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Calvert Vaux
Calvert Vaux FAIA (/vɔːks/; December 20, 1824 – November 19, 1895) was an English-American architect and landscape designer. He and his protégé Frederick Law Olmsted designed parks such as Central Park and Prospect Park in New York City and the Delaware Park–Front Park System in Buffalo, New York.
Vaux, on his own and in various partnerships, designed and created dozens of parks across the northeastern United States, most famously in Manhattan, Brooklyn, and Buffalo in New York. He introduced new ideas about the significance of public parks in America during a hectic time of urbanization. This industrialization of the cityscape inspired Vaux to focus on the integration of buildings, bridges, and other forms of architecture into their natural surroundings. He favored naturalistic and curvilinear lines in his designs.
In addition to landscape architecture, Vaux was a highly-sought after architect until the 1870s, when his modes of design could not endure the country's return to classical forms. His partnership with Andrew Jackson Downing, a major figure in horticulture, landscape design, and domestic architecture, brought him from London to Newburgh, New York, in 1850. There, Downing's praise of Gothic Revival and Italianate architecture contributed to Vaux's personal growth as a designer of homes and landscapes. After Downing's sudden death in 1852, Vaux was left with their assistant Frederick Clarke Withers to continue Downing's legacy. He left Newburgh in 1856 to grow his practice in New York City, where he began, received and completed commissions with Olmsted, Withers, and Jacob Wrey Mould. As a result, Vaux's name was frequently overshadowed by other designers, such as Olmsted, yet the contemporary American public still recognized his talents.
Born in London to a physician, Vaux was baptized at St Benet Gracechurch on February 9, 1825. He trained as an apprentice under the architect Lewis Nockalls Cottingham, a leader of the Gothic Revival movement interested in Tudor architecture. Vaux trained under Cottingham until the age of twenty-six, also befriending George Godwin and George Truefitt during his studies.[citation needed]
In 1850, Vaux exhibited a series of watercolor landscapes that he made while en route to the United States that caught the attention of Andrew Jackson Downing, a noted landscape architect in Newburgh, New York. Rejected in his offer to Alexander Jackson Davis to form a partnership, Downing traveled to London in search of a new architect who would complement his architectural vision. He believed that architecture should be visually integrated into the surrounding landscape, and wanted to work with someone who was equally passionate. Vaux accepted the opportunity and subsequently moved to the United States. [citation needed]
Vaux worked with Downing for two years and became a firm partner. Together, they designed many projects such as the White House grounds and the Smithsonian Institution in Washington, D.C. Vaux's work on the Smithsonian inspired him to write an article in 1852 for The Horticulturalist, of which Downing was the editor. In his publication, he argued that the government should recognize and support the arts. Shortly afterward, Downing died in a steamboat accident.[citation needed]
After Downing's death, Vaux gained control of the firm. As a partner, he hired Frederick Clarke Withers, who was already working at the company. In two separate periods of partnership, interrupted by the Civil War, their projects included multiple houses in Newburgh, the Hudson River State Hospital, and the Jefferson Market Courthouse.
In 1856, he gained U.S. citizenship and became identified with New York City's artistic community, “the guild,” joining the National Academy of Design, as well as the Century Club.
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Calvert Vaux
Calvert Vaux FAIA (/vɔːks/; December 20, 1824 – November 19, 1895) was an English-American architect and landscape designer. He and his protégé Frederick Law Olmsted designed parks such as Central Park and Prospect Park in New York City and the Delaware Park–Front Park System in Buffalo, New York.
Vaux, on his own and in various partnerships, designed and created dozens of parks across the northeastern United States, most famously in Manhattan, Brooklyn, and Buffalo in New York. He introduced new ideas about the significance of public parks in America during a hectic time of urbanization. This industrialization of the cityscape inspired Vaux to focus on the integration of buildings, bridges, and other forms of architecture into their natural surroundings. He favored naturalistic and curvilinear lines in his designs.
In addition to landscape architecture, Vaux was a highly-sought after architect until the 1870s, when his modes of design could not endure the country's return to classical forms. His partnership with Andrew Jackson Downing, a major figure in horticulture, landscape design, and domestic architecture, brought him from London to Newburgh, New York, in 1850. There, Downing's praise of Gothic Revival and Italianate architecture contributed to Vaux's personal growth as a designer of homes and landscapes. After Downing's sudden death in 1852, Vaux was left with their assistant Frederick Clarke Withers to continue Downing's legacy. He left Newburgh in 1856 to grow his practice in New York City, where he began, received and completed commissions with Olmsted, Withers, and Jacob Wrey Mould. As a result, Vaux's name was frequently overshadowed by other designers, such as Olmsted, yet the contemporary American public still recognized his talents.
Born in London to a physician, Vaux was baptized at St Benet Gracechurch on February 9, 1825. He trained as an apprentice under the architect Lewis Nockalls Cottingham, a leader of the Gothic Revival movement interested in Tudor architecture. Vaux trained under Cottingham until the age of twenty-six, also befriending George Godwin and George Truefitt during his studies.[citation needed]
In 1850, Vaux exhibited a series of watercolor landscapes that he made while en route to the United States that caught the attention of Andrew Jackson Downing, a noted landscape architect in Newburgh, New York. Rejected in his offer to Alexander Jackson Davis to form a partnership, Downing traveled to London in search of a new architect who would complement his architectural vision. He believed that architecture should be visually integrated into the surrounding landscape, and wanted to work with someone who was equally passionate. Vaux accepted the opportunity and subsequently moved to the United States. [citation needed]
Vaux worked with Downing for two years and became a firm partner. Together, they designed many projects such as the White House grounds and the Smithsonian Institution in Washington, D.C. Vaux's work on the Smithsonian inspired him to write an article in 1852 for The Horticulturalist, of which Downing was the editor. In his publication, he argued that the government should recognize and support the arts. Shortly afterward, Downing died in a steamboat accident.[citation needed]
After Downing's death, Vaux gained control of the firm. As a partner, he hired Frederick Clarke Withers, who was already working at the company. In two separate periods of partnership, interrupted by the Civil War, their projects included multiple houses in Newburgh, the Hudson River State Hospital, and the Jefferson Market Courthouse.
In 1856, he gained U.S. citizenship and became identified with New York City's artistic community, “the guild,” joining the National Academy of Design, as well as the Century Club.