Carl Rosa Opera Company

The Carl Rosa Opera Company was founded in 1873 by Carl Rosa, a German-born musical impresario, and his wife, British operatic soprano Euphrosyne Parepa-Rosa to present opera in English in London and the British provinces. The company premiered many operas in the UK, employing a mix of established opera stars and young singers, reaching new opera audiences with popularly priced tickets. It survived Rosa's death in 1889, and continued to present opera in English on tour until 1960, when it was obliged to close for lack of funds. The company was revived in 1997, presenting mostly lighter operatic works including those by Gilbert and Sullivan. The company "was arguably the most influential opera company ever in the UK".

Carl Rosa was born Karl August Nikolaus Rose in Hamburg, Germany, the son of a local businessman. A child violin prodigy, Rosa studied at the Conservatorium at Leipzig and in Paris. In 1863 he was appointed Konzertmeister at Hamburg, where he had occasional opportunities to conduct. He soon had considerable success as a conductor both in England and the United States. During an American tour in 1866–67 as conductor of a concert troupe that included the Scottish operatic soprano Euphrosyne Parepa, Rosa and Parepa were married.

From 1869 to 1872, Rosa and his wife toured their own opera company through America, with Parepa as the star and Rosa as the conductor. It brought opera to places that had never seen any, performing Italian operas in English, which made them more accessible to American audiences.

In 1872, the Rosas returned to England and also visited Europe and Egypt. In September the next year, they inaugurated the "Carl Rosa Opera" with a performance of William Vincent Wallace's Maritana in Manchester, on 1 September, and then toured England and Ireland. Rosa's policy was to present operas in English, and that remained the company's practice. Parepa fell ill and died in January 1874, and Rosa married a second time in 1881, to Josephine (d. 1927), with whom he had four children. In November 1874, Carl Rosa Opera made its first of many visits to Scotland with a two-week season at Glasgow's Prince of Wales Theatre. The company's first London season opened at the Princess's Theatre in September 1875, playing Mozart's The Marriage of Figaro, with Charles Santley as Figaro and Rose Hersee as Susanna. In 1876, Rosa staged a second London season, which featured the first performance in English of Wagner's The Flying Dutchman, with Santley in the title role.

For the next fifteen years, the company prospered and earned good notices, with provincial tours and London seasons, frequently in conjunction with Augustus Harris at the Drury Lane Theatre. Such was the success of the company that at one point three Carl Rosa touring troupes were set up. In October 1892, Rosa's Grand Opera Company received the royal accolade, with a command performance of Donizetti's La fille du régiment at Balmoral Castle. The French-American soprano Zélie de Lussan sang the heroine, Marie, and Aynsley Cook "vastly amused Queen Victoria as Sergeant Sulpice". In 1880, George Grove, editor of the authoritative musical reference work, Grove's Dictionary of Music and Musicians, wrote: "The careful way in which the pieces are put on the stage, the number of rehearsals, the eminence of the performers and the excellence of the performers have begun to bear their legitimate fruit, and the Carl Rosa Opera Company bids fair to become a permanent English institution."

The company introduced many works of important opera repertoire to England for the first time, performing some 150 different operas over the years. Besides Santley and Hersee, Blanche Cole, Minnie Hauk, Alice Esty, Fanny Moody, Alice Barth, Georgina Burns, Joseph Maas, Barton McGuckin, Giulia Warwick and William Ludwig were some of the famous singers associated with the company during its early years. Its successes included productions of Cherubini's Les deux journées (1875); The Flying Dutchman (1876), with Santley in the title role; the first English-language production of Carmen (1879), starring Selina Dolaro in the title role and Durward Lely as Don José; Rienzi (1879); Lohengrin (1880); Tannhäuser (1882); and the first British staging of Puccini's La bohème (1897). Alberto Randegger served as musical director of the company from 1879 to 1885, and Gustave Slapoffski was principal conductor from 1897 to 1900.

The company also encouraged and supported new works by English composers. Pauline in 1876 (Frederic Hymen Cowen), Esmeralda in 1883 (Arthur Thomas), Colomba in 1883, The Canterbury Pilgrims in 1884 (Charles Villiers Stanford), The Troubadour in 1886 (Alexander Mackenzie), and Nordisa in 1887 (Frederick Corder) were six of the operas commissioned by the company. Earlier English operas by Wallace, Michael Balfe and Julius Benedict were also included in the company's repertoire – not just standard works like The Bohemian Girl and Maritana, but less-familiar operas such as Balfe's Satanella (1858) and Wallace's Lurline (1860).

Carl Rosa died suddenly in Paris, on 30 April 1889, and was buried in Highgate Cemetery, London. Two years before his death, Rosa had turned his opera enterprise into a limited company, and it was in good financial and artistic shape at the time of his death. Hamilton Clarke was appointed conductor of the company in 1893. In 1897, the company gave the first British performance of Puccini's La bohème in Manchester under the supervision of the composer. The company then gave a season at Covent Garden, at reduced prices, aimed at attracting "the masses" to opera.