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Bob Belden
Bob Belden
Bob Belden
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Key Information

James Robert Belden (October 31, 1956 – May 20, 2015) was an American saxophonist, arranger, composer, bandleader, and producer.[1] As a producer, he was mostly associated with the remastering of recordings by trumpeter Miles Davis for Columbia Records.

Biography

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Belden, born in Evanston, Illinois, grew up in the Charleston, South Carolina suburb of Goose Creek. He briefly attended the University of South Carolina where he met composer Jay Knowles who introduced him to the music of Gil Evans. He then studied saxophone and composition at the University of North Texas before joining the Woody Herman band.

He recorded his first album Treasure Island in 1990. This was followed by a series of adventurous albums featuring jazz-tinged arrangements of contemporary pop songs culminating with Black Dahlia in 2001.

In 2008, he arranged and produced Miles from India, a world fusion music recording based on the compositions of Miles Davis for which he assembled a group made up of Davis alumni and musicians from India.[2] In addition to his work as arranger, composer, conductor and A & R director, Belden contributed numerous liner notes for noted recordings, such as "Lou's Blues" by Lou Marini and the Magic City Jazz Orchestra.

Some of his work as the author of liner notes received Grammy Awards.[3][4] In early 2015, Belden became the first American musician in 35 years to bring a band from the USA to perform in Iran.[5]

Belden died of a heart attack on May 20, 2015, at Lenox Hill Hospital in Manhattan. He was 58.[6][7]

Discography

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As leader/co-leader

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  • Treasure Island (Sunnyside, 1990)
  • Straight to My Heart: The Music of Sting (Blue Note, 1991)
  • Puccini's Turandot (Blue Note, 1993)
  • When the Doves Cry: The Music of Prince (Metro Blue, 1994) – also as conductor and producer
  • La Cigale (Sunnyside, 1998) – live rec. 1990
  • Black Dahlia (Blue Note, 2001)
  • Mysterious Shorter with Nicholas Payton, Sam Yahel, John Hart, Billy Drummond (Chesky, 2006) – also as producer

Co-leader with Tim Hagans: Animation

  • Re-Animation Live! (Blue Note, 1999)
  • Animation – Imagination (Blue Note, 1999)
  • Agemo (RareNoise, 2011)
  • Asiento (RareNoise, 2011)
  • Transparent Heart (RareNoise, 2012)
  • Machine Language (RareNoise, 2015)

As producer

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As a member

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New York City Horns

As conductor

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McCoy Tyner Big Band

Others

Grammy Awards

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See also

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References and sources

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Bob Belden

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Bob Belden was an American jazz saxophonist, composer, arranger, bandleader, and producer known for his innovative and adventurous approach to jazz, particularly through bold orchestral arrangements that reinterpreted works by classical composers and popular musicians in a jazz idiom. Described as a renaissance man in the jazz world, he excelled in multiple roles including multi-instrumentalist, label executive, historian, and writer, leaving a distinctive mark through conceptual projects and genre-crossing interpretations. Born on October 31, 1956, Belden began his professional career in the 1970s as a saxophonist and flutist with Woody Herman's big band before emerging as a leader in his own right during the 1990s and 2000s with recordings for Blue Note Records and other labels. His work often featured large ensembles and thematic concepts, with notable projects including jazz adaptations of music by Puccini, earning him recognition as one of the era's most creative arrangers. Belden also produced significant reissues and tributes within the jazz canon and contributed writings on music history. Grammy-nominated, he suffered a massive heart attack and died on May 20, 2015, in New York City at the age of 58.

Early Life and Education

Birth and Childhood

James Robert Belden was born on October 31, 1956, in Evanston, Illinois, and grew up in Goose Creek, South Carolina. He grew up with a sister, Beth Belden Harmstone. Belden had early exposure to music as a child.

Musical Education

Bob Belden received his higher musical education at North Texas State University (now the University of North Texas), where he majored in composition rather than jazz performance. He studied orchestration, counterpoint, and jazz arranging while also gaining exposure to contemporary classical music alongside jazz principles. This integrated approach combined rigorous classical training with jazz techniques, building a foundation that informed his later work as an arranger and composer. Belden entered the University of North Texas College of Music on a scholarship at age 16. He participated in the university's renowned jazz ensembles, including the One O'Clock Lab Band, which provided practical experience in big band performance and arranging within a vibrant environment of numerous music majors and ensembles. The school's resources, including its extensive library and active music community, further fueled his development during his studies in the 1970s.

Early Career

Big Band Experience

Bob Belden's entry into professional music began immediately after his graduation from the University of North Texas in 1978, when he joined Woody Herman's Thundering Herd, one of the most prominent big bands in jazz history. He spent 18 months with the ensemble, performing primarily as a tenor saxophonist in the saxophone section and gaining hands-on experience in big band playing during the late 1970s. This period marked his transition from student to working musician, serving as his first professional jazz engagement. Belden later described the band as a "real jazz band," highlighting the intensity and authenticity of the experience compared to other ensembles. He contributed to live performances, including features on tenor saxophone, which demonstrated his role in the reed section. As a multi-instrumentalist capable on both saxophone and flute, Belden drew upon his prior formal training in orchestration and jazz to adapt quickly to the demands of big band touring and performance. The Thundering Herd provided a rigorous introduction to the professional jazz world, sharpening his skills in ensemble playing and preparing him for subsequent career developments.

Move to New York

In 1983, Bob Belden moved to New York City after concluding his time with Woody Herman's big band. He described the relocation as frightening amid limited jazz opportunities before the late-1980s jazz renaissance and the advent of CDs, yet he found affordable housing and persisted. Belden established himself through sideman work and freelance arranging in the competitive New York scene. He performed as a saxophonist with trumpeter Donald Byrd (continuing a collaboration from 1981 through 1985) and with the Mel Lewis Orchestra. To sustain himself, he took on commercial projects, serving as a staff arranger for ESPN from 1984 to 1988 where he created sports themes, and contributing arrangements and compositions to television programs and films, including projects featuring Farrah Fawcett, Jackie Cooper, and Paul Le Mat. Through these roles, Belden built professional networks by hiring fellow musicians from his Woody Herman days for sessions and gained experience as a saxophonist and arranger in New York's studio and live scenes.

Work with Miles Davis

Production and Remastering

Bob Belden established himself as a key figure in the preservation and presentation of Miles Davis' recorded legacy through his extensive work as a reissue producer for Columbia/Legacy Records. Collaborating frequently with producer Michael Cuscuna, he compiled and oversaw production on a series of comprehensive box sets that gathered Davis' Columbia studio output, incorporating complete sessions, alternate takes, and previously unreleased material while ensuring high-quality audio restoration and presentation. These efforts focused particularly on Davis' transformative periods, making definitive editions accessible to new generations of listeners. Among his most notable contributions was his role in "Miles Davis & Gil Evans: The Complete Columbia Studio Recordings" (originally released 1996, reissued 2004), where he served as reissue producer for the 1962–1968 sessions, helping to curate this exhaustive collection of their collaborative work. This project earned Grammy Awards in 1997 for Best Historical Album (shared with Phil Schaap) and Best Album Notes. Similarly, Belden produced the 1998 box set "Miles Davis Quintet 1965–1968: The Complete Columbia Studio Recordings," which documented the influential second quintet era and garnered him another Grammy for Best Album Notes. Belden also served as reissue producer on landmark editions of Davis' electric period, including "The Complete Bitches Brew Sessions (August 1969–February 1970)" (1998), which featured nine previously unissued tracks presented in remixed form, and "The Complete In a Silent Way Sessions" (2001), further illuminating Davis' pioneering fusion developments through meticulous assembly and audio enhancement. His production approach emphasized comprehensive scope and sonic clarity, contributing significantly to the ongoing appreciation of Davis' catalog.

Tributes and Arrangements

Bob Belden paid tribute to Miles Davis through several ambitious multi-artist projects that featured new arrangements and reimaginings of Davis' compositions in diverse musical and cultural contexts. In these works, he blended Davis' repertoire with global influences while preserving the essence of the original material. In 1998, Belden co-produced Endless Miles: A Tribute to Miles Davis, a compilation that gathered various jazz musicians to perform fresh interpretations of Davis-associated pieces. He later expanded this approach with thematic fusions. In 2008, he conceived, produced, and arranged Miles from India: A Celebration of the Music of Miles Davis, a two-disc set that reinterpreted Davis classics such as "So What," "All Blues," "In a Silent Way," and "Miles Runs the Voodoo Down" through a blend of American jazz and Indian classical traditions, incorporating Indian percussion and musicians alongside Davis alumni. The project honored Davis by exploring cross-cultural dialogues in his music and was nominated for Best Contemporary Jazz Album at the 2009 Grammy Awards. Belden continued this concept in 2011 with Miles Español: New Sketches of Spain, which he conceived and produced, drawing on Davis' Spanish-influenced works like Sketches of Spain to create new arrangements infused with flamenco and Latin elements. These tributes demonstrated Belden's role as an arranger who placed Davis' innovations in novel settings, extending his legacy beyond traditional jazz boundaries.

Solo Career and Compositions

Original Projects

Bob Belden frequently led his own ensembles and produced albums centered on his original compositions, showcasing his vision as a composer and arranger beyond his notable work reinterpreting other artists. His debut album as a leader was Treasure Island (1990, Sunnyside), featuring original compositions performed by the Bob Belden Ensemble. His most acclaimed original project is Black Dahlia, released on Blue Note in 2001, often regarded as his magnum opus. This ambitious work is a 12-part orchestral suite composed entirely by Belden, drawing inspiration from the infamous 1947 Black Dahlia murder case and the life of victim Elizabeth Short. Black Dahlia featured large ensemble arrangements and a cinematic narrative structure that blended jazz improvisation with composed themes. The project highlighted Belden's ability to create evocative, story-driven music through his leadership of the recording ensemble.

Interpretations of Other Composers

Bob Belden earned acclaim in the 1990s for his adventurous crossover projects that reinterpreted the works of non-jazz composers through jazz arrangements, blending improvisational elements with classical opera and contemporary pop songwriting. These efforts highlighted his skill as an arranger and bandleader in expanding jazz's boundaries by engaging with diverse musical traditions. One of his most notable series of albums featured creative adaptations of material by Sting, Puccini, Prince, and Carole King, demonstrating a bold approach to genre fusion during this period. In 1991, Belden released Straight to My Heart: The Music of Sting with the Bob Belden Ensemble, offering jazz interpretations of Sting's songs that transformed their original pop-rock structures into vehicles for extended improvisation and ensemble interplay. This project stood out as particularly successful among his crossover endeavors. In 1993, he turned to classical repertoire with Puccini's Turandot, where the Bob Belden Ensemble reimagined selections from Giacomo Puccini's opera in a jazz context, adapting its dramatic melodies and harmonies for modern jazz instrumentation despite rights challenges from the Puccini estate. Belden continued this trajectory in 1994 with When Doves Cry: The Music of Prince, applying his arranging talents to Prince's catalog by recasting the artist's funk and pop compositions as jazz pieces suited for ensemble performance and solo exploration. In 1997, he released Tapestry, a jazz interpretation of Carole King's classic album of the same name. These albums collectively showcased Belden's innovative style of bridging jazz with outside influences, contributing to his reputation as one of the era's most daring arrangers.

Film and Television Contributions

Composing Credits

Bob Belden contributed original compositions to a small number of film projects, supplementing his primary work as a jazz arranger and bandleader. He served as composer for the independent drama The Last Time I Committed Suicide (1997), providing the film's score. Belden also received a composer credit on the comedy Analyze That (2002), directed by Harold Ramis and starring Robert De Niro and Billy Crystal. His involvement in these projects reflects occasional forays into film scoring, though his output remained limited compared to his extensive catalog of jazz recordings and arrangements.

Death

Final Days and Passing

Bob Belden suffered a heart attack in his apartment, which led to his admission to Lenox Hill Hospital in Manhattan, New York City. He died there on May 20, 2015, at the age of 58. His sister, Beth Belden Harmstone, confirmed that the cause of death was a heart attack.

Legacy

Influence and Tributes

Bob Belden is remembered as a multifaceted figure whose work as a historian, writer, producer, and adventurous arranger profoundly shaped jazz scholarship and creative practice. His extensive contributions to Miles Davis' legacy include producing landmark reissue projects such as Miles Davis and Gil Evans: The Complete Columbia Studio Recordings, which earned Grammys for Best Historical Album and Best Album Notes in 1996, and overseeing comprehensive box sets that preserved and contextualized Davis' catalog alongside those of other major artists. These efforts established him as a key custodian of jazz history, blending rigorous archival work with insightful liner notes and writings that illuminated the music's evolution. Belden's influence extended to crossover and genre-blending jazz through ambitious conceptual projects that reinterpreted Miles Davis' music across cultural boundaries. Albums like Miles From India (Grammy-nominated for Best Contemporary Jazz Album in 2009) integrated Indian musicians with Davis alumni to explore global fusions, while similar Latin-infused tributes expanded the possibilities of contemporary jazz orchestration and collaboration. His work with the band ANIMATION further exemplified this boundary-pushing approach, incorporating innovative recording techniques and cross-cultural performances, including a historic 2015 concert in Iran. Following his death from a heart attack on May 20, 2015, at age 58, tributes underscored his enduring impact as a multifaceted figure whose outspoken criticism of the music industry, combined with his individuality and vast talent, earned deep respect among peers. He was celebrated for his breadth of contributions, from historical preservation to visionary arrangements that challenged conventional jazz boundaries, leaving a legacy of intellectual depth and creative daring.

References

  1. https://www.bluenote.com/artist/bob-belden/
  2. https://www.allmusic.com/artist/bob-belden-mn0000057737
  3. https://jazztimes.com/features/tributes-and-obituaries/bob-belden-musician-producer-arranger-writer-historian-dies-at-58/
  4. https://www.billboard.com/music/music-news/bob-belden-jazz-saxophonist-renaissance-man-dead-58-6569028/
  5. https://www.allaboutjazz.com/bob-belden-jazz-adventurer-bob-belden-by-jeff-dayton-johnson
  6. https://www.jazzwise.com/news/article/bob-belden-grammy-winning-renaissance-man-and-jazz-musician-dies-age-58
  7. https://www.jazzweekly.com/interviews/belden.htm
  8. https://www.nytimes.com/2015/05/22/arts/music/bob-belden-jazz-saxophonist-and-historian-of-the-music-dies-at-58.html
  9. https://www.jazzmusicarchives.com/artist/bob-belden
  10. https://jazztimes.com/features/lists/before-after-with-bob-belden/
  11. https://tedpanken.wordpress.com/2015/05/20/in-response-to-the-passing-of-bob-belden-oct-31-1956-may-20-2015-a-wkcr-musician-show-interview-from-1999-an-interview-for-the-press-bio-i-wrote-for-black-dahlia-from-2000-and-an-uncut-down/
  12. https://www.latimes.com/local/obituaries/la-me-0523-bob-belden-20150523-story.html
  13. https://www.allaboutjazz.com/musicians/bob-belden/
  14. https://www.discogs.com/release/7784273-Miles-Davis-Gil-Evans-The-Complete-Columbia-Studio-Recordings
  15. https://www.discogs.com/release/105643-Miles-Davis-The-Complete-Bitches-Brew-Sessions
  16. https://www.allaboutjazz.com/the-complete-in-a-silent-way-sessions-miles-davis-columbia-records-review-by-todd-s-jenkins
  17. https://www.discogs.com/release/2737350-Various-Endless-Miles-A-Tribute-To-Miles-Davis
  18. http://www.musicbox-online.com/reviews-2008/miles-from-india-05252008.html
  19. https://www.amazon.com/Miles-Espanol-Various/dp/B005DZMN98
  20. https://www.allmusic.com/album/treasure-island-mw0000310422
  21. https://bobbelden.bandcamp.com/album/treasure-island
  22. https://www.bluenote.com/spotlight/bob-beldens-noir-magnum-opus-black-dahlia/
  23. https://www.bluenote.com/music/page/70/
  24. https://www.amazon.com/Black-Dahlia-Bob-Belden/dp/B000059Q88
  25. https://www.prettythingsandcoolstuff.com/products/black-dahlia-cd-bob-belden
  26. https://www.allaboutjazz.com/musicians/bob-belden
  27. https://www.amazon.com/Straight-My-Heart-Music-Sting/dp/B000007O1E
  28. https://www.discogs.com/release/11362304-The-Bob-Belden-Ensemble-Puccinis-Turandot
  29. https://jazztimes.com/reviews/albums/bob-belden-tapestry/
  30. https://www.discogs.com/release/1767482-Bob-Belden-Tapestry
  31. https://www.ebay.com/itm/257023931521
  32. https://jazztimes.com/archives/bob-belden-riddle-me-this/
  33. https://www.imdb.com/name/nm0069955/
  34. https://www.legacy.com/us/obituaries/name/bob-belden-obituary?pid=174908289
  35. https://amsterdamnews.com/news/2015/05/29/bob-belden-arranger-musician-dies-58/
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