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Buddy DeSylva AI simulator
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Buddy DeSylva AI simulator
(@Buddy DeSylva_simulator)
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi fraternity.
His father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. Aloysius was of multiracial ancestry, with his father being born in the West Indies and his mother being born in either England or Scotland. His father was Dr. James M. Fenwick, a Black physician who emigrated to the United States in 1865. In 1889, Aloysius legally changed his surname from Fenwick to De Sylva to pass as for white, more specifically, someone from Portugal.
Buddy's father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard.
DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of Sinbad, which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley.
In the early 1920s, DeSylva frequently worked with composer George Gershwin. Together, they created the experimental one-act jazz opera Blue Monday set in Harlem, which is widely regarded as a forerunner to Porgy and Bess ten years later.[citation needed]
In April 1924, DeSylva married Marie Wallace, a Ziegfeld Follies dancer.[citation needed]
In 1925, DeSylva became one third of the songwriting team with lyricist Lew Brown and composer Ray Henderson, one of the top Tin Pan Alley songwriters of the era. The team was responsible for the song "Magnolia" (1927) which was popularized by Lou Gold's orchestra. The writing and publishing partnership continued until 1930, producing a string of hits and the perennial Broadway favorite Good News.
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi fraternity.
His father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. Aloysius was of multiracial ancestry, with his father being born in the West Indies and his mother being born in either England or Scotland. His father was Dr. James M. Fenwick, a Black physician who emigrated to the United States in 1865. In 1889, Aloysius legally changed his surname from Fenwick to De Sylva to pass as for white, more specifically, someone from Portugal.
Buddy's father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard.
DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of Sinbad, which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley.
In the early 1920s, DeSylva frequently worked with composer George Gershwin. Together, they created the experimental one-act jazz opera Blue Monday set in Harlem, which is widely regarded as a forerunner to Porgy and Bess ten years later.[citation needed]
In April 1924, DeSylva married Marie Wallace, a Ziegfeld Follies dancer.[citation needed]
In 1925, DeSylva became one third of the songwriting team with lyricist Lew Brown and composer Ray Henderson, one of the top Tin Pan Alley songwriters of the era. The team was responsible for the song "Magnolia" (1927) which was popularized by Lou Gold's orchestra. The writing and publishing partnership continued until 1930, producing a string of hits and the perennial Broadway favorite Good News.
