Passengers, the latter of which was a critical and commercial failure.[64] In Jonathan Demme's Rachel Getting Married, she starred as a young woman who, after being released from drug rehabilitation, returns home for her sister's wedding. Portraying a character she described as "narcissistic—downright selfish", Hathaway garnered critical acclaim for her performance.[65] Peter Travers found her to be "raw and riveting" in the role, adding that she "acts the hell out of it, achieving a state of sorrowful grace".[66] She received Academy Award and Golden Globe Award nominations for Best Actress.[65][67]

2009–2011: Romantic comedies and hosting events

[edit]

Hathaway starred in Bride Wars (2009), which she described as "hideously commercial—gloriously so".[68] The romantic comedy, in which she and Kate Hudson played two best friends who become rivals after their weddings are scheduled on the same day, was a critical failure; it was named among the ten worst chick flicks in history by Time in 2010.[69] Despite this, the film was successful financially and earned Hathaway an MTV Movie Award for Best Female Performance nomination.[70][71] She played the heroine Viola in a summer 2009 production of Twelfth Night at the Delacorte Theater in New York City. Charles Isherwood opined that Hathaway "dives smoothly and with obvious pleasure into the embrace of a cohesive ensemble cast".[72] For her portrayal of the role, she garnered a nomination for the Drama Desk Award for Outstanding Actress in a Play.[73] In 2010, she also won a Primetime Emmy Award for Outstanding Voice-Over Performance for providing her voice for the episode "Once Upon a Time in Springfield" in The Simpsons.[74] Hathaway voiced different characters in Family Guy in 2010 and 2011.[75][76]

In 2010, Hathaway appeared as a receptionist who dates a clerk (played by Topher Grace) in the ensemble romantic comedy Valentine's Day, directed by Garry Marshall. The film was a commercial success, grossing more than $215 million worldwide against a budget of $52 million.[77] Hathaway played the White Queen in Tim Burton's 2010 adaptation of the fantasy novels Alice's Adventures in Wonderland and Through the Looking-Glass alongside Helena Bonham Carter and Johnny Depp. She summed up her character with a caption on a magnet of Happy Bunny holding a knife; "Cute but psycho. Things even out."[78] Hathaway described her interpretation of the White Queen as "a punk-rock vegan pacifist", drawing inspiration from Debbie Harry and the artwork of Dan Flavin.[79] Alice in Wonderland received mixed reviews from critics, who praised the film's visuals but criticized the lack of narrative coherence.[80] Commercially, it grossed $1 billion to become the second-highest-grossing film of 2010.[81]

A bust shot of a young woman standing in a side view, her head turned to look to the camera. Her long hair is pulled back from her face and cascades down her back. She wears a black sleeveless dress with a gold trim around the back and under her arm. She wears jeweled silver floral shaped earrings and smiles softly. There is a crowd of people, slightly out of focus, in the background.
Hathaway at the Nobel Peace Prize Concert in 2010, which she hosted with actor Denzel Washington

Hathaway reunited with Jake Gyllenhaal as a free-spirited artist with Parkinson's disease in Edward Zwick's erotic romantic comedy-drama Love & Other Drugs, based on the nonfiction book Hard Sell: The Evolution of a Viagra Salesman by Jamie Reidy. For the role, she spent time with a Parkinson's patient to research the disease, and in preparation for its nude scenes, she watched films of Kate Winslet and Penélope Cruz who, in Hathaway's view, had performed nudity with sensitivity and dignity.[82][83] She believed these scenes would not discourage socially conservative people from watching the film.[84] Critics generally praised the film's adult romance, but were unenthusiastic about its plot elements.[85] Hathaway's performance, which Ebert called "warm, lovable",[86] earned her a Satellite Award and a nomination for the Golden Globe Award for Best Actress – Comedy or Musical.[87][88] Together with actor Denzel Washington, Hathaway hosted the Nobel Peace Prize Concert in Oslo, Norway in December 2010.[89] Two months later, she and James Franco hosted the 83rd Academy Awards.[90] Critics were unenthusiastic about their chemistry, but thought Hathaway gave her best and did a better job than Franco, who they felt seemed uninterested.[91] At the 63rd Primetime Emmy Awards, she garnered an Outstanding Variety Special (Live) nomination.[92]

In 2011, Hathaway voiced Jewel, a female Spix's macaw from Rio de Janeiro, in the animated film Rio, produced by 20th Century Fox and Blue Sky Studios. It received generally positive reviews from film critics, who praised the visuals, voice acting and music.[93] A commercial success, it grossed more than $484 million worldwide against a budget of $90 million.[94] Later, Hathaway starred alongside Jim Sturgess in Lone Scherfig's One Day, based on David Nicholls' novel of the same name. The film tells the story of two young people who meet annually for twenty years after they shared a platonic one-night stand together. Hathaway was clandestinely given the script, as One Day was set in Britain, and Scherfig was not looking for any American actresses for the part. After a nonproductive meeting with Scherfig, Hathaway left a list of songs for the director, who after listening to them, cast the actress for the part.[b][95] Hathaway later expressed regret that she might have unwittingly held misogyny during production, as she came to feel that she had not trusted Scherfig as a director because of her gender.[96] Her Yorkshire accent in the film was considered subpar. Columnist Suzanne Moore, reviewing the film on BBC Radio 4's Front Row, said Hathaway's accents were "all over the shop", adding, "Sometimes she's from Scotland, sometimes she's from New York, you just can't tell".[97] The film itself received polarizing reviews from critics,[98] but became a moderate box office success.[99][100]

2012–2014: Les Misérables and films with Christopher Nolan

[edit]

In 2012, Hathaway's audiobook recording of L. Frank Baum's 1900 novel The Wonderful Wizard of Oz was released at Audible.com and garnered her an Audie Award nomination for Best Solo Narration – Female.[101] She then played the sly, morally ambiguous cat burglar Selina Kyle / Catwoman in The Dark Knight Rises, the final installment in Christopher Nolan's The Dark Knight trilogy.[102] Hathaway auditioned not knowing what part she was being considered for, admitting that she had Harley Quinn in mind but only learned her role after talking with Nolan for an hour.[103] She described it as her most physically demanding assignment to that point, as she had to redouble her efforts in the gym to keep up with the requirements of the role.[104][105] She trained extensively in martial arts, and looked to Hedy Lamarr in developing her performance as Catwoman.[106] The Dark Knight Rises was critically successful and grossed more than $1 billion worldwide, becoming the third-highest-grossing film of 2012.[107] IGN reviewer Jim Vejvoda labeled Hathaway "a magnetic presence whenever she's onscreen" and added, "Selina may be the proverbial good bad girl, the thief with a heart of gold, but Hathaway imbues her with a wounded spirit and a survivor's edge that makes her feel genuine and sympathetic even when she's being naughty."[108] She won the Saturn Award for Best Supporting Actress for her performance.[109]

Hathaway portrayed Fantine, a prostitute dying of tuberculosis, in Tom Hooper's Les Misérables, an adaptation of the stage musical of the same name. Footage of the actress singing "I Dreamed a Dream", a song from the film, was shown at the 2012 CinemaCon, where Hooper described her singing as "raw" and "real".[110] In preparation for the role, Hathaway consumed fewer than 500 calories a day to lose 25 pounds (11 kg), researched prostitution, and cut her hair.[111][112] To adopt her character's mental space alone during production in London, she sent her husband back to the United States; this resulted in her becoming increasingly temperamental.[113] Ann Hornaday of The Washington Post asserted that "the centerpiece of a movie composed entirely of centerpieces belongs to Anne Hathaway, who as the tragic heroine Fantine sings another of the memorable numbers".[114] She won the Academy Award, Golden Globe, Screen Actors Guild and BAFTA Award for Best Supporting Actress.[115][116] Asked if she was pleased with her performance in the film, Hathaway expressed doubts, replying with "Eh".[115] In January 2013, Hathaway's rendition of "I Dreamed a Dream" reached number 69 on the Billboard Hot 100.[117]

A short-haired brunette, wearing a black dress, is smiling to her left
Hathaway at a screening of Rio 2 in 2014

After briefly appearing in the romantic comedy Don Jon (2013),[118] Hathaway starred in and co-produced (with her husband and others) Song One. In the drama film, she played an anthropology student who returns home to see her injured brother, Henry (played by Ben Rosenfield), and soon begins a romantic relationship with his favorite musician, James Forester (played by Johnny Flynn). Her character was originally written as a 19-year-old, but Kate Barker-Froyland, the film's writer and director, changed the part to that of an older woman after casting Hathaway.[119] The actress said the reason she decided to produce the film was because of its depiction of the healing power of music and second chances.[120] For the film's soundtrack, she provided her voice for the song "Afraid of Heights".[121] Song One premiered in the U.S. Dramatic Competition at the 30th Sundance Film Festival in January 2014,[122] and released in theaters the following year to mixed reviews from critics.[123] Commercially, the film failed to recoup its $6 million investment.[124]

Hathaway reprised her role as Jewel in the animated film Rio 2—her third film with Jamie Foxx—which was released in 2014.[125] It grossed nearly five times more than its $103 million budget.[126] Her sole live-action release of 2014 was Christopher Nolan's epic science fiction film Interstellar. Set in a dystopian future where humanity is struggling to survive, it follows a crew of astronauts who travel through a wormhole in search of a new home for mankind. Hathaway was drawn to the part of NASA scientist Amelia Brand due to the character's growth from an arrogant to a humbler person.[127] With a budget of $165 million, the high-profile production co-starring Matthew McConaughey was filmed mostly using IMAX cameras.[128][129] Hathaway nearly experienced hypothermia while filming a water scene in Iceland, as the dry suit she was wearing had not been properly secured.[130] Reviewers for The Independent and Empire found her to be "affecting" in the part of a scientist unable to decide between her personal feelings and professional responsibilities,[131] and took notice of the "soulful nuance" in her performance.[132] Interstellar grossed over $701 million worldwide,[133] and earned Hathaway a nomination for the Saturn Award for Best Actress.[134]

2015–2021: Comedic roles and career fluctuations

[edit]

Hathaway began 2015 with an appearance in the first season of the musical reality show Lip Sync Battle. In the episode, she competed against her The Devil Wears Prada co-star Emily Blunt; she lip synced "Love" by Mary J. Blige and "Wrecking Ball" by Miley Cyrus.[135] Nancy Meyers' The Intern was Hathaway's sole film release of 2015. It tells the story of Ben Whittaker (played by Robert De Niro), a 70-year-old widower who becomes a senior intern at an online fashion site run by Jules Ostin (Hathaway). She had aspired to work with De Niro and Meyers, her favorite actor and director, respectively; impressed with the film's story, she auditioned for the third time for a Meyers film.[c][137] Reviews of the film were generally positive; one in Roger Ebert's website found her to be "extremely appealing" and a reviewer for New York magazine wrote, "The Intern gets off on De Niro's amiability and Hathaway's sweet energy".[138][139] The film grossed $194 million worldwide against a $35 million budget.[140] The 2015 found footage horror film Be My Cat: A Film for Anne, about an aspiring Romanian filmmaker who goes to shocking extremes to convince Hathaway to star in his film, was officially selected and had its North American premiere at the 2016 Nashville Film Festival.[141]

Hathaway at the 2016 Toronto International Film Festival

Hathaway reprised the role of the White Queen in Alice Through the Looking Glass, the 2016 sequel to Alice in Wonderland.[142] That March, it was reported that she would reprise her role for The Princess Diaries 3; the project was shelved after the death of Garry Marshall, who was set to direct the film.[143] Hathaway is one of several actors featured on Barbra Streisand's 2016 album Encore: Movie Partners Sing Broadway. Along with Daisy Ridley, Hathaway and Streisand performed the song "At The Ballet" from A Chorus Line; she played the role of Maggie, one of a trio of dancers hoping to be cast in an upcoming show.[144] Her final film that year was alongside Jason Sudeikis in Nacho Vigalondo's science fiction black comedy Colossal (2016).[145] Playing an unemployed young writer, Hathaway was the first actress to sign on at a time when the project had no financial backing. She was drawn to the genre-hopping nature of the script, later comparing it to Being John Malkovich (1999), one of her favorite films.[146] The film received positive reviews from critics, but earned only $4 million at the box office.[147][148]

After a two-year absence from the screen, Hathaway starred as a famous actress in Ocean's 8, an all-female spin-off of the Ocean's Eleven franchise from director Gary Ross.[149] Co-starring Sandra Bullock and Cate Blanchett, it follows a group of criminals who plan to rob the Met Gala. Hathaway was drawn to the idea of playing someone with an immense ego and saw the part as an opportunity "to lean into all the ridiculous fame nonsense that I've been trying to side-step for all of these years."[150] She hoped the film would be profitable so that it could debunk claims that female-led films do not succeed commercially.[151] Critics generally considered Hathaway to be a scene-stealer among the cast,[152] with ABC Online's Jason Di Rosso writing, "The film's best moments belong to Hathaway as the anxiety-ridden, vain and capricious starlet. She's the only successful meld of comedy and pathos—a victim of the celebrity treadmill who is also capable of outsmarting it."[153] Ocean's 8 was a box office success, grossing over $297 million worldwide against a $70 million budget.[154]

Hathaway's first two films of 2019—the thriller Serenity and the comedy The Hustle—were poorly received by critics.[155][156] In the former, she starred alongside her Interstellar costar Matthew McConaughey as a woman who tasks her ex-husband to kill her new abusive husband, a role for which she dyed her hair blonde.[157] The Washington Post dismissed her performance as "cartoonish", adding that her femme fatale character was reminiscent of "a kind of live-action Jessica Rabbit".[158] The latter film was a remake of the 1988 film Dirty Rotten Scoundrels, co-starring Rebel Wilson, which emerged as a sleeper hit.[159][160] Hathaway next played a woman with bipolar disorder in an episode of the Amazon Prime Video romantic anthology series Modern Love.[161] She then played the wife of Mark Ruffalo's character in Todd Haynes' legal drama Dark Waters, about environmental poisoning committed by the chemical company DuPont.[162] Writing for Variety, Owen Gleiberman termed her supporting performance "a piercing dance of agony and loyalty".[163]

Hathaway began the new decade with the political thriller The Last Thing He Wanted (2020), based on the book of the same name by Joan Didion. She considered herself to be an unlikely choice for the part of a headstrong journalist, as it differed from her own "puppy dog" personality.[164] It received negative reviews from critics.[165] She then starred in The Witches, an adaptation of the novel of the same name from director Robert Zemeckis, in which she played an evil witch. The film received mixed reviews from critics, who deemed it inferior to the 1990 adaptation.[166][167] Hathaway's performances in both films earned her nominations for Worst Actress at the 41st Golden Raspberry Awards.[168] In 2021, she starred in the heist film Locked Down, directed by Doug Liman, which premiered on HBO Max. Set during the COVID-19 pandemic, it co-starred Chiwetel Ejiofor.[169][170] The film was shot over the course of 18 days with limited resources.[171] She next took on a role in one episode of the Amazon Prime Video anthology series Solos.[172]

2022–present: Critical resurgence

[edit]
Hathaway at the 2023 Berlin International Film Festival

Hathaway executive produced and starred opposite Jared Leto in the Apple TV+ miniseries WeCrashed, about the company WeWork.[173][174] It received favorable reviews, with particular praise for Hathaway's portrayal of Rebekah Neumann.[175] Angie Han of The Hollywood Reporter commended her for resisting "the temptation to turn Rebekah into an exaggerated caricature of an entitled woo-woo type, which ultimately only makes Rebekah funnier".[176] Hathaway starred in James Gray's semi-autobiographical period drama Armageddon Time, portraying a character inspired by Gray's mother.[177] David Rooney of The Hollywood Reporter considered it her best performance since Rachel Getting Married, while Owen Gleiberman of Variety praised Hathaway for making her character "at once affectionate and blinkered".[178][179]

In her two film releases of 2023—Eileen and She Came to Me—Hathaway played emotionally troubled psychiatrists.[180] Eileen, based on Ottessa Moshfegh's thriller novel of the same name, starred Thomasin McKenzie in the title role and premiered at the 2023 Sundance Film Festival.[181] Hathaway described the project as "Carol meets Reservoir Dogs".[182] Ryan Lattanzio of IndieWire believed that "Hathaway has never been better in a role that feels [...] tailor-made for her".[183] At that year's Berlin International Film Festival, Rebecca Miller's romantic comedy She Came to Me, was released.[184]

Hathaway's first release of 2024 was as a grieving mother coping with the loss of her son in the thriller Mothers' Instinct.[185] A remake of the 2018 Belgian film, she co-starred with Jessica Chastain.[186] Hathaway created a "protective layer" between herself and her character, requesting for cast and crew members to refer to her by her character's name as she deemed the loss of a child her "worst fear".[187] Writing for The Guardian, Peter Bradshaw thought that her performance was overshadowed by that of Chastain.[188] She next led the romantic comedy The Idea of You, based on Robinne Lee's novel of the same name, playing a divorced mother who begins a romance with a younger pop star.[189][190] Alissa Wilkinson of The New York Times believed that the film "succeeds mostly because of Hathaway's performance", and praised her chemistry with co-star Nicholas Galitzine.[191]

As of March 2025, Hathaway will next star alongside Michaela Coel in David Lowery's Mother Mary and will lead David Robert Mitchell's science fiction film Flowervale Street.[192][193] She will also reunite with Christopher Nolan on the historical epic The Odyssey and star in a film adaptation of Colleen Hoover's thriller novel Verity.[194][195] In June 2025, Hathaway began filming The Devil Wears Prada 2, reprising the role of Andrea "Andy" Sachs. The film is scheduled for release in May 2026.[196]

Public image

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Hathaway signing autographs for fans at the 2008 Toronto International Film Festival

Describing her off-screen persona, John Hiscock of The Daily Telegraph wrote in 2014 that Hathaway is a "well-grounded, friendly young woman with a good sense of humour, a wide smile and an easy-going attitude".[197] Hiscock further opines that, despite considerable success, she has never "gone Hollywood", remaining close with her friends.[197] The authors of the book 365 Style noted Hathaway's girl next door image, and her The Intern director Nancy Meyers says she is "wise beyond her years".[198][199] The journalist Laura Brown found her to be a "sincere", "warm and funny" woman.[200] After her 2013 awards acceptance speeches for Les Misérables, The Atlantic noted that several media commentators accused her of being "annoying" and making "awkward" jokes.[201] Discussing this, Hathaway explained that she feels anxious when public speaking but has since grown from it and become a more compassionate person.[200] She said regarding her perceived image: "People have this idea of me as just being a very prim, professional girl, which I suppose I am, but I do cut loose and have fun in my life".[5]

Remarking on her performance in Twelfth Night, Charles Isherwood wrote, "on screen or onstage Ms. Hathaway possesses the unmistakable glow of a natural star".[72] An Esquire writer wrote in 2018 that many of her good performances had been overlooked, describing her career as "subtle brilliance that has largely gone unnoticed".[202] Discussing her career in 2015, Hathaway said that, after her breakthrough in The Princess Diaries, she struggled to find roles that were serious - or were not about princesses. According to Judi Gugliemli of People, Hathaway used that fear of being typecast as motivation to build a versatile body of work. Gugliemli believed that her ability to extensively research her roles is the key to her success.[203] A writer for The Daily Telegraph commended her willingness to appear in different genres, ranging from action comedies to dramas.[204] Hathaway aspires to appear in many different films, work with different directors and play diverse roles.[199][203] She said she would be "lost" without acting and feels lucky to have found it as her profession.[205] A trained stage actress, she prefers performing on stage to film roles and claims to be terrified of acting on camera.[7] "I always assume that every film is my last, and I always assume that I have to go out and convince everybody why they have to hire me. I still audition," she said in 2015.[120]

Forbes reported that Hathaway was one of the world's highest-paid actresses in 2015,[206] and since 2017, she has been among the highest-grossing actresses of the 21st century.[207] In 2009, she was included on Forbes' annual Celebrity 100 list with earnings of $7 million, and was invited to join the Academy of Motion Picture Arts and Sciences.[208][209] As of July 2018, her films had grossed $6.7 billion worldwide.[210] Profiled as among the world's leading actresses by Vanity Fair, Hathaway, according to Catherine Elsworth of The Daily Telegraph, is pursued both by directors and by cosmetics companies.[5] In January 2008, she joined French luxury perfumes and cosmetics house Lancôme as the face of their fragrance "Magnifique".[211][212] In 2011, she became the new face of the Italian company Tod's.[213]

Hathaway's beauty and sex appeal have been picked up by several media outlets; FHM, People, Maxim, Empire and Entertainment Weekly have included her on their yearly listings of sexiest women.[214] In 2011, Los Angeles Times Magazine listed her as one of the 50 Most Beautiful Women in Film.[215] Elsworth called her in 2008 "the hottest young actress in Hollywood".[5] Hathaway disagreed, insisting that she has a "good girl" image and no sex appeal.[216] She has refused to undergo treatment with Botox, saying she is comfortable in her own skin.[217]

Activism

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Hathaway at the 2018 Human Rights Campaign dinner in Washington, D.C.

Hathaway has served as a long-term advocate for the Nike Foundation to raise awareness against child marriage.[218] In July 2006, she spent a week in Nicaragua to help vaccinate children against hepatitis A.[219] She has also traveled to other countries to promote the rights of women and girls, including Kenya and Ethiopia.[220] In 2008, she was honored at Elle's Women in Hollywood tribute and won an award from the Human Rights Campaign for her philanthropy;[221][222] she was also honored for her work with Step Up Women's Network in 2008.[223] She then teamed up in 2010 with World Bank in a two-year development program The Girl Effect whose mission focuses on helping empower girls in developing and developed nations where one-third of young women are not employed and not in school.[224] In 2013, she provided the narration for Girl Rising, a CNN documentary film, which focused on the power of female education as it followed seven girls around the world who sought to overcome obstacles and follow their dreams.[218]

Hathaway serves on the board of the Lollipop Theatre Network and is involved with charities Creative Coalition, St. Jude Children's Research Hospital and the Human Rights Campaign.[225][226] In 2016, Hathaway was appointed UN Women Goodwill ambassador based on her advocacy for gender equality. The following year, she spoke on International Women's Day in favor of paid parental leave for both men and women.[227] To promote an increased awareness of systemic sexism in the entertainment industry, Hathaway has advocated for greater professional opportunities for women and criticized Hollywood as not being a place of equality.[228] In 2018, she collaborated with 300 women in Hollywood to set up the Time's Up initiative to protect women from harassment and discrimination.[229]

Political views

[edit]

Hathaway supports abortion rights movements, gun control and immigrant rights.[230][231][232] She has criticized President Donald Trump for his administration's anti-immigration policies.[233] Hathaway is also a supporter of LGBT rights, and has donated money to organizations which support the legalization of same-sex marriage.[234][235] She has spoken out on issues such as homophobia, school bullying, transphobia and white privilege, writing in an Instagram post that black people "fear for their lives daily in America and have done so for generations".[236]

During the 2012 United States presidential election, Hathaway supported the presidential campaign of Democratic Party politician Barack Obama.[237] Four years later in 2016, she supported the campaign of fellow Democratic politician Hillary Clinton during that year's presidential election, appearing at a benefit concert at the St. James Theatre in New York City alongside Sienna Miller, Sarah Jessica Parker, Emily Blunt and Helen Mirren in support of the campaign.[238][239] During the 2020 United States presidential election, she supported Democratic candidate Joe Biden.[240] She supported Kamala Harris in the 2024 United States presidential election.[241]

In 2022, in response to the Russian invasion of Ukraine, Hathaway stated that she was sending her "sincere prayers to the people of Ukraine" and made donations to the Ukrainian Red Cross Society, UNICEF and Save the Children to help Ukrainians affected by the war.[242] She praised the Berlin International Film Festival in 2023 for featuring Ukrainian president Volodymyr Zelenskyy, who gave a televised speech during the opening ceremony.[243]

Personal life

[edit]
A photograph of Anne Hathaway smiling while crossing her arms.
Hathaway in 2017

In 2004, Hathaway began a romantic relationship with Italian real estate developer Raffaello Follieri.[7] Follieri's Manhattan-based foundation focused on efforts such as providing vaccinations for children in poor countries. In June 2008, it was investigated by the IRS for failure to file required nonprofit information forms.[244] In June 2008, Follieri was arrested on charges of defrauding investors out of millions of dollars in a scheme in which he posed as the Vatican's real-estate agent.[245] The FBI confiscated Hathaway's private journals from Follieri's New York City apartment as part of their ongoing investigation into Follieri's activities. Hathaway was not charged with any crime.[246] In October 2008, after earlier pleading guilty, Follieri was sentenced to four and a half years in prison.[247]

In early 2007, Hathaway spoke of her experiences with depression during her teens, saying that she eventually overcame the disorder without medication.[248] In 2008, she began smoking after a stressful summer and the end of her relationship with Follieri.[249] She has credited quitting smoking for the subsequent decline in her stress level and returned to being a vegetarian.[249][250] Hathaway became a vegan in early 2012, but she quit in 2014.[251][252][253] Later, in October 2018, Hathaway also gave up alcohol and has since described herself as sober.[254][255][256] Hathaway is a fan of the English Premier League football club Arsenal.[257]

Hathaway married actor and businessman Adam Shulman on September 29, 2012, in Big Sur, California, in a traditional Jewish ceremony.[258] In 2015, she suffered a miscarriage.[259] Their first son was born in March 2016.[260] Hathaway and Shulman sold their wedding photo and donated its profits to same-sex marriage advocacy group Freedom to Marry. They also hosted Freedom to Marry's National Engagement Party, which raised $500,000.[221] Their second son was born in November 2019.[261] The family owns several homes, with a chalet in Southern California being their primary residence.[262]

Acting credits and awards

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Hathaway's most acclaimed and highest-grossing films, according to the online portal Box Office Mojo and the review aggregate site Rotten Tomatoes, include The Princess Diaries (2001), Brokeback Mountain (2005), The Devil Wears Prada (2006), Get Smart (2008), Rachel Getting Married (2008), Valentine's Day (2010), Alice in Wonderland (2010), Love and Other Drugs (2010), The Dark Knight Rises (2012), Les Misérables (2012), Interstellar (2014), The Intern (2015), Colossal (2016), and Ocean's 8 (2018).[55][263]

Hathaway has been nominated for two Academy Awards,[67][115] three Golden Globe Awards,[65][87][116] and a British Academy Film Award.[116] She has won an Academy Award, a Golden Globe, a Screen Actors Guild and a BAFTA Award for Best Supporting Actress for Les Misérables.[115][116] She has also won a Primetime Emmy Award for Outstanding Voice-Over Performance for her voice role in a 2010 episode of The Simpsons.[74] In November 2018, Hathaway was one of 50 nominees for the New Jersey Hall of Fame, an organization that honors contributions to society and the world beyond.[264] In May 2019, Hathaway received a motion pictures star on the Hollywood Walk of Fame for her contributions to the film industry.[265]

Explanatory notes

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Anne Jacqueline Hathaway (born November 12, 1982) is an American actress recognized for her range across comedic, dramatic, and musical roles in film and television. Born in , New York, to actress Kate McCauley Hathaway and lawyer Gerald T. Hathaway, she began her career in theater before transitioning to screen acting with the television series Get Real (1999–2000) and her breakout film role as Mia Thermopolis in The Princess Diaries (2001). Her performance as in the film adaptation of (2012) earned her the Academy Award for Best Supporting Actress, along with a Golden Globe and a Film Award. Hathaway's notable film credits include The Devil Wears Prada (2006), where she portrayed aspiring journalist Andy Sachs; (2008), garnering an Academy Award nomination for Best Actress; and supporting roles in (2012) as Selina Kyle and Interstellar (2014) as Dr. Amelia Brand. These performances, spanning blockbusters and independent dramas, have contributed to films grossing billions worldwide, establishing her as one of Hollywood's highest-paid actresses during the . Following her Oscar win, she encountered significant online criticism dubbed "Hathahate," with detractors targeting her public persona as overly polished or insincere, leading to reported professional setbacks including lost roles. As of 2025, Hathaway continues to pursue demanding roles, including intensive preparation for projects involving and , while maintaining a presence in both and theater. Married to Shulman since , she has two sons and has spoken publicly about navigating motherhood alongside her . Her resilience amid industry scrutiny underscores a marked by commercial success and critical recognition, though public perception has been influenced by media amplification of personal critiques rather than substantive professional failings.

Early life and education

Family background and upbringing

Anne Hathaway was born Anne Jacqueline Hathaway on November 12, 1982, in , New York, to Gerald "Jerry" Thomas Hathaway, a labor attorney who later became a partner at , and Kate McCauley Hathaway, a former stage actress who later worked as a . Her parents, both originally from the area, met as students at in during the 1970s and married on December 27, 1980. Initially residing in , the family included Hathaway's older brother Michael, born prior to her arrival. When Hathaway was six years old, the family relocated to , settling in the nearby Short Hills suburb, where her father had professional opportunities. A younger brother, Thomas, completed the immediate family. Raised in a Roman Catholic household that emphasized family unity and creativity, Hathaway's parents enrolled her in classes at the in Millburn, inspired by her mother's career, while her father coached the siblings' soccer teams. The family later converted to Episcopalianism after Michael came out as gay, prioritizing support for him over continued Catholic affiliation.

Education and entry into performing arts

Hathaway attended Wyoming Elementary School in Millburn Township, New Jersey, following her family's relocation there in 1985, and later graduated from in 2000. During high school, she actively participated in theatrical productions and competed in soccer, developing an interest in performance alongside academics. Her entry into performing arts began at age 10 through involvement in local theater, notably training and performing at the in Millburn, a regional theater known for nurturing young talent. There, she appeared in youth ensemble roles and earned a Rising Star Award nomination for her performance in a production, gaining exposure that facilitated early professional auditions. By her mid-teens, these experiences transitioned her from school and community stages to commercial work, including a advertisement that drew casting attention. After high school, Hathaway enrolled at in , initially majoring in English, but paused her studies to accommodate acting commitments before transferring to New York University's . This period overlapped with her professional breakthrough, as she balanced higher education with roles that built on her foundational theater training.

Career

Early breakthrough (2001–2004)

Hathaway's breakthrough came with the lead role of Mia Thermopolis in the Disney comedy The Princess Diaries, directed by , where she portrayed an awkward teenager discovering her royal heritage as the princess of Genovia. Released on August 3, 2001, the film had a of $26 million and grossed $108.2 million domestically, contributing to a worldwide total exceeding $165 million. This performance marked her transition from television to major feature films and established her as a in family entertainment. Later in 2001, Hathaway took a supporting role as Jean Sabin, the fiancée of the protagonist, in The Other Side of Heaven, a biographical drama about a Mormon missionary's experiences in Tonga during the 1950s. The film, directed by Mitch Davis, premiered on December 14, 2001, in limited release with a $7 million budget, ultimately earning $4.7 million domestically despite modest critical reception. In 2002, she appeared as Madeline Bray, the love interest, in the period adaptation Nicholas Nickleby, based on Charles Dickens' novel and featuring an ensemble cast including Charlie Hunnam and Nathan Lane. By 2004, Hathaway starred in two fantasy films targeting young audiences. In Ella Enchanted, released April 9, 2004, she played the titular character cursed with obedience, alongside Hugh Dancy and directed by Tommy O'Haver; the $31 million production grossed $22.9 million domestically. Later that year, on August 11, she reprised Mia Thermopolis in The Princess Diaries 2: Royal Engagement, introducing Chris Pine as a suitor and grossing $95.1 million domestically against a similar family-friendly formula. These successes, totaling over $250 million in combined worldwide earnings from her 2001 and 2004 Princess Diaries entries alone, cemented her early career in commercially viable, youth-oriented cinema.

Transition to mature roles (2005–2009)

Following the conclusion of her family-oriented films, such as Ella Enchanted in 2004, Hathaway shifted toward adult-oriented roles beginning with Brokeback Mountain in 2005, where she portrayed Lureen Newsome, the wife of Jake Gyllenhaal's character. The film, directed by Ang Lee, received critical acclaim with an 88% approval rating on Rotten Tomatoes based on 262 reviews. In 2006, Hathaway starred as Andy Sachs in The Devil Wears Prada, a comedy-drama directed by opposite as , depicting the high-pressure world of fashion journalism. The film earned a 75% approval rating on from 193 reviews and grossed $326 million worldwide against a $35 million budget. Hathaway took on the lead role of in the 2007 biographical drama , directed by Julian Jarrold, exploring the author's early life and romance, which garnered a 58% score from 140 reviews. She followed with the supporting role of Agent 99 in the 2008 , a directed by alongside . Her performance as the troubled Kym in the 2008 family drama , directed by , marked a significant critical milestone, earning her an Award nomination for . The film achieved an 85% approval rating on from 201 reviews. In 2009, she co-starred with in the romantic comedy , directed by , playing Emma, though the film received mixed reviews with a 10% score from 144 critics. These roles demonstrated Hathaway's versatility in moving from comedic and commercial projects to more dramatic, character-driven parts.

Peak successes and Academy Award (2010–2014)

Hathaway's portrayal of the ethereal White Queen (Mirana) in Tim Burton's Alice in Wonderland (2010) marked a significant commercial milestone, with the film earning $1.025 billion worldwide against a $200 million budget, becoming one of the highest-grossing films of the year. Her role, requiring minimal digital alteration compared to other characters, showcased her ability to embody whimsical fantasy elements alongside leads and . Later that year, she took on the lead role of , a free-spirited artist with early-onset , in , a romantic dramedy opposite ; the film grossed $103 million globally and highlighted her transition to more mature, nudity-inclusive dramatic performances. Critics noted her chemistry with Gyllenhaal and the film's blend of comedy and social commentary on the , though it received mixed reviews overall with a 49% score. The year 2012 elevated Hathaway's profile further with her supporting turn as Selina Kyle / in Christopher Nolan's , the trilogy's finale that amassed $1.115 billion worldwide, solidifying her as part of one of the decade's top box-office franchises. Her physically demanding role involved extensive stunt training, including and , to depict the agile thief-turned-antiheroine, earning praise for subverting traditional portrayals while fitting Nolan's grounded aesthetic. This blockbuster success, following her earlier supporting roles, underscored her versatility in high-stakes action alongside and . Hathaway's pinnacle came with her Academy Award-winning performance as the destitute Fantine in the musical adaptation Les Misérables (2012), directed by Tom Hooper. Playing the factory worker turned prostitute who sacrifices everything for her daughter, she performed all vocals live on set, a technique that amplified emotional rawness but demanded vocal preparation amid a grueling 15-minute-per-song recording constraint. To embody the role's physical toll, including tuberculosis, Hathaway underwent significant weight loss—dropping 25 pounds after initial filming—to convey Fantine's decline, a method she later described as transformative yet physically taxing. Her rendition of "I Dreamed a Dream" became iconic, propelling the film to eight Oscar nominations and contributing to its $442 million global gross. On February 24, 2013, at the 85th Academy Awards, Hathaway won Best Supporting Actress, defeating nominees including Sally Field and Helen Hunt in a near-unanimous sweep of precursors like the Golden Globes and SAG Awards, validating her shift toward prestige roles. The win, her sole Oscar to date, capped a period of critical and commercial peaks, though it later drew unrelated backlash unrelated to the performance itself.

Post-Oscar challenges and fluctuations (2015–2021)

Following her 2013 Academy Award win for Les Misérables, Anne Hathaway faced professional obstacles stemming from persistent online backlash dubbed "Hathahate," which she described in 2024 as rendering her public identity "toxic" and resulting in lost film roles, though support from directors like Christopher Nolan enabled her to continue working. This period saw a mix of commercial hits, ensemble projects, and critical setbacks, compounded by maternity breaks after the births of her first child in December 2016 and second in early 2019. In 2015, Hathaway starred as the lead in The Intern, a comedy-drama directed by Nancy Meyers opposite Robert De Niro, which grossed $197 million worldwide against a modest budget and garnered mixed critical reception with a 59% Tomatometer score, though audiences rated it higher at 73%.#tab=summary) The following year, she reprised her role as the White Queen in Alice Through the Looking Glass, the sequel to the 2010 hit, which earned $277 million globally but disappointed financially given its high production costs exceeding $170 million and received poor reviews, scoring 29% from critics and 48% from audiences.#tab=summary) Also in 2016, the indie sci-fi Colossal, where she played a woman linked to a giant monster, achieved critical acclaim at 82% on Rotten Tomatoes but limited box office of $4.5 million due to its niche release.#tab=summary) Hathaway's output slowed amid motherhood; in a 2017 UN Women's Day speech, she advocated for paid , drawing from her experience of 12 weeks unpaid under U.S. law, highlighting economic pressures on new parents. By 2018, she joined an all-female ensemble in Ocean's 8, the Ocean's franchise spin-off, which succeeded commercially with $298 million in global earnings and positioned her as a supporting player in a blockbuster. However, 2019 brought disappointments: Serenity, a thriller she led, bombed with $13 million gross and 21% critics' score, while The Hustle, a gender-swapped Dirty Rotten Scoundrels remake with , profited at $97 million on a $21 million but earned a dismal 13% Tomatometer amid accusations of lazy scripting.#tab=summary) The 2020 release of The Witches, a remake of Roald Dahl's story where Hathaway portrayed the Grand High Witch with prosthetic claws symbolizing limb differences, sparked controversy from disability advocates who argued it stigmatized conditions like by associating them with villainy; Hathaway issued an apology on , stating she was unaware of the offense, and expressed regret. The , debuting on Max amid the , received mixed reviews at 49% critics' score and limited theatrical gross of $29 million.#tab=summary) Another 2020 streaming project, , a , fared worse with a 5% Tomatometer. In 2021, Locked Down, a pandemic-set heist with released on Max, drew 41% from critics and 27% from audiences, reflecting ongoing challenges in securing high-profile successes. Overall, the era featured no major solo critical or commercial triumphs comparable to prior peaks, with Hathaway navigating industry biases against her persona, family priorities, and a shifting market toward streaming.

Critical and commercial resurgence (2022–present)

In 2022, Hathaway starred as in the Apple TV+ miniseries , executive producing alongside , who portrayed her husband in the dramatization of WeWork's rise and fall. The series received mixed reviews overall, with a 65% approval rating on based on 48 critic assessments, though Hathaway's portrayal was widely commended for its intensity and nuance, earning specific praise from outlets like for her "wickedly good" depiction of ambition and self-delusion. Later that year, she appeared in James Gray's semi-autobiographical drama , playing Esther Graff, the resilient mother of the protagonist, which premiered at the . Critics highlighted Hathaway's performance as one of her strongest in recent years, with noting it as her "finest acting in some time" for conveying quiet strength amid familial tensions. Hathaway's role as Rebecca Saint John in the 2023 psychological thriller Eileen, directed by William Oldroyd and co-starring , further bolstered critical acclaim for her dramatic range. The film, adapted from Ottessa Moshfegh's novel and premiered at the , garnered an 81% approval rating on from 209 reviews, with consensus praising the leads' chemistry in a tale of obsession and repression. Reviews emphasized Hathaway's commanding presence as a charismatic , with the calling it one of her "sharpest performances" and awarding 3.5 out of 4 stars for the film's atmospheric tension, crediting her for elevating the narrative's dark undertones. Commercially, Hathaway's 2024 romantic comedy The Idea of You, in which she played Solène Marchand—a divorced in a romance with a younger pop star—marked a significant streaming triumph on Prime Video. Released directly to the platform after a limited theatrical run, the film amassed nearly 50 million global viewers in its first two weeks, establishing it as ' highest-viewed romantic comedy to date. This success, driven by strong audience engagement rather than traditional metrics, reflected a shift toward streaming viability for mid-budget projects, with producer attributing part of its momentum to pre-release theater exposure. Looking ahead, Hathaway stars as a pop diva grappling with an existential crisis in David Lowery's upcoming A24 film Mother Mary, set for release in 2025, alongside Michaela Coel. Described by Lowery as a "very weird" music drama blending original songs by Charli XCX and Jack Antonoff, the project demanded intense preparation from Hathaway, who underwent vocal training and reported emotional breakthroughs on set, including a moment of breakdown that she later viewed as pivotal to authenticity. In late 2024, she was cast as Penelope in Christopher Nolan's epic action thriller adaptation of The Odyssey, marking her third collaboration with the director after The Dark Knight Rises (2012) and Interstellar (2014). Set for release on July 17, 2026, the film features an ensemble cast including Matt Damon as Odysseus, Tom Holland as Telemachus, and Zendaya, and was shot entirely on 70mm IMAX film. Reported as Nolan's most expensive project to date with a $250 million budget, first-look images of Hathaway's character were released in November 2025. These endeavors, coupled with announcements for reprisals in sequels to The Princess Diaries and The Devil Wears Prada, signal sustained industry interest in her versatility across genres.

Public image and controversies

Media perception and cultural impact

Anne Hathaway has been portrayed in media outlets as a resilient and multifaceted actress whose career trajectory reflects both commercial success and artistic ambition, often emphasizing her transition from youthful leads to more complex characters. Coverage following her debut in The Princess Diaries (2001) framed her as an embodiment of relatable adolescent transformation, with the film's narrative of self-empowerment and poise resonating as a cultural touchstone for themes of personal growth amid external pressures. This role contributed to a perception of Hathaway as a wholesome yet aspirational figure, influencing discussions on female coming-of-age stories in popular cinema. Her portrayal of Andy Sachs in The Devil Wears Prada (2006) amplified media focus on her ability to critique high-stakes professional environments through satire, earning acclaim for highlighting the demands of ambition in competitive industries. The film exerted lasting cultural influence by shaping perceptions of the sector as cutthroat and glamorous, inspiring career interests among viewers and embedding iconic dialogue—such as references to "cerulean blue"—into everyday lexicon and media parodies. Subsequent coverage of roles like in (2012) reinforced her image as a performer willing to undergo physical and emotional rigor for authenticity, though some analyses noted a shift toward viewing her earnestness as occasionally performative in public appearances. Broader cultural impact stems from Hathaway's embodiment of archetype shifts in film, from fairy-tale underdogs to flawed professionals, which have informed pop culture tropes around female ambition and reinvention. Media retrospectives credit her early work with fostering empowerment narratives that prefigured later discussions on identity and agency, while later projects like Interstellar (2014) positioned her within prestige sci-fi, expanding her influence beyond genre confines. Recent coverage highlights a resurgence in her public image, attributing it to mature roles that prioritize depth over likability, amid evolving standards for female leads in Hollywood.

The "Hathahate" backlash and online criticism

The term "Hathahate" emerged around 2012–2013 to encapsulate a surge of online animosity toward Anne Hathaway, coinciding with her high-profile Oscar campaign for Les Misérables. This backlash manifested primarily on social media platforms like Twitter, where users generated memes, hashtags such as #Hathahate, and satirical content mocking her public appearances and demeanor, often without reference to verifiable misconduct. Common criticisms portrayed Hathaway as excessively earnest, "trying too hard," or insincere, with detractors citing her enthusiastic Oscar acceptance speech on February 24, 2013, as rehearsed or overly polished, and her red carpet style as awkward or affected. Specific triggers included a 2012 interview clip that resurfaced in 2024, in which Hathaway curtly dismissed a reporter's question about her "girl-next-door" image by stating, "That's what you think I am?", interpreted by some as rude or elitist, though the exchange stemmed from repeated, reductive questioning during promotion for . Fashion critics and bloggers amplified disdain for her pixie haircut post-Les Misérables head-shaving and gown choices, such as the pale pink at the 2013 Oscars, labeling them as emblematic of contrived perfectionism. Online forums like threads from 2023 retrospectively attributed the hate to perceived "bad PR soundbites" and a persona that struck audiences as performative, contrasting with more aloof Hollywood archetypes. Analyses in media outlets have variably framed Hathahate as driven by misogynistic backlash against successful women who defy passive stereotypes, with Hathaway's visible ambition and emotional expressiveness clashing against cultural preferences for detached coolness. However, contemporaneous commentary, including from The Telegraph in 2024, highlighted subjective distaste for her "elf-like" features and unrelenting positivity as evoking visceral, unexplained repulsion rather than organized grievance. Quora discussions from 2012 onward noted dual factors: subconscious sexism amplifying dislike for "annoying" traits like over-eagerness in interviews, without evidence of scandals like those plaguing peers. The phenomenon peaked in 2013, with thousands of negative tweets and Tumblr posts, but lacked empirical ties to professional failings, underscoring early social media's role in amplifying unfalsifiable personal animus.

Professional repercussions and personal responses

Following her Academy Award win for Best Supporting Actress for Les Misérables on February 24, 2013, Hathaway experienced a period of professional difficulty attributed to the "Hathahate" phenomenon, where widespread online criticism portrayed her as inauthentic or grating, leading studios to view her as a "toxic" hire. In a March 2024 Vanity Fair interview, Hathaway stated that the backlash created a reputational barrier, resulting in lost film roles despite her Oscar success, as industry decision-makers cited the negative online sentiment as a risk to projects. This downturn persisted until director cast her as Dr. Amelia Brand in Interstellar, released November 4, 2014, a decision Hathaway described as pivotal in rehabilitating her career trajectory by demonstrating her value beyond public perception. Nolan's support, she noted, came without regard for the prevailing narrative, allowing her to secure subsequent roles and marking a turning point amid what she characterized as industry caution driven by toxicity. Hathaway has publicly addressed the backlash in multiple interviews, framing it as rooted in and unrelated to her professional output, while emphasizing personal resilience. In an October 2022 Vanity Fair piece, she expressed no longer living "in fear" of the hate, viewing it as a societal issue rather than a personal failing. By May 2024, promoting , she drew parallels between her experiences and her character's navigation of public scrutiny, using the ordeal to inform her advocacy for separating artists from transient online narratives. These reflections underscore her strategy of persistence and selective collaboration over direct confrontation with critics.

Advocacy and political positions

Philanthropy and social causes

Hathaway was appointed a for on June 15, 2016, with a focus on raising awareness about the unequal burden of unpaid care work borne by women and advocating for affordable childcare solutions globally. In this role, she has delivered keynote addresses, including one on in 2017 emphasizing as a means to redefine roles in caregiving, arguing it addresses biological realities compounded by social expectations rather than perpetuating outdated constructs. She has also advocated for integrating women into economic recovery efforts, as in her 2022 call to business leaders at the to prioritize amid crises to foster sustainable growth. Prior to her UN appointment, Hathaway served as an advocate for the Nike Foundation's Girl Effect initiative, traveling to and in 2013 to highlight the harms of and promote girls' education and empowerment programs. She has supported the Time's Up movement since its 2018 launch, contributing to efforts aimed at workplace equality for women in entertainment and beyond, including public endorsements and participation in related events. Additionally, she received the Human Rights Campaign's National Equality Award in September 2018 for her advocacy against anti-LGBTQ legislation and promotion of inclusive workplace policies. Hathaway serves on the board of the Lollipop Theater Network, which screens films for hospitalized children, and has donated to organizations including the , , , , and the . Her philanthropic efforts earned her the 2025 Golden Heart Award from the New York Rescue Mission for outstanding volunteerism and giving. She has expressed interest in , investing in a plant-based egg protein startup in 2023 and adopting temporary vegan diets for health or role preparation, though she discontinued strict in 2014 citing energy deficiencies.

Political endorsements and public stances

Anne Hathaway has publicly endorsed Democratic candidates in U.S. presidential elections, including in 2024. On October 14, 2024, she performed a rendition of Queen's "Somebody to Love" at a Broadway fundraiser for Harris in , explicitly stating her support for Harris as president. Hathaway also shared an video on October 5, 2024, discussing the importance of the 2024 election and encouraging . Following her vote, she posted on highlighting abortion rights as a key factor in her decision to back Harris. Hathaway serves as a UN Women , appointed in June 2016, where she advocates for girls' and globally. In this role, she has urged business leaders to prioritize women in economic recovery efforts, speaking at events like the UN's observance in 2017. She has emphasized challenging myths about women's leadership capabilities, stating in 2021 that such barriers "can be torn down at any moment." On LGBTQ issues, Hathaway supports equality, influenced by her brother Michael coming out as gay, which led her to leave the Catholic Church. She received the Human Rights Campaign's Visibility Award in 2018 for using her platform to advocate for the community. Her activism extends to reproductive rights and gender equality, as recognized in various humanitarian profiles.

Scrutiny and counterarguments to her views

Hathaway's advocacy for unrestricted abortion access has faced significant opposition from pro-life commentators, who argue that her framing of the procedure as an act of "mercy" or essential to women's autonomy disregards the scientific evidence of fetal development and the ethical considerations of human life beginning at conception. In a November 2022 appearance on The View, Hathaway stated that abortion is "healthcare" and linked its restriction to threats against women's lives, prompting conservative podcaster Matt Walsh to denounce her comments as "babbling idiocy," asserting that they evade personal responsibility for sexual choices while the entertainment industry, including Hathaway, profits from content that normalizes casual encounters leading to unwanted pregnancies. Walsh further contended that such rhetoric exemplifies Hollywood hypocrisy, where elite advocates for abortion rarely acknowledge alternatives like adoption or contraception adherence, with U.S. data showing over 99% of abortions occurring for non-medical reasons such as socioeconomic factors. Critics of Hathaway's feminist positions, particularly her UN Women speeches emphasizing systemic barriers to female leadership and equality, have challenged the causal assumptions underlying her claims, pointing to empirical trends where women's underrepresentation in high-stakes roles correlates more with voluntary career-family trade-offs than . For example, labor statistics indicate that the persistent —often cited in her advocacy—shrinks to near parity when accounting for hours worked, occupational choices, and experience, with women comprising 57% of graduates yet preferring flexible fields over high-risk executive positions. Conservative analysts argue this overlooks male disadvantages, such as 80% of workplace deaths and four times higher rates among men, suggesting her narrative prioritizes selective data aligned with institutional biases in academia and media, which systematically underreport countervailing evidence to sustain inequality tropes. Her political endorsements, including support for in 2020 and in 2024 via a at a Broadway fundraiser, have elicited backlash for perceived elitism, with detractors claiming celebrity interventions alienate working-class voters by focusing on identity issues over economic realities like and border security. On October 5, 2024, Hathaway's video urging votes to protect LGBTQ rights drew division among fans, some accusing her of fearmongering without addressing broader policy failures under Democratic administrations, such as stagnant wages amid rising costs that disproportionately affect families regardless of orientation. This scrutiny highlights a broader conservative critique that Hathaway's stances, amplified by left-leaning outlets, reflect coastal bubble perspectives detached from causal factors like regulatory overreach contributing to affordability crises.

Personal life

Relationships and marriage

Hathaway's early romantic relationships included a teenage romance with actor in the late , followed by brief links to James Holzier from 2001 to 2002 and club owner in 2002. She dated British from 2002 to 2004 after meeting on the set of . Her most publicized prior relationship was with Italian real estate developer Raffaello Follieri from 2004 to 2008; they met at a charity gala and dated for four years until their breakup days before Follieri's arrest on federal fraud and charges in June 2008, after which Hathaway cooperated with authorities and returned items linked to the scheme. Hathaway met actor and jewelry designer Adam Shulman in November 2008 at the Montclair Film Festival in New Jersey, though their romantic involvement began later. The couple became engaged in October 2011 after dating for approximately three years. They married on September 29, 2012, in an intimate, nature-themed ceremony at a private residence in Big Sur, California, attended by about 100 guests including celebrities such as Jake Gyllenhaal and Jessica Chastain. Hathaway and Shulman have two sons: Jonathan Rosebanks, born on March 24, 2016, named in part after Hathaway's grandmother, and Jack, born in November 2019. The family maintains a low public profile, with Hathaway describing Shulman as a grounding partner who supports her career while prioritizing privacy for their children. As of 2025, the couple continues to reside primarily in and has collaborated professionally, including as producers on the 2019 short film The Age of Love.

Family, health, and lifestyle

Hathaway married actor, producer, and jewelry designer Adam Shulman in September 2012. The couple's first child, son Jonathan Rosebanks Shulman, was born on March 24, 2016. Their second son, Jack Shulman, was born in November 2019. The family resides primarily in and maintains privacy around the children, with rare public appearances such as Jack attending with his parents in February 2025. Hathaway endured a in 2015 during her run in the play Grounded, where she portrayed a pregnant . She later described the experience as isolating, noting inadequate societal acknowledgment of miscarriage's prevalence and emotional impact, which she said contributed to feelings of shame and fear among those affected. Hathaway has indicated additional challenges before her second but emphasized family support as key to navigating them. Regarding lifestyle, Hathaway ceased alcohol consumption in October 2019 after filming Serenity, citing discomfort with her behavior when drinking and a desire not to resume until her elder son reaches adulthood. She adopted veganism in 2012 to prepare for her role as Catwoman in The Dark Knight Rises but abandoned it upon experiencing fatigue and cognitive fog, relieved only after consuming fish. For WeCrashed in 2022, she followed a temporary raw vegan diet to embody her character, though she does not maintain it long-term. Her general approach emphasizes anti-inflammatory eating, including plant-based proteins and whole grains, alongside structured exercise for role preparation.

Professional legacy

Key contributions to film


Hathaway achieved her breakthrough in film with the lead role of awkward teenager Mia Thermopolis in the Disney comedy The Princess Diaries (2001), directed by , where she portrayed a high school student discovering her royal heritage. The film grossed $165,335,153 worldwide against a $26 million budget, establishing Hathaway as a in family-oriented entertainment. Her performance demonstrated comedic timing and relatability, contributing to the film's appeal as a modern that resonated with young audiences.
Transitioning to more mature roles, Hathaway starred as aspiring journalist Andy Sachs in The Devil Wears Prada (2006), a satire of the fashion industry opposite Meryl Streep as editor Miranda Priestly. The role highlighted her ability to embody ambition and transformation, influencing perceptions of workplace dynamics in media and inspiring interest in fashion careers among viewers. She also appeared in supporting capacity as Lureen Newsome in Ang Lee's Brokeback Mountain (2005), adding depth to the film's exploration of suppressed relationships through her portrayal of a vivacious rodeo daughter. Hathaway's dramatic range emerged prominently in Rachel Getting Married (2008), directed by Jonathan Demme, where she played Kym, a recovering drug addict disrupting her sister's wedding; the performance earned widespread critical praise for its raw emotional intensity, with reviewers noting its authenticity in depicting family dysfunction and addiction. This role signified her shift from ingénue to serious actress, showcasing vulnerability that contrasted her earlier lighthearted work. In Les Misérables (2012), her depiction of the tragic Fantine, a factory worker turned prostitute, featured a live-sung rendition of "I Dreamed a Dream" that captured the character's despair and resilience, marking a pinnacle in her ability to convey profound suffering through musical theater adaptation. Later contributions included action-oriented roles like Selina Kyle/Catwoman in Christopher Nolan's The Dark Knight Rises (2012), contributing to the trilogy's conclusion with a portrayal emphasizing cunning and agility, and scientist Amelia Brand in Interstellar (2014), where she supported the narrative's themes of exploration and sacrifice in a scientifically grounded space epic. These performances underscored her versatility across genres, from high-stakes blockbusters to introspective dramas, amassing significant box office success in ensemble casts.

Awards, nominations, and industry recognition

Hathaway's performance as Fantine in Les Misérables (2012) earned her a sweep of major acting awards in 2013, including the Academy Award, Golden Globe, BAFTA, and Screen Actors Guild Award for Best Supporting Actress, recognizing her brief but emotionally intense portrayal of the character's descent into despair. This acclaim highlighted her vocal and dramatic range, with the role requiring live singing on set amid physical transformation, such as shaving her head for authenticity. She previously received an Academy Award nomination for Best Actress for her leading role as Kym in (2008), praised for depicting familial dysfunction and addiction recovery at the . In television, Hathaway won the Primetime Emmy Award for Outstanding Voice-Over Performance for voicing a character in the "Four Great Women and a Manicure" episode of at the on August 29, 2010. Her broader accolades encompass over 120 nominations, including Golden Globe nods for (2011) and hosting the (2011), reflecting versatility across comedy, drama, and musical genres, though subsequent major wins have been limited.
AwardYearCategoryWorkResult
Academy Award2013Best Supporting ActressLes MisérablesWon
Golden Globe Award2013Best Supporting Actress – Motion PictureLes MisérablesWon
BAFTA Award2013Best Actress in a Supporting RoleLes MisérablesWon
Screen Actors Guild Award2013Outstanding Performance by a Female Actor in a Supporting RoleLes MisérablesWon
Academy Award2009Best ActressNominated
Primetime Emmy Award2010Outstanding Voice-Over Performance ("Four Great Women and a ")Won

References

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