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Candice Night
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Key Information

Candice Night (born May 8, 1971)[1] is an American singer and musician. She has been the vocalist/lyricist and multi-instrumentalist for the traditional folk rock project Blackmore's Night since its origins in 1997 with her husband, guitarist Ritchie Blackmore. She is also the backing vocalist for Rainbow from 1994 to 1997 and 2015–present, again with Blackmore. Her first solo album, Reflections, was released in 2011.

Career

[edit]

Born in Hauppauge, Long Island, New York, as Candice Lauren Isralow, she took piano lessons for a couple of years.[1][2] She began modeling as "Candice Loren" at 12 years of age.[3] She appeared in everything from commercials to print ads, and promoted products at trade shows until her 20s.[2] Night also had her own radio show on a rock music radio station on Long Island, and attended New York Institute of Technology where she studied communications.[1] She is Jewish.[4]

She was once a Rainbow fan,[5] and met Ritchie Blackmore to ask him for an autograph in 1989.[3] They talked about ghosts, music, travel, history, and philosophy, gradually became friends, and then lived together from 1991.[6] She provided backing vocals on the instrumental track "Difficult to Cure" in 1993's European tour of Deep Purple.[7] She also provided singing backing vocals on "Ariel", "Black Masquerade", "Wolf to the Moon" and "Hall of the Mountain King" for Stranger in Us All, the CD by Rainbow, as well as writing lyrics for the four songs on the aforementioned album. Despite her being inexperienced as a professional lead singer, Blackmore encouraged her to become his musical partner. She then wrote lyrics for most of the songs on the first Blackmore's Night album, Shadow of the Moon where she supplied lead vocals. Those songs were written with her voice in his mind.[8]

Night has also composed some full songs, including "Now and Then" on Under a Violet Moon (1999) and "3 Black Crows" and "Ivory Tower" on Ghost of a Rose (2003). She continues to write all the lyrics for the Blackmore's Night songs and plays nine renaissance and medieval instruments.

Since then, she has been awarded gold albums and other awards for the music of Blackmore's Night, and has charted internationally with the group's music. Their 2008 release, Secret Voyage, entered at No. 1 on the new-age Billboard Charts and stayed there for four weeks, and then held on in the top 10 for an additional 14 weeks. She continues to be involved in music, performing both on CDs and in concert, writing lyrics, singing, and playing medieval instruments: shawm, cornamuse, rauschpfeife, pennywhistle, and chanters.

In 2006, Night sang on Helloween's "Light the Universe" song from their Keeper of the Seven Keys: The Legacy album, and she also appeared In Helloween's music video for that track.

She played the part of Oria in the rock opera Story of Aina, with Sass Jordan and Glenn Hughes. She sang three songs on Beto Vázquez Infinity's eponymous album with Tarja Turunen from Nightwish and Sabine Edelsbacher from Edenbridge. The Blackmore's Night song "Old Mill Inn" was heard in Jim Carrey's 2008 film Yes Man.

She also appears on interactive video screens throughout the US and Japan in the theme park MagiQuest as both Princess Amora and Princess Candice. These parks now have a cooperation throughout the US. She was also the Faerie Queen for Faerie Magazine for two years, appearing on the cover in spring 2007, and making appearances and performing at the Faerie Festivals throughout the US.

In New York, 2012

After being engaged for nearly fifteen years, Night and Blackmore married in October 2008.[9]

Their daughter, Autumn, was born on May 27, 2010, and was the inspiration for Blackmore's Night's album, Autumn Sky,[10] which was released in September 2010.[11] On February 7, 2012, Night gave birth to their second child, a son named Rory Dartanyan.

She made her first solo album Reflections, which was released in October 2011. All songs were written by Night and consist of mostly soft rock ballads. Her 2nd solo release was "Starlight, Starbright". Inspired by the birth of her children, this collection of songs are covers of classic favorites as well as new composition meant to bring the listener to the land of dreams.[12]

In September 2018, Avantasia's mastermind Tobias Sammet announced that Night joined the cast for the eighth studio album of the supergroup.[13][non-primary source needed] She provided co-lead vocals (together with Sammet himself) for the track "Moonglow", from the album of the same name (2019).[14] Candice and dArtagnan released the duet We're Gonna Be Drinking in 2022. [15]

"It's Too Late" featuring Candice Night and Dewwzil Zappa was released on July 1, 2022, as part of The Prog Collective's album Songs We Were Taught. It is a cover of the Carole King song, released via Cleopatra Records.[16]

Her latest solo release, Sea Glass, charted upon debut and was named Goldmine Magazine’s Song of the Year. Released in April 2025, the album showcases Candice Night’s personal journey through a collection of intimate, story-driven songs, from “Unsung Hero,” which has earned more than one million views on YouTube, to the poignant title track, “Sea Glass,” a reflection on how life can toss and tumble us until, like sea glass, we’re smoothed by time and returned to shore.[17]

Discography

[edit]

With Rainbow

[edit]
  • Stranger in Us All (1995)
  • Black Masquerade (2013)
  • Memories in Rock: Live in Germany (2016)
  • Live in Birmingham 2016 (2017)
  • Memories in Rock II (2018)

With Blackmore's Night

[edit]
Further information: Blackmore's Night discography

Solo

[edit]
  • Alone with Fate (2002) – Limited single
  • Reflections (2011)
  • Starlight Starbright (2015)
  • Sea Glass (2025)

Guest appearances

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Candice Night

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Candice Night (born May 8, 1971) is an American singer, songwriter, multi-instrumentalist, and author best known as the , , and flutist for the band , which she co-founded with her husband, guitarist , in 1997. Born in , Night began her music career as a backup vocalist for artists including , , , and the country band , while also working as a DJ at a New York radio station where she first met Blackmore in 1989 during a charity soccer game between the station staff and the band. Night's collaboration with Blackmore marked a shift from hard rock to acoustic, medieval-inspired folk rock, with Blackmore's Night releasing eleven studio albums since their debut Shadow of the Moon in 1997, earning acclaim for blending traditional folk elements with original compositions that evoke the Renaissance era. The band's music, which Night describes as drawing from the emotional simplicity and beauty of Renaissance traditions, has garnered multiple awards and a dedicated following through extensive touring. In addition to her band work, Night has pursued a solo career, releasing albums such as Reflections (2011), Starlight Starbright (2015), and Sea Glass (2025), the latter of which reached number one on digital airplay charts and features her eclectic influences from folk to contemporary sounds. She has also contributed vocals to projects by Helloween, Avantasia, Beto Vázquez Infinity, and Aina, showcasing her versatility across genres. Beyond music, Night is married to Blackmore since 2008 and they have two children, with their life often integrated into the band's creative process, as seen in songs inspired by their daughter Autumn, born in 2010. She has authored books like Reflections (2011), a collection of personal essays and poetry tied to her music, and remains active in promoting and folk traditions through performances and media appearances as of 2025.

Early life

Family background and upbringing

Candice Night was born Candice Lauren Isralow on May 8, 1971, in Hauppauge, Long Island, New York. She hails from a Jewish family with roots in the Long Island area, where her heritage influenced aspects of her later creative work, including incorporating elements of Jewish culture into her songwriting. Growing up in a nurturing household on Long Island, Night was exposed to music from an early age in an environment filled with informal musical expression; her parents, though not professional musicians, often danced in the kitchen and sang in the car, fostering a joyful atmosphere that sparked her passion for the arts. This supportive setting encouraged her creative inclinations, including a vivid imagination that led to pursuits in performing and storytelling, as she dreamed of becoming a singer and engaged in acting and singing lessons starting at age four. She also began piano lessons around age five, providing foundational musical training that complemented her early vocal development. Night's childhood experiences in this encouraging family dynamic laid the groundwork for her performative interests, which later extended into modeling as a natural outlet for her expressive talents.

Modeling and early media work

Candice Night began modeling at the age of 12 under the stage name "Loren," engaging in a variety of promotional work that included commercials, print advertisements, and appearances. Her early assignments featured spots such as a clothing commercial, catalog shoots alongside her brother, and photo sessions for Rubies Costume Company, where she modeled Halloween costumes like witches and vampires for packaging. These efforts continued into her twenties, encompassing promotions at that often involved long hours in challenging conditions, such as standing in high heels or posing in bikinis during cold weather. Family encouragement during her upbringing played a key role in facilitating these initial opportunities in the public eye. Complementing her modeling pursuits, Night received early performance training through acting lessons starting at age 4 with the Masque Little Theatre Group on , which emphasized improvisation, vocal exercises, and stage plays. She later enrolled at the to study communications, a field that aligned with her growing interest in media and broadcasting. During her college years, Night secured an internship at a rock radio station, which evolved into her hosting her own program. This on-air role marked her entry into the music industry, offering hands-on experience in broadcasting that sharpened her public speaking and vocal presence. Her communications coursework and radio work further nurtured early journalistic inclinations, including script preparation and audience engagement techniques. From childhood, Night maintained a practice of writing poetry and filling journals with personal reflections on emotions, relationships, and philosophies, an outlet influenced by her background and empathetic nature that later informed her lyrical development. These combined experiences in modeling, education, and media laid the groundwork for her transition into professional music by honing her expressive and communicative skills.

Musical career

Work with Rainbow

Candice Night first encountered in 1989 while interning at the radio station , during a charity soccer match between station staff and , the band Blackmore was then part of. Their professional collaboration began in 1993, when Night joined Blackmore on 's European tour supporting the album , providing background vocals on the instrumental track "" starting from performances in . Night's transition from radio production and hosting to deepened with her involvement in Blackmore's reformed . She served as a for the band from 1994 to 1997, contributing to their sound during this period. On 's 1995 album , Night co-wrote four tracks—"Wolf to the Moon," "Ariel," "Black Masquerade," and new lyrics for "Hall of the Mountain King"—and delivered prominent background vocals that added harmonic depth to the recordings. During Rainbow's tours in the mid-1990s, Night performed live as a backing vocalist, appearing onstage for songs like "Ariel" and supporting lead singer Doogie White, which marked her emergence as a key creative partner in Blackmore's projects and solidified her shift into professional rock performance. Her contributions helped bridge Blackmore's hard rock legacy with emerging influences that would later define their joint endeavors.

Formation and role in Blackmore's Night

In 1997, Candice Night co-founded with , marking a significant shift from his roots to a Renaissance-inspired sound that emphasized acoustic arrangements and historical themes. This project evolved from Blackmore's desire for a more vocalist-centered style, drawing Night into a central creative role after her brief backing vocal work with his earlier band served as an initial collaboration point. The band's debut album, (1997), captured this new direction and achieved commercial success, including gold status in . Night serves as the band's , primary , and , performing on nine medieval and instruments including the , , and recorders, which she taught herself to play. Her contributions extend to songwriting and production, where she collaborates closely with Blackmore to infuse tracks with folk traditions and motifs, creating a cohesive aesthetic that blends lyrics with intricate instrumentation. This partnership has defined the band's output, as seen in later releases like Secret Voyage (2008), which debuted at number one on the chart and held the position for four weeks. Blackmore's Night's live performances are renowned for their theatrical, medieval-themed presentations, featuring elaborate costumes, period-accurate staging, and troubadour-style delivery that immerses audiences in a world. The band maintains an active touring schedule, with ongoing U.S. shows in November 2025 highlighting their enduring appeal and commitment to this unique genre.

Solo recordings

Candice Night's solo career began with the release of her debut album, Reflections, on October 14, 2011. Comprising ten original tracks entirely written by Night, the album emphasizes ballads that delve into themes of personal passion, mystery, and introspection, allowing her vocals to take center stage with minimalistic arrangements featuring guitar, percussion, and occasional . Night served as executive producer, with Pat Regan handling production duties, resulting in a sound that highlights her songwriting versatility beyond band collaborations. The project was released independently through her Minstrel Hall Music label in partnership with earMUSIC, marking her first foray into autonomous artistic expression while echoing the folk-infused aesthetic honed in her group work. In 2015, Night followed with Starlight Starbright, a family-oriented collection of thirteen lullabies and gentle songs inspired by her young children, blending original compositions with covers of classics such as John Denver's "" and the traditional "." The album's lyrical themes center on nurturing, dreams, and parental love, presented in soothing acoustic arrangements that prioritize emotional warmth and simplicity. Night executive-produced the record, incorporating woodwind and subtle instrumentation to evoke a storytelling vibe, with some tracks co-written and featuring guitar from . Distributed via earMUSIC, it reinforced her solo identity through intimate, accessible releases tied to personal life milestones, maintaining subtle nods to her medieval folk roots in its melodic tenderness. Night's third solo effort, , arrived on April 25, 2025, showcasing a matured artistic evolution with eleven tracks drawing from rock, , and acoustic pop influences, evoking beachside introspection through the metaphor of as symbols of resilience and found beauty. The explores lyrical themes of love, loss, healing, family bonds, and personal growth, including nine originals penned by Night alongside a cover of "," with contributions from her children on "Promise Me" and guest guitar by on "The Last Goodbye." Self-produced by Night in collaboration with Mike Clemente at Tracker's Cabin Studio, it balances contemporary production with timeless , highlighted by singles like the rock and versions of "Angel and Jezebel" and "Unsung Hero (She'll Never Tell)." Released through earMUSIC under Hall Music, was promoted via streaming platforms and targeted interviews, underscoring Night's independent creative control while weaving in nature-inspired narratives resonant with her broader folk heritage, and the reached number one on digital airplay charts.

Collaborations and guest appearances

Candice Night provided guest vocals on the track "Light the Universe" from Helloween's 2005 album Keeper of the Seven Keys: The Legacy, contributing her melodic style to the power metal band's ballad. This collaboration highlighted her versatility beyond , blending her ethereal delivery with Helloween's heavier sound. In 2019, Night featured prominently on the title track of Avantasia's album Moonglow, delivering lead vocals in a duet with that infused with a serene, folk-inflected tone. Her vocal style, honed through years with , added a distinctive lightness to the project's symphonic elements. The track's release was accompanied by an official , underscoring her role in the album's thematic exploration of mystery and introspection. Night collaborated with the German band dArtagnan on the 2022 single "We're Gonna Be Drinking" from their album Felsenfest, where she provided featured vocals that merged her Renaissance-inspired flair with the group's upbeat, beer-hall energy. This duet exemplified a cross-pollination of folk traditions, drawing on traditional arrangements to create a lively, anthemic piece. Night provided guest vocals on several tracks of Beto Vázquez Infinity's self-titled debut album in 2001, including "Golden Hair". She also portrayed the character Oria and contributed vocals to project Aina's 2003 album Days of Rising Doom. Beyond these featured roles, Night has lent background vocals to select rock projects, including live performances with in the mid-2010s, enhancing the band's classic sound with her harmonies. In 2025, she participated in several interviews, such as those on the Boomerocity platform and Iron City Rocks, where she discussed her musical influences, including Ritchie Blackmore's pioneering career in rock. These appearances offered insights into her creative process and the evolution of her collaborations.

Personal life

Relationship and marriage to Ritchie Blackmore

Candice Night first met Ritchie Blackmore in 1989 while working as an intern at the Long Island radio station WBAB, during a charity soccer match where Deep Purple, Blackmore's band at the time, played against the station's staff. Their initial encounter sparked a professional collaboration, with Night contributing lyrics to Blackmore's projects, but it soon evolved into a romantic relationship in the early 1990s as they bonded over shared interests in Renaissance music and history. The couple became engaged in 1994, maintaining a 14-year engagement that reflected their commitment amid busy careers, before marrying in a private ceremony on October 5, 2008, at Castle on the Hudson in Tarrytown, New York. Their partnership has been marked by a deep creative synergy, with Night often describing their dynamic as one of open communication that allows ideas to flow naturally between them, influencing the folk-rock direction of , which they co-founded in 1997. This mutual support extends to their songwriting process, where Night's lyrical contributions complement Blackmore's instrumentation, creating a cohesive Renaissance-inspired sound that has defined their joint musical endeavors. Publicly, Night and Blackmore have shared glimpses of their relationship through joint interviews, where they discuss balancing with professional collaborations and their enduring admiration for each other's talents. This visibility was highlighted in May 2025 when was inducted into the Long Island Music and Entertainment Hall of Fame; Night accepted the honor on behalf of the duo, performing songs from her recent solo album and emphasizing their shared legacy rooted in .

Family and children

Candice Night and her husband welcomed their first child, a daughter named Autumn Esmerelda Blackmore, on May 27, 2010. Their second child, a son named Rory Dartanyan Blackmore, was born on February 7, 2012. Their marriage has served as the foundation for this family unit, with Night often describing the profound joy and adjustments that parenthood brought to their lives. Night has spoken about the challenges and rewards of balancing motherhood with her demanding touring schedule as the of . The family frequently incorporates music into daily life, with Night noting that home rehearsals and performances create a harmonious environment despite the demands of international travel for concerts across and the . To manage separations during tours, Night has emphasized the importance of family involvement, sometimes bringing the children along for shorter trips while maintaining a stable home base. Motherhood deeply inspired Night's creative output, particularly in her solo work featuring lullabies tailored for children. Her 2015 album Starlight Starbright includes original songs and covers designed to soothe young ones, drawing directly from her experiences singing to and during routines. This project reflects her commitment to nurturing her children's emotional well-being through music, even amid a nomadic performance lifestyle. The family resides in Suffolk County on , New York, where Night, a lifelong resident, appreciates the area's natural surroundings, including nearby woods and water, which complement their Renaissance-inspired aesthetic. Night raises her children with elements of , incorporating traditions that connect to her heritage and foster a sense of identity and community in their upbringing.

Discography

Albums with Blackmore's Night

Blackmore's Night's studio albums, co-led by Candice Night as and primary , blend Renaissance-inspired with medieval themes, evolving from acoustic interpretations of traditional music to more narrative-driven rooted in historical and fantastical tales. Night's ethereal vocals and poetic , often drawing on and romance, define the band's sound across their releases. The debut album, (1997), established the group's signature folk aesthetic, featuring Night's lead vocals on all tracks and her for most songs, which weave mystical narratives inspired by medieval and Celtic traditions. The album charted for 17 weeks in and achieved gold certification in for sales exceeding 100,000 units. (1999) continued the folk-rock foundation, with Night contributing heartfelt vocals and that emphasize romantic and historical motifs, such as adaptations of traditional tunes like "." This release solidified the band's thematic focus on medieval escapism, though specific chart data remains limited outside . In (2001), Night's soaring vocals and lyrical contributions explore deeper storytelling elements, including tales of knights and , marking an evolution toward more immersive narratives; the album later earned gold status in the in 2004. Ghost of a Rose (2003) built on these themes with Night's lyrics and vocals on tracks like "Cartouche" and a cover of "Diamonds and Rust," incorporating more diverse influences while maintaining the essence; it also received gold certification in the . The Village Lanterne (2006) advanced the medieval storytelling theme, with Night's lyrics painting village life and ancient customs, complemented by her multi-layered vocals; the album received positive reception for its acoustic intimacy but did not achieve major chart certifications. (2006), a holiday-themed release, featured Night's vocals and lyrics on traditional songs and originals like "Christmas Eve," blending festive spirit with the band's folk style; it peaked at #7 on the Albums chart. Secret Voyage (2008) topped the Albums chart for four consecutive weeks, highlighting Night's evocative vocals and that delve into exploratory, historical voyages as metaphors for personal discovery. Later releases like Autumn Sky (2010), (2012), and All Our Yesterdays (2015) further emphasized thematic evolution, with Night's contributions focusing on reflective, era-spanning stories of love and legacy; Autumn Sky reached #1 on the chart, while peaked at #3. The band's eleventh studio album, Nature's Light (2021), continued this trajectory, peaking at #8 on the chart, where Night's and vocals evoke natural and historical introspection.
AlbumRelease YearKey Chart Performance/CertificationNight's Contributions
1997Gold in (100,000 units); 17 weeks on German chartsLead vocals; lyrics for most tracks
1999N/ALead vocals; romantic/historical lyrics
2001Gold in (2004)Lead vocals; folklore-inspired lyrics
2003Gold in (2004)Lead vocals; Renaissance-themed lyrics
2006N/ALead vocals; village-themed lyrics
2006#7 Lead vocals; holiday/folk lyrics
Secret Voyage2008#1 (4 weeks)Lead vocals; voyage metaphor lyrics
Autumn Sky2010#1 Lead vocals; reflective lyrics
2012#3 Lead vocals; cover/original lyrics
All Our Yesterdays2015N/ALead vocals; legacy-themed lyrics
Nature's Light2021#8 Lead vocals; introspective lyrics

Solo albums

Candice Night's solo albums represent a departure from her collaborative work, showcasing her songwriting and vocal talents in more intimate, personal settings. Her debut, Reflections, marked her entry into solo territory with an acoustic-driven collection, while subsequent releases explored familial inspirations and reflective narratives. These efforts highlight her versatility, blending , lullabies, and genre-infused storytelling, often drawing on subtle folk influences from her background. Reflections, released in October 2011, is Night's first solo studio , featuring a mix of original compositions and covers centered on ballads with arrangements. All tracks were written by Night, emphasizing themes of and through songs like "Call It Love" and "Gone Gone Gone." Produced under Minstrel Hall Music, the album received positive reviews for its showcase of Night's and songwriting, with critics noting its gentle, unplugged vibe as a contrast to her band work. Night's second solo album, Starlight Starbright, arrived on November 6, 2015, as a collection of holiday-themed lullabies and family-oriented tracks inspired by motherhood and her experiences with her children. Comprising originals co-written with and covers such as "" and "," the album evokes a serene, intimate atmosphere with Night handling primary songwriting duties. Released via Minstrel Hall Music, it was promoted as a nurturing, kid-centric project, earning praise for its warm, melodic accessibility in reviews. Her third solo effort, , released on April 25, 2025, incorporates rock and influences, with Night penning the to explore personal themes of , , loss, healing, and introspection—metaphorically tied to collecting during family beach outings. The album, produced under earMUSIC, includes self-composed tracks like "Sea Glass," "Unsung Hero (She'll Never Tell)," and "The Last Goodbye," featuring guest appearances by in supporting roles, such as guitar on select songs. Notable for dual versions of "Angel and Jezebel" (rock and back porch/ styles), it was promoted through singles including "Promise Me," "Angel and Jezebel (Rock Version)," and "Unsung Hero," achieving strong reception with #1 charting on Amazon Germany and recognition as France's Album of the Week.

Guest and other appearances

Candice Night has made several guest vocal contributions to other artists' recordings throughout her career, often providing lead or backing vocals on select tracks while also co-writing material in her early collaborations. Her earliest notable appearance came in 1993, when she supplied backing vocals during Deep Purple's European tour, including on the instrumental track "." In 1995, Night contributed background vocals to Rainbow's album and co-wrote four songs, including "Ariel," "Black Masquerade," and "Wolf to the Moon." She also provided vocals for Ritchie Blackmore's cover of "" on the 1996 tribute album Twang! A Tribute to & , which featured various guitarists honoring The Shadows' style. Night's guest work expanded into progressive and power metal in the early 2000s. On Beto Vázquez Infinity's self-titled 2001 album, she delivered lead vocals on four tracks: "Through Times Part II," "Golden Hair," "Through Times Part III," and "Promises Under the Rain," sharing the project with vocalists like Tarja Turunen and Sabine Edelsbacher. In 2005, she joined Helloween for a duet vocal performance on "Light the Universe" from Keeper of the Seven Keys: The Legacy. That same year, Blackmore's Night released The Music of MagiQuest, an EP of original compositions for the interactive game MagiQuest at Great Wolf Lodge resorts, where Night provided vocals and lyrics for tracks including "The Way to MagiQuest," "Queen for a Day (Part 1)," "Magic Wand Tree," and "Queen for a Day (Part 2)." Later collaborations included background vocals on William Shatner's 2011 album Seeking Major Tom for the track "" and on his 2020 single "," both featuring on guitar. In 2019, Night sang the female lead on the title track "Moonglow" from Avantasia's album of the same name. Her most recent guest feature was in 2022, duetting with German band dArtagnan on "We're Gonna Be Drinking," which also included a guitar cameo by Blackmore. Beyond recordings, Night's vocal work has appeared in media tied to her discography, such as tracks in soundtracks like Yes Man (2008). She served as the Faerie Queen for Faerie Magazine from 2006 to 2007, with features that highlighted her music and included promotional ties to her releases. No live tour recordings featuring Night as a guest were released as of late 2025, though announced a fall tour that year.
YearProjectContributionTracks
1993Deep Purple European TourBacking vocals"Difficult to Cure"
1995Rainbow – Stranger in Us AllBackground vocals, co-writer"Ariel," "Black Masquerade," "Wolf to the Moon" (co-wrote four total)
1996Twang! A Tribute to Hank Marvin & The ShadowsVocals"Apache" (Ritchie Blackmore cover)
2001Beto Vázquez Infinity – Beto Vázquez InfinityLead vocals"Through Times Part II," "Golden Hair," "Through Times Part III," "Promises Under the Rain"
2005Helloween – Keeper of the Seven Keys: The LegacyGuest lead vocals (duet)"Light the Universe"
2005The Music of MagiQuest (EP)Vocals, lyrics"The Way to MagiQuest," "Queen for a Day (Part 1)," "Magic Wand Tree," "Queen for a Day (Part 2)"
2011William Shatner – Seeking Major TomBackground vocals"Space Oddity"
2019Avantasia – MoonglowLead vocals"Moonglow"
2020William Shatner – SingleBackground vocals"The Thrill Is Gone"
2022dArtagnan – SingleFeatured vocals (duet)"We're Gonna Be Drinking"

References

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  4. https://www.imdb.com/name/nm0631444/bio/
  5. https://montclairlocal.news/2018/07/blackmores-night-montclair/
  6. https://ladyfairemagazine.com/2025/06/16/glittering-soul-singer-songwriter-candice-night-on-her-new-solo-album-sea-glass/
  7. https://www.candice-night.com/about-me
  8. https://www.metal-archives.com/artists/Candice_Night/5972
  9. https://metal.it/group.aspx/8524/candice-night/
  10. https://blackmoresnight.co.uk/index.php/news-reviews/archive-news/13-candy-dishes-on-the-night
  11. https://www.classicrockhereandnow.com/2012/10/candice-night-medieval-princess.html
  12. https://www.jewage.org/wiki/en/Article:Candice_Night_-_Biography
  13. https://www.getreadytorock.com/10questions/ritchie_blackmore.htm
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  16. https://ultimateclassicrock.com/rainbow-stranger-in-us-all/
  17. https://www.youtube.com/watch?v=82giP6Wz4hU
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  30. https://www.metaltalk.net/candice-night-sea-glass-glows-with-emotional-storytelling-and-beauty.php
  31. https://music.apple.com/us/album/sea-glass/1791200147
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  43. https://americansongwriter.com/not-such-a-dark-night%25E2%2580%25A8-ritchie-blackmore-and-candice-night-share-a-timeless-tapestry/
  44. https://www.newsday.com/entertainment/music/blackmores-night-ritchie-blackmore-candice-night-b88492
  45. https://www.eonmusic.co.uk/interviews/candice-night-on-sea-glass-blackmores-nights-touring-plans-rainbow-reissues-ritchies-favourite-band
  46. https://blabbermouth.net/news/ritchie-blackmore-longtime-girlfriend-candice-night-tie-the-knot
  47. https://blabbermouth.net/news/candice-night-on-her-relationship-with-ritchie-blackmore-we-have-a-great-form-of-communication
  48. https://www.forbes.com/sites/jimryan1/2021/03/05/ritchie-blackmore-and-candice-night-on-new-album-and-carving-out-a-unique-niche-outside-the-mainstream-via-blackmores-night/
  49. https://www.newjerseystage.com/articles/getarticle2.php?titlelink=an-interview-with-ritchie-blackmore-and-candice-night-of-blackmores-night062024
  50. https://www.longislandpress.com/2025/05/11/blackmores-night-hall-of-fame/
  51. https://www.limusichalloffame.org/news/blackmores-night-inducted-into-the-long-island-music-and-entertainment-hall-of-fame/
  52. https://blackmoresnight.co.uk/index.php/discography/B/2-blackmore-s-night/1-shadow-of-the-moon
  53. https://blabbermouth.net/news/blackmore-s-night-go-gold-in-the-czech-republic
  54. https://www.thehighwaystar.com/news/2006/11/21/winter-carols-by-blackmores-night-in-billboard-charts/
  55. https://www.goldminemag.com/news/blackmores-night-tops-new-age-album-chart/
  56. http://www.newagemusicworld.com/billboard-new-age-chart-musicians-blackmores-night/
  57. https://rockworld.vn/2013/08/24/blackmores-night-dancer-and-the-moon-2013/
  58. https://bravewords.com/news/blackmore-s-night-natures-light-album-ascends-the-charts/
  59. https://backgroundmagazine.nl/CDreviews/CandiceNightReflections.html
  60. https://www.ebay.com/itm/297387011087
  61. https://www.goldminemag.com/articles/top-10-albums-candice-night/
  62. http://popentertainment.com/rec_revs/candicenight.htm
  63. https://www.earmusic.com/news/sea-glass/
  64. https://americansongwriter.com/candice-night-reflects-on-third-album-sea-glass-featuring-ritchie-blackmore/
  65. https://www.discogs.com/release/3772186-Helloween-Keeper-Of-The-Seven-Keys-The-Legacy
  66. https://www.discogs.com/release/33892941-Blackmores-Night-The-Music-Of-MagiQuest
  67. https://williamshatner.bandcamp.com/track/space-oddity-feat-ritchie-blackmore-candice-night
  68. https://www.rollingstone.com/music/music-news/william-shatner-cover-the-thrill-is-gone-1049830/
  69. https://www.nuclearblast.com/blogs/news/avantasia-moonglow-out-now-5826820
  70. https://open.spotify.com/track/1BjPPgXeek0mSDjyL5QcU5
  71. https://www.imdb.com/name/nm0631444/
  72. https://www.blackmoresnight.com/tour
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