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Carme Riera
Carme Riera
Carme Riera
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Carme Riera Guilera (Catalan pronunciation: [ˈkaɾmə riˈeɾə]; born 12 January 1948) is a novelist and essayist. She has also written short stories, scripts for radio and television and literary criticism. She holds a doctorate in Hispanic Philology and is a professor of Spanish literature at the Universitat Autònoma de Barcelona.[1]

Key Information

Riera was born in Palma. She attended the Sacred Heart primary school and the Joan Alcover Institute in Palma, where she met Majorcan writers and fell in love with a teacher, Francisco Llinás.

In 1965 she moved to Barcelona to study Hispanic Philology in the Department of Philosophy and Letters of the Universitat Autònoma de Barcelona. She graduated in 1970 and the following year married Francisco Llinás and was hired by Manuel Blecua to give classes in the Department.

That year her son Ferran was born, and she began her literary career. She writes in Catalan and Spanish. Her self-translations are often published at the same time. She lives in Barcelona.

Her best-known work is the historical novel "Dins el darrer blau" (1994), winner of several prizes (see below) and the first novel in Catalan to win the Premio Nacional de Narrativa (National Prize for Narrative), awarded by the Spanish Ministry of Culture. An English translation by Kathleen McNerney, "Blue Horizons of no Return: Sephardic Journeys", is awaiting publication.

Riera was elected to Seat n of the Real Academia Española on 19 April 2012, she took up her seat on 7 November 2013.[2]

Influences

[edit]

The extensive background reader of Carme Riera, consequence of a passionate attitude towards scholarly literature, forms a vast frame of references. Sappho, Petrarch, Goethe and Virginia Woolf parade through its pages, but also classical Spanish writers, as Miguel de Cervantes, Clarin, Carmen Laforet, Valle-Inclán, Gil de Biedma ... However, the author has placed the roots of her narrative in Majorcan tales and the work of two crucial writers in the construction of contemporary Catalan narrative: Caterina Albert and Rodoreda.

Works

[edit]
  • Te deix, amor, la mar com a penyora, 1975 (I Leave You, My Love, The Sea as My Pledge)
  • Je pos per testimoni les gavines, 1977
  • Quasi bé un conte, la vida de Ramon Llull, 1980
  • Els cementiris de Barcelona. Barcelona: Edhasa, 1981 (The Cemeteries of Barcelona)
  • Una primavera per a Domenico Guarini. Barcelona: Montesinos Editor, S.A., 1981 (A Springtime for Domenico Guarini)
  • Epitelis tendríssims. Barcelona: Edicions 62 S.A., 1981
  • “El reportaje”. Short story. In: Doce relatos de mujeres. Navajo, Ymelda (ed.), Madrid: Alianza, 1982, pp. 181–191. Cuentos.
  • Qüestió d'amor propi. Barcelona: Laia, 1987
  • La molt exemplar història del Gos Màgic i la seva cua. Barcelona: Empúries S.A., Editorial, 1988
  • La escuela de Barcelona. Barcelona: Anagrama, 1988. Essay. Winner of the XVI Premio Anagrama 1988 (The School of Barcelona)
  • Joc de miralls, 1989 (Mirror game)
  • La poesía de Carlos Barral. Barcelona: Edicions 62 S.A., 1990 (The Poetry of Carlos Barral)
  • Hay veneno y Jazmín en tu tinta, aproximación a la, 1991
  • Contra l'amor en conpanyia i altres relats. Barcelona: Destino, 1991
  • Dins el darrer blau, 1994 (Blue Horizons of no Return)
  • “Princesa meva, lletra d'àngel.” Short Story. In: Érase una vez la paz. Barcelona: Planeta, 1996, pp. 187–193. Cuentos.
  • Quadern d'una espera, 1998
  • “Mon semblable, mon frère”. Short Story. In: Barcelona, un día. Regàs, Rosa (comp.) . Madrid: Alfaguara, 1998, pp. 357–376. Cuentos.
  • Cap al cel obert. Barcelona: Destino, 2000. Novel.
  • “Metamorfosis”. Short Story. In: Orosia. Jaca: Pirineum Multimedia, 2002, pp. 147–155. Cuentos.
  • La meitat de l'ánima, 2003. Novel. Winner of the 2003 Premi Sant Jordi (Half of the Soul)

Awards

[edit]
  • 1980 Prudenci Bertrana Prize for her novel Una primavera per a Domenico Guarini (A Springtime for Domenico Guarini).[3]
  • 1989 Ramon Llull Novel Award for her Joc de miralls (A Play of Mirrors)[4]
  • 1994 Josep Pla Award for Dins el darrer blau (In the Last Shade of Blue), a historical novel which also received the Joan Crexells Prize, the Lletra d'Or (Golden Letter) Prize, the Ministry of Culture National Prize for Narrative and the Elio Vittorini Prize from the Syracuse Department of Tourism.[5]
  • 2000, the Generalitat (Autonomous Government) of Catalonia awarded her the Creu de Sant Jordi (Cross of Saint George).[6] She is a member of the Associació d'Escriptors en Llengua Catalana (Association of Catalan Language Writers).
  • 2015 Premio Nacional de las Letras Españolas[7]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Carme Riera

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from Grokipedia
Carme Riera is a Spanish novelist and academic known for her influential contributions to contemporary Catalan literature, where she writes primarily in the Catalan language on themes of historical memory, identity, intolerance, gender, and social critique. Born in Palma de Mallorca in 1948, she moved to Barcelona to study Hispanic Philology at the Autonomous University of Barcelona (UAB), where she earned her doctorate with honors and later became a professor of Spanish literature. Riera debuted in 1975 with the short-story collection Te deix, amor, la mar com a penyora, which established her as a significant voice in Catalan letters and has remained continuously in print. Her early work combined testimonial elements, poetic sensibility, and social commentary, often drawing on her Mallorcan roots and Barcelona experience. She went on to publish novels such as Dins el darrer blau (1994), Cap al cel obert (2000), and La meitat de l’ànima (2004), which explore historical persecution, migration, and postwar intrigue, earning her widespread recognition and translations into numerous languages. Alongside her creative writing, Riera has maintained a distinguished academic career, holding the José Agustín Goytisolo Chair at the UAB and specializing in modern Hispanic literature. She was elected to the Real Academia Española in 2012 and has received major honors including the Spanish National Literature Prize in 2015 and the first National Narrative Prize awarded to a Catalan-language novel in 1995. Her multifaceted body of work—encompassing novels, short stories, essays, and biography—continues to rank among the most respected in contemporary Catalan and Spanish literature.

Early life and education

Birth and family background

Carme Riera Guilera was born on 12 January 1948 in Palma de Mallorca, Balearic Islands, Spain. She grew up in Palma, spending her childhood and adolescence in the city during the 1950s and 1960s within a bourgeois family environment. Her Mallorcan roots and early life on the island profoundly shaped her identity as a writer, with many of her works drawing on recollections of Palma's landscapes, atmosphere, and social milieu from that era. She remained in Palma de Mallorca until 1965, when she relocated to Barcelona for university studies.

Education and early influences

Carme Riera moved to Barcelona in 1965 to pursue her university studies after spending her childhood and adolescence in Palma de Mallorca. She enrolled in Philosophy and Letters, specializing in Romance Philology with a sub-specialization in Hispanic studies, at the University of Barcelona, where she earned her licentiate degree on August 7, 1973. She later pursued her doctorate in Philology at the Universitat Autònoma de Barcelona, defending her thesis on November 12, 1987, under the supervision of Francisco Rico, and receiving the Premio Extraordinario de Doctorado for her work on the Barcelona poetic school.

Academic career

University positions and teaching

Carme Riera began her teaching career at the Universitat Autònoma de Barcelona (UAB) in October 1971 as Profesora Ayudante de Prácticas in the Faculty of Philosophy and Letters. She was hired to teach in the Department of Spanish Philology, where she progressively advanced through the academic ranks. She became Profesora Encargada de Curso in October 1974, Profesora Titular Interina in April 1987, and Profesora Titular in July 1988. In March 1995, she attained the position of Catedrática de Universidad in Spanish Literature at the UAB, establishing her as a full professor of Hispanic Philology and Spanish literature. She is currently catedrática emérita and profesora honoraria at the UAB. In February 2002, upon its creation, she was appointed director of the José Agustín Goytisolo Chair at the UAB, serving until 2006; the chair is dedicated to advancing studies in contemporary Spanish poetry and literature. Her teaching at the UAB has been complemented by her specialization in the Barcelona School.

Research and scholarly contributions

Carme Riera has distinguished herself as a scholar in Hispanic philology and literary criticism, with her research centering on 20th-century Spanish and Catalan poetry, particularly the Barcelona School (Escola de Barcelona). As a researcher and essayist, she has specialized in the analysis of this poetic group from the generation of the 1950s, focusing on its key figures and their contributions during and after the Franco regime. Her doctoral thesis, defended in 1987 at the Universitat Autònoma de Barcelona under the direction of Francisco Rico Manrique, is titled La Escuela de Barcelona, la obra poètica de Jaime Gil de Biedma, Carlos Barral y José Agustín Goytisolo. This work formed the foundation for her published studies on the subject, including detailed examinations of the poets' oeuvres. Riera expanded this research into several key monographs published between 1987 and 1988. In 1987, she released La obra poética de José Agustín Goytisolo, an in-depth study of the poet's work. That same year, she published La obra poética de Carlos Barral (original edition; reissued in 1990 by Ediciones Península), which traces the poet's itinerary and stylistic evolution. The following year, her book La Escuela de Barcelona: Barral, Gil de Biedma, Goytisolo: el núcleo poético de la generación de los 50 appeared with Editorial Anagrama, offering a rigorous investigation of the relationships and poetic innovations within the group. These contributions have enriched the academic understanding of the Barcelona School's role in postwar Spanish literature, highlighting its members' shared aesthetic concerns and individual trajectories.

Literary career

Debut and short fiction

Carme Riera debuted as a writer in 1975 with the short story collection Te deix, amor, la mar com a penyora, which brought her immediate and spectacular success despite being previously unknown. The book introduced her distinctive narrative style, characterized by a plurality of perspectives, polyphonic discourse, and a confidential tone often achieved through epistolary forms where the authorial and fictional voices overlap. Written in Catalan with Majorcan linguistic variants, it explores intimate themes and has remained a landmark in Catalan literature, with editions continuing decades after its release. Her second collection, Jo pos per testimoni les gavines (1977), built on similar techniques, drawing inspiration from her Majorcan childhood and setting many stories in her birthplace. Both early collections gained notable acclaim from critics and readers in Catalonia for their poetic quality, precise vocabulary, and ability to convey subtle emotions and obsessions. In 1981, Epitelis tendríssims represented a shift, openly addressing erotic themes with irony, humor, and a fresh approach that challenged taboos traditionally restricting women writers in this genre. Riera continued exploring short fiction with Contra l’amor en companyia i altres relats (1991), which applies irony and satire to the literary world and folkloric stereotypes while retaining occasional fantastic and melancholic elements. Riera writes primarily in Catalan and has translated some of her works into Spanish herself, contributing to their wider dissemination. These early collections established her reputation in short fiction before she turned to longer narratives.

Major novels

Carme Riera's major novels, written primarily in Catalan, demonstrate her versatility across genres including historical fiction, introspective narratives, and crime thrillers, often addressing themes of identity, intolerance, memory, and social critique. Her contributions to Catalan literature have earned widespread acclaim for their narrative rigor, linguistic richness, and engagement with historical and contemporary issues. Riera published her first novel, Una primavera per a Doménico Guarini (1980), which follows journalist Isabel Clara Alabern as she covers a trial in Florence involving an attack on Botticelli’s Allegory of Spring, blending investigative plot with personal introspection. This was followed by Qüestió d’amor propi (1987), a reflective account of a woman in her late forties confronting the disillusionment of a passionate yet destructive love affair, and Joc de miralls (1989). Her most internationally recognized work is the historical novel Dins el darrer blau (1994), set amid the Spanish Inquisition on Mallorca, where a community of crypto-Jews (chuetas) faces persecution and attempts escape to the New World; the book explores intolerance, hope, and fear through a tightly constructed plot. It stands as the first novel in Catalan to receive the Spanish National Narrative Prize. Riera continued historical exploration with Cap al cel obert (2000), presented in serial form and partly following descendants from Dins el darrer blau amid 19th-century colonial conflicts in Cuba. Later novels shift toward contemporary and personal concerns. La meitat de l’ànima (2003) examines post-Civil War Barcelona, Francoist repression, Republican exile in France, and anarchist resistance while probing identity and memory. L’estiu de l’anglès (2006) adopts a humorous tone to depict a secretary’s unsettling transformative experience while learning English in England. Natura quasi morta (2011) functions as a campus crime novel inspired by real events, critiquing university dynamics through sophisticated intrigue. Les darreres paraules (2016) imagines the confessions of Archduke Ludwig Salvator of Habsburg, fusing fact and fiction to reveal his unconventional life in Mallorca. Venjaré la teva mort (2018) is a thriller centered on private detective Helena Martí investigating a businessman’s disappearance against a backdrop of corruption and impunity. Riera’s most recent novel, Una ombra blanca (2024), uncovers the buried childhood trauma of a renowned soprano through her mother’s diaries, addressing shame, prejudice, and conflicting cultural perspectives.

Non-fiction and essays

Carme Riera has produced significant non-fiction works beyond her academic scholarship, including a personal memoir and a major biographical study. In 1998, Riera published Temps d'una espera, a memoir composed as a diary during her second pregnancy. This intimate testimony records her daily thoughts, sensations, and emotions throughout the pregnancy, while offering a broader reflection on motherhood and the condition of women in its personal and social dimensions. The work stands out for its realistic approach, consciously eschewing romantic or sentimental clichés about the experience of pregnancy and maternity. In 2022, Riera released Carmen Balcells. Traficante de palabras, the first authorized biography of the renowned literary agent Carmen Balcells. Drawing on nearly forty years of personal acquaintance with Balcells, exclusive access to the agency's archives, and interviews with family members, friends, authors, publishers, and other agents, the 512-page book presents Balcells as a mythic figure who transcended the role of agent to become an international reference for literature in Spanish. It portrays her as a combination of exceptional talent, intelligence, and ambition—a powerful, controversial personality both beloved and feared—who assembled an astonishing catalog of authors and played an essential role in Hispanic culture over the preceding seventy years.

Screenwriting and media work

Television script credits

Carme Riera has several credits as a scriptwriter for Catalan-language television series. Her television writing contributions include authoring four episodes of the series Novel·la in 1980. She subsequently wrote four episodes for Art Flash between 1981 and 1982. In 1988, she contributed one episode to the anthology series 13 x 13. Riera's most substantial television role was as head writer for Dones d'aigua, where she oversaw scripts for 12 episodes from 1997 to 1998.

On-screen appearances

Carme Riera has appeared on screen primarily as herself in documentaries, interviews, and television programs related to literature, culture, and Catalan identity. She holds 34 credits as "Self" and one archive footage credit, indicating frequent invitations to participate as an expert commentator or interviewee in Spanish and Catalan media. Her only credited acting role is in the TV movie La cláusula Balcells (2016), a documentary directed by Pau Subirós that examines the life and influence of legendary literary agent Carmen Balcells. In this production, Riera appears on screen, contributing her perspective as a prominent author who worked with Balcells. Among her appearances as herself is the documentary Montjuïc, la muntanya odiada de Barcelona (2013), where she provides commentary on the historical and cultural significance of Montjuïc mountain in Barcelona. These on-screen contributions reflect Riera's status as a respected public intellectual in Catalonia and Spain.

Awards and honors

Major literary prizes

Carme Riera has received some of the most prestigious literary awards in Catalan and Spanish literature for her novels and narrative work. Her first novel, Una primavera per a Domenico Guarini, won the Premi Prudenci Bertrana in 1980, marking an early recognition of her talent in Catalan prose. Her 1989 novel Joc de miralls was awarded the Premi Ramon Llull de Novel·la, one of the leading prizes for Catalan-language fiction. Riera achieved significant acclaim in 1994 with Dins el darrer blau, which received the Premi Josep Pla, the Premi Joan Crexells, the Lletra d'Or, and the Premio Nacional de Narrativa from the Spanish Ministry of Culture, becoming the first Catalan-language novel to win this national award. In 2003, her novel La meitat de l’ànima was honored with the Premi Sant Jordi de novel·la, a major Catalan literary prize. Riera's contributions to Spanish and Catalan letters culminated in the Premio Nacional de las Letras Españolas in 2015, the highest honor for literary career achievement granted by the Spanish Ministry of Education, Culture and Sport. Her 2016 novel Les darreres paraules received the Premi Sant Joan de Literatura Catalana.

Institutional and other recognitions

Carme Riera has been the recipient of several significant institutional honors that acknowledge her broader impact on Catalan and Spanish culture, as well as her academic contributions. In 2000, the Generalitat de Catalunya awarded her the Creu de Sant Jordi, one of the highest civil distinctions granted by the Catalan government, through Decree 272/2000 of 26 June, recognizing her as a prominent representative of the 1970s literary generation and one of the most solid and prestigious voices in contemporary Catalan narrative. In 2001, she received the Premio Nacional de Cultura from the Generalitat de Catalunya, further honoring her cultural contributions. On 19 April 2012, Carme Riera was elected as a full member of the Real Academia Española to occupy seat n, becoming the eighth woman elected to the institution. She formally took possession of the seat on 7 November 2013 with her inaugural address. In December 2023, she was elected Vicedirectora of the Real Academia Española. This election reflects her standing in Spanish-language literature and scholarship, complemented by her long-standing academic career as a professor of Spanish Literature at the Autonomous University of Barcelona.

References

  1. https://www.agenciabalcells.com/en/authors/author/carme-riera/
  2. https://literaturfestival.com/en/authors/carme-riera/
  3. https://www.cnio.es/en/news/carme-riera-today-there-is-more-need-for-self-help-than-literature/
  4. https://www.rae.es/academico/carme-riera-guilera
  5. https://www.inlibra.com/document/download/pdf/uuid/a43873ec-080e-30fa-91ce-4ef75b767286
  6. https://www.lavanguardia.com/cultura/20120420/54284648019/carme-riera-octava-mujer-rae.html
  7. https://letralia.com/266/0419riera.htm
  8. https://www.acec-web.org/spa/A2.ASP?ID=192
  9. https://dfe.uab.cat/wp-content/uploads/2019/05/CV_Carme_RIERA.pdf
  10. https://www.cervantes.es/bibliotecas_documentacion_espanol/creadores/riera_carme.htm
  11. https://www.rae.es/sites/default/files/curriculum_carme_riera.pdf
  12. https://dfe.uab.cat/personal-emerito-y-jubilado/
  13. https://www.uab.cat/web/detalle-de-noticia/carme-riera-distinguida-con-el-premi-atlantida-1345697212752.html?noticiaid=1345803185594
  14. https://portalrecerca.uab.cat/en/persons/carme-riera-guilera-8/
  15. https://literatura.womenslegacyproject.eu/catalog/80509192_en?locale=en
  16. https://www.anagrama-ed.es/libro/argumentos/la-escuela-de-barcelona/9788433900951/A_95
  17. https://www.pencatala.cat/wp-content/uploads/2018/04/CW5-separ.pdf
  18. https://www.encyclopedia.com/arts/educational-magazines/riera-carme-1948-carme-riera-guilera
  19. https://www.agenciabalcells.com/en/authors/works/carme-riera/temps-duna-espera/
  20. https://www.grup62.cat/llibre-temps-duna-espera/374685
  21. https://www.agenciabalcells.com/autores/obra/carme-riera/carmen-balcells-traficante-de-palabras/
  22. https://www.amazon.com/-/es/Carmen-Balcells-traficante-palabras-Carme/dp/8418056665
  23. https://www.imdb.com/name/nm1955165/
  24. https://www.imdb.com/title/tt8422708/
  25. https://www.imdb.com/title/tt3346972/characters/nm1955165/
  26. https://www.cervantes.es/bibliotecas_documentacion_espanol/creadores/riera_carme_premios.htm
  27. https://portaljuridic.gencat.cat/ca/document-del-pjur/?documentId=226813
  28. https://kosmopolis.cccb.org/es/participants/riera-carme/
  29. https://www.rae.es/noticia/elegida-la-escritora-carme-riera-para-ocupar-la-silla-n-de-la-real-academia-espanola
  30. https://www.facebook.com/RAE/posts/4130709706949323
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