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Christopher Felver
Christopher Felver
Christopher Felver
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Christopher Felver (born October 1946) is an American photographer and filmmaker who has published several books of photos of public figures, especially those in the arts, most notably those associated with beat literature. He has made numerous films (as director, cinematographer or producer), including a documentary on Lawrence Ferlinghetti, Ferlinghetti: A Rebirth of Wonder, released in 2013.

Photography

[edit]

Christopher Felver has photographed numerous writers, intellectuals and filmmakers such as Charles Bukowski, William Burroughs, Noam Chomsky, Gregory Corso, Clint Eastwood, Lawrence Ferlinghetti, Allen Ginsberg, Dennis Hopper, Oliver Stone, Elizabeth Taylor, Hunter S. Thompson and Kurt Vonnegut.[1][2]

His photography has been exhibited internationally, with solo photographic exhibitions at the Arco d'Alibert, Rome (1987); the Art Institute for the Permian Basin, Odessa, Texas (1987); Torino Fotografia Biennale Internazionale, Turin, Italy (1989); Centre Georges Pompidou, Paris (1994); Roosevelt Study Center, Middelburg, Netherlands (1998); Fahey/Klein Gallery, Los Angeles (2002); the Maine Photographic Workshop (2002); Robert Berman Gallery, Los Angeles (2007); the San Francisco Public Library (2018)[3] and other galleries and museums.

His works have also appeared in major group exhibitions, including The Beats: Legacy & Celebration, New York University (1994) and Beatific Soul: Jack Kerouac On The Road, New York Public Library (2007).[4][5][6]

A collection of his photographs is held by the University of Delaware.[7]

Books

[edit]

Some of Felver's books include American Jukebox: A Photographic Journey (Indiana University Press, 2014), a collection of photographs of musicians and singers including Emmylou Harris, Ozzy Osbourne, Odetta, Taj Mahal, and Eartha Kitt; Beat (Last Gasp, 2007) an intimate memoir of image, text, and reminiscence; The Late Great Allen Ginsberg (Thunder's Mouth Press, 2002); The Importance of Being (Arena Editions, 2001), 400 portraits of eminent figures in American arts, letters, music, and politics; Ferlinghetti Portrait (Gibbs Smith Publisher, 1998); Angels, Anarchists & Gods (Louisiana State University Press, 1996), featuring the American avant-garde; The Poet Exposed (Alfred Van der Marck Editions, 1986), a monograph of contemporary American poets; and Seven Days in Nicaragua Libre (City Lights Books, 1984), co-authored with Lawrence Ferlinghetti, based on a week they spent together in Nicaragua with Minister of Culture Ernesto Cardenal.[8][9][10]

His latest book, Tending the Fire: Native Voices and Portraits, a collection of photographs of Native American poets and writers, was published by University of New Mexico Press in April 2017. The book includes an epilogue by Felver, in which he writes, “Native Americans today are as modern as the Space Age, and each in their own way carries forth the cultural heritage ‘from whence they came.’ Their abiding legacy as the first people of this continent has found its voice in the hard-won wisdom of their art and activism."[11][12]

Film

[edit]

Felver directed the 2013 film Ferlinghetti: A Rebirth of Wonder about poet and publisher Lawrence Ferlinghetti, which was reviewed in The New York Times and other publications.[13][14]

He participated in the 53rd Venice International Film Festival, and screened films in festivals and museums around the globe, including presentations at the Library of Congress (2006), the Pan African Film Festival, Los Angeles (2006), Lincoln Center, New York (2005), the Mill Valley Film Festival (1996, 2002), Santa Fe Film Festival (2001, 2005), Northwest West Film Festival, Portland Art Museum (2001), Walker Museum of Art, Minneapolis (2000), Hirshhorn Museum, Washington D.C. (2000), KQED San Francisco (1984, 1999), and WGBH Boston (1984).

The National Gallery of Art in Washington D.C., New York Public Library, and the Museum of Fine Art in Boston have presented retrospectives of his films: Cecil Taylor: All the Notes (2005), Donald Judd’s Marfa Texas (1998), The Coney Island of Lawrence Ferlinghetti (1996), Tony Cragg: In Celebration of Sculpture (1993), John Cage Talks About Cows (1991), Taken by the Romans (1990), West Coast: "Beat & Beyond" (1984), and California Clay in the Rockies (1983).[15]

In 2022, Felver two documentary films: Spirit of Golf (2022) documenting Felver's quest for the "essence of the Auld Scots' game from Pebble Beach to St. Andrews;" and Inside Outside: Anthony Cragg (2022) celebrating Sir Tony Cragg’s sculpture, illuminating his development and thought-processes over the arc of his career.

Other

[edit]

Felver appears as a guest lecturer at universities and art centers. From 1987 to 1989, he was a Visiting Artist at the American Academy in Rome.

His work is collected by numerous libraries and museums, including Stanford University Special Collections; Bancroft Library at University of California, Berkeley; The New York Public Library; Donnell Media Center; San Francisco Public Library; University of California Santa Cruz, Special Collections; University of Buffalo, Poetry/ Rare Books Collection; University of North Carolina Special Collections; San Diego State University; University of Delaware Special Collections; UCLA Special Collections; and University of New Mexico Special Collections, and Yale Collection of Western Americana.[6]

Awards

[edit]

In 1997, Felver received the Best Art Documentary Award at the Cinema Arts Centre International Independent Film Festival, Huntington, New York.[6] In 2018, he was awarded the Gold Medal in the Photography category of the Independent Publisher Book Awards for his book Tending the Fire: Native Voices & Portraits.[16] The same book was also a 2018 finalist (for books published in 2017) in the Photography category of the INDIES Awards of Foreword Reviews.[17]

Representation

[edit]

His photographs are represented and distributed worldwide by Corbis.[18]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Christopher Felver

View on Grokipedia
from Grokipedia
Christopher Felver is an American photographer and filmmaker known for his extensive documentation of mid-20th-century American avant-garde culture, particularly through portraits of Beat Generation poets and other influential figures in literature, music, and the visual arts. His work captures a wide array of cultural icons, including writers such as Allen Ginsberg, Lawrence Ferlinghetti, and Gregory Corso, as well as musicians, artists, and intellectuals, creating a distinctive visual record of this era. Described as a cultural documentarian, Felver's photography and films emphasize an unobtrusive approach that highlights the integrity of his subjects without imposing his own vision. Felver has published several acclaimed books of photography, including The Importance of Being (2001), featuring hundreds of portraits of eminent figures in American arts and letters; Beat (2007), an intimate exploration of Beat literature; Angels, Anarchists & Gods (1996), focusing on the American avant-garde; and Tending the Fire: Native Voices & Portraits (2017), highlighting Native American writers and voices. Other notable publications include Ferlinghetti Portrait (1998) and The Poet Exposed (1986). Introductions to his books have been contributed by prominent figures such as Lawrence Ferlinghetti, Robert Creeley, Amiri Baraka, and Gary Snyder. As a filmmaker, Felver has directed documentaries that further preserve the legacy of avant-garde artists, including Ferlinghetti: A Rebirth of Wonder (2013), Cecil Taylor: All the Notes (2005), and West Coast: Beat & Beyond (1984). His films have been presented in retrospectives at institutions such as the National Gallery of Art in Washington, DC, the New York Public Library, and the Museum of Fine Arts, Boston. Felver's photographs and films have been exhibited widely at venues including the Whitney Museum of American Art, the Centre Georges Pompidou in Paris, La Biennale di Venezia, and the Museum of Contemporary Art in Los Angeles. His archive of over 1,350 portraits of American and European cultural figures stands as a significant contribution to the visual history of postwar creative movements.

Early life and background

Birth and upbringing in Akron

Christopher Felver was born in 1946 in Akron, Ohio. He was raised in Akron, establishing him as a native of the Ohio city who spent his formative years there. Local sources describe him as an Akron native. His upbringing took place in Akron before he later relocated to pursue further opportunities. He majored in history at the University of Miami.

Military service

Christopher Felver served in the U.S. Army after completing his undergraduate studies. In a 2014 interview reflecting on his early post-college years, he briefly described the sequence of events: "After I got out of college, I was in the Army, and then I went up to Alice's Restaurant in Stockbridge, Mass., and started playing guitar with everybody else." No further details regarding the duration, location, or specific nature of his military service are available from documented sources. This phase occurred prior to his pursuit of filmmaking studies in London.

Education and early influences

Academic studies

Christopher Felver majored in history at the University of Miami. This early academic focus preceded his later pursuits in visual arts.

Film school and move to photography

After serving in the U.S. Army following his college studies, Christopher Felver shifted toward visual media, pursuing film studies at the London College of Photography, where he received training in filmmaking. During this time in London, he produced a 30-minute film titled The Last Time I Saw Neal about Neal Cassady. Felver continued his education in filmmaking and cinematography in California after his time in London. His formal training in film provided a foundation that later informed his approach to still photography, as he has noted that his portrait style draws from cinematic techniques, including direct engagement with subjects as if speaking into a camera. This period marked his transition to visual documentation as a primary focus, setting the stage for his career as a photographer and filmmaker.

Photography career

Development as a cultural documentarian

Christopher Felver identifies himself as a cultural documentarian. His distinctive visual signature in black-and-white portraiture constitutes a lasting contribution to the legacy of the national cultural community. This approach emphasizes authenticity and non-intervention, with Felver consistently avoiding the imposition of his own vision upon his subjects. Photographer Ralph Gibson has described Felver's body of work as unique and unparalleled, highlighting the integrity evident in his books and films through the refusal to impose personal vision on subjects, which Gibson calls "the mark of a mature artist" and the basis for Felver's clear cultural contribution, rendering his anthologies the definitive testament to their subjects. Critic John Yau has similarly noted that Felver's projects demonstrate his capacity to engage with others while standing aside to let his subjects speak, reflecting exceptional devotion to authentic representation. This truth-seeking objective, centered on allowing cultural figures to reveal themselves unfiltered, has defined the evolution of Felver's career as a documentarian across decades of consistent production. Felver's photographs and films collectively read like a roster of American mid-century avant-garde figures, preserving an enduring visual record of the nation's cultural backbone.

Portrait style and techniques

Christopher Felver's portrait photography is predominantly executed in black-and-white, creating stark, clear images that emphasize the subject's presence without distraction. His work adopts a documentary approach, functioning as a form of cultural documentation that records prominent artistic and literary figures with restraint and objectivity. Felver maintains a non-interventionist technique, deliberately avoiding the imposition of his own vision on the subject to preserve the integrity of the portrayal. Photographer Ralph Gibson has highlighted this quality, stating that Felver produces definitive works on cultural icons by never imposing his vision upon the subject, a challenging achievement that marks the work of a mature artist. This approach results in portraits that reveal the subject directly, prioritizing truthfulness and essence over stylistic embellishment. His method is often described as a direct portrait style, characterized by straightforward composition and an emphasis on capturing the subject in an authentic manner. This consistent restraint contributes to his distinctive visual signature as a cultural documentarian, focusing on clarity and compositional strength to convey the inherent qualities of his subjects.

Key subjects and collaborations

Christopher Felver is widely recognized for his intimate portraits documenting the Beat Generation and broader mid-century avant-garde cultural scenes. His black-and-white photographs capture key literary and artistic figures, including Allen Ginsberg, Lawrence Ferlinghetti, Gregory Corso, William S. Burroughs, and Charles Bukowski, often in candid or symbolically significant settings such as City Lights Bookstore in San Francisco. He has also portrayed other prominent Beat-associated poets and writers such as Amiri Baraka, Diane di Prima, Carolyn Cassady, Michael McClure, and Ted Joans, emphasizing their roles within the countercultural movement. Felver's work extends to additional avant-garde poetry circles, including Black Mountain poets like Ed Dorn, Robert Creeley, and John Wieners, as well as Language poets such as Clark Coolidge, Charles Bernstein, and Bernadette Mayer. His portraits encompass punk and downtown literary figures including Kathy Acker and Patti Smith, alongside visual artists such as Robert Rauschenberg, Jess, and Francesco Clemente, reflecting his sustained engagement with post-war American artistic rebels and innovators. In addition to literary and visual artists, Felver has photographed a wide range of musicians and composers, including jazz saxophonist Sonny Rollins, experimental composer John Cage, and others representing diverse strands of American music. His access to these cultural icons stems from decades of close proximity to the subjects, enabling extended documentation of poets, writers, artists, and performers who challenged societal norms through their creative expression.

Filmmaking career

Transition to documentary work

Christopher Felver began incorporating documentary filmmaking into his work in the early 1980s, building directly on his established practice as a cultural documentarian. Having built long-term relationships with numerous writers, poets, musicians, and artists through portrait sessions over many years, he incorporated moving images to capture more complete and dynamic aspects of their lives and creative expressions. This shift allowed Felver to extend his portrait practice into the moving image format, often filming the same cultural figures he had previously photographed in order to document their voices, movements, and environments in greater depth. He maintained his characteristic non-intrusive style—remaining "invisible" while fostering deep trust—so subjects could speak candidly and naturally on camera, aligning with his ongoing commitment to truthful, unadorned cultural documentation. His engagement with musicians and the outlaw country scene, including inspiration from earlier films depicting that world, particularly encouraged this expansion into filmmaking as a means to convey the full vitality of his subjects' artistry.

Notable films and videography

Christopher Felver has created an extensive body of documentary films and videography that extends his photographic practice into moving images, focusing primarily on the creative processes, philosophies, and lives of artists, poets, musicians, and other cultural figures. His early works from the 1980s document key artistic movements and communities, beginning with "California Clay in the Rockies" (1983), which examines the West Coast ceramics revolution of the 1950s centered on Peter Voulkos and features prominent figures such as Robert Arneson, Paul Soldner, and Richard Shaw, with commentary from ceramics historian Garth Clark. This was followed by "West Coast: Beat & Beyond" (1984), an exploration of the San Francisco Beat Generation and its enduring legacy, filmed in North Beach and at the Naropa Institute, and featuring Allen Ginsberg, Lawrence Ferlinghetti, Gregory Corso, and other key poets and writers. In 1990, Felver released "Taken by the Romans," which portrays Rome as an ongoing revolutionary setting for painters, sculptors, and conceptual artists across generations, including Giulio Turcato, Sandro Chia, Jannis Kounellis, and Enzo Cucchi, narrated by Giovanni Carandente. Felver's portraits of sculptors form a significant part of his videography, notably "Tony Cragg in Celebration of Sculpture" (1993), which documents the British artist installing exhibitions and working with diverse materials including plastic, glass, stone, wood, and steel across studios and locations in New York, California, London, and Germany. He returned to the subject decades later with "Inside/Outside – Anthony Cragg" (2020), a celebration of Cragg's 50-year sculptural journey, his redefinition of the medium through materials like discarded plastic and bronze, and his evolving perception of the material world, narrated by the artist himself with insights from art historians. "Donald Judd's Marfa Texas" (1998) presents an intimate portrait of the minimalist sculptor at his Chinati Foundation in Marfa, Texas, and his SoHo loft, incorporating Judd's final interview before his death in 1994 and commentary from critic John Yau. In "All the Notes" (2005), Felver profiles the reclusive free jazz pianist Cecil Taylor through performances at venues including Yoshi’s in Oakland, Lincoln Center, and UCLA, as well as discussions with Elvin Jones, Amiri Baraka, and others who illuminate Taylor's status as a master of avant-garde piano. Felver has also produced multiple documentaries on poet Lawrence Ferlinghetti, including "The Coney Island of Lawrence Ferlinghetti" (1996) and the feature-length "Ferlinghetti: A Rebirth of Wonder" (2013), which provides a comprehensive account of Ferlinghetti's role as a catalyst for the Beat movement, publisher of seminal works like "Howl," founder of City Lights Bookstore, and advocate during pivotal cultural moments. These films reflect Felver's consistent approach to cultural documentation, emphasizing direct access to artists' environments, processes, and reflections to preserve their contributions to American and international creative traditions.

Published works

Photographic books

Christopher Felver has published numerous photographic books that focus on portraiture of poets, musicians, writers, artists, and other cultural figures, often emphasizing avant-garde, Beat Generation, and indigenous voices through intimate images accompanied by subjects' own writings or contributions. One of his major works is American Jukebox: A Photographic Journey (2014), which assembles over 240 photographs captured over 25 years of encounters with American musicians and composers, from Doc Watson and John Cage to Mavis Staples and Sonny Rollins, revealing the diversity of musical styles and the human element behind the nation's sonic heritage, supplemented by playlists, autographed lyrics, record sleeves, and musicians' personal reflections. Tending the Fire: Native Voices and Portraits (2017) pairs Felver's commanding portraits of Native American poets and writers with their handwritten poetry or prose, capturing each subject's strength, integrity, and character to illuminate the diversity and complexity of contemporary Native culture through their own passionate stories. Beat (2007) offers the most comprehensive photographic collection of Beat Era personalities, players, and friends in American literature, featuring images of figures such as Kathy Acker, Charles Bukowski, William S. Burroughs, Carolyn Cassady, Gregory Corso, Diane di Prima, Lawrence Ferlinghetti, and many others. The Late Great Allen Ginsberg documents the poet's life from 1980 through 1997 in an intimate photographic history that highlights his sensitivity, love of life, humanitarianism, and central role in the Beat universe through deeply personal portraits. Angels, Anarchists & Gods assembles 200 portraits of eminent figures in American arts, letters, music, and politics who challenge the status quo, celebrating themes of freedom, justice, human decency, unrestrained expression, and progressive struggle. Other notable titles include Seven Days in Nicaragua Libre (1984), a collaboration with Lawrence Ferlinghetti combining the poet's journal entries with Felver's on-the-spot photographs from their week-long visit to Nicaragua as guests of Ernesto Cardenal, as well as Ferlinghetti Portrait, which blends photographs of the Beat poet with some of his best-loved and previously unpublished poems for an insightful intimate view.

Other publications and media

Christopher Felver has contributed occasional written pieces and engaged in media interviews and appearances to discuss his photography, filmmaking, and cultural documentation work. In 2019, he authored a personal essay for LEO Weekly recounting his encounter and photographic session with Hunter S. Thompson, titled "That Time When Hunter S. Thompson Stopped for a Photo." Felver has also participated in television segments and magazine interviews highlighting his projects. In April 2018, he appeared on KPIX CBS Bay Area to discuss his photographic book Tending the Fire: Native Voices & Portraits and share insights into his portraiture of Native American subjects. In February 2013, he gave an interview to Filmmaker Magazine, responding to questions about directing his documentary Ferlinghetti: A Rebirth of Wonder. His perspectives and contributions have additionally been featured through profiles and discussions in outlets such as Hyperallergic and other cultural publications.

Exhibitions and collections

Major exhibitions

Christopher Felver's photographs and films have been presented in numerous solo and group exhibitions internationally, spanning several decades and focusing primarily on his portraits of Beat Generation figures, poets, artists, and other cultural icons. His solo exhibitions often highlight thematic bodies of work such as portraits of American poets, Beat-related subjects, and broader artist documentation. Early solo shows established his reputation with exhibitions like The Poet Exposed at Gotham Book Mart in New York in 1987, Ritrati di Artisti at Arco d’Alibert in Rome in 1987, and The Face of Art at the Torino Fotografia Biennale Internazionale in Italy in 1989. A major milestone came with Regards sur La Generation Beat at the Centre Georges Pompidou in Paris in 1994, which showcased his extensive documentation of Beat Generation personalities. Subsequent solo exhibitions included Angels, Anarchists & Gods at the Roosevelt Study Center in Middleburg, Netherlands in 1998 and Accidental Happenstance at George Krevsky Gallery in San Francisco in 1996. Felver also presented film retrospectives as solo exhibitions at prominent institutions, including the National Gallery of Art in Washington, D.C. in 2000, the New York Public Library's Donnell Media Center in 2003, and the Museum of Fine Arts in Boston in 2004. In the 2000s and 2010s, his work continued to appear in solo gallery presentations such as The Importance of Being at Fahey/Klein in Los Angeles and the Maine Photographic Workshop in Rockport in 2002, multiple iterations of Beat at Robert Berman Gallery in Los Angeles in 2007 and elsewhere, and The Importance of Being at Zane Bennett Contemporary Art in Santa Fe in 2012. Later exhibitions featured themes tied to specific figures, including Imagination of American Poets at the San Francisco Public Library in 2018 and 100 Jahre – Ferlinghetti Und Die Beat Generation in Düsseldorf, Germany in 2019. More recently, Whole Shebang was presented at the Sausalito Center for the Arts in Sausalito, California in 2024. Felver's portraits have also appeared in significant group exhibitions, including Beatific Soul: Jack Kerouac On The Road at the New York Public Library in 2007, Blues for Smoke at the Museum of Contemporary Art in Los Angeles and the Whitney Museum of American Art in New York in 2012, and various Ferlinghetti-focused shows such as Lawrence Ferlinghetti: Painter, Poet & Pacifist at the Triton Museum of Art in Santa Clara in 2022.

Institutional holdings

Christopher Felver's photographs are preserved in several institutional collections, primarily in university libraries and special collections that focus on literary, artistic, and cultural archives. The University of Delaware Library, Special Collections holds the Christopher Felver portrait collection, comprising 79 black and white photographic portraits of prominent twentieth-century artistic and literary figures. This archive documents key cultural icons through Felver's distinctive style and serves as a resource for researchers studying twentieth-century American arts and letters. The UCLA Library Special Collections maintains the Christopher Felver photographs, spanning 1980 to 2011, which include eighteen portraits of Beat Generation luminaries and seven poets. This focused holding highlights Felver's documentation of key literary movements during those decades. Felver's works are also collected by Stanford University Special Collections and the Bancroft Library at the University of California, Berkeley, among other academic institutions. These holdings reflect the broad recognition of his contributions to visual documentation of American cultural figures.

Recognition and legacy

Awards and honors

Christopher Felver has received several awards and honors recognizing his work as a photographer and documentary filmmaker, particularly for his books and films documenting cultural figures. His book Tending the Fire: Native Voices & Portraits earned the Gold Medal in the Photography category at the 2018 Independent Publisher Book Awards. The same title was a finalist in the Photography category of the 2017 Foreword INDIES Awards and received the 2017 Northern California Book Reviewers Recognition Award. His earlier book American Jukebox was a finalist in the 2014 INDIEFAB Book of the Year Awards. For his filmmaking, Felver received the Best Art Documentary Award at the Cinema Arts Centre International Independent Film Festival in Huntington, New York, in 1997. In recognition of his broader cultural documentation, particularly of Beat Generation and related figures, the National Beat Poetry Foundation named him a New Generation Lifetime Beat Poet Laureate in 2025. Felver also held a residency as Visiting Artist at the American Academy in Rome from 1988 to 1989, during which he created over 250 portraits of European artists.

Cultural impact

Christopher Felver's work as a photographer and filmmaker stands as a significant contribution to the documentation and preservation of mid-century American avant-garde culture. Described as a cultural documentarian, his distinctive visual signature has provided a lasting addition to the legacy of the national cultural community through decades of portraits and films capturing key artistic figures. Felver's images and documentaries have played a key role in preserving the visual history of the Beat Generation, jazz musicians, and related artistic communities. His book Beat offers a comprehensive overview of Beat Generation writers and poets, serving as an important visual record of the movement's icons and their milieu. His portraits and films extend to composers like John Cage and other creative personalities, helping to sustain the cultural memory of these innovative scenes. His long-term commitment to bearing witness to these communities has influenced how their legacies are perceived, offering an enduring archive that connects past avant-garde expressions to contemporary audiences. In a 2024 interview reflecting on his career spanning over three decades, Felver discussed his ongoing dedication to documenting American and international cultural pulses, underscoring the enduring relevance of his approach to artistic preservation.

References

  1. https://chrisfelver.com/about/
  2. https://zanebennettgallery.com/artists/338-christopher-felver/
  3. https://www.summahealth.org/art/visual-arts/felver
  4. https://oac.cdlib.org/findaid/ark:/13030/kt5z09r7dr
  5. https://www.beaconjournal.com/story/entertainment/arts/2022/11/30/public-to-chat-with-akron-born-filmmaker-felver-at-nightlight-screenings/69690126007/
  6. http://www.robertbermangallery.com/news/christopher-felver2
  7. https://www.marinij.com/2007/06/12/sausalito-photographers-book-relives-beat-days/
  8. https://oac.cdlib.org/findaid/ark:/13030/kt5z09r7dr/entire_text/
  9. https://www.all-about-photo.com/photographers/photographer/1357/christopher-felver
  10. https://chrisfelver.com/portraits/
  11. https://oac.cdlib.org/findaid/ark:%2F13030%2Fkt5z09r7dr
  12. https://findingaids.lib.udel.edu/repositories/2/resources/766
  13. https://chrisfelver.com/books/
  14. https://store.cooph.com/en-us/blogs/projects/the-timeless-portraits-of-christopher-felver
  15. https://hyperallergic.com/christopher-felver-portrait-of-an-invisible-portraitist/
  16. https://filmmakermagazine.com/64449-five-questions-with-ferlinghetti-a-rebirth-of-wonder-director-christopher-felver/
  17. https://www.powmagazine.org/powmagazine/felver-libre-chris-felver-interview-30-years-in-the-making/
  18. https://chrisfelver.com/films/
  19. https://www.imdb.com/name/nm0271682/
  20. https://iupress.org/9780253014023/american-jukebox/
  21. https://www.unmpress.com/9780826356451/tending-the-fire/
  22. https://www.leoweekly.com/2019/07/time-hunter-s-thompson-stopped-photo/
  23. https://sanfrancisco.cbslocal.com/2018/04/30/photographer-chris-felver-shares-his-book-tending-the-fire-native-voices-portraits/
  24. https://chrisfelver.com/media/
  25. https://chrisfelver.com/exhibitions/
  26. https://guides.library.ucla.edu/c.php?g=180906&p=2527352
  27. https://www.etown.edu/depts/fine-arts/files/PrintCatalog.pdf
  28. http://www.ippyawards.com/128/medalists/2018-medalists-categories-1-42
  29. https://www.forewordreviews.com/awards/finalists/2017/photography/
  30. http://www.robertbermangallery.com/artists/christopher-felver
  31. https://beatlife.org/our-2025-poet-laureates/
  32. https://artguide.artforum.com/uploads/guide.001/id29928/press_release.pdf
  33. https://krevskyfineart.com/artists/christopher-felver-broken/chris-felver-bio/
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