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Archie Goodwin (comics)
Archie Goodwin (September 8, 1937 – March 1, 1998) was an American comic book writer, editor, and artist. He worked on a number of comic strips in addition to comic books, and is known for his Warren and Marvel Comics work. For Warren he was chief writer and editor of landmark horror anthology titles Creepy and Eerie between 1964 and 1967. At Marvel, he served as the company's editor-in-chief from 1976 to the end of 1977. In the 1980s, he edited the publisher's anthology magazine Epic Illustrated and its Epic Comics imprint. He is also known for his work on Star Wars in both comic books and newspaper strips. He is regularly cited as the "best-loved comic book editor, ever."
Archie Goodwin was born in Kansas City, Missouri, and lived in many small towns along the Kansas-Missouri border including Coffeyville, Kansas. He considered Tulsa, Oklahoma as his home town. There he spent his teen years at Will Rogers High School and in used magazine stores searching for EC Comics. He was also a contributor to EC fanzines during this time in the 50s. His classmates at Will Rogers included illustrator Paul Davis and Broomhilda creator Russell Myers forming a cartoonist's club that met daily at the Owl Drugstore at 11th Street and Pittsburg in Tulsa. After one year at the University of Oklahoma, Goodwin moved to New York City to attend classes at what became the School of Visual Arts.
Goodwin began as an artist drawing cartoons for magazines and as a freelance "writer and occasional art assistant" to Leonard Starr's newspaper comic strip Mary Perkins, On Stage. His first editorial work was for Redbook magazine from 1960 to 1964, on which he worked both before and after his Army service as a draftee. He also did cartoons for Fishing World magazine in 1959.
"Comics writing is similar in form to writing a movie script or a play," Goodwin said in an article for the Tulsa Tribune, December 17, 1986. "I write a description of the panel (stage setting), and then the captions (dialogue)," he said. "Since I have some art background, I might do a series of thumbnail drawings before I write anything. Comics writings is like any other kind of writing. You draw on everything that's around you. Watching people on the street, eavesdropping in restaurants – sooner or later, you're going to use all of that."
His first story written before he went into the Army was drawn by Al Williamson and Roy Krenkel and published in 1962 just after his discharge from the Army.[citation needed] He was never on staff at Harvey Comics. By 1964 he was the main script writer for Warren's Creepy magazine. Much of his work there, according to Batman editor Mark Chiarello, was a "homage to the favorite comics of his youth, the E.C. line." By the second issue he was co-credited (alongside Russ Jones) as editor, and soon became editor of the entire Warren line: Creepy, Eerie and Blazing Combat. He worked for Warren between 1964 and 1967, as head writer and Editor-in-Chief, in which roles he is credited with providing a mythology for Warren's classic Vampirella character, as well as penning her most compelling stories.
After his departure from Warren in 1967, Goodwin would occasionally contribute stories over the next 15 years and even returned for a short stint as editor in 1974.
Archie Goodwin's first prose story was published by Ellery Queen's Mystery Magazine, which warned him he could not use Archie Goodwin as a pen name because it was a Rex Stout character in the Nero Wolfe books. According to Goodwin's wife Anne T. Murphy, the magazine's editors "then were so delighted when he wrote back to say that it was his real name that they used the anecdote as the introduction to the story, which ran in the July 1962 issue." (It was actually the July 1964 issue.)
From 1967 to 1980, Goodwin wrote scripts for King Features Syndicate, including the daily strip Secret Agent X-9, drawn by Al Williamson and editor Sylvan Byck, as well as working on other strips ghost writing Captain Kate by Hale and Jerry Skelly. He also worked with Williamson on Flash Gordon comics #3–7 published by King Comics in 1966.
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Archie Goodwin (comics)
Archie Goodwin (September 8, 1937 – March 1, 1998) was an American comic book writer, editor, and artist. He worked on a number of comic strips in addition to comic books, and is known for his Warren and Marvel Comics work. For Warren he was chief writer and editor of landmark horror anthology titles Creepy and Eerie between 1964 and 1967. At Marvel, he served as the company's editor-in-chief from 1976 to the end of 1977. In the 1980s, he edited the publisher's anthology magazine Epic Illustrated and its Epic Comics imprint. He is also known for his work on Star Wars in both comic books and newspaper strips. He is regularly cited as the "best-loved comic book editor, ever."
Archie Goodwin was born in Kansas City, Missouri, and lived in many small towns along the Kansas-Missouri border including Coffeyville, Kansas. He considered Tulsa, Oklahoma as his home town. There he spent his teen years at Will Rogers High School and in used magazine stores searching for EC Comics. He was also a contributor to EC fanzines during this time in the 50s. His classmates at Will Rogers included illustrator Paul Davis and Broomhilda creator Russell Myers forming a cartoonist's club that met daily at the Owl Drugstore at 11th Street and Pittsburg in Tulsa. After one year at the University of Oklahoma, Goodwin moved to New York City to attend classes at what became the School of Visual Arts.
Goodwin began as an artist drawing cartoons for magazines and as a freelance "writer and occasional art assistant" to Leonard Starr's newspaper comic strip Mary Perkins, On Stage. His first editorial work was for Redbook magazine from 1960 to 1964, on which he worked both before and after his Army service as a draftee. He also did cartoons for Fishing World magazine in 1959.
"Comics writing is similar in form to writing a movie script or a play," Goodwin said in an article for the Tulsa Tribune, December 17, 1986. "I write a description of the panel (stage setting), and then the captions (dialogue)," he said. "Since I have some art background, I might do a series of thumbnail drawings before I write anything. Comics writings is like any other kind of writing. You draw on everything that's around you. Watching people on the street, eavesdropping in restaurants – sooner or later, you're going to use all of that."
His first story written before he went into the Army was drawn by Al Williamson and Roy Krenkel and published in 1962 just after his discharge from the Army.[citation needed] He was never on staff at Harvey Comics. By 1964 he was the main script writer for Warren's Creepy magazine. Much of his work there, according to Batman editor Mark Chiarello, was a "homage to the favorite comics of his youth, the E.C. line." By the second issue he was co-credited (alongside Russ Jones) as editor, and soon became editor of the entire Warren line: Creepy, Eerie and Blazing Combat. He worked for Warren between 1964 and 1967, as head writer and Editor-in-Chief, in which roles he is credited with providing a mythology for Warren's classic Vampirella character, as well as penning her most compelling stories.
After his departure from Warren in 1967, Goodwin would occasionally contribute stories over the next 15 years and even returned for a short stint as editor in 1974.
Archie Goodwin's first prose story was published by Ellery Queen's Mystery Magazine, which warned him he could not use Archie Goodwin as a pen name because it was a Rex Stout character in the Nero Wolfe books. According to Goodwin's wife Anne T. Murphy, the magazine's editors "then were so delighted when he wrote back to say that it was his real name that they used the anecdote as the introduction to the story, which ran in the July 1962 issue." (It was actually the July 1964 issue.)
From 1967 to 1980, Goodwin wrote scripts for King Features Syndicate, including the daily strip Secret Agent X-9, drawn by Al Williamson and editor Sylvan Byck, as well as working on other strips ghost writing Captain Kate by Hale and Jerry Skelly. He also worked with Williamson on Flash Gordon comics #3–7 published by King Comics in 1966.