Community hub
0 subscribers7 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to BTSTU.
Nothing was collected or created yet.
BTSTU
View on Wikipediafrom Wikipedia
| "BTSTU" | ||||
|---|---|---|---|---|
 | ||||
| Single by Jai Paul | ||||
| from the album Leak 04-13 (Bait Ones) | ||||
| Released | 21 April 2011 | |||
| Recorded | 2007 | |||
| Studio | Home recording (Rayners Lane, London) | |||
| Genre | ||||
| Length | 3:30 | |||
| Label | XL | |||
| Songwriter | Jai Paul | |||
| Producer | Jai Paul | |||
| Jai Paul singles chronology | ||||
| ||||
| Audio video | ||||
| "BTSTU (Edit)" on YouTube | ||||
"BTSTU" is a song by British songwriter and record producer Jai Paul. A demo recording of the song received widespread blog coverage throughout 2010 after having been uploaded to Paul's MySpace page, as well as receiving numerous plays on BBC Radio 1 in the UK. The BBC's Zane Lowe made "BTSTU (Demo)" his Hottest Record in the World. On the strength of this demo, Paul was long-listed for the BBC Sound of 2011 poll.[1]
Release
[edit]An edited version of "BTSTU" entitled "BTSTU (Edit)" was officially released on 21 April 2011, via XL Recordings.[2] The song received airplay again on UK national radio by DJs including Gilles Peterson, Annie Mac, Nick Grimshaw, Reggie Yates, and Fearne Cotton, with Zane Lowe making it his Hottest Record in the World for a second time.[3] Paul commented in 2011 that the name of the track is an acronym for "Back To Save The Universe", a reference to a lyric from the Radiohead song "Airbag".[4]
Critical reception
[edit]The single received favourable reviews from the Daily Telegraph[5] and American blog 'The Wounded Jukebox'.[6] Ryan Dombal of Pitchfork compared the single to "the unmistakable lope of one J Dilla".[7]
"BTSTU" was included in the end-of-year lists in 2011 by Pitchfork,[8] The Fader, and Pigeons and Planes.[9] The Washington Post mentioned "BTSTU" in their 'Singles File: Best of 2011', describing it as "a precursor to the entire career of James Blake".[10]
Legacy
[edit]The song has been influential on underground as well as mainstream pop music in the 2010s.[11][12] The song had struck a chord internationally. The Canadian rapper Drake leaked a track titled "Dreams Money Can Buy" which sampled "BTSTU (Demo)" in May 2011,[13] which got resampled by Charli XCX in June 2012.[14] In July 2011 the song was sampled again for Travis Garland and JoJo's duet "Paint",[15] and New York singer-songwriter Niia uploaded a cover version of "BTSTU" to her SoundCloud page.[16] The 2012 song "End of Time" by Beyoncé also sampled the song.[12]
Track listing
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "BTSTU" (edit) | 3:29 |
| 2. | "BTSTU" (demo) | 3:41 |
Personnel
[edit]- Jai Paul – vocals, electric guitar, drums, synthesizers, programming, SFX, engineering, mixing, sound design (remastered vinyl)
- Anup Paul – additional vocals, sound design, mastering (edit)
- Sam Pickering – saxophone
- Dave Cooley – mastering (remastered vinyl)
Charts
[edit]| Chart (2011) | Peak position |
|---|---|
| UK Singles (Official Charts Company)[19] | 139 |
Release history
[edit]| Version | Date | Format | Label |
|---|---|---|---|
| Demo | 2010 | Digital download[2][17] | N/a |
| Edit | 21 April 2011 | XL | |
| 6 June 2011 | CD-R | ||
| Remastered | 1 June 2019 | 12-inch single[20] |
References
[edit]- ^ "Sound of 2011 – Jai Paul", BBC Music. Retrieved 18 December 2010.
- ^ a b c "BTSTU (Edit) on iTunes", iTunes. Retrieved 23 April 2011.
- ^ Zane Lowe's Hottest Record In The World – Jai Paul – BTSTU, BBC. Retrieved 23 June 2011.
- ^ "Musings".
- ^ "Top Ten Songs Of 2011". The Daily Telegraph. 25 December 2011. Archived from the original on 8 January 2012. Retrieved 25 December 2011.
- ^ "The Wounded Jukebox". The Wounded Jukebox. 6 June 2011. Archived from the original on 25 June 2011. Retrieved 25 December 2011.
- ^ "The Top 100 Tracks Of 2011", Pitchfork. Retrieved 20 December 2011.
- ^ "Jai Paul's BTSTU", Pitchfork. Retrieved 20 December 2011.
- ^ "Pigeons And Planes". Pigeons And Planes. 21 December 2011. Archived from the original on 8 January 2012. Retrieved 25 December 2011.
- ^ Allison Stewart (20 December 2011). "The Singles File 2011". The Washington Post. Retrieved 25 December 2011.
- ^ "How Jai Paul changed the sound of pop with just two songs". Dazed. 12 September 2017.
- ^ a b Bassil, Ryan; Jones, Daisy (19 November 2018). "How Jai Paul's Influence Has Spread Beyond Simple Rip-Offs". Noisey.
- ^ "Drake Leaks New Song". Mtv.co.uk. 21 May 2011. Archived from the original on 31 July 2011. Retrieved 28 August 2011.
- ^ "Charli XCX Takes on Drake/Jai Paul, Blood Diamonds, Blood Orange, More on New Mixtape". Pitchfork. 12 June 2012. Retrieved 7 December 2023.
- ^ "Travis Garland – Paint ft JoJo", Singers Room. Retrieved 23 July 2011.
- ^ "Niia BTSTU", Soundcloud. Retrieved 23 August 2011.
- ^ a b "BTSTU – Jai Paul – Amazon.co.uk". Amazon.co.uk. Retrieved 17 June 2012.
- ^ "BTSTU Remastered — Vinyl [12"]". Jai Paul. Retrieved 9 June 2019.
- ^ "CHART: CLUK Update 28.05.2011 (wk20)". zobbel.de. Retrieved 17 June 2012.
- ^ "Jai Paul". Retrieved 6 June 2019.
BTSTU
View on Grokipediafrom Grokipedia
Background
Writing and initial recording
"BTSTU" originated as a home-recorded demo by Jai Paul in 2007, when he was 19 years old and living in Rayners Lane, North West London.[1][9] Paul crafted the track in under an hour during his late teenage years, marking the first time his songwriting ideas coalesced into a concise form.[10] This early creative period, spanning roughly 2007 to 2010, saw Paul experimenting as a self-taught producer in his modest home setup, embracing a raw, unpolished aesthetic that defined the demo's lo-fi quality.[9][10] The recording process exemplified Paul's DIY ethos, with him handling the majority of elements including vocals, electric guitar, drums, synthesizers, programming, and sound effects.[11] His brother, Anup Paul (A.K. Paul), provided assistance on bass, backing vocals, and additional sound design, contributing to the track's layered texture.[1][9] Working in a basic home studio environment, Paul prioritized experimental techniques over professional polish, resulting in a demo characterized by its intimate, imperfect vibe that captured his solitary creative process.[10][9] Paul's initial inspirations for "BTSTU" drew from 1980s pop, R&B, and electronic music, particularly the innovative sounds of Prince and Michael Jackson.[10][9] These influences informed the song's blend of falsetto vocals, rhythmic grooves, and atmospheric effects, reflecting Paul's admiration for artists who fused soulful expression with electronic experimentation.[10][1]Online discovery and label signing
The demo was first uploaded to Paul's MySpace page in 2009. In January 2010, Jai Paul uploaded a demo version of "BTSTU" to his SoundCloud account.[1] The track rapidly circulated online and garnered attention from music blogs, including early coverage that highlighted its innovative production blending falsetto vocals with electronic elements. By mid-2010, "BTSTU" had achieved widespread blog coverage.[12] The demo's online buzz propelled Paul into the spotlight during 2010-2011, culminating in his longlisting for the BBC's Sound of 2011 poll in December 2010, where he was recognized alongside emerging talents for his fresh take on pop music.[13] This recognition amplified interest from record labels, as the track's viral spread on platforms like SoundCloud demonstrated Paul's potential to redefine electronic and R&B boundaries.[9] Following the demo's success, Paul signed with XL Recordings in late 2010, a deal secured amid competitive bidding from multiple labels drawn to the song's underground hype.[14] Despite the rapid fame, Paul maintained a reclusive profile, engaging in limited media interactions and avoiding traditional promotional activities, which only heightened his mystique in the industry.[15] This approach allowed him to focus on creative work while the buzz from "BTSTU" continued to resonate through blog features and radio plays.[16]Musical style and lyrics
Composition and production techniques
"BTSTU" exemplifies a genre fusion of alternative R&B and indie electronic, incorporating sleek electronic pop elements with gritty industrial influences that evoke both smooth vocal delivery and textural distortion.[9][17] The track draws on 1980s-inspired synth aesthetics through juddering riffs and cascading layers, while modern electronic production adds a wonky, off-kilter edge reminiscent of experimental indietronica.[4][18] The song follows a verse-chorus structure, beginning with a sparse intro of static-like ambient noise and looping falsetto vocals that establish an ethereal mood before building dynamically.[19] Verses feature contrasting vocal styles—a high, angelic falsetto ("Don't fuck with me") duetting with lower, robotic tones—over muted spaces and offbeat guitar accents, leading to an explosive chorus with big drum claps and a melodic synth hook.[5] The arrangement crescendos midway with a beat drop and stomping pads, culminating in a layered saxophone outro that introduces unexpected timbral contrast.[4][9] This progression unfolds at a mid-tempo of 90 beats per minute in C♯ major, maintaining a restless, menacing pulse throughout.[20] Production techniques emphasize dramatic ambience and texture over clarity, utilizing side-chain compression to make the kick drum burst through the mix, creating a pumping effect that unifies disparate elements.[9][7] Reverb-heavy synths and a bass line resembling a distorted, blown-out speaker provide warm analog grain, while self-harmonized vocals and sparse, unquantized drums contribute to the track's idiosyncratic groove.[17] Heaps of compression, delays, and tight reverbs further enhance the spatial depth, allowing falsetto hooks to float amid electronic percussion and subtle guitar interjections.[5] These methods, prioritizing emotional contrast through dynamic builds and vocal layering, define the song's innovative sound.[7]Themes and lyrical content
The lyrics of "BTSTU" explore themes of isolation, betrayal in relationships, and a profound sense of displacement, conveyed through a narrative of emotional exile and return. In the opening lines, the narrator warns, "Don't fuck with me / Since you shipped my ass out to sea," evoking a forced separation that leaves the speaker adrift and directionless, as they "went where the water was flowing."[21] This nautical imagery symbolizes emotional turmoil and abandonment, with the sea representing an uncontrollable void following relational betrayal. The chorus reinforces a resilient yet vulnerable reclaiming of agency: "I know I've been gone a long time but / I'm back and I want what is mine," repeated four times to emphasize longing and determination after prolonged absence.[21] Further deepening the theme of displacement, the second verse portrays the lost relationship as "the ship was the love of my life / We went down together that night," using the metaphor of a sinking vessel to depict shared downfall and survival in isolation: "I surfaced and married a shell / And for years I just cruised on the run." Here, "married a shell" suggests a hollow, superficial existence post-betrayal, while "cruised on the run" implies ongoing evasion and emotional numbness. The third verse heightens the sense of relational betrayal with lines like "So don't try and fuck me about / The worst thing that happened was / I was standing too close to your heart," highlighting vulnerability exploited by intimacy, culminating in weary awakening: "I'm tired and about to wake up." These elements paint a picture of love's wreckage leading to guarded self-preservation.[21][22] The title "BTSTU" serves as an acronym for "Back to Save the Universe," a phrase that ironically underscores the narrator's self-perceived heroic return from exile, blending grandiosity with personal redemption.[2] Poetic devices enhance this vulnerability, including repetition in the chorus for rhythmic insistence on reclamation, and slang like "fuck me about" (British vernacular for not to be deceived or toyed with), infusing raw, conversational urgency. Nautical metaphors throughout—shipping out to sea, sinking ships, surfacing—consistently frame emotional displacement as a perilous voyage, amplifying the lyrics' abstract introspection on loss and recovery.[21] From the original demo to the official edit, the lyrics underwent minor tweaks for clarity and flow, such as refining the second verse from "I surfaced in every shadow / For years I just kotched on the down low" (where "kotched" is Jamaican-influenced slang for lounging idly) to the more evocative "I surfaced and married a shell / And for years I just cruised on the run." These changes sharpen the imagery of hollow survival without altering the core themes.[3][21]Release
Demo circulation
The demo version of "BTSTU" was first shared by Jai Paul on his MySpace page around 2009, and officially uploaded to his SoundCloud account on January 11, 2010, sparking interest among online music communities.[1] This raw, lo-fi recording quickly spread through rapid shares on platforms like YouTube and various music blogs, where it was re-uploaded and embedded in posts, amplifying its reach in the pre-streaming era of file-sharing and aggregator sites.[23] Blog coverage of the demo peaked throughout 2010, with prominent features on sites such as The Fader, which presented it as an intriguing MP3 starting with a whisper and building into a synth storm with cooing vocals in an April post, and Pitchfork's Forkcast, which praised its wobbly synths, blaster samples, and weird vocal harmonies just months after the upload.[24][23] The track was also included in several blogger-curated mixtapes and year-end lists, such as Pitchfork's Guest List: Best of 2010, where contributors lauded its freshness and realness, contributing to a grassroots hype that positioned it as a standout underground discovery.[25] Fans reacted enthusiastically to the demo's quirky production—characterized by its glitchy synths, echoing vocals, and unconventional structure—often describing it as a futuristic fusion of R&B and electronica that felt ahead of its time.[16] Paul's deliberate anonymity, with scant personal details shared and no promotional push, fueled intrigue and online speculation, leading to memes and forum discussions that mythologized him as an enigmatic prodigy, even as copycat tracks began emerging in indie circles.[1] This veil of mystery enhanced the song's allure, turning it into a cult favorite among bloggers and listeners who dissected its raw charm. During this period, unofficial remixes proliferated online, with producers tweaking the demo's beats and adding hip-hop or electronic layers, while early covers by amateur artists appeared on YouTube, further embedding "BTSTU" in niche online communities and sustaining its viral momentum ahead of any formal industry involvement.[26]Official single and promotion
"BTSTU (Edit)" was released as Jai Paul's debut single on April 21, 2011, through XL Recordings as a digital download in the United Kingdom.[1][27] The track, a polished version of the original 2007 demo, was made available exclusively in digital format, with limited promotional physical copies pressed on CD-R for industry use.[28] The single's promotion relied heavily on radio airplay and critical buzz rather than traditional marketing. On the day of release, BBC Radio 1 DJ Zane Lowe premiered "BTSTU (Edit)" as his "Hottest Record in the World," playing it multiple times and praising its innovative sound.[27][29] This exposure helped propel the track into wider rotation on BBC platforms, contributing to Paul's long-listing in the BBC Sound of 2011 poll, which highlighted emerging British artists.[13] Jai Paul maintained a low profile during the rollout, with no official music video produced and only sparse interviews granted, a strategy that amplified his enigmatic persona and allowed the music to drive its own narrative.[30][31] This approach by XL Recordings focused on organic growth from the demo's prior online traction, positioning Paul as a mysterious figure in the UK music scene.[1]2019 remaster and reissue
In 2019, XL Recordings issued a remastered edition of "BTSTU" as a limited-edition 12-inch vinyl single, marking the track's first official physical pressing beyond promotional CDRs.[32][33] The release, cataloged as XL534T, features two sides: the polished "BTSTU (Edit)" running 3:29 on side A, and the original "BTSTU (Demo)" at 3:41 on side B, both newly mastered by engineer Dave Cooley to suit vinyl format.[32][34] This remaster arrived amid Jai Paul's gradual reemergence following a prolonged hiatus after the unauthorized 2013 leak of his unfinished demos, which had stalled his debut album plans.[35] The June 1 release date aligned precisely with the label's official drop of Leak 04-13 (Bait Ones), a formalized version of the leaked material including two new tracks, signaling Paul's selective return to output under XL.[34][36] The vinyl's scarcity, complete with a full-color sticker and promotional insert, heightened its appeal to collectors during this period of renewed interest in Paul's early work.[32]Reception and performance
Critical reviews
Upon its official release in April 2011, "BTSTU (Edit)" received widespread critical acclaim for its innovative blend of alternative R&B, pop, and electronic elements, with reviewers highlighting Jai Paul's distinctive falsetto vocals and eccentric production techniques. Pitchfork designated it a Best New Track, praising the song's "rich in idiosyncrasies" production, including "muted blank spaces that appear out of nowhere—almost like a DJ flicking a cross fader," short guitar accents, and a layered saxophone outro, which together create a "strange duet" between Paul's angelic falsetto and a more robotic, lower-pitched delivery laced with menace.[5] The review emphasized how these elements imbue the track with a "restless quality" and subtle character that ensures longevity, positioning it as an "off-kilter pop tune that's automatically raw, bright, new."[5] The Guardian echoed this sentiment, lauding the track's "brilliance" in juxtaposing seemingly incompatible sounds, such as falsetto vocals riding over big drum claps and a "juddering synth riff" underpinning a "gorgeously melodic chorus," with subtle enhancements in the edit—like a sudden beat drop at 1:34—adding to its impact without straying far from the original demo's raw appeal.[4] Critics frequently noted Paul's vocal range and production eccentricity as key to the song's freshness, drawing comparisons to J Dilla's lope in the palm-slap beat, while appreciating how the track's genre-blending genius evoked a futuristic R&B sensibility.[37] Some reviewers acknowledged the lingering raw, demo-like feel as a potential quirk, but overall, it was celebrated for injecting eccentricity into contemporary pop.[4] Reflecting its influence that year, "BTSTU" appeared on Pitchfork's Top 100 Tracks of 2011 at number 29, where it was commended for its "dirty and drunk" beat recalling J Dilla, video game-like bloops, and fleeting horns, all contributing to a hook that asserts Paul's return with confident hunger.[37] The track's acclaim underscored its role as a breakthrough in innovative R&B production.Chart performance and sales
"BTSTU" achieved modest commercial performance upon its 2011 release, reflecting its niche appeal within alternative and electronic music circles. In the United Kingdom, the single peaked at number 139 on the UK Singles Chart in May 2011, with limited impact from mainstream radio airplay. It fared better on specialist charts, reaching number 13 on the UK Independent Singles Chart and number 26 on the Official Dance Singles Chart during the same period.[38][39] Internationally, the track did not attain major chart peaks but garnered minor entries in US alternative music playlists and viral track lists, driven by extensive blog coverage and online sharing rather than traditional promotion. Supported by targeted digital marketing from XL Recordings, its sales were primarily through downloads, though exact figures remain undisclosed; the song's experimental style constrained broader commercial reach while fostering strong engagement via blogs and peer-to-peer sharing.[15] Following the 2019 reissue as part of the official Leak 04-13 (Bait Ones compilation, "BTSTU" experienced a streaming resurgence, accumulating over 44 million streams on Spotify for its demo version as of 2025, underscoring its enduring digital legacy.[40]Legacy and influence
Cultural impact
"BTSTU" played a pivotal role in the revival of alternative R&B during the early 2010s, often cited as a cornerstone of the "future R&B" subgenre that blended electronic production with soulful vocals and experimental structures. Released as a demo in 2010 and officially in 2011, the track's innovative sound—featuring glitchy synths, layered harmonies, and a haunting falsetto—influenced contemporaries like The Weeknd and FKA twigs, helping to shift R&B toward more avant-garde, atmospheric territories. Critics and artists have described it as a "blueprint" for the genre's evolution, with DJ Benji B comparing its freshness to D'Angelo's Voodoo album upon first hearing it. This impact extended to mainstream sampling, as Drake incorporated elements into his 2011 track "Dreams Money Can Buy" and Beyoncé credited it on "End of Time" from the album 4.[1][19][9] Jai Paul's enigmatic persona, amplified by "BTSTU," contributed significantly to discussions on artist anonymity and mystique in the digital age. Following the track's viral success via MySpace and blogs, Paul retreated from the public eye after a 2013 leak of unreleased material, which he disavowed in a tweet stating the demos were not uploaded by him and urging fans not to buy. In a 2019 statement, he described the leak as a "catastrophe" that led to personal distress. This "ghost" status—marked by just one interview in 2011 and no traditional promotion—positioned him as a symbol of creative autonomy, inspiring debates on the pressures of fame and the value of scarcity in music distribution. His elusiveness contrasted sharply with the song's omnipresence, fostering a cult following that romanticized his reclusiveness as an artistic choice.[16][19][9][41][42] The song's media portrayal has highlighted its role in viral music discovery, with features in outlets exploring internet-era breakthroughs. A 2023 New Yorker profile detailed Paul's rare live debut, underscoring "BTSTU"'s enduring allure in an era of oversharing artists. Documentaries and articles have framed it as emblematic of pre-streaming online virality, where anonymous demos could ignite global buzz without industry backing.[16][1] In the 2020s, "BTSTU" experienced a resurgence through streaming platforms and social media, particularly TikTok, where user-generated content and edits amplified its nostalgic appeal among younger audiences. This boost coincided with Paul's 2023 performances, including sets at Coachella and headlining shows in New York and London, and continued with 2024 appearances at festivals such as Primavera Sound in Barcelona, Pitchfork Music Festival in Chicago, All Points East in London, and Palomosa in Montreal, drawing thousands via lottery systems and reigniting interest in his catalog. The track's streaming numbers surged, tying into broader conversations on digital rediscovery and the longevity of 2010s indie sounds.[16][1][43][44][45]Samples and covers by other artists
"BTSTU" has been sampled and interpolated by several prominent artists, demonstrating its enduring appeal in contemporary music production. In 2011, Drake incorporated a direct sample of the chorus vocals from the demo version of "BTSTU" into his track "Dreams Money Can Buy," an early leak from his album Take Care that highlighted the song's ethereal production style.[46] This usage helped propel Jai Paul's early buzz within hip-hop circles. Similarly, Beyoncé sampled elements of the hook from "BTSTU (Demo)" in her 2011 single "End of Time" from the album 4, where the subtle vocal fragments add to the track's layered, percussive arrangement, though the credit appears in the liner notes rather than as a prominent feature.[47][19] Charli XCX further extended the song's reach with her 2012 track "Dreams Money Can Buy," which builds on the instrumental from Drake's version while directly interpolating the hook's melody and phrasing from "BTSTU," creating a hyper-pop twist on the original's introspective vibe.[48] This connection underscores "BTSTU"'s role in bridging alternative R&B with experimental pop aesthetics. Although no official remix by Jamie xx of "BTSTU" exists, his production style in works like In Colour (2015) echoes the track's glitchy, emotive electronics, reflecting broader influences from Paul's sound on UK electronic music scenes.[19] The song has also inspired numerous covers, particularly among independent artists seeking to reinterpret its falsetto-driven vulnerability. Singer Niia released an unofficial cover in 2012, stripping down the original's synth-heavy production to a minimalist arrangement with layered harmonies and sparse percussion, emphasizing the lyrical rawness of themes like betrayal and isolation.[49] Other unofficial renditions include acoustic guitar versions shared online, capturing the track's melodic core in intimate settings. In 2023, during Jai Paul's debut live performances at Coachella and subsequent shows, "BTSTU" served as a centerpiece, with the artist delivering faithful yet evolved renditions that paid tribute to the demo's legacy amid crowd fervor, marking a rare live embodiment of the song after over a decade. He continued performing it at 2024 festivals including Primavera Sound and Pitchfork Music Festival.[50][43]Track listing
Standard edition
The standard edition of the "BTSTU" single refers to the original digital release issued on April 21, 2011, by XL Recordings. This version features the polished edit of the track, presented in a clean format suitable for commercial distribution.[8] Track listing- "BTSTU (Edit)" – 3:30[51]
Remastered edition
The remastered edition of BTSTU was issued as a limited 12-inch vinyl single by XL Recordings on June 20, 2019, presenting enhanced audio versions of the track's two primary iterations for the first time on physical format.[32] This release includes remastering by engineer Dave Cooley, who handled the audio optimization to suit vinyl playback while preserving the original home-recorded essence from Jai Paul's Rayners Lane setup.[32] The packaging features a full-color sleeve with astronomical imagery credited to NASA/JPL-Caltech/University of Arizona, accompanied by a printed promotional info sheet and distinctive runout etchings: "XL534T-A CN BI33205-01 A1" on the A-side and "XL534T-B CN BI33205-01 B1" on the B-side.[32]Track listing
| Side | Track | Length |
|---|---|---|
| A | "BTSTU (Edit)" | 3:29 |
| B | "BTSTU (Demo)" | 3:41 |
Personnel
- Jai Paul – writer, producer, vocals, electric guitar, drums, synthesizer, programming, sound effects (SFX), engineering, mixing, sound design[32]
- A. K. Paul – additional vocals, sound design[32]
- Sam Pickering – saxophone[52]
- Dave Cooley – mastering (remastered edition)[32]