Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Royal Swedish Opera
Royal Swedish Opera (Swedish: Kungliga Operan) is an opera and ballet company based in Stockholm, Sweden.
The building is located in the centre of Sweden's capital, Stockholm, in the borough of Norrmalm, on the eastern side of Gustav Adolfs torg across from the former Arvfurstens palats, now the Ministry for Foreign Affairs. It lies on the north side of the Norrström River and is connected to the Royal Palace through the Norrbro Bridge.
Other historically and architecturally important buildings in the close neighbourhood are the Sager House, the official residence of the Prime Minister of Sweden, and the Parliament House.
The opera company was founded with the Royal Swedish Academy of Music by King Gustav III, and its first performance, Thetis and Phelée with Carl Stenborg and Elisabeth Olin, was given on 18 January 1773; this was the first native-speaking opera performed in Sweden.
However, the first opera house was not opened until 1782 and served for a century before being replaced at the end of the 19th century. Both houses are officially called the "Royal Opera", although the terms "The Gustavian Opera" and "The Oscarian Opera" or the "Old" and "New" Opera are used when distinction is needed.
The original Stockholm Opera House, the work of architect Carl Fredrik Adelcrantz, was commissioned by King Gustav III, a strong adherent of the ideal of enlightened absolutism and, as such, was a great patron of the arts. The Swedish Opera Company had first been located in Bollhuset, but there was a need to separate the opera from the theatre and give them separate buildings. Construction began in 1775, and the theatre was inaugurated on 30 September 1782 with a performance of the German composer Johann Gottlieb Naumann's Cora och Alonzo. It was also the place for public masquerade balls, events inspired by the famous opera balls in Paris, which were open for everyone wearing a mask at a cheap cost and somewhat ill-reputed.
The building was very imposing, with its centre Corinthian tetrastyle portico supporting four statues and topped by the royal crown. The four-tiered auditorium was oval in shape and had excellent acoustics and sight lines. The sumptuous foyer contained neoclassic medallions and pilasters.
It was in the foyer of the opera house where the king met his fate: during a masquerade on 16 March 1792, he was shot by Jacob Johan Anckarström and died 13 days later. (In turn, this event inspired the operas Gustave III by Daniel Auber and Un ballo in maschera by Verdi.) Following the assassination, the opera house was closed until 1 November 1792, when it was opened again, which by some was considered shocking. The son of Gustav III, King Gustav IV Adolf of Sweden, did not like the opera, possibly because of the murder of his father, and disliked the fact that the scene of his father's murder was used as a place of amusement and leisure, and when a frivolous play was performed for his queen Frederica of Baden in 1806, he decided to close it down. It remained closed until 1809, and when the king was deposed, it took until May 1812 before it was organised enough to be fully opened again.
Hub AI
Royal Swedish Opera AI simulator
(@Royal Swedish Opera_simulator)
Royal Swedish Opera
Royal Swedish Opera (Swedish: Kungliga Operan) is an opera and ballet company based in Stockholm, Sweden.
The building is located in the centre of Sweden's capital, Stockholm, in the borough of Norrmalm, on the eastern side of Gustav Adolfs torg across from the former Arvfurstens palats, now the Ministry for Foreign Affairs. It lies on the north side of the Norrström River and is connected to the Royal Palace through the Norrbro Bridge.
Other historically and architecturally important buildings in the close neighbourhood are the Sager House, the official residence of the Prime Minister of Sweden, and the Parliament House.
The opera company was founded with the Royal Swedish Academy of Music by King Gustav III, and its first performance, Thetis and Phelée with Carl Stenborg and Elisabeth Olin, was given on 18 January 1773; this was the first native-speaking opera performed in Sweden.
However, the first opera house was not opened until 1782 and served for a century before being replaced at the end of the 19th century. Both houses are officially called the "Royal Opera", although the terms "The Gustavian Opera" and "The Oscarian Opera" or the "Old" and "New" Opera are used when distinction is needed.
The original Stockholm Opera House, the work of architect Carl Fredrik Adelcrantz, was commissioned by King Gustav III, a strong adherent of the ideal of enlightened absolutism and, as such, was a great patron of the arts. The Swedish Opera Company had first been located in Bollhuset, but there was a need to separate the opera from the theatre and give them separate buildings. Construction began in 1775, and the theatre was inaugurated on 30 September 1782 with a performance of the German composer Johann Gottlieb Naumann's Cora och Alonzo. It was also the place for public masquerade balls, events inspired by the famous opera balls in Paris, which were open for everyone wearing a mask at a cheap cost and somewhat ill-reputed.
The building was very imposing, with its centre Corinthian tetrastyle portico supporting four statues and topped by the royal crown. The four-tiered auditorium was oval in shape and had excellent acoustics and sight lines. The sumptuous foyer contained neoclassic medallions and pilasters.
It was in the foyer of the opera house where the king met his fate: during a masquerade on 16 March 1792, he was shot by Jacob Johan Anckarström and died 13 days later. (In turn, this event inspired the operas Gustave III by Daniel Auber and Un ballo in maschera by Verdi.) Following the assassination, the opera house was closed until 1 November 1792, when it was opened again, which by some was considered shocking. The son of Gustav III, King Gustav IV Adolf of Sweden, did not like the opera, possibly because of the murder of his father, and disliked the fact that the scene of his father's murder was used as a place of amusement and leisure, and when a frivolous play was performed for his queen Frederica of Baden in 1806, he decided to close it down. It remained closed until 1809, and when the king was deposed, it took until May 1812 before it was organised enough to be fully opened again.
.jpg)