Bomb the Bass is an electronic music alias of English musician and producer Timothy Simenon (born June 1967).

As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section. So the concept was one of bombing the bass line with different ideas, with a collage of sounds. Bombing was a graffiti term for writing, like people would 'bomb' trains or whatever."

Bomb the Bass had originally started out as the Rhythm King All Stars, a project which would see the back catalogue of Rhythm King Records mixed into a 12 inch medley for the clubs, by producers Tim Simenon (a housemate of label founder James Horrocks) and Pascal Gabriel. However, as the back catalogue of the company was at that point small, the duo used a number of other records and samples from other companies, with the record evolving into "Beat Dis". Simenon then decided to change the name of the project from the Rhythm King All Stars to Bomb the Bass, with Simenon and Gabriel using the names DJ Kid 33 and Emilio Pasquez to give the impression that the record was an American import. When the record was released by Rhythm King records in the UK (on their Mister-Ron sublabel) it debuted at number five and peaked a week later at number two on the chart of 21 to 27 February 1988, giving Bomb the Bass the chance to appear on Top of the Pops (in a performance that also included Adele Nozedar from Indians in Moscow, who was working for the record company at the time).

While the bass line and drum tracks of "Beat Dis" were written by Simenon, the rest of the track was compiled from samples. Having already taken a part-time sound course at the School of Audio Engineering in Holloway, Simenon was able to build "Beat Dis" himself - assisted in the process by producer Pascal Gabriel, who went on to experience his own success as co-producer of S'Express and a wide variety of other artists.

According to the BBC, which featured "Beat Dis" on their clip-based TOTP2 show, the track contains an alleged 72 samples, including lifts from hip hop like Public Enemy, funk (including The Jimmy Castor Bunch), and Ennio Morricone. Also featured were dialogue clips from the television shows Dragnet and Thunderbirds. Talking to Sound on Sound magazine many years later, Simenon said of the track's construction: "I suppose I was tuned in to what was current at the time and was able to pick and choose what I wanted with some knowledge of how it should be applied."

He co-produced Neneh Cherry's "Buffalo Stance" after a chance encounter with Jamie Morgan of band Morgan-McVey in London nightclub The Wag, where Simenon was doing a DJ set including the track's first incarnation, a Morgan-McVey B-side called "Looking Good Diving With The Wild Bunch." Simenon expressed interest in reworking the track, before alerting Morgan to the approach of a crazed stalker who was trying to kill him. Morgan informed Cherry's record company of Simenon's interest in the track, and a deal was struck for him to produce what became "Buffalo Stance".

Along with Trevor Horn, he co-produced "Krazy", a remix of the song "Crazy" by Seal.

The Bitmap Brothers cooperated with Tim Simenon to include the 1988 Bomb the Bass hip hop track "Megablast (Hip Hop on Precinct 13)" as theme music for the video game Xenon 2 Megablast, which is also the origin of the game's subtitle. In turn, this song uses samples from Sly and the Family Stone song, "You Can Make It If You Try", and its theme seems heavily inspired by The Splash Band track "The End (Disco Version)" released in 1984, which is itself based on the theme of John Carpenter's film Assault on Precinct 13.^{[citation needed]}