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Breaking character
In theatre (especially in the illusionistic Western tradition) and film, breaking character occurs when an actor fails to maintain the illusion that they are the character they are supposedly portraying. This is considered unprofessional while performing in front of an audience or camera (except when the act is a deliberate breaking of the fourth wall). British English uses a slang term, corpsing, to specifically describe one of the most common ways of breaking character—when an actor loses their composure and laughs or giggles inappropriately during a scene. The British slang term is derived from an actor laughing when their character is supposed to be a corpse. From the American critical perspective, the British slang term can also carry a deeper secondary meaning: by breaking character, the actor has pulled the audience out of the dramatic work and back to reality, effectively killed the character they are attempting to portray, and figuratively turned the character into a corpse. Thus, corpsing is "the worst thing" that an actor can do on stage. An actor's breaking character often results in an abandonment of a take in recorded or filmed drama.
The advent of DVD players, with the use of their precise pause and slow-motion functions, has made it far easier to spot breaks in character in motion pictures, and many internet sites collect such examples.
Example:
Examples of actors breaking character on television include:
Breaking character or corpsing is also being used more frequently to describe a participant-player who, having assumed the role of a virtual character or avatar and is acting within a virtual or gaming environment, then breaks out of that character. For example, this could be a player-character behaving inappropriately within the social-cultural environment depicted by the virtual or gaming environment or the participant-player ceasing to interact-play (momentarily or entirely) leaving the character suspended and/or lifeless.
Breaking character is not solely limited to performances in traditional theater, television, and film; the phenomenon is not unheard of in professional wrestling, which is normally highly scripted.
In Ruggero Leoncavallo's opera Pagliacci, commedia dell'arte actor Canio kills his real-life wife and her lover onstage.
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Breaking character
In theatre (especially in the illusionistic Western tradition) and film, breaking character occurs when an actor fails to maintain the illusion that they are the character they are supposedly portraying. This is considered unprofessional while performing in front of an audience or camera (except when the act is a deliberate breaking of the fourth wall). British English uses a slang term, corpsing, to specifically describe one of the most common ways of breaking character—when an actor loses their composure and laughs or giggles inappropriately during a scene. The British slang term is derived from an actor laughing when their character is supposed to be a corpse. From the American critical perspective, the British slang term can also carry a deeper secondary meaning: by breaking character, the actor has pulled the audience out of the dramatic work and back to reality, effectively killed the character they are attempting to portray, and figuratively turned the character into a corpse. Thus, corpsing is "the worst thing" that an actor can do on stage. An actor's breaking character often results in an abandonment of a take in recorded or filmed drama.
The advent of DVD players, with the use of their precise pause and slow-motion functions, has made it far easier to spot breaks in character in motion pictures, and many internet sites collect such examples.
Example:
Examples of actors breaking character on television include:
Breaking character or corpsing is also being used more frequently to describe a participant-player who, having assumed the role of a virtual character or avatar and is acting within a virtual or gaming environment, then breaks out of that character. For example, this could be a player-character behaving inappropriately within the social-cultural environment depicted by the virtual or gaming environment or the participant-player ceasing to interact-play (momentarily or entirely) leaving the character suspended and/or lifeless.
Breaking character is not solely limited to performances in traditional theater, television, and film; the phenomenon is not unheard of in professional wrestling, which is normally highly scripted.
In Ruggero Leoncavallo's opera Pagliacci, commedia dell'arte actor Canio kills his real-life wife and her lover onstage.