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Chembaruthi
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| Chembaruthi | |
|---|---|
Poster | |
| Directed by | R. K. Selvamani |
| Written by | R. K. Selvamani John Amirtharaj (dialogues) |
| Produced by | Kovaithambi |
| Starring | Prashanth Roja |
| Cinematography | Ravi Yadav |
| Edited by | V. Udhayashankar |
| Music by | Ilaiyaraaja |
Production company | Motherland Movies |
| Distributed by | Balakrishna Pictures[1] |
Release date |
|
Running time | 146 minutes |
| Country | India |
| Language | Tamil |
Chembaruthi (transl. Hibiscus) is a 1992 Indian Tamil-language teen romantic drama film written and directed by R. K. Selvamani and produced by Kovaithambi. The film stars Prashanth and Roja (in her Tamil debut), while P. Bhanumathi, Nassar, Radha Ravi, and Mansoor Ali Khan play supporting roles. It was partially re-shot in Telugu as Chamanti with Satyanarayana replacing M. N. Nambiar.[2] The music was composed by Ilaiyaraaja, while editing was done by V. Udhayashankar and cinematography by Ravi Yadav. The film was released on 17 April 1992 and was a major box office success.[3] It was remade in Hindi as Aao Pyaar Karen (1994).[4]
Plot
[edit]Raja is the grandson of a rich businesswoman and is settled in London. He comes to a village in India to see his grandmother. Chembaruthi is the sister of a poor fisherman Pandi, who works in Raja's grandmother's house. The couple first sees each other during Raja's birthday party, and it is love at first sight for Raja. They meet often, and their love grows by leaps and bounds. Raja's grandmother wants him to marry Malathy, the daughter of a rich seafood exporter named Murugan. At the party, they announce Raja's interest in Malathy. Raja realises that his relationship with the daughter of a poor fisherman is not taken kindly by his eccentric grandmother, and when she discovers Raja's love for Chembaruthi, she accuses Pandi of using his sister's beauty and charm to trap Raja for his money. She even offers Pandi cash to have Chembaruthi stop seeing Raja. Pandi feels very humiliated by this accusation and reciprocates by insulting Raja's grandmother. Their conversation enters a deadlock, spelling doom for Raja and Chembaruthi's tender love.
Raja's grandmother then engages him to be married to Malathy in order to establish business ties with her rich father. Murugan also has his sister betrothed to a fisherman named Kumar, but Raja and Chembaruthi run away from home. Raja's grandmother announces a reward for anyone who can help find her grandson. Murugan decides that he wants the money. He and his goons find the lovers, abduct them, and lock them up in a boat. Raja fights for Chembaruthi and saves her from drowning in the sea. Raja's grandmother then realises that their love is very strong, and she does not want to stand in the way of their happiness. She and Pandi accept their love and give their blessings to the union.
Cast
[edit]- Prashanth as Raja Rathnam
- Roja as Chembaruthi (Voice over by Rohini)
- Bhanumathi as Bhuvaneshwari
- Nassar as Murugan
- Radha Ravi as Pandi
- Vaasavi as Malathi
- Mansoor Ali Khan as Kumar
- M. N. Nambiar as Raja Rathnam, Raja's grandfather
- Satyanarayana as Raja's grandfather (Telugu version)
- Vaishnavi
- Hemalatha
- Anitha
- Adeen Khan as Pinky
- John
- S. Rajasekar as Raja's father
Production
[edit]After the success of Captain Prabhakaran (1991), director R. K. Selvamani decided to make a film completely with newcomers which became Chembaruthi. He initially cast debutants such as Raman Kapoor from Mumbai, Suchithra Krishnamurthy and Gayathri (of Aranmanai Kili) in lead roles; however after shooting half of the film, he was unimpressed and scrapped it. Selvamani eventually cast Prashanth and Roja in the lead roles.[5] During the production of Urudhi Mozhi, its producer Ravi Yadav approached Saravanan Sivakumar, later known as Suriya, to portray the lead role in Chembaruthi; however Saravanan's father Sivakumar refused the offer.[6]
Soundtrack
[edit]The music was composed by Ilaiyaraaja.[7] He completed the soundtrack within 40 minutes.[8] The song "Chalakku Chalakku" is set to the raga Chakravakam, "Chembaruthi Poovu" is set to Kapi,[9] "Kadalila Ezhumbura Alaigala" is set to Sindhu Bhairavi,[10] "Nadandhal" is set to Keeravani,[11] and "Nila Kayum" is set to Sankarabharanam.[12]
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Chembaruthi Poovu" | Vaali | K. S. Chithra, Mano, Bhanumathi | 4:52 |
| 2. | "Chalakku Chalakku" | Vaali | S. Janaki, Mano | 4:54 |
| 3. | "Ada Vanjiram" | Piraisoodan | Malaysia Vasudevan, Chorus | 1:12 |
| 4. | "Pattu Poove" | Muthulingam | S. Janaki, Mano | 5:06 |
| 5. | "Nadandhal" | Piraisoodan | S. P. Balasubrahmanyam | 5:04 |
| 6. | "Nila Kayum" | Vaali | S. Janaki, Mano | 4:49 |
| 7. | "Kadalile Ezhumbura Alaigala" | Vaali | Ilaiyaraaja | 5:01 |
| 8. | "Kadile Thanimaiyile" | Piraisoodan | Nagore E. M. Hanifa, Mano | 5:06 |
| Total length: | 36:04 | |||
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Chamanthi Pushpa" | Veturi | S. P. Balasubrahmanyam, K. S. Chithra, P. Bhanumathi | 5:55 |
| 2. | "Ide Rajayogam" | Rajasri | S. P. Balasubrahmanyam, K. S. Chithra | 5:13 |
| 3. | "Chakkani Chikkani Chilaka" | Rajasri | S. P. Balasubrahmanyam, K. S. Chithra | 5:00 |
| 4. | "Paala Ponge" | Rajasri | S. P. Balasubrahmanyam, K. S. Chithra | 5:16 |
| 5. | "Kadale Neeku Thalli Thandri" | Rajasri | S. P. Balasubrahmanyam, K. S. Chithra | 5:11 |
| 6. | "Neekatha Needile" | Veturi | S. P. Balasubrahmanyam | 5:14 |
| 7. | "Kadali Meeda Ontariga" | Rajasri | S. P. Balasubrahmanyam, T. Srinivas | 5:16 |
| 8. | "Vanjaram – Bit" | Rajasri | Malaysia Vasudevan | 1:14 |
| Total length: | 38:23 | |||
Reception
[edit]The Indian Express wrote the film is "akin to formula Hindi film" and praised the performances, music and cinematography.[14] Supraja Sridharan of Kalki praised the director for conveying tender romantic feelings in an entertaining manner on the big screen while also praising the cinematography, editing and music.[15]
References
[edit]- ^ "Chembarutti". The Indian Express. 24 April 1992. p. 4. Retrieved 18 April 2024 – via Google News Archive.
- ^ Chamanthi | Telugu Full Movie | Prasanth | Roja | Vasavi | V9 Videos (in Telugu). v9 Videos. 14 November 2016. Event occurs at 9:44 – via YouTube.
- ^ "Prasanth". Sify. Archived from the original on 27 April 2014. Retrieved 27 October 2017.
- ^ Arunachalam, Param. BollySwar: 1991–2000. Mavrix Infotech. p. 439. ISBN 9788193848210.
- ^ "செல்வமணி டைரக்ட் செய்த 'செம்பருத்தி'யில் ரோஜா அறிமுகம்". Maalai Malar (in Tamil). 7 September 2013. Archived from the original on 10 September 2013. Retrieved 14 May 2024.
- ^ "திக்... திக்... நிமிடங்கள்!" (PDF). Kalki (in Tamil). 2 October 2005. pp. 20–23. Retrieved 23 April 2024 – via Internet Archive.
- ^ "Chembaruthi (Original Motion Picture Soundtrack)". Apple Music. 1 January 1992. Archived from the original on 24 April 2024. Retrieved 24 April 2024.
- ^ Kamath, Sudhish (3 September 2012). "The MAESTro's MAGIC continues". The Hindu. Archived from the original on 8 January 2022. Retrieved 8 February 2019.
- ^ Sundararaman 2007, p. 126.
- ^ Sundararaman 2007, p. 134.
- ^ Sundararaman 2007, p. 145.
- ^ Sundararaman 2007, p. 148.
- ^ "Chamanthi". Spotify. August 2014. Archived from the original on 1 January 2023. Retrieved 23 December 2020.
- ^ "Chembarathi". The Indian Express. 1 May 1992. p. 7. Retrieved 8 January 2019 – via Google News Archive.
- ^ ஸ்ரீதரன், சுப்ரஜா (24 May 1992). "செம்பருத்தி". Kalki (in Tamil). p. 46. Archived from the original on 31 March 2023. Retrieved 31 March 2023 – via Internet Archive.
Bibliography
[edit]External links
[edit]Chembaruthi
View on GrokipediaDevelopment
Pre-production
Following the commercial success of his directorial debut Captain Prabhakaran (1991), R. K. Selvamani opted to helm a romantic drama for his next venture, Chembaruthi, marking a shift from action-oriented narratives.[6] The film was produced by Kovaithambi under the banner of Motherland Movies, with Selvamani handling the initial script development to emphasize a lighter tone centered on young love and social contrasts.[7] Pre-production commenced following Captain Prabhakaran, with the film planned as a bilingual production in Tamil and Telugu (released as Chamanthi in Telugu). Ilaiyaraaja was selected as the composer.[7]Casting
Prashanth was cast in the male lead role of Raja. At the time, his debut film Vaigasi Poranthachu (1990) had not yet been released, positioning him as an emerging talent ideal for the youthful, affluent character. Negotiations with Thiagarajan facilitated Prashanth's involvement, aligning with the director's vision for a relatable protagonist in the rich family setup.[8] Roja was chosen for the titular role of Chembaruthi, marking her Tamil cinema debut following her Telugu entry with Prema Yudham (1990).[8] Supporting roles were filled by established actors to ground the film's village and affluent family elements: P. Bhanumathi portrayed the grandmother, providing maternal authority; Nassar played Murugan, adding depth to the familial conflicts; Radha Ravi took on Pandi, embodying rural antagonism; and Mansoor Ali Khan supported as Kumar, enhancing the ensemble's authenticity. Their selections drew on their prior experience in Tamil cinema to balance the newcomers' energy without overshadowing the leads.[9]Plot and characters
Plot
Raja, a wealthy youth raised in America, arrives in a rural Indian village to celebrate his birthday with his grandmother, a wealthy landlord. There, he encounters Chembaruthi, an orphaned maid employed there, and the two quickly develop a romance amid the vibrant village festivals and glimpses into Raja's life abroad through flashbacks. Their budding relationship highlights themes of young love transcending social boundaries, set against the simplicity of rural life.[4] The central conflict arises from family opposition, primarily driven by Raja's grandmother, who disapproves of the union due to stark class differences and arranges Raja's marriage to Pinky, the daughter of a wealthy business associate, to secure familial and commercial alliances. Chembaruthi faces additional pressure from local adversaries, intensifying the couple's determination. In a bold act of defiance, Raja and Chembaruthi elope, only to be ambushed and rescued in a dramatic confrontation with pursuing goons, underscoring the perils of their forbidden love.[4] The narrative culminates in reconciliation as the grandmother witnesses the depth of Raja and Chembaruthi's devotion during the ordeal, leading her to relent and bless their relationship. This resolution emphasizes themes of family unity and the triumph of genuine affection over societal prejudices, providing an uplifting closure to the tale of cross-class romance.[4]Cast
Prashanth portrayed Raja Rathnam, the affluent and romantic young lead from an urban background who falls in love with a village girl, marking one of his early successful roles following his debut in the 1990 film Vaigasi Poranthachu.[10] As a son of actor-director Thiagarajan, Prashanth brought youthful energy to the character, contributing to the film's appeal through his expressive performance in romantic sequences.[11] Roja Selvamani played the titular role of Chembaruthi, a humble and resilient village girl working as a maid, in her Tamil cinema debut after starting her career in Telugu films with Sarpayagam (1991).[2] Her portrayal highlighted the character's simplicity and emotional depth, showcasing her transition from Telugu cinema and establishing strong on-screen chemistry with Prashanth that drove the central romance.[12] In supporting roles, veteran actress P. Bhanumathi appeared as Raja's stern grandmother, Bhuvaneswari, an authoritative family matriarch who initially opposes the lead couple but gradually softens, drawing on her extensive career spanning decades in Tamil and Telugu cinema.[13] Nassar essayed the antagonistic relative Murugan, embodying familial opposition with his intense supporting performance, consistent with his reputation for nuanced villainous roles in Tamil films.[14] Radha Ravi took on the role of Pandi, contributing to the rural ensemble dynamics, while Mansoor Ali Khan provided comic relief as Kumar, infusing humor into the narrative through his lighthearted interactions. Adeen Khan debuted as Pinky, the prospective bride in the arranged marriage subplot. The cast's ensemble balanced urban-rural contrasts, with no notable guest appearances or uncredited roles highlighted in production credits.[13]| Actor/Actress | Character | Role Description |
|---|---|---|
| Prashanth | Raja Rathnam | Affluent romantic lead |
| Roja Selvamani | Chembaruthi | Humble village maid (voice by Rohini) |
| P. Bhanumathi | Bhuvaneswari | Raja's stern grandmother |
| Nassar | Murugan | Antagonistic relative |
| Radha Ravi | Pandi | Supporting rural character |
| Mansoor Ali Khan | Kumar | Comic relief friend |
| Rohini | Chembaruthi (voice) | Voice-over for lead actress |
| Adeen Khan | Pinky | Arranged marriage prospect |
Production
Filming
The principal photography of Chembaruthi was directed by R. K. Selvamani, marking his venture into romantic drama after action films. Cinematographer Ravi Yadav handled the visuals.[15] Editing was performed by V. Udhayashankar, who streamlined the narrative for a runtime of 146 minutes.[16] The production wrapped in time for the film's theatrical release on 17 April 1992.[16]Soundtrack
The soundtrack of Chembaruthi was composed by Ilaiyaraaja, featuring eight songs in Tamil with lyrics primarily penned by Vaali, alongside contributions from Piraisoodan and Muthulingam. According to director R. K. Selvamani, Ilaiyaraaja composed and recorded the tunes for the album in just 45 minutes, showcasing his prolific efficiency during a sitting at his studio.[17] The album's melodic structure blended folk elements with symphonic orchestration, significantly enhancing the film's romantic and dramatic emotional tone through lush instrumentation and heartfelt vocals. Key tracks include the title song "Chembaruthi Poovu," a lively ensemble piece rendered by K. S. Chithra, Mano, and Bhanumathi, which captures the film's central theme of youthful infatuation. Romantic duets such as "Chalakku Chalakku" by S. Janaki and Mano, and "Pattu Poove" by S. P. Balasubrahmanyam and S. Janaki, emphasize playful courtship and longing, while solo numbers like "Ada Vanjiram" by Malaysia Vasudevan add rhythmic energy. Other notable songs are "Nila Kayum Neram" (Mano, S. Janaki), "Kadalile Ezhumbura Alaigal" (S. P. Balasubrahmanyam), "Paala Ponge" (S. P. Balasubrahmanyam, K. S. Chithra), and "Vanjiram Bit" (S. P. Balasubrahmanyam).[18] The recording sessions took place in Chennai, utilizing Ilaiyaraaja's signature orchestra, where a full ensemble of strings, percussion, and wind instruments brought the compositions to life. Prominent playback singers including S. P. Balasubrahmanyam, S. Janaki, Mano, K. S. Chithra, Malaysia Vasudevan, and Bhanumathi contributed, infusing the tracks with emotional depth that mirrored the narrative's themes of class divide and forbidden love. The music's integration elevated key scenes, such as romantic interludes synced with visual cues during filming.[18] A Telugu-dubbed version titled Chamanthi featured eight parallel songs with adapted lyrics, maintaining the original compositions to appeal to Telugu audiences while preserving the album's structure and singers. The soundtrack achieved commercial success upon release, with tracks like "Chembaruthi Poovu" and "Chalakku Chalakku" dominating radio airplay and sales charts in the early 1990s Tamil music scene. Its enduring appeal is evident in digital re-releases and streaming platforms, where the songs continue to garner millions of streams and views, reflecting their timeless popularity among listeners.[18][19]| Track No. | Song Title | Singers | Lyricist |
|---|---|---|---|
| 1 | Chembaruthi Poovu | K. S. Chithra, Mano, Bhanumathi | Vaali |
| 2 | Chalakku Chalakku | S. Janaki, Mano | Vaali |
| 3 | Ada Vanjiram | Malaysia Vasudevan | Piraisoodan |
| 4 | Nila Kayum Neram | Mano, S. Janaki | Vaali |
| 5 | Pattu Poove | S. P. Balasubrahmanyam, S. Janaki | Muthulingam |
| 6 | Kadalile Ezhumbura Alaigal | S. P. Balasubrahmanyam | Vaali |
| 7 | Paala Ponge | S. P. Balasubrahmanyam, K. S. Chithra | Vaali |
| 8 | Vanjiram Bit | S. P. Balasubrahmanyam | Piraisoodan |
