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August Gailit
August Gailit
August Gailit
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August Gailit (9 January 1891 – 5 November 1960) was an Estonian writer.[1]

Key Information

Life

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Georg August Gailit was born in Kuiksilla (near Sangaste Castle), Sangaste Parish (now Otepää Parish), Kreis Dorpat, Governorate of Livonia, the son of a carpenter and grew up on a farm in Laatre. From 1899 he attended schools in the parish and the town of Valga from 1905, then from 1907 a municipal school in Tartu. From 1911 until 1914 he worked as a journalist in today's Latvia and Estonia in 1916 until 1918. In the Estonian War of Independence he participated as a war correspondent. From 1922 until 1924 August Gailit lived in Germany, France and Italy. After that he worked as a freelance writer in Tartu and from 1934 in Tallinn. From 1932 until 1934 he was the director of the Theater Vanemuine in Tartu. In 1932, August Gailit married the actress Elvi Vaher-Nander (1898–1981), and his daughter Aili-Viktooria was born in 1933. With the Soviet occupation of Estonia, Gailit fled with his family in September 1944 to Sweden, where he worked as a writer. They settled in the Ormesta manor house near Örebro. He died there on 5 November 1960[2] and was buried at the Örebro northern cemetery. He was reinterred in Tallinn's Forest Cemetery in 2025.[3]

Literary career

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Siuru in 1917

In 1917 August Gailit, along with some other writers and poets, founded a literary group called "Siuru" with which their erotic poems caused some scandal. Members of the group included: Marie Under, Henrik Visnapuu, Johannes Semper, Peet Aren, Friedebert Tuglas and Artur Adson. The early prose of Gailit also contained erotic content and satire. Until the middle of the 1920s Gailit was strongly influenced by neo-romanticism. Oswald Spengler and Knut Hamsun also exerted great influence in his work. His famous novel Toomas Nipernaadi (which was made into a movie in 1983) describes the romantic and adventurous life of a vagabond.[4] Some of his novels covered political issues such as the novel Isade maa (1935) which addressed the subject of the Estonian 1918–20 war of independence. Gailit's novel Üle rahutu vee (published in 1951 in Gothenburg, Sweden) concerns the tragic event of having to leave one's homeland.

Gailit's grave in Örebro, relocated to Tallinn in 2025

Selected works

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  • Kui päike läheb looja (tale, 1910)
  • Saatana karussell (collection of novels, 1917)
  • Muinasmaa (novel, 1918)
  • Klounid ja faunid (Serial, 1919)
  • Rändavad rüütlid (collection of novels, 1919)
  • August Gailiti surm (collection of novels, 1919)
  • Purpurne surm (novel, 1924)
  • Idioot (collection of novels, 1924)
  • Vastu hommikut (collection of novels, 1926)
  • Aja grimassid (Serial, 1926)
  • Ristisõitjad (collection of novels, 1927)
  • Toomas Nipernaadi (novel, 1928)
  • Isade maa (novel, 1935)
  • Karge meri (novel, 1938)
  • Ekke Moor (novel, 1941)
  • Leegitsev Süda (novel, 1945)
  • Üle rahutu vee (novel, 1951)
  • Kas mäletad, mu arm? (prose, 3 volumes, 1951–1959)[5]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

August Gailit

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from Grokipedia
August Gailit is an Estonian writer known for his late neo-romantic prose, characterized by exuberant imagination, rhythmic language, and a central focus on the eternal opposition between beauty and ugliness. His most celebrated work, the novel Toomas Nipernaadi (1928), follows the seasonal wanderings of a charismatic storyteller who spins tales of love and enchantment across Estonian landscapes, blending joyous vitality with tragicomedy and becoming one of the nation's most beloved literary figures. Born on January 9, 1891, in Sangaste Parish, southern Estonia, Gailit debuted in 1910 with the short story "Kui päike läheb looja" and quickly rose to prominence as a member of the influential Siuru literary group, where his expressionist-naturalist style and bohemian spirit contributed to its dynamic, if short-lived, presence in Estonian literature. He worked as a journalist in Riga, served as a war correspondent, participated in the Estonian War of Independence, and later held positions such as press attaché and theater director, while living in various European countries including Germany, France, and Italy during the 1920s. Gailit's early works, such as the short story collection Saatana karussell (1917) and novels like Muinasmaa (1918), often combined grotesque satire, decadence, and apocalyptic motifs influenced by World War I, while later pieces celebrated nature's purity, romantic love, and Nordic harmony. His prose evolved in exile after fleeing to Sweden in 1944, where his tone grew more somber and reflective in novels such as Üle rahutu vee (1951) and the trilogy Kas mäletad, mu arm? (1951–1959), addressing the pain of displacement and the mechanization of modern life. Gailit died on November 5, 1960, in Örebro, Sweden, and his remains were reburied in Tallinn's Forest Cemetery in 2025.

Early life and education

Birth and family background

August Gailit was born on 9 January 1891 (28 December 1890 in the old style) at Kuiksilla farm on the Sangaste estate in Sangaste Parish, Valgamaa county, Estonia, then part of the Russian Empire. He was the son of a master builder of Latvian or Livonian origin. His mother was Estonian from a Germanized family. From 1895 onward, the family resided at the Laatre estate in Tartumaa county, where Gailit spent his childhood immersed in the rural landscapes of southern Estonia. This rural South Estonian upbringing on estates and farms shaped his early experiences amid natural beauty and village realities, forming the foundation for the recurring contrast between beauty and ugliness in his later literary themes.

Schooling

August Gailit began his formal schooling in 1899 at the Latvian parish school in Valga. He continued at the Valga town school but did not complete it. From 1905 to 1907 he attended the town school (or county school) in Tartu but also did not graduate. He left formal schooling without completing his studies and continued his education through private lessons and self-study in Tartu from 1907 to 1911, including tutoring in subjects like Latin and literature, attempts to prepare for gymnasium maturity exams (which were not completed due to unstable conditions), and attending lectures at a private university on medicine, though he received no formal certificates or diplomas. There are no records of graduation or higher education credentials.

Journalism career

Early journalism work

August Gailit began his journalism career in 1911, working primarily in Riga until 1916. Based primarily in Riga, he contributed to newspapers in Latvian, Estonian, and Russian languages during this pre-war and World War I period. He resumed journalistic work from 1916 to 1918, including positions at the newspaper Tallinna Teataja in 1916–1917 and in the editorial office of Postimees in Tartu in 1918, where he also produced art and literary criticism.

War correspondent role

During the Estonian War of Independence (1918–1920), August Gailit served as both a military official and a war correspondent, actively participating in reporting on the conflict. This role provided him with firsthand exposure to the events and atmosphere of the war. His experiences during this period shaped his later novel Isade maa (1935), an episodic work that depicts the freedom struggle in a somewhat comical manner while romanticizing historical elements. The book stands as a notable literary reflection on the war, drawing from the insights Gailit gained as a correspondent. After the war, he served as press attaché at the Estonian embassy in Riga from 1920 to 1922 before returning to freelance writing.

Literary career

Siuru group and early publications

August Gailit was a founding member and one of the initiators of the Siuru literary group, established in May 1917 amid Estonia's emerging cultural freedom at the end of World War I. The group included key figures such as Friedebert Tuglas, Henrik Visnapuu, Marie Under, and Artur Adson, with Johannes Semper joining later, and became renowned for its bold expressionistic and neo-romantic orientation, often featuring sensual and occasionally scandalous erotic poetry that provoked public controversy. Within Siuru, Gailit represented the expressionist-naturalist tendency, distinguished by his bohemian rebelliousness and contributions to the group's provocative atmosphere. Gailit made his literary debut at age nineteen with the Symbolist short story collection Kui päike läheb looja (When the Sun Sets) in 1910. The Siuru period proved remarkably prolific for him, transforming the young writer into a recognized voice through a series of publications that showcased grotesque motifs, exaggerated imagery, and satirical elements. In 1917, he released the short story collection Saatana karussell (The Devil’s Merry-Go-Round), followed by the impressionistic novel Muinasmaa (Fairyland) in 1918. In 1919, he published the satirical collection Klounid ja faunid (Clowns and Fauns), the short story collection Rändavad rüütlid (Wandering Knights), and the short story August Gailiti surm (The Death of August Gailit). These early works reflected his characteristic neo-romanticist style, which contrasted beauty and ugliness and would continue in his later writings.

Major works in Estonia

August Gailit returned to Estonia in 1924 after living in Germany, France, and Italy from 1922 to 1924, settling initially in Tartu as a freelance writer until around 1932 before relocating to Tallinn in 1934. During this period in Estonia, spanning the mid-1920s to 1944, he produced many of his most significant works, including novels and short story collections that established his reputation in Estonian literature. Gailit's literary style during these years is characterized as late neo-romanticism, marked by exuberant imagination, satirical elements, grotesque motifs, and a persistent contrast between beauty and ugliness. His prose frequently juxtaposes romantic, lyrical depictions of nature and life-affirming themes with cynicism, decadence, and pessimistic undertones, evolving from early expressionist influences toward deeper psychological insight and humane perspectives. Among his key works from the 1920s are the novel Purpurne surm (1924), an expressionist dystopia depicting civilizational degeneration and an epidemic amid a Spenglerian atmosphere of decline following wars and revolutions, and the short story collection Idioot (1924). These were followed by the collections Vastu hommikut (1926), Aja grimassid (1926, a satirical serial targeting cultural and social issues), and Ristisõitjad (1927). Gailit's best-known and most celebrated work remains the novel Toomas Nipernaadi (1928), a magically light-hearted cyclical narrative composed of novellas about a charismatic wanderer who leaves the city each spring, embarks on adventurous summers filled with romantic entanglements and varied labors in rural settings, and returns home with the first snow. The book combines tragicomic elements, mythical seasonal cycles, vivid Nordic nature descriptions, and underlying seriousness, making it his most translated and enduring contribution to Estonian literature. In the later period, Gailit published the episodic novel Isade maa (1935), which romanticizes events from Estonia's War of Independence with a somewhat comical tone, the maritime novel Karge meri (1938) portraying traditional community life amid harsh natural elements on a small island, and the bildungsroman Ekke Moor (1941), a lyrical and humorous account of a young man's wanderings from a coastal village in pursuit of experiences and self-discovery.

Exile writings

After fleeing to Sweden in September 1944 with his family, August Gailit settled in the Ormesta manor house near Örebro, where he continued his literary work in exile. There, his writing assumed a more serious and melancholic tone, reflecting the profound sense of loss and displacement caused by the Soviet occupation of Estonia. His first major work in exile was the novel Leegitsev süda (The Flaming Heart), published in 1945, which maintained some elements of his earlier style while beginning to grapple with themes of exile. In 1951, he published Üle rahutu vee (Over Restless Waters), a novel directly depicting the perilous refugee crossing from Estonia to Sweden in 1944. Gailit's final and most extensive exile work was the trilogy Kas mäletad, mu arm? (Do You Remember, My Love?), published in volumes between 1951 and 1959, which offered melancholic reflections on life in occupied Estonia and the enduring pain of separation from the homeland. These later writings are characterized by a deepened introspection and sorrow over lost Estonia, marking a notable shift from the lighter, more romantic elements of his pre-exile prose.

Theatre career

Director of Vanemuine Theatre

In 1932, August Gailit assumed the role of director at the Vanemuine Theatre in Tartu, where he served until 1934. This appointment coincided with his marriage to the actress Elvi Vaher-Nander that same year. His tenure ended on April 24, 1934, when the theatre's board decided to relieve him of his duties effective April 25, citing his failure to fulfill mutual agreements. The decision was made in a closed session, and Ants Simm took over interim directorial responsibilities. Gailit's wife also departed from the theatre at this time. Following his dismissal, Gailit relocated to Tallinn to focus on his literary work.

Personal life

Marriage and family

August Gailit married the actress Elvi Vaher-Nander (1898–1981) in 1932. Elvi, known professionally as Elvi Nander, was a celebrated performer at the Vanemuine Theatre before their marriage. After the wedding, she left the stage to build a harmonious family life and provide unwavering support for her husband's literary work. The couple's only child, daughter Aili-Viktooria, was born in 1933. Gailit often referenced his wife and daughter affectionately in his correspondence during later years.

Exile to Sweden

In September 1944, as Soviet forces re-occupied Estonia following the German withdrawal, August Gailit fled the country with his family to escape the returning Soviet regime. They arrived in Sweden and initially settled in the Ormesta manor house near Örebro, where Gailit resided and continued his work as a writer during his exile. This relocation marked the beginning of Gailit's life in exile, where he produced further literary works amid the challenges of displacement.

Death and legacy

Death in Sweden

August Gailit died on November 5, 1960, in Örebro, Sweden, at the age of 69. His cremated remains were initially interred at the Örebro Northern Cemetery.

Posthumous reburial

The cremated remains of August Gailit and his wife Elvy were reinterred at Tallinn's Metsakalmistu (Forest Cemetery) on January 9, 2025, in a new section dedicated to Estonian writers. A historical memorial stone to Gailit, created by sculptor Heino Raudsepp and co-created with artist Eduard Ole, was also placed at the site. The reburial was initiated by Gailit's grandchildren in Sweden, Eva Lindström and Anne Gailit, with coordination from the Estonian side by Ingrid Kormašov, fulfilling the couple's expressed wish to return to their homeland soil. Kormašov noted that the grandchildren believed Estonia offered a more fitting final resting place, as "there are many more people here who know August and respect his work," and that "August's and Elvy's greatest wish was to return to their homeland, to the soil of their homeland." This posthumous reburial reflects the ongoing recognition of Gailit's literary legacy in Estonia. A commemorative event titled "Mr. Ge Comes Home" took place on the same day at 3 p.m. in the Black Hall of the Estonian Writers' Union, attended by relatives from both Estonia and Sweden.

Literary influence and film adaptations

August Gailit's literary style is distinguished by its neo-romanticist approach, which juxtaposes beauty and ugliness, employs sharp satire, and in his exile period incorporates profound themes of displacement and loss. His novel Toomas Nipernaadi (1928) achieved notable international recognition through its German translation in 1931, which drew praise from Hermann Hesse and Hans Fallada for its lyrical and satirical qualities. In 2024, the novel received a new translation into Japanese, underscoring the enduring appeal of Gailit's work beyond Estonia. Gailit's oeuvre has exerted significant influence on Estonian literature, particularly through his vivid depictions of seasonal cycles, adventurous narratives, and the emotional weight of homeland loss in exile. His novels have also inspired film adaptations, including Toomas Nipernaadi (1928) adapted into a 1983 Estonian film directed by Kaljo Kiisk.
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