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Brigitte Kronauer (29 December 1940 – 22 July 2019)[1] was a German writer who lived in Hamburg. Her novels, written in the tradition of Jean Paul with artful writing and an ironic undertone, were awarded several prizes, including in 2005 the Georg Büchner Prize, in 2011 the Jean-Paul-Preis and in 2017 the Thomas Mann Prize.

Key Information

Life

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Kronauer was born in Essen, and grew up with her mother.[2] She studied pedagogy and worked as a teacher in Aachen and Göttingen.[3] She moved to Hamburg in the mid-1970s, where she began her literary work.[3][4] Her first novel appeared in 1980, Frau Mühlenbeck im Gehäus, published by Klett-Cotta Verlag [de], which also published all her following works.[3] The novel has autobiographic elements.[2] Its language was unusual in the literature after World War II, with sentences constructed with acrobatic audacity ("von akrobatischer Gewagtheit").[5] Kronauer named Jean Paul as influential for her work. As in his writing, Kronauer's sentences often contain double-meanings and ironic allusions.[5]

She wrote successful novels such as Berittener Bogenschütze (1986),[5] Teufelsbrück (2000), Verlangen nach Musik und Gebirge (2004), Errötende Mörder (2007), Zwei schwarze Jäger (2009), Gewäsch und Gewimmel (2013) and Der Scheik von Aachen (2016).[5][6] Her novel Das Schöne, Schäbige, Schwankende is scheduled to appear in August 2019. It is focused on a woman writer, full of self-irony.[5]

In 2005, she was awarded the Georg Büchner Prize for her literary oeuvre.[1][3][7] Among other awards, she received the Jean-Paul-Preis in 2011,[8] and the Thomas Mann Prize in 2017.[9]

Kronauer died on 22 July 2019 in Hamburg, after a long illness.[3][6]

Legacy

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Kronauer's colleague Martin Mosebach, who delivered the laudatory speech when she received the Thomas Mann Prize, said in an interview by Deutschlandfunk on 24 July 2019 that he regards her as writing in the tradition of Jean Paul in a noble way, mentioning aspects such a sublime artistry ("kunstvoll sublim")[10] and a tender humour with a floating, ironic, delicate undertone ("schwebender, ironischer, zarter Unterton").[10] He described her as a person open to visual impressions, describing a character's emotions by noting how they are reflected in mimics, and great nature scenes, realising how nature "arches over the little odd human being" ("Die Natur wölbt sich über das kleine kauzige Menschenwesen"),[10] again similar to Jean Paul. He described her as a person with a penetrating mind, a perfect careful control of expression, always trying hard to find the right word, and of great kindliness ("... eben diese einzigartige Gegenwart eines durchdringenden Verstandes, einer vollkommenen, sehr, sehr sorgfältigen Kontrolliertheit ihres Ausdrucks, ein ungeheures Bemühen, immer das genau richtige Wort zu finden – und eine große Liebenswürdigkeit").[10]

The FAZ called her one of the greatest post-World War II women writers in German.[2]

When she received the Jean-Paul-Preis of Bavaria, her writing was described by the jury: "The brilliance of her style makes her an exceptional phenomenon in contemporary German literature" ("Die Brillanz ihres Stils macht sie zu einer Ausnahmeerscheinung in der deutschen Gegenwartsliteratur"), with characteristics such as "inventiveness, humanity and a sense of humour that accompanies the often idiosyncratic characters of her books with love, and never betrays them" ("Erfindungskraft, Humanität und ein Humor, der die oft eigenwilligen Figuren ihrer Bücher mit Liebe begleitet und niemals verrät"),[8] while also considered the "grand master of spite" ("Großmeisterin der Boshaftigkeit").[8]

Novels

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Kronauer's novels, published by Klett-Cotta in Stuttgart and held by the German National Library, include:[11]

  • Frau Mühlenbeck im Gehäus, 1980, ISBN 3-12-904501-5; dtv, München 1984, ISBN 3-423-10356-6
  • Rita Münster, 1983, ISBN 3-608-95218-7; dtv, München 1991, ISBN 3-423-11430-4
  • Berittener Bogenschütze, 1986, ISBN 3-608-95420-1; dtv, München 2000, ISBN 3-423-11291-3
  • Die Frau in den Kissen, 1990; dtv, München 1996, ISBN 3-423-12206-4
  • Das Taschentuch, 1994, ISBN 3-608-93220-8; dtv, München 2001, ISBN 3-423-12888-7
  • Teufelsbrück, 2000, ISBN 3-608-93070-1; dtv, München 2003, ISBN 3-423-13037-7
  • Verlangen nach Musik und Gebirge, 2004, ISBN 3-608-93571-1; dtv, München 2006, ISBN 3-423-13511-5
  • Errötende Mörder, 2007, ISBN 978-3-608-93730-5; dtv, München 2010, ISBN 978-3-423-13898-7
  • Zwei schwarze Jäger, 2009, ISBN 978-3-608-93885-2
  • Gewäsch und Gewimmel, 2013, ISBN 978-3-608-98006-6
  • Der Scheik von Aachen, 2016, ISBN 978-3-608-98314-2

Awards

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References

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Brigitte Kronauer

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Brigitte Kronauer is a German writer known for her sophisticated novels and short stories that explore the complexities of human relationships with subtle irony, exquisite humor, and psychological insight. Her fiction often delves beneath everyday surfaces to address enduring themes of life, death, and love, earning her recognition as one of Germany's most acclaimed contemporary authors. Born in 1940 in Essen, Kronauer studied German literature and education before working briefly as a teacher. In 1974, she moved to Hamburg and devoted herself to writing full-time as a freelance author, publishing more than twenty-five volumes of fiction and criticism, primarily with Klett-Cotta Verlag. Her distinctive voice and narrative precision established her as a significant figure in post-war German literature. Kronauer's work received numerous prestigious awards, including the Fontane-Preis der Stadt Berlin, Heinrich-Böll-Preis, Hubert-Fichte-Preis der Stadt Hamburg, Joseph-Breitbach-Preis, Jean-Paul-Preis, and most notably the Georg-Büchner-Preis in 2005, widely regarded as the highest honor for German-language literature. Notable works include Frau Mühlenbeck im Gehäus, Rita Münster, Die Frau in den Kissen, Teufelsbrück, and Der Scheik von Aachen. She died in July 2019 in Hamburg at the age of 78 after a long illness.[1][2][3][4]

Early life

Birth and childhood

Brigitte Kronauer was born on December 29, 1940, in Essen, a major city in Germany's industrial Ruhrgebiet region. [5] Her childhood unfolded in this heavily industrialized area, characterized by factories, coal mining, and post-war reconstruction amid ruins and industrial landscapes. [6] She grew up primarily with her mother, with her father playing a stricter role in her early development. [5] Because of her illegible handwriting, her father compelled her to complete writing exercises, but Kronauer insisted on producing original texts rather than copying prescribed models, an arrangement that fostered her creative expression. [7] She began composing stories during her childhood, and by the age of 16, she was writing radio plays and submitting them to publishers. [7] These early efforts reflected her emerging passion for narrative, rooted in the industrial and domestic environment of her youth in Essen.

Education and teaching career

Brigitte Kronauer studied German literature and pedagogy. [8] [9] Following her studies, she worked as a teacher for several years in Aachen and Göttingen. [8] This period of conventional employment in the teaching profession preceded her later transition to full-time writing. [8]

Literary career

Move to Hamburg and debut

Brigitte Kronauer permanently moved to Hamburg in 1974, taking up residence in the Nienstedten district. [10] Having ended her teaching career a few years earlier, she transitioned to working as a freelance writer in the city. [11] During this early phase, she contributed essays and reviews to magazines including konkret and the Austrian literary journal das pult. [6] Her debut novel, Frau Mühlenbeck im Gehäus, was published in 1980 by Klett-Cotta Verlag. [10] The book incorporated autobiographical elements, drawing on aspects of her own experiences and family background, and it quickly attracted significant critical attention, establishing her as a distinctive voice in contemporary German literature. [10] This marked the beginning of her broader recognition as a novelist. [11]

Novels and major prose

Brigitte Kronauer's novels constitute the core of her literary output and established her as one of the most significant German-language prose writers in the post-World War II period. [12] Published primarily by Klett-Cotta Verlag, these works appeared regularly from the 1980s until her death and earned her widespread recognition, including the prestigious Georg-Büchner-Preis in 2005. [1] Following her debut novel, Kronauer's major novels include Rita Münster (1983), Berittener Bogenschütze (1986), Die Frau in den Kissen (1990), Das Taschentuch (1994), Teufelsbrück (2000), Verlangen nach Musik und Gebirge (2004), Errötende Mörder (2007), Zwei schwarze Jäger (2009), Gewäsch und Gewimmel (2013), Der Scheik von Aachen (2016), and the posthumously published Das Schöne, Schäbige, Schwankende (2019). [12] These titles reflect her consistent productivity and commitment to long-form prose, with occasional specific settings such as Teufelsbrück partly taking place in Arosa. [12] Her novels remain central to assessments of her oeuvre as a key contribution to contemporary German literature. [12]

Short stories, essays, and poetics

Brigitte Kronauer has authored numerous collections of short stories and Erzählungen that exemplify her precise, pattern-oriented prose, often featuring sudden perceptual shifts, ironic subversions of narrative conventions, and a tension between everyday detail and estrangement. [12] Her early collections include Die gemusterte Nacht (1981), a gathering of texts from 1969 to 1980 marked by meticulous observation and formal artistry reminiscent of the nouveau roman and Robert Walser's playful engagement with conventions. [12] Subsequent volumes such as Enten und Knäckebrot (1988), Schnurrer (1992)—a cycle of twenty-five brief stories depicting miniature worlds where the trivial flips into the significant through a childlike protagonist—and Hin- und herbrausende Züge (1993) further develop these techniques of concentrated, unsettling miniatures. [12] Later collections extend her exploration of perception and narrative instability, as in Die Tricks der Diva (2004), where stories place characters in nature portrayed as a capricious diva with its own willful agency. [13] Die Kleider der Frauen (2008) comprises twenty-six short pieces centered on a child narrator named Rita, using clothing as a cipher for suspended eroticism and the discovery of imaginative narrative spaces. [13] Across these works, Kronauer consistently employs abrupt changes in viewpoint, constructed patterns that are then disrupted, and parodic elements that question conventional storytelling while highlighting subjective, disordered experience. [12] Her essay collections reflect a parallel engagement with literature, art, and perception, often blending close readings of other authors with reflections on her own aesthetic principles. [12] Aufsätze zur Literatur (1987) collects pieces from 1975 to 1986 that trace her evolving understanding of reality and fiction while commenting on her poetic intentions. [12] Die Lerche in der Luft und im Nest (1995) addresses literature and art, while Zweideutigkeit (2002) gathers essays and sketches from a decade, including reviews of contemporary writers. [13] Favoriten (2010) examines literary favorites, probing the elusive qualities that give them lasting impact. [13] Poesie und Natur / Natur und Poesie (2015) offers poetological reflections on topics such as animals in literature and encounters with figures like Goethe, emphasizing non-hierarchical, precise perception. [13] Kronauer delivered several notable poetics lectures, including the Heidelberger Poetik-Vorlesung (1997), the ETH Zürich Poetik-Vorlesung (1998), the Ernst-Jandl-Dozentur für Poetik in Vienna (2011), a lecture in Tübingen (2011), and the Zürcher Poetikvorlesung (2012). [12] Three major lectures appear in Poesie und Natur / Natur und Poesie (2015): Mit Rücken und Gesicht zur Gesellschaft (Vienna 2011), Wirkliches Leben und Literatur (Tübingen 2011), and Was ist schon ein Roman! (Zürich 2012). [12] These articulate her form-conscious Wahrnehmungspoetik, which values controlled creativity with literary patterns, the pursuit of poetically resonant forms, and literature's capacity to restore contact with nature's extremes, including human and ecological dimensions. [12] In 2014, Kronauer contributed the radio play Herr Hagenbeck hirtet, produced by Hessischer Rundfunk and Norddeutscher Rundfunk, which was later incorporated into Poesie und Natur / Natur und Poesie. [14]

Public lectures and media appearances

Brigitte Kronauer was a member of the Deutsche Akademie für Sprache und Dichtung from 1988 onward, an institution devoted to the cultivation of the German language and literature.[15] She held this membership until her death in 2019.[15] In late 2000, Kronauer was named Mainzer Stadtschreiberin for 2001 by a jury representing ZDF, 3sat, and the city of Mainz, an honor that carried a prize of 24,000 Deutsche Mark, a year's residence in Mainz, and the requirement to collaborate on an "Elektronisches Tagebuch" (electronic diary) for broadcast.[16] She declined the residency shortly thereafter, citing her refusal to undertake the time-intensive electronic diary project, which she regarded as incompatible with her literary priorities.[17] Kronauer made selective television appearances as a literary figure. She was a guest on the literature discussion program Literaturclub in an episode broadcast on January 27, 1998.[18] She later featured prominently in the SRF program Sternstunde Philosophie on December 5, 2010, in an episode titled "Brigitte Kronauer: Meisterin der Boshaftigkeit," where she discussed her writing process and observations of everyday human behavior.[19] She had no other credits in film or television as an actor, writer, or producer.[20]

Literary style and themes

Awards and honors

Personal life and death

References

  1. https://www.klett-cotta.de/personen/brigitte-kronauer-p-896
  2. https://www.litrix.de/en/personen.cfm?personId=187
  3. https://www.amazon.com/Women-Clothes-Brigitte-Kronauer/dp/092404778X
  4. https://pmnewsnigeria.com/2019/07/23/prize-winning-german-author-brigitte-kronauer-dies-at-78/
  5. https://www.sueddeutsche.de/kultur/brigitte-kronauer-schriftstellerin-tot-1.4536502
  6. https://api.pageplace.de/preview/DT0400.9783110695106_A50296707/preview-9783110695106_A50296707.pdf
  7. https://www.abebooks.com/9783608952186/Rita-M%C3%BCnster-Kronauer-Brigitte-3608952187/plp
  8. https://www.dieterwunderlich.de/Brigitte_Kronauer_bibliografie.htm
  9. https://www.goethe.de/ins/hu/de/kul/ser/uak/per.cfm?personId=445
  10. https://newprairiepress.org/cgi/viewcontent.cgi?article=1547&context=sttcl
  11. https://www.deutschlandfunkkultur.de/zum-tod-brigitte-kronauers-beschwoeren-von-welt-und-100.html
  12. https://www.planetlyrik.de/wp-content/uploads/2024/10/Munzinger-Online-KLG-%E2%80%93-Kritisches-Lexikon-zur-deutschsprachigen-Gegenwartsliteratur-Brigitte-Kronauer.pdf
  13. https://www.perlentaucher.de/autor/brigitte-kronauer.html
  14. https://www.degruyterbrill.com/document/doi/10.1515/9783110695106-052/pdf?lang=de
  15. https://www.deutscheakademie.de/de/akademie/mitglieder/brigitte-kronauer
  16. https://www.presseportal.de/pm/7840/196119
  17. https://www.deutschlandfunkkultur.de/als-literat-mit-einer-stadt-umgehen-100.html
  18. https://www.imdb.com/title/tt15717212/
  19. https://www.srf.ch/play/tv/sternstunde-philosophie/video/brigitte-kronauer-meisterin-der-boshaftigkeit?urn=urn:srf:video:22a92260-c18a-40dc-b249-619a998bfa86
  20. https://www.imdb.com/name/nm13043684/
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