Hubbry Logo
City for ConquestCity for ConquestMain
Open search
City for Conquest
Community hub
City for Conquest
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
City for Conquest
City for Conquest
City for Conquest
View on Wikipedia
from Wikipedia

City for Conquest
Theatrical release poster
Directed byAnatole Litvak
Jean Negulesco (uncredited)
Screenplay byJohn Wexley
Based onCity for Conquest
1936 novel
by Aben Kandel
Produced byAnatole Litvak
Hal B. Wallis (uncredited)
StarringJames Cagney
Ann Sheridan
Arthur Kennedy
Frank Craven
Anthony Quinn
Elia Kazan
CinematographyJames Wong Howe
Sol Polito
Edited byWilliam Holmes
Music byMax Steiner
Distributed byWarner Bros. Pictures
Release dates
  • September 9, 1940 (1940-09-09) (Los Angeles)[1]
  • September 27, 1940 (1940-09-27) (New York)[2]
Running time
104 minutes
CountryUnited States
LanguageEnglish
Budget$920,000[3]
Box office$1,794,000[3]

City for Conquest is a 1940 American epic drama film directed by Anatole Litvak and starring James Cagney, Ann Sheridan and Arthur Kennedy.[4][5] The film is based on the 1936 novel of the same name by Aben Kandel. The supporting cast features Elia Kazan, Anthony Quinn, Donald Crisp, Frank McHugh, Frank Craven and Lee Patrick.

Plot

[edit]

A vagabond arrives in New York and is instantly enamored with the city. Traveling through the poorer side of town, he meets Danny Kenny, who shows a talent for boxing but does not aspire to become a professional fighter. Danny's girlfriend Peggy is a skilled dancer who dreams of becoming a star.

Years later, despite once having won a New York Golden Gloves title, Danny takes a job as a truck driver. To fund his brother Eddie's tuition at a music school, Danny begins to box professionally under the name of Young Samson. He quickly rises through the welterweight ranks to become a title contender.

One night, while at a dance club with Danny, Peggy is swayed by Murray Burns, a local dancing champion. Murray asks Peggy to become his professional dance partner, insulting Danny in the process. Peggy agrees but soon learns that Murray is a domineering man who constantly tries to control her life and even sexually abuses her.

Just before their wedding, Peggy rejects Danny in a letter, as her dancing career is advancing rapidly. Embittered by Peggy's change of mind, Danny continues to thrive in the ring and earns a chance to fight for the world welterweight title. During the title fight, Danny gains the upper hand. However, the champion cheats by deliberately blinding Danny with rosin-dusted gloves. While Peggy listens to the fight on the radio, Danny takes a severe beating and loses. Peggy becomes so distraught that she is unable to take the stage that night. Her career as a successful dancer ends, and she is reduced to dancing in local shows for low wages.

Danny quits boxing because of his damaged eyesight and opens a newsstand with help from his manager, gaining many regular customers. Eddie becomes a successful composer of Broadway songs, but his true love is instrumental music. Danny persuades Eddie to pursue his true calling and continue to work on creating a symphony about New York City. Eddie dedicates his first major symphony at Carnegie Hall to Danny, who proudly listens to the performance on the radio from his newsstand. Sensing Danny's soul in the music, Peggy decides to talk to him despite believing that he is still angry at her. At the newsstand, the two tearfully profess their love for each other and decide to resume their relationship.

Cast

[edit]

Production

[edit]

George Raft was originally intended to appear opposite Cagney,[6] but Anthony Quinn played his part in the film.[7]

The tramp who appears and narrates the film is portrayed by Frank Craven as a sort of urban parody of his role as the stage manager in Our Town, which he had filmed just before City for Conquest.

Reception

[edit]

In a contemporary review for The New York Times, critic Bosley Crowther wrote: "To folks who vision New York in strictly tabloid terms, we can heartily recommend this compendium of life's little tragedies. For it has about everything that the Warners dish up very well—the East Side slums, taxi dance halls, Stillman's gymnasium, prize fights, gangsters, pent house parties, burlesque cuties. ... But mainly it has Jimmy Cagney and Ann Sheridan to play the broken-hearted love story of a prizefighter who goes blind and a professional dancer ... Any picture that has Mr. Cagney and Miss Sheridan is bound to be tough and salty, right off the city' s streets. And this one is."[2]

Critic Edwin Schallert of the Los Angeles Times wrote: "'City for Conquest' is permeated with an idealism that makes it far more worth while [sic] than most pictures detailing events in the quick-money areas of New York City. It is directed with more style than might be normally anticipated in a story of prizefighting, and night club and stage life. 'City for Conquest' unquestionably mixes values and may not find popularity with those who prefer patterned entertainment, but many will undoubtedly discover in the result far more worth than prevails in the majority of productions."[1]

According to Warner Bros. records, the film earned $1,156,000 domestically and $638,000 in foreign markets.[3]

Home media

[edit]

City for Conquest was released by Warner Home Video on July 18, 2006, as a Region 1 full-screen DVD and again on October 12, 2010, on the first of four discs in the TCM Greatest Gangster Films Collection: James Cagney.

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

City for Conquest

View on Grokipedia
from Grokipedia
City for Conquest is a 1940 American epic drama film directed by and starring as Danny Kenny, a from New York City's who enters the world of to finance his younger brother Eddie's musical education, only to suffer blindness in a rigged championship bout that derails his life while his brother achieves success as a composer. The film, produced by , adapts the 1936 novel of the same name by Aben Kandel and features a screenplay by John Wexley, running 101 minutes in black-and-white with mono sound. Alongside Cagney, the cast includes as Danny's ambitious dancer girlfriend Peggy Nash, in his feature film debut as Eddie, as a supportive trainer, as a shady promoter, and an early screen appearance by as a neighborhood thug. Released on September 21, 1940, the movie explores themes of urban struggle, ambition, and redemption amid the gritty backdrop of Depression-era New York, blending elements of sports drama, romance, and . Critically, it holds an 80% approval rating on based on five reviews, praised for its dramatic intensity and Cagney's charismatic performance, though some noted its uneven pacing and sentimental conclusion. Variety lauded the film for its "plenty of dramatic punch," highlighting its engaging prizefight sequences and emotional depth upon its original release.

Overview

Plot

The film City for Conquest is framed by the narration of an "Old Timer," a vagabond who arrives in and becomes captivated by its relentless energy, poetically describing it as a "city for conquest" that demands ambition and resilience from its inhabitants. He recounts the intertwined stories of childhood friends from the slums: Danny Kenny, a hardworking with a penchant for ; his younger brother Eddie, a gifted dreaming of composing; and Danny's devoted girlfriend Peggy Nash, an aspiring dancer eager to escape poverty. Danny turns to under the "Young Samson" to fund Eddie's music education at a conservatory and to match Peggy's drive for success. As rises through the ranks, guided by his manager Scotty MacPherson, he faces mounting conflicts, including a betrayal in a fixed fight orchestrated by the Dutch and intense rivalries with boxers like Cannonball . Meanwhile, Peggy wins a contest and partners with the opportunistic Murray Burns, prioritizing her burgeoning career in the city's , which strains her relationship with Danny and leads to their separation. Eddie's talent grows as he absorbs the of urban sounds—from elevated trains to street vendors—composing an ambitious piece titled "Magic Isle ." Danny's determination pushes him to a bout, but during the fight, his opponent smears on his gloves, causing severe eye injuries that leave him blind. Blinded and retired from , Danny adapts by working as a , finding quiet purpose in helping others while with his loss. His old friend Googi, now entangled in the , seeks revenge against Dutch for the dirty fight but is killed in the ensuing violence. Eddie achieves success when "Magic Isle Symphony" premieres to acclaim at , a triumphant moment attended by Danny, who takes pride in his sacrifices. In the end, Peggy returns to Danny, recognizing the enduring bond forged in their shared struggles, as the Old Timer reflects on the city's unyielding spirit that conquers through perseverance.

Cast

The cast of City for Conquest features a strong ensemble that brings depth to the film's portrayal of New York City's underbelly, highlighting the struggles and ambitions of working-class characters through gritty, authentic performances. Led by stalwarts, the actors embody the urban drama's themes of sacrifice, aspiration, and resilience, with several delivering notable early-career turns that underscore the movie's ensemble-driven narrative. James Cagney stars as Danny Kenny, a self-sacrificing who turns to to support his family, delivering a layered performance that captures the protagonist's quiet heroism and physical toll. plays Peggy Nash, Danny's ambitious love interest and an aspiring dancer whose pursuit of stardom strains their relationship, infusing the role with a mix of vulnerability and determination. makes his screen debut as Eddie Kenny, Danny's talented younger brother and a gifted aspiring to compose symphonies, providing an emotional anchor as the family's hopeful dreamer. portrays the Old Timer, a philosophical streetwise narrator who observes and comments on the city's harsh realities, serving as a folksy guide through the ensemble's interconnected stories. Anthony Quinn appears in an early role as Murray Burns, a sleazy and promoter who lures Peggy into the world, marking a villainous turn that showcases his intense screen presence before achieving stardom. Donald Crisp is cast as Scotty MacPherson, the honest and paternal manager who guides Danny's career with integrity amid corruption. Jerome Cowan plays Dutch, the corrupt fight fixer who manipulates the boxing underworld, adding tension through his scheming . In supporting roles, takes one of his rare acting parts as Googi, Danny's childhood friend who rises as a flamboyant , contributing to the film's depiction of neighborhood loyalties gone awry in this, his screen debut. as Mutt and as Pinky provide and camaraderie as Danny's loyal pals from the streets. Lee Patrick appears as Gladys, a performer, while plays Mrs. Nash, Peggy's stern mother who influences her daughter's choices. has a brief role as Lilly, one of the ensemble's colorful minor figures in the city's nightlife scene.

Background and Development

Source Material

City for Conquest is a written by Aben Kandel, an American with a background in and , and published in 1936 by Covici-Friede. The work, spanning 476 pages, became a and depicts the rise and fall of over a dozen interconnected characters in across multiple decades. The employs a , episodic structure to portray the city's diverse landscapes, from elites to the tenements of Death Avenue and riverfronts, emphasizing themes of urban ambition and poverty. an ensemble of characters engaged in varied pursuits, including , , , and , with central figures such as (a boxer), Eddie (a ), and Peggy (a dancer) anchoring the narrative amid broader subplots involving idealists, bohemians, criminals, and the driven. Kandel's experience as a pulp writer contributes to the gritty, dynamic tone that captures New York's volatile social patterns and inequalities. Upon publication, the novel received praise for its vivid and poignant portraiture of New York life, though some critics noted its energetic style as reminiscent of but less frenetic than John Dos Passos's . Later assessments, such as a Kirkus review of a reprint, highlighted its tragic scope and suggested it merited greater recognition beyond its initial audience. The expansive cast and subplots were later condensed in the 1940 film adaptation.

Pre-Production

acquired the rights to Aben Kandel's 1936 novel City for Conquest and announced the film project in November 1939 as a starring vehicle for . John Wexley penned the screenplay, condensing the 's expansive multi-character epic—spanning the rise and fall of over a dozen figures across decades—into a streamlined narrative focused on three central protagonists: truck driver and boxer Danny Kenny, his aspiring composer brother Eddie, and Danny's dancer girlfriend Peggy Nash, with an emphasis on themes of familial sacrifice and urban ambition. provided uncredited revisions to polish the script, though the extent of his contributions remains unclear. Anatole Litvak was assigned as director in early 1940, with the studio allocating a budget of $920,000 for the production. Filming was scheduled to begin on May 31, 1940, reflecting ' push to capitalize on Cagney's popularity following his recent successes. Casting proceeded with Cagney secured as Danny Kenny, the working-class boxer who risks his future for his brother's dreams. was initially tapped for the supporting role of the sleazy gangster Murray "Goldie" Burns but exited due to scheduling conflicts, opening the part for . was chosen as Peggy Nash to reunite with Cagney, leveraging their established on-screen chemistry from prior films. earned the role of Eddie Kenny after a successful , marking his Hollywood debut after stage work in New York.

Production

Filming

Principal photography for City for Conquest took place primarily at the studios in , beginning on May 31, 1940. The production, under the direction of , emphasized the film's gritty urban atmosphere to capture the struggles of 's working-class neighborhoods. Limited location shooting occurred over three weeks in to provide authenticity for key exterior sequences, including establishing shots of the at the film's opening. The majority of the narrative, set amid the Lower East Side's tenements, boxing gyms, and cultural venues like , was recreated on studio sets to depict the characters' environments. Litvak's on-set approach focused on fluid, dynamic movement to convey the city's relentless , though production faced challenges when he suffered an eye injury, leading to assume directing duties for a short period and handle uncredited reshoots of dramatic scenes. James Cagney's portrayal of boxer Danny Kenny included intense ring sequences filmed at the studio, contributing to the 's realistic portrayal of the sport's physical toll. The principal photography wrapped in time for the film to be finalized at a runtime of 104 minutes.

Technical Aspects

The cinematography of City for Conquest, handled by and Sol Polito, employs to capture the gritty energy of , with innovative camera angles and lighting techniques enhancing the intensity of the boxing ring sequences to emphasize physical strain and dramatic tension. Howe's contributions, drawing on his expertise in and dynamic shot composition, contribute to the film's vivid urban portrait, though the production also utilized montage elements in key transitional scenes to blend action and emotional beats. The film's musical score, composed by , masterfully weaves orchestral swells with integrated urban soundscapes, incorporating elements like automobile horns and crowd noises to evoke the relentless pulse of . Central to this is the in-story "Magic Isle Symphony," an original composition performed during Arthur Kennedy's piano scenes as the aspiring musician Eddie Kenny, where Kennedy improvises themes reflecting the city's chaotic rhythm and dreams. The sound , overseen by E.A. Brown, further amplifies this ambiance through authentic recordings of street noises and metropolitan bustle, creating an immersive auditory backdrop to the narrative. Editing by William Holmes establishes a rhythmic pacing that alternates between high-energy action and introspective drama, ensuring a fluid progression through the characters' intertwined ambitions. Complementing these efforts, Robert Haas meticulously recreated 1930s New York tenements, including detailed sets for the locales like 69th Street, to ground the story in period-specific urban realism.

Release and Reception

Premiere and Box Office

City for Conquest had its New York premiere on September 27, 1940, at the Strand Theatre in . The film drew capacity crowds at the premiere venue and was held over for a second week, breaking local attendance records. Warner Bros. followed with a wide U.S. release shortly after the New York debut. Marketing emphasized the star power of and , using the tagline "A story with all the fire and fury of its two great stars!" Distributed by -First National Pictures, the release occurred amid the U.S. buildup to . Produced on a budget of $920,000, City for Conquest earned $1,156,000 domestically and $638,000 internationally, for a worldwide total of $1,794,000. The film proved profitable for , though it did not rank among the studio's top-grossing releases of 1940, such as Santa Fe Trail. The picture saw re-releases in the late 1940s, including a 1948 version with edited footage to shorten runtime for theaters and early television syndication. By the 1950s, it entered broader TV distribution, capitalizing on Cagney's enduring popularity.

Critical Response

Upon its release, City for Conquest received generally positive reviews from contemporary critics, who appreciated its idealistic portrayal of urban struggle and the star power of its leads. Bosley Crowther of The New York Times commended the Warner Bros. production for its compassionate depiction of New York's diverse populace, likening it to a symphony of the city's discords, and highlighted the tough, salty chemistry between James Cagney and Ann Sheridan, with Sheridan delivering emotional depth and Cagney providing his characteristic punch. Variety praised the film's dramatic intensity and its natural fit for Cagney as an ambitious truck driver turned boxer, forecasting strong box-office appeal due to the vigorous performances and ambitious New York backdrop, though acknowledging the melodramatic tone in elements like the symphony subplot. Criticisms focused on structural weaknesses, with some reviewers deeming the contrived in its coincidences and overly sentimental in its resolutions. Crowther specifically faulted the uneven pacing, noting a slow buildup to the central prizefight sequence followed by a sagging, agonized conclusion that made the two-hour runtime feel protracted, particularly in the handling of subplots involving family sacrifices and romance. In modern assessments, the film maintains solid retrospective regard, earning a 7.2 out of 10 rating on from over 2,900 user votes. It holds an 80% Tomatometer score on based on five critic reviews, reflecting appreciation for its emotional resonance amid the era's . Film histories often highlight Cagney's nuanced performance as the angst-ridden protagonist, with co-star later describing him in his as a "force of nature" whose spontaneous, honest energy infused the role with raw vulnerability, elevating the clichéd drama.

Analysis

Themes

City for Conquest explores themes of sacrifice and bonds through the Danny Kenny's decision to pursue to finance his brother Eddie's musical , culminating in Danny's blindness during a rigged title fight that ensures Eddie's debut. This act underscores familial duty over personal gain, positioning Danny as a selfless figure whose physical toll enables intellectual aspiration within their working-class Irish-American . The film juxtaposes physical ambition in the brutal world of against intellectual pursuits in music, critiquing the as a path fraught with moral compromise and suffering in New York City's unforgiving landscape. Danny's entry into the ring, driven by economic necessity rather than glory, contrasts with Eddie's composition of the "Magic Isle Symphony", which symbolizes hope and renewal amid urban poverty and immigrant struggles for respectability. This duality highlights the city's role as a demanding character that tests resilience, rewarding communal endurance over individual conquest. Gender roles emerge through Peggy Nash's independence as an aspiring dancer, who urges Danny toward while pursuing her own , reversing traditional dynamics and emphasizing mutual sacrifice in their relationship. The critiques in sports and via gangster Googi's influence on the underworld and the fixed fight that blinds Danny, exposing how ambition in these arenas erodes . Old Timer's folksy narration, interspersed with montage sequences of city life, reinforces the theme of collective struggle, framing the characters' personal trials within the broader tapestry of urban survival.

Style and Influences

The film's cinematic style prominently features epic montage sequences that blend the pulsating energy of urban life with intimate personal stories, creating a rhythmic portrait of New York City's underbelly. The opening sequence, narrated by the Old Timer character, employs a personalized montage to weave the city's vastness into the protagonists' fates, a technique that marked a shift toward more subjective in Hollywood cinema. This approach not only captures the collective spirit of the metropolis but also foreshadows the individual ambitions and sacrifices at the story's core. In the sequences, rhythmic drives the action, echoing silent-era techniques through rapid cuts synchronized with punches and to heighten tension and physicality. These montages transform fights into balletic spectacles, underscoring the brutal of the ring while paralleling the era's language. The poetic narration delivered by the Old Timer further enhances this style, evoking Walt celebratory odes to urban vitality and human resilience amid industrial grit. Drawing from 1930s social dramas like Dead End (1937), the film inherits a gritty realism in portraying slum life, class struggles, and moral compromises in American cities. It shares thematic parallels with Golden Boy (1939), particularly in contrasting the worlds of music and , where artistic dreams collide with the raw demands of prizefighting. Director Anatole Litvak's European émigré perspective—shaped by his pre-Hollywood career in French and German cinema—lends a humanistic depth to these American settings, emphasizing empathy for characters navigating systemic hardships. Cinematographer James Wong Howe's lighting techniques amplify emotional intensity, casting stark shadows in boxing rings and night scenes to symbolize inner conflict and moral ambiguity. Complementing this, Max Steiner's score innovatively fuses rhythms with symphonic structures, as seen in the "Tone Poem" sequence, to evoke the modernity of urban culture while underscoring the narrative's blend of aspiration and tragedy.

Legacy

Cultural Impact

City for Conquest (1940) represented a pivotal moment in James Cagney's career, allowing him to demonstrate a broader dramatic range beyond his established tough-guy persona, as seen in his portrayal of the self-sacrificing boxer Danny Kenny. This shift highlighted Cagney's versatility, moving from the more caricatured roles of to a more nuanced depiction of urban struggle and resilience. The film also served as an early showcase for , marking one of his initial major screen appearances as Cagney's aspiring musician brother, and for in a supporting role as a streetwise promoter, both of whom would go on to prominent careers. Directed by , a Russian émigré who had honed his craft in European cinema before transitioning to Hollywood, the production underscored Litvak's contributions to the as part of a wave of immigrant filmmakers bringing international perspectives to American narratives. As part of the cycle of urban melodramas, City for Conquest influenced depictions of life and the genre, emphasizing themes of ambition and familial sacrifice amid gritty metropolitan settings. It has been analyzed in scholarly examinations of films for its role in evolving the genre's portrayal of male identity and . The film's cultural footprint extended to contemporary media, including a parody in the January 19, 1941, episode of , which satirized its dramatic elements. Its narrative structure contributed to the tradition of later dramas, such as (1962), by reinforcing the archetype of the tragic prizefighter. Released during the economic recovery from the and in the lead-up to U.S. involvement in , City for Conquest resonated with audiences through its affirmation of perseverance and the pursuit of the in an era of cautious optimism. Though not yet inducted into the , the film is among those considered eligible for preservation due to its enduring cultural depiction of striving and urban fortitude.

Home Media and Preservation

The film City for Conquest made its debut on with a standalone DVD release from Warner Home Video on July 18, 2006, featuring a high-quality transfer with minimal wear and English subtitles for the deaf and hard of hearing. It was later included in the TCM Greatest Gangster Films Collection: , a two-disc set released on September 7, 2010, alongside 'G' Men (1935), (1939), and White Heat (1949), which highlighted Cagney's gangster roles and provided contextual . As of November 2025, no official Blu-ray edition has been released, though fan demand persists for an upgraded high-definition version from Warner Archive. Since 2010, the film has been accessible via (TCM) streaming services, often tied to programming blocks celebrating classic titles and James Cagney's career. Original 35mm prints are preserved in the vault and have been screened at international film festivals, such as the 2024 Il Cinema Ritrovato in , where a 35mm presentation underscored its visual style and historical significance. No major digital or photochemical restorations have been documented, though the existing prints maintain the film's original black-and-white without significant degradation. continues to hold the distribution rights, confirming the film is not in the despite occasional unauthorized "public domain" releases. In modern viewing contexts, City for Conquest receives frequent airings on TCM, including during the 2025 Summer Under the Stars tribute to Cagney, which aired the film alongside his other works to draw renewed audiences. Digital rentals and purchases are available through platforms like , where it can be downloaded in standard definition for $3.79 as of late 2025, facilitating home access amid a resurgence in classic film appreciation. These revivals, including screenings and TCM broadcasts, have contributed to increased viewership, introducing the film to new generations while preserving its status as a key entry in Warner Bros.' prewar drama catalog.

References

  1. https://www.tcm.com/tcmdb/title/612/city-for-conquest
  2. https://www.imdb.com/title/tt0032342/
  3. https://www.rottentomatoes.com/m/city_for_conquest
  4. https://variety.com/1939/film/reviews/city-for-conquest-1200413071/
  5. https://archive.org/download/pressbook-wb-city-for-conquest/pressbook-wb-city-for-conquest.pdf
  6. https://dennisschwartzreviews.com/cityforconquest/
  7. https://anttialanenfilmdiary.blogspot.com/2024/06/city-for-conquest.html
  8. https://www.imdb.com/title/tt0032342/soundtrack/
  9. https://www.imdb.com/title/tt0032342/fullcredits
  10. https://brightlightsfilm.com/hell-is-for-angels-the-tragedy-of-herman-cohen-and-aben-kandel/
  11. https://www.nytimes.com/sitemap/1936/03/08/
  12. https://archive.org/stream/showmenstraderev32lewi/showmenstraderev32lewi_djvu.txt
  13. https://www.amazon.com/City-Conquest-Lost-Urban-Classics/dp/141285606X
  14. https://www.jstor.org/stable/2921140
  15. https://www.nytimes.com/1939/11/08/archives/screen-news-here-and-in-hollywood-george-raft-will-be-teamed-with.html
  16. https://catalog.afi.com/Catalog/MovieDetails/5091
  17. https://eriklundegaard.com/item/movie-review-city-for-conquest-1940
  18. https://www.imdb.com/title/tt0032342/faq
  19. https://www.classicfilmnoir.com/2023/10/city-for-conquest-1940.html
  20. https://newsite.flickeralley.com/the-life-and-times-of-arthur-kennedy/
  21. https://www.britannica.com/topic/City-for-Conquest
  22. https://www.nytimes.com/1940/09/28/archives/the-screen-cagney-and-sheridan-in-city-for-conquest-at-the.html
  23. https://www.ultimatemovierankings.com/1940-top-grossing-movies/
  24. http://ndl.ethernet.edu.et/bitstream/123456789/76835/1/118.pdf
  25. https://dokumen.pub/reinventing-hollywood-how-1940s-filmmakers-changed-movie-storytelling-9780226487892.html
  26. https://dokumen.pub/city-that-never-sleeps-new-york-and-the-filmic-imagination-9780813541341.html
  27. http://themovieprojector.blogspot.com/2008/11/body-and-soul-knockout-of-movie.html
  28. https://fourstarfilmfan.com/2019/08/
  29. https://mubi.com/en/notebook/posts/a-master-without-a-masterpiece
  30. https://www.classicfilmnoir.com/2025/03/flesh-and-fury-1952.html
  31. https://maxsteinerinstitute.org/instance.php?film_id=32&theme=Tone%2BPoem%2BD&variant=Main%2BTitle&cue=City-5
  32. http://www.lolajournal.com/5/survival.html
  33. https://www.otrcat.com/p/jack-benny
  34. https://brightlightsfilm.com/rocky-died-yellow-matinee-polemics/
  35. https://www.loc.gov/programs/national-film-preservation-board/film-registry/films-not-yet-named-to-the-registry/
  36. https://dvd.fandom.com/wiki/City_for_Conquest
  37. https://www.dvdtalk.com/dvdsavant/s2052city.html
  38. https://www.lovingtheclassics.com/tcm-greatest-gangster-films-collection-james-cagney-on-dvd.html
  39. https://forum.blu-ray.com/showthread.php?t=334270
  40. https://www.blu-ray.com/James-Cagney/100462/
  41. https://festival.ilcinemaritrovato.it/en/aspettando-il-cr2024/
  42. https://assets.tcm.com/projects/nowplaying/pdfs/2025/August/NPN_AUG25_PrimetimeSchedule_Final2.pdf
  43. https://www.justwatch.com/us/movie/city-for-conquest
  44. https://www.theculturist.com/home/il-cinema-ritrovato-2024-roundup
Add your contribution
Related Hubs
User Avatar
No comments yet.