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Celtic Pride
Celtic Pride
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Celtic Pride
Theatrical release poster
Directed byTom DeCerchio
Screenplay byJudd Apatow
Story byJudd Apatow
Colin Quinn
Produced byRoger Birnbaum
Judd Apatow
Starring
CinematographyOliver Wood
Edited byHubert De La Bouillerie
Music byBasil Poledouris
Production
companies
Distributed byBuena Vista Pictures Distribution
Release date
  • April 19, 1996 (1996-04-19)
Running time
90 minutes
LanguageEnglish
Box office$9.3 million

Celtic Pride is a 1996 American sports comedy film written by Judd Apatow and Colin Quinn, and directed by Tom DeCerchio. It stars Daniel Stern and Dan Aykroyd as Mike O'Hara and Jimmy Flaherty, two passionate Boston Celtics fans, and Damon Wayans as Lewis Scott, the Utah Jazz's All-Star shooting guard.

Plot

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Best friends for life, physical education teacher Mike O'Hara and plumber Jimmy Flaherty are united by their love of Boston and its sports teams, especially the Boston Celtics, who are playing their last season in the old Boston Garden. When the Celtics drop Game 6 of the NBA Finals to the Utah Jazz, setting up a deciding Game 7 in Boston, Mike and Jimmy find themselves depressed and hopeless. On top of all this, Mike has moved back in with Jimmy after his wife Carol, fed up with his unhealthy obsession with the Celtics, left him and took their son Tommy with her.

Jimmy and Mike stumble upon the Jazz's selfish, arrogant shooting guard Lewis Scott at a Boston nightclub. Hoping at first to get him so drunk that he will be hungover for Game 7, Mike and Jimmy pose as Utah fans. However, the pair get more than they bargained for when the next morning they end up kidnapping Scott after he wakes up at Jimmy's apartment. The two decide to hold Scott until after the game, reasoning that if they are going to prison, they might as well help the Celtics win in the meantime.

Scott derides them for being washed-up losers and insinuates Mike (who had played college ball but was not good enough to go professional) is only after him because he is jealous of Scott's fame and ability. Mike, on the other hand, berates Scott for his behavior on and off the court, including starring in a campy Oscar Mayer hot dog commercial, skipping practices, and disrespecting his teammates. Scott attempts to turn Jimmy against Mike and manages to free himself, only to be foiled by an antagonistic cabbie and a local cop, Kevin, both fellow Celtics fans.

Ultimately, Mike challenges Scott to a game of one-on-one; the canny Scott is able to subdue him and Jimmy with Jimmy's gun. Before he runs off, Scott presents the pair with a dilemma: they must root for him and the Jazz to win, or he will turn them both in to the police. Mike reconciles with his wife and son, knowing he might be going to prison, and Jimmy says goodbye to his grandmother. At the game, the two convince the other Celtics fans they are only pretending to root for the Jazz to jinx them, and the first half ends with the Celtics leading. Mike, who knows the Jazz are losing because Scott refuses to pass the ball, gives him a pep talk from the stands, and Utah closes the gap to one point with a little over 7 seconds remaining.

With one play left and the Jazz seemingly on the verge of defeat, Mike and Jimmy choose life over the Celtics, rooting for Utah and rushing the court after they win. Approached by Kevin, who earlier ignored his cries for help, Scott denies Mike and Jimmy committed the kidnapping, saving them from prison.

A few months later, Mike has reconciled with his wife by promising to never interfere with an NBA Finals game again. When football season begins, however, he and Jimmy sneak into Deion Sanders' hotel room at 3:00 a.m., presumably to kidnap him.

Cast

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Reception

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The film was not a major success despite its star power, grossing less than $10 million domestically. The film received negative reviews. On Rotten Tomatoes it has an approval rating of 12% based on reviews from 25 critics.[1] Audiences surveyed by CinemaScore gave the film a grade of B− on a scale of A to F.[2]

Hal Hinson of The Washington Post wrote, "Celtic Pride is clearly intended as a spoof on the contemporary mania for athletics. But not only is the picture woefully short on laughs, it's also coarse, overbearing and, in places, downright insulting".[3] TV Guide said "Celtic Pride supplies predictably lowbrow yocks for jocks, and its rather disturbing racial implications go entirely unacknowledged," and awarded it 1 and half stars out of five.[4]

In a positive review, Joe Leydon of Variety said "Not quite a three-pointer, but definitely more than an airball, Celtic Pride is an uneven but largely likable basketball-themed comedy that should lay up decent B.O. numbers and perform even better in the homevid arena."[5]

Bill Murray has said he has seen this film and has credited it as to why he turns down role offers from Judd Apatow.[6]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Celtic Pride is a 1996 American sports comedy film directed by Tom DeCerchio. The screenplay was written by Judd Apatow and Colin Quinn. It stars Dan Aykroyd, Daniel Stern, and Damon Wayans, with supporting roles by Gail O'Grady and Christopher McDonald. The plot centers on two obsessive Boston Celtics fans who, in a desperate bid to prevent their team from losing the NBA Finals, kidnap the star player of the rival team right before Game 7. Produced by in association with , the film was released in theaters on , , and distributed by Buena Vista Pictures. With a runtime of 91 minutes, it features a score composed by and cinematography by Oliver Wood. Filming took place in , including at the Boston Garden, to capture the authentic atmosphere of Celtics fandom. The movie satirizes extreme sports loyalty and the cultural phenomenon of fan devotion in professional basketball. Upon release, Celtic Pride received mixed to negative reviews from critics, holding a 12% approval rating on Rotten Tomatoes based on 25 reviews. Variety described it as an "uneven but largely likable basketball-themed comedy" that avoids being a complete misfire. Commercially, it underperformed, grossing $9.3 million at the North American box office against a modest production budget. Despite its initial reception, the film has garnered a cult following among basketball enthusiasts for its humorous take on NBA rivalries. It is available for rent on platforms like Prime Video (as of November 2025).

Production

Development

Celtic Pride originated as a sports comedy centered on obsessive basketball fandom, with Judd Apatow penning the screenplay based on a story he co-developed with Colin Quinn. The narrative drew from the duo's exploration of how fan devotion could escalate to absurd lengths, such as kidnapping a rival team's star player. Apatow, then an emerging screenwriter, handled the scripting, marking one of his early feature credits alongside his work on The Cable Guy that same year. The project advanced under Hollywood Pictures, with Roger Birnbaum serving as producer in association with Caravan Pictures, a Disney-affiliated banner co-founded by Birnbaum. This setup facilitated the film's production as a mid-budget comedy aimed at capturing the 1990s NBA playoff fervor. Birnbaum's involvement ensured alignment with Disney's distribution through Buena Vista Pictures. Direction was entrusted to Tom DeCerchio, a former Madison Avenue advertising executive transitioning to feature films. DeCerchio's background in commercials brought a polished, fast-paced style to the basketball sequences, though Celtic Pride represented his narrative debut. Pre-production emphasized authenticity in the sports elements, with casting directors assembling teams of athletes to portray NBA-caliber players and establishing a training camp to refine their on-court performances. This effort secured the necessary cooperation for realistic game scenes, including cameos from real Celtics figures like Larry Bird. Key casting decisions included Daniel Stern and Dan Aykroyd as the fervent Celtics fans at the story's core, leveraging their comedic timing to anchor the film's humor.

Filming

Principal photography for Celtic Pride commenced in late 1995 and primarily took place over several weeks in Boston, Massachusetts, to authentically capture the city's passionate sports culture. Key locations included the historic Boston Garden arena, which served as the primary venue for basketball sequences and was demolished shortly after filming; Doyle's Pub in Jamaica Plain, used for bar scenes reflecting local fan hangouts; and various sites in the South End, North End, East Boston, Charlestown, and Waltham to evoke the everyday Bostonian atmosphere surrounding Celtics fandom. Filming faced logistical challenges due to the production's ties with the NBA and , requiring the of high-energy playoff environments without disrupting actual . Director Tom DeCerchio coordinated mock playoff at , enlisting dozens of extras as rowdy fans and players to simulate and on-court action, often under grueling 12-hour days that participants' with repetitive cues and extended waits. In post-production, editor Hubert de La Bouillerie handled the assembly of the film's comedic timing and pacing, particularly in the basketball sequences where visual effects and clever editing created convincing depictions of fan brawls and game intensity without relying on extensive CGI. Composer Basil Poledouris developed the original score to underscore the film's blend of humor and tension, incorporating orchestral elements that heightened comedic obsession scenes and dramatic sports moments, with the full soundtrack featuring 15 tracks recorded under his direction. On-set, actors Dan Aykroyd and Daniel Stern contributed to the film's improvisational style, ad-libbing dialogue in fan obsession scenes to amplify the characters' manic energy, a process Aykroyd noted involved more freeform play than typical scripted shoots, including spontaneous riffs from co-star Damon Wayans that made it into the final cut.

Content

Plot

Celtic Pride follows Mike O'Hara, a recently separated gym teacher, and his best friend Jimmy Flaherty, a plumber, both lifelong and obsessive fans of the Boston Celtics. The story is set during the NBA Finals, where the Celtics face the Utah Jazz. In Act 1, the duo's fandom is established through their intense reactions to the games; after the Celtics lose Game 6 at home, tying the series and setting up a decisive Game 7, Mike and Jimmy are devastated. Blaming the Jazz's star player Lewis Scott, an arrogant and flashy athlete portrayed by Damon Wayans, for the loss, they decide to sabotage him by getting him drunk at a local nightclub on the eve of Game 7. In Act 2, the kidnapping chaos ensues when Mike (Daniel Stern) and Jimmy (Dan Aykroyd) wake up to find Scott bound and unconscious in Jimmy's apartment, having unintentionally escalated their prank into a full abduction. Panicking, they hold Scott captive while he regains consciousness and begins taunting his captors with his ego and bravado. Scott's interactions with the duo lead to humorous conflicts and escalating antics. The film builds to Act 3's game-day confrontation, where tensions peak as Game 7 approaches at the Boston Garden. Scott escapes and makes it back to the arena, but the ordeal has humbled him, teaching him the value of teamwork over individual showmanship. Humbled, Scott plays selflessly for the Jazz during the game, but the Celtics secure the victory and the championship. Mike and Jimmy face consequences for the kidnapping but are celebrated by fans for their extreme loyalty, underscoring themes of personal growth and the absurd lengths of sports fandom.

Cast

The principal cast of Celtic Pride features Daniel Stern as Mike O'Hara, an obsessive family man and devoted Boston Celtics fan whose passion for the team dominates his life. Dan Aykroyd portrays Jimmy Flaherty, Mike's reckless single friend and fellow die-hard supporter, bringing manic energy to their shared fanaticism. Damon Wayans stars as Lewis Scott, the charismatic and self-centered star player for the Utah Jazz, whose athletic prowess and cocky demeanor make him the perfect foil for the protagonists. Supporting roles include Gail O'Grady as Carol O'Hara, Mike's patient wife who navigates the chaos of his obsessions. Richard Kind plays Pat, the Celtics' trainer who provides grounded comic relief amid the escalating antics. Other notable supporting performers are Christopher McDonald as Coach Kimball, Paul Guilfoyle as Kevin O'Rourke, and Adam Hendershott as Tommy O'Hara. The film includes several cameos by basketball legends and personalities, enhancing its sports authenticity, such as Larry Bird, Bob Cousy, Bill Walton, and Deion Sanders. Casting emphasized comedic talent suited to the film's sports satire tone; Stern and Aykroyd were selected for their established personas in ensemble comedies, drawing from Stern's everyman roles in films like Home Alone and Aykroyd's improvisational style from Saturday Night Live and The Blues Brothers. Wayans was chosen for his blend of athletic ability and timing, undergoing four months of basketball training to convincingly portray an NBA star while delivering sassy, physical humor. The core trio's dynamics—Mike's responsible fervor clashing with Jimmy's wild impulses, both upended by Lewis's streetwise bravado—fuel the film's humor through escalating absurdities and banter, highlighting fan obsession without delving into the story's events.

Release

Theatrical Release

Celtic Pride was released theatrically in the United States on April 19, 1996, distributed by Buena Vista Pictures, the theatrical distribution arm of The Walt Disney Company. The film was produced under Hollywood Pictures in association with Caravan Pictures, with the release strategically timed just days before the start of the 1996 NBA playoffs to capitalize on heightened interest in basketball. This positioning aimed to attract sports enthusiasts, particularly fans of the Boston Celtics, whose storyline and filming locations, including the Boston Garden, were central to the narrative. The marketing campaign highlighted the film's comedic take on extreme fan loyalty and NBA rivalry, featuring trailers and promotional materials that showcased the stars—Dan Aykroyd, Daniel Stern, and Damon Wayans—in basketball-themed scenarios. Promotions included tie-ins with the Boston Celtics organization, leveraging the team's local fanbase through cameos by NBA figures such as Larry Bird, Bob Cousy, and Bill Walton, which added authenticity and appeal to basketball audiences. Posters and ads emphasized the kidnapping plotline tied to the NBA Finals, positioning the movie as a lighthearted satire of sports fanaticism. The film received an MPAA rating of PG-13 for language and brief violence, making it accessible to a broad audience while aligning with its comedic tone. Internationally, distribution was limited, primarily targeting select markets in 1996 and 1997, with theatrical releases in Brazil on April 26, 1996, and Germany on September 5, 1996, focusing on regions with interest in American sports cinema. Additional tie-ins included soundtrack releases featuring original music to complement the film's energetic score and merchandise such as Celtics-themed apparel inspired by the movie's Boston-centric plot. The opening weekend saw modest attendance, reflecting the targeted appeal to niche sports comedy viewers.

Box Office

Celtic Pride opened in 1,832 theaters on April 19, 1996, earning $3,809,248 during its debut weekend, which accounted for about 41% of its total domestic gross. The film ultimately grossed $9,255,027 in the United States and Canada, underperforming commercially. This underwhelming performance was influenced by its release during a highly competitive spring season, where it competed against established titles like Primal Fear and the subsequent arrival of The Fan, limiting its appeal primarily to basketball enthusiasts rather than a broader audience. The movie's box office trajectory showed an initial peak followed by a steep decline, with second-weekend earnings falling to $2,417,193—a drop of approximately 37%—due in part to negative word-of-mouth. This rapid decrease was exacerbated by poor critical reception, which impacted audience attendance in subsequent weeks. By the end of its theatrical run, Celtic Pride had generated minimal international earnings, under $1 million, bringing the worldwide total to roughly $9.3 million.

Reception

Critical Response

Celtic Pride garnered predominantly negative reviews from critics upon its 1996 release, reflecting widespread disappointment in its execution as a sports comedy. On Rotten Tomatoes, the film has a 12% Tomatometer approval rating based on 25 reviews. Metacritic assigns it a score of 34 out of 100, categorized as "generally unfavorable" from 17 critic reviews. These aggregate metrics underscore the film's failure to resonate with professional reviewers, who often highlighted its inconsistent tone and lack of originality. Prominent critiques included mixed assessments from major outlets. In Variety, Joe Leydon described the film as "an uneven but largely likable basketball-themed comedy," appreciating specific humorous elements like a satire of superstar endorsements while noting its thin plot and uneven pacing. Roger Ebert and Gene Siskel both delivered thumbs-down verdicts on their television program, with Ebert criticizing the predictable storyline but acknowledging Damon Wayans's engaging performance. The New York Times' Stephen Holden lambasted the over-the-top stereotypes of obsessive sports fans, calling the farce "stridently unfunny" due to its clumsy mechanics and excessively hysterical tone. Among the few common praises, reviewers cited the strong on-screen chemistry between Daniel Stern and Dan Aykroyd, whose manic portrayals of die-hard fans provided sporadic comedic energy, as well as the solid execution of basketball sequences that added authenticity to the proceedings. Criticisms, however, centered on the formulaic script, heavy reliance on sports clichés, and underdeveloped supporting roles, including female characters like Gail O'Grady's, which were seen as peripheral and stereotypical. The film's poor critical reception likely contributed to its box office underperformance. In terms of awards, Celtic Pride earned no major nominations in 1996 and received only minor mentions in contemporary comedy roundups.

Legacy

Following its initial release, Celtic Pride has developed a , particularly in the , where it earned ironic appreciation as a "so-bad-it's-good" example of '90s , celebrated for its over-the-top of fanatical leading to . The film has been featured in discussions of NBA-themed movies and bad cinema retrospectives, including a 2022 analysis labeling it a cult classic for its wild plot involving kidnapping and sports rigging. Modern reevaluations have highlighted the film's place in film history. A 2016 Vice article revisited it as an uneven but emblematic '90s NBA playoffs comedy, noting its lighthearted take on basketball mania. In 2020, Laughing Place examined its ties to Disney's Touchstone Pictures era, praising the star-driven humor amid the studio's sports comedy output. A 2024 Yahoo Entertainment piece positioned it among "almost cult classics," emphasizing its enduring appeal to Boston Celtics enthusiasts despite flawed execution. The movie's cultural impact lies in its portrayal of extreme sports fandom before the rise of , capturing the obsessive devotion of pre-internet fans through characters willing to go to ridiculous lengths for their team. It is frequently referenced in explorations of Judd Apatow's early , marking one of his first produced scripts and foreshadowing his later success with character-driven comedies. Within lore, the film has become a touchstone for fan culture, symbolizing the city's intense passion. Home media releases have sustained its availability. The film debuted on VHS on October 15, 1996, via Hollywood Pictures Home Video. A DVD edition followed on September 3, 2002, from Hollywood Pictures Home Entertainment. In 2018, Kino Lorber issued a Blu-ray with new audio commentary tracks featuring director Tom DeCerchio and co-writer Judd Apatow. Today, Celtic Pride streams periodically on Disney+, making it accessible to new audiences interested in '90s sports films.

References

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