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Burrell Collection
The Burrell Collection is a museum in Glasgow, Scotland, managed by Glasgow Museums. It houses the art collection of Sir William Burrell and Constance, Lady Burrell. The museum opened in 1983 and reopened on 29 March 2022 following a major refurbishment. It was announced as the winner of the Art Fund Museum of the Year in July 2023. It is the only non-national museum to be the outright winner twice.[citation needed]
The eclectic collection was acquired over many years by Sir William Burrell, a wealthy Glasgow shipping magnate and art collector, and his wife Constance, Lady Burrell, who then gave it to the city of Glasgow Corporation in 1944. Throughout his collecting career, Burrell lent many of the works in his collection to special exhibitions and for display in museums. Sometime c. 1930, he decided that he was going to donate his entire collection to the public.
Burrell then began the process of finding a home for the remaining 6,000 items. He initially wanted it to go to London, which he saw as the centre of the art world. He approached the Westminster government with the idea that he would leave his collection to the nation as a separate government institution, like the Wallace Collection. Although the government took the offer seriously, it had more pressing wartime priorities. Burrell then approached London County Council with a similar offer. Negotiations got to an advanced stage, but in the end the cost of maintaining the collection proved too much and the offer was declined.
Burrell then turned to Glasgow. He had already gifted 48 paintings and 30 prints to the Kelvingrove Art Gallery and Museum in 1925, and much of his collection was already on semi-permanent display there, particularly the Chinese works. The museum had recently appointed Tom Honeyman as director, a man whom Burrell admired and trusted. His influence was instrumental in Burrell's final decision to offer his collection to the city of Glasgow.
A memorandum of agreement between William and Constance and the Corporation of Glasgow was signed in April 1944. Burrell had clear intentions regarding the collection's location, contents and display, and the agreement stated that the collection was to be housed by Glasgow Corporation "in a suitable distinct and separated building" that was to be "within four miles [six kilometres] of Killearn, Stirlingshire, and not less than sixteen miles [26 kilometres] from Glasgow Royal exchange."
Burrell donated £450,000 for the construction of a museum for his collection, but finding a suitable site for it was not easy. The city had immediately started making investigations, and by the late 1940s, at least eight different sites were considered. Mugdock Castle Estate, near Milngavie, was seriously considered, even though it was much closer to Glasgow than the stipulated 16 miles (26 km). In 1951, the Dougalston estate, also near Milngavie, was gifted to Glasgow by the widow of a Glasgow shipbuilder on the condition that the Burrell Collection be constructed on the site. Preparations got to an advanced stage, but in 1955, the National Coal Board announced plans to sink a coal mine nearby. All plans for the Burrell Collection were abandoned and the collection remained in storage for many years.
The ideal solution finally arrived with the offer of Pollok House and its estate to the city of Glasgow. This was the ancestral home of the Stirling-Maxwells on the south side of Glasgow. It was only three miles (five kilometres) from the city centre, but its 360-acre (150-hectare) parkland made it an ideal rural setting that was within the spirit of Burrell's ambitions for his museum. After long and protracted negotiations, the government stepped in with financial support of £250,000 for the museum. In 1967, the Pollok estate was transferred to the city, and preparations to build the Burrell Collection finally got underway.
In 1970, an architectural competition was launched to identify a suitable architect for the museum. The competition brief made it clear that whilst the competitors were to comply with Burrell's exacting conditions, they were at liberty to design "a fine modern building" which would make the most out of both the collection and the site. The closing date for the competition for the museum building in 1971 was delayed by a postal strike, allowing time for the eventual winning architect Barry Gasson to complete his entry, designed in collaboration with John Meunier and Brit Andresen, all tutors at Cambridge University's School of Architecture.
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Burrell Collection
The Burrell Collection is a museum in Glasgow, Scotland, managed by Glasgow Museums. It houses the art collection of Sir William Burrell and Constance, Lady Burrell. The museum opened in 1983 and reopened on 29 March 2022 following a major refurbishment. It was announced as the winner of the Art Fund Museum of the Year in July 2023. It is the only non-national museum to be the outright winner twice.[citation needed]
The eclectic collection was acquired over many years by Sir William Burrell, a wealthy Glasgow shipping magnate and art collector, and his wife Constance, Lady Burrell, who then gave it to the city of Glasgow Corporation in 1944. Throughout his collecting career, Burrell lent many of the works in his collection to special exhibitions and for display in museums. Sometime c. 1930, he decided that he was going to donate his entire collection to the public.
Burrell then began the process of finding a home for the remaining 6,000 items. He initially wanted it to go to London, which he saw as the centre of the art world. He approached the Westminster government with the idea that he would leave his collection to the nation as a separate government institution, like the Wallace Collection. Although the government took the offer seriously, it had more pressing wartime priorities. Burrell then approached London County Council with a similar offer. Negotiations got to an advanced stage, but in the end the cost of maintaining the collection proved too much and the offer was declined.
Burrell then turned to Glasgow. He had already gifted 48 paintings and 30 prints to the Kelvingrove Art Gallery and Museum in 1925, and much of his collection was already on semi-permanent display there, particularly the Chinese works. The museum had recently appointed Tom Honeyman as director, a man whom Burrell admired and trusted. His influence was instrumental in Burrell's final decision to offer his collection to the city of Glasgow.
A memorandum of agreement between William and Constance and the Corporation of Glasgow was signed in April 1944. Burrell had clear intentions regarding the collection's location, contents and display, and the agreement stated that the collection was to be housed by Glasgow Corporation "in a suitable distinct and separated building" that was to be "within four miles [six kilometres] of Killearn, Stirlingshire, and not less than sixteen miles [26 kilometres] from Glasgow Royal exchange."
Burrell donated £450,000 for the construction of a museum for his collection, but finding a suitable site for it was not easy. The city had immediately started making investigations, and by the late 1940s, at least eight different sites were considered. Mugdock Castle Estate, near Milngavie, was seriously considered, even though it was much closer to Glasgow than the stipulated 16 miles (26 km). In 1951, the Dougalston estate, also near Milngavie, was gifted to Glasgow by the widow of a Glasgow shipbuilder on the condition that the Burrell Collection be constructed on the site. Preparations got to an advanced stage, but in 1955, the National Coal Board announced plans to sink a coal mine nearby. All plans for the Burrell Collection were abandoned and the collection remained in storage for many years.
The ideal solution finally arrived with the offer of Pollok House and its estate to the city of Glasgow. This was the ancestral home of the Stirling-Maxwells on the south side of Glasgow. It was only three miles (five kilometres) from the city centre, but its 360-acre (150-hectare) parkland made it an ideal rural setting that was within the spirit of Burrell's ambitions for his museum. After long and protracted negotiations, the government stepped in with financial support of £250,000 for the museum. In 1967, the Pollok estate was transferred to the city, and preparations to build the Burrell Collection finally got underway.
In 1970, an architectural competition was launched to identify a suitable architect for the museum. The competition brief made it clear that whilst the competitors were to comply with Burrell's exacting conditions, they were at liberty to design "a fine modern building" which would make the most out of both the collection and the site. The closing date for the competition for the museum building in 1971 was delayed by a postal strike, allowing time for the eventual winning architect Barry Gasson to complete his entry, designed in collaboration with John Meunier and Brit Andresen, all tutors at Cambridge University's School of Architecture.