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Bollhuset
Bollhuset, also called Stora Bollhuset (The Big Ball House), Bollhusteatern (Ball House Theater), and Gamla Bollhuset (Old Ball House) at various times, was the name of the first theater in Stockholm, Sweden; it was the first Swedish theater and the first real theater building in the whole of Scandinavia. It was built in 1627 for ball sports and used in this way for forty years. The name Lejonkulan, however, was, in fact, the name of a different building, which was also used by the same theater in the 17th century.
Bollhuset was the scene of a long series of most important events in the history of the theater in the city and in the history of Swedish theater. Between 1667 and 1792 it was used as a theater until it was demolished in 1793; between 1737 and 1754, the first national theater was located here; in 1773–1782 the Royal Swedish Opera (and thereby also the Royal Swedish Ballet) was located here; in 1783–1792 the French theater of Stockholm was housed here; in 1787 the second national theater was re-founded in the building; and from 1788 to 1792 it was the home of the Royal Dramatic Theatre.
The building was located on Slottsbacken near the Royal palace Tre Kronor. It was described as a large, but simple rectangular building of white bricks with a hip roof.
Bollhuset was built by the crown for the royal court in 1627 as a house for ball sports, especially jeu de paume (Real tennis), which was at that time a very fashionable sport among the European aristocracy, and it was mainly used by the members of the royal court. From 1648, when an additional Ball House was built, Bollhuset was referred to as Stora Bollhuset (Big Ball House) or Gamla Bollhuset (Old Ball House), while the new ball house was called Lilla Bollhuset (Small Ball House) or Nya Bollhuset (New Ball House). In 1663–1679, it was owned by Charles Boit (father of Charles Boit the painter) and thereafter by his widow until it was taken over by the crown again in 1699, when it was given to the French court theater.
From an unknown date during the 17th-century, Bollhuset was occasionally used by the foreign travelling theater companies, which performed in Sweden, were there was yet not native professional theater. Because a ball house was usually designed with as spectator gallery around an arena, they were often used by travelling theater companies in 17th-century Europe. Because both ball houses, Stora Bollhuset and Lilla Bollhuset in Stockholm were used by theater companies during the same period, it is difficult to establish which particular building was used by which company at which occasion, and there is some confusion about the theatrical activity during this first period. It is further confusing because a third building, Lejonkulan, was also used by the travelling theater companies during the same period. What is known is that Lilla Bollhuset is confirmed to have been used as a theater between 1662 and 1686, and Lejonkulan between 1667 and 1689, while the first confirmed public theater performance took place in Stora Bollhuset 29 October 1684.
During the 17th century, foreign travelling theater companies often visited Stockholm, especially from Germany and the Netherlands. An English troupe, the troupe of Joris Jollifoot, played in the city in 1648-1649. The German theater troop of Christian Theun l. Thum (or Thaumb) performed in the city from 1628 to 1655, but it is not known if they ever performed in Bollhuset.
The foreign actors at Bollhuset did play for the public, but as most people could not understand foreign languages, it remained mostly a theater for the royal court and elite. An illustrating example of this is that the foreign troupe that seems to have been most popular among the public, the German troupe of the 1730s, was a troupe with displayed acrobatics, fireworks, tightrope-walking and pantomime and thus, with their more visual way of acting, was easier to understand for those who could not understand the language spoken.
In 1686, the first Swedish language theater, the non professional student theater Dän Swänska Theatren, was inaugurated in Lejonkulan, and when Lejonkulan was demolished in 1689, it was moved to Bollhuset, where it performed until it was dissolved in 1691. Thereafter, Bollhuset was again used by foreign theater companies in parallel to the Lilla Bollhuset.
Bollhuset
Bollhuset, also called Stora Bollhuset (The Big Ball House), Bollhusteatern (Ball House Theater), and Gamla Bollhuset (Old Ball House) at various times, was the name of the first theater in Stockholm, Sweden; it was the first Swedish theater and the first real theater building in the whole of Scandinavia. It was built in 1627 for ball sports and used in this way for forty years. The name Lejonkulan, however, was, in fact, the name of a different building, which was also used by the same theater in the 17th century.
Bollhuset was the scene of a long series of most important events in the history of the theater in the city and in the history of Swedish theater. Between 1667 and 1792 it was used as a theater until it was demolished in 1793; between 1737 and 1754, the first national theater was located here; in 1773–1782 the Royal Swedish Opera (and thereby also the Royal Swedish Ballet) was located here; in 1783–1792 the French theater of Stockholm was housed here; in 1787 the second national theater was re-founded in the building; and from 1788 to 1792 it was the home of the Royal Dramatic Theatre.
The building was located on Slottsbacken near the Royal palace Tre Kronor. It was described as a large, but simple rectangular building of white bricks with a hip roof.
Bollhuset was built by the crown for the royal court in 1627 as a house for ball sports, especially jeu de paume (Real tennis), which was at that time a very fashionable sport among the European aristocracy, and it was mainly used by the members of the royal court. From 1648, when an additional Ball House was built, Bollhuset was referred to as Stora Bollhuset (Big Ball House) or Gamla Bollhuset (Old Ball House), while the new ball house was called Lilla Bollhuset (Small Ball House) or Nya Bollhuset (New Ball House). In 1663–1679, it was owned by Charles Boit (father of Charles Boit the painter) and thereafter by his widow until it was taken over by the crown again in 1699, when it was given to the French court theater.
From an unknown date during the 17th-century, Bollhuset was occasionally used by the foreign travelling theater companies, which performed in Sweden, were there was yet not native professional theater. Because a ball house was usually designed with as spectator gallery around an arena, they were often used by travelling theater companies in 17th-century Europe. Because both ball houses, Stora Bollhuset and Lilla Bollhuset in Stockholm were used by theater companies during the same period, it is difficult to establish which particular building was used by which company at which occasion, and there is some confusion about the theatrical activity during this first period. It is further confusing because a third building, Lejonkulan, was also used by the travelling theater companies during the same period. What is known is that Lilla Bollhuset is confirmed to have been used as a theater between 1662 and 1686, and Lejonkulan between 1667 and 1689, while the first confirmed public theater performance took place in Stora Bollhuset 29 October 1684.
During the 17th century, foreign travelling theater companies often visited Stockholm, especially from Germany and the Netherlands. An English troupe, the troupe of Joris Jollifoot, played in the city in 1648-1649. The German theater troop of Christian Theun l. Thum (or Thaumb) performed in the city from 1628 to 1655, but it is not known if they ever performed in Bollhuset.
The foreign actors at Bollhuset did play for the public, but as most people could not understand foreign languages, it remained mostly a theater for the royal court and elite. An illustrating example of this is that the foreign troupe that seems to have been most popular among the public, the German troupe of the 1730s, was a troupe with displayed acrobatics, fireworks, tightrope-walking and pantomime and thus, with their more visual way of acting, was easier to understand for those who could not understand the language spoken.
In 1686, the first Swedish language theater, the non professional student theater Dän Swänska Theatren, was inaugurated in Lejonkulan, and when Lejonkulan was demolished in 1689, it was moved to Bollhuset, where it performed until it was dissolved in 1691. Thereafter, Bollhuset was again used by foreign theater companies in parallel to the Lilla Bollhuset.
