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Architecture of Leeds

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Architecture of Leeds

The architecture of Leeds, a city and metropolitan borough in West Yorkshire, England, encompasses a wide range of architectural styles and notable buildings. As with most northern industrial centres, much of Leeds' prominent architecture is of the Victorian era. However, the City of Leeds also contains buildings from as early as the Middle Ages such as Kirkstall Abbey, one of Britain's best preserved ruined Cistercian monasteries, as well as examples of 20th century industrial architecture, particularly in the districts of Hunslet and Holbeck.

Most of the current buildings in Leeds are the product of the Industrial Revolution and post war regeneration in the 20th century, as many new buildings were provided in the city's commuter towns and villages to house the increasing suburban population. Leeds city centre is currently undergoing much redevelopment, with a number of skyscrapers such as Bridgewater Place and Altus House. Many buildings in Leeds have won awards for their architecture: examples are the renovation projects for the Corn Exchange and the Henry Moore Institute, which have won RIBA awards.

Before modern times, buildings were usually constructed of local materials, including wood, thatch etc. The Nook in Oulton (dated 1611) is a rare example of an original half-timbered house. Of the more durable materials, there are three rocks which have been substantially used. These are gritstone (a sort of sandstone) found to the north and west (e.g. Kirkstall Abbey, Leeds Town Hall or Harewood House), different sandstones in the Yorkshire Coal Measures, and limestone to the north and east, as is shown in older villages (now suburbs) in these directions. To the south of the city are substantial clay deposits, so that red brick has been the predominant building material for the extensive nineteenth century housing. The particularly fine clay found in Burmantofts led to a decorative covering of terracotta or glazed Architectural Faience being used on both interior and exterior walls of important buildings.

In the twentieth century, new building methods, particularly concrete and steel were used, and the exterior was essentially facing. Thus materials from further away could be used, such as the Portland stone used on the Leeds Civic Hall, the Parkinson Building of the University of Leeds and the Queens Hotel.

The earliest evidence of civilisation in the area of Leeds is at Seacroft and dates to 3500 BC. The oldest existent man-made structure in the Leeds metropolitan district is the earthworks of the Iron Age fort at Barwick in Elmet. Leeds is thought to have been the site of the Roman town of Cambodunum, abandoned when the Romans left Britain in around 400 AD. The first church in Leeds is thought to have been built around 600 AD.

Leeds, like many industrial cities, has little remaining medieval architecture. The lack of Medieval architecture in central Leeds may be attributed to the small size of the town during the majority of the period, the population usually being around 1,000. At the time there were several larger settlements in Yorkshire such as Wakefield and York.

The Church of St John the Baptist at Adel is one of the earliest remaining buildings in Leeds. It was built of gritstone with slate roofs between 1150 and 1170. It has been described as "one of the best and most complete Norman village churches in Yorkshire".

Kirkstall Abbey is the most noteworthy piece of architecture from this period in Leeds. The abbey, which is a Cistercian foundation, was begun on the banks of the River Aire in 1152. The abbey was disbanded and the buildings ruined during the dissolution of the monasteries under Henry VIII. Although Cistercian abbeys were numerous in England, many were located in remote areas and, unlike several Benedictine and Augustinian abbeys, did not survive the Dissolution by being reused as parish churches. At Kirkstall Abbey, the ruins are particularly well preserved and show an austere form of Norman architecture with some later Gothic additions and embellishments. The remnants of most of the monastic buildings are sufficiently intact to display the domestic arrangement and function of the monastery. The Abbey House Museum keeps records and displays artefacts from the abbey as well as from other eras across Leeds. Paintings of the Abbey have come from artists as renowned as J. M. W. Turner and Thomas Girtin. In 1889 the abbey was purchased by Colonel John North and presented to Leeds City Council. The council restored parts of the abbey and made it safe for public enjoyment before opening it in 1895.

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