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Connor Jessup
Connor Jessup
Connor Jessup
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Connor William Jessup (born June 23, 1994) is a Canadian actor.[1][2][3] He is known for his roles as Ben Mason on the TNT science fiction television series Falling Skies (2011–2015), Taylor Blaine and Coy Henson in the ABC anthology series American Crime (2016–2017), and Tyler Locke in the Netflix series Locke & Key (2020–2022).[4] He has also starred in feature films, most notably in Blackbird (2012) and Closet Monster (2015).[5][6]

Key Information

Career

[edit]

Acting

[edit]

Jessup began acting at the age of 11 as a child actor. After various early jobs, including a role in a stage adaptation of The Full Monty, Jessup got a lead role in the children's television series The Saddle Club, for which he is also credited with conceptualizing the plot of one episode.[7] He served as executive producer for the independent film Amy George, which played at the 2011 Toronto International Film Festival.[8]

Jessup on the set of Falling Skies in 2013

In 2011, Jessup was cast as a main character in the TNT science fiction series Falling Skies.[9] He starred on the show for five seasons.[9]

In 2012, Jessup starred in the Canadian independent film Blackbird, in which he played a troubled teen falsely accused of planning a school shooting.[5] Jessup's performance received positive reviews and the film won various awards, including the Best Canadian First Feature Film award at the 2012 Toronto International Film Festival.[10] The film won three awards at the Atlantic Film Festival and won the Vancouver International Film Festival award for Best Canadian Feature Film.[11] It also screened at the Cannes Film Festival.[12]

In 2015, Jessup also starred in the feature film Closet Monster, which won the Best Canadian Film Award at the 2015 Toronto International Film Festival, and screened at various film festivals around the world, before subsequently being released nationwide in July 2016.[6]

In 2016, Jessup starred in the Emmy-winning ABC series American Crime as Taylor Blaine.[4] His performance was praised by critics.[13][14] He returned for the third season as Coy Henson.[15]

In 2018, Jessup was cast as Tyler Locke, one of the main roles in the Netflix series Locke & Key, an adaptation of Joe Hill and Gabriel Rodriguez's popular comic series of the same name.[16]

Jessup will star in Apichatpong Weerasethakul's upcoming film Jengira's Magnificent Dream.[17]

Jessup at London Comic Con in 2014

Filmmaking

[edit]

Jessup has stated in numerous interviews that his intention is to work in the film industry beyond acting, as a director and filmmaker.[18][19] In an interview with the Toronto Star, Jessup said that directing "is where my mind and heart [are] at the moment".[20] In 2014, Jessup starred in the short film Fragments, and in 2015, Jessup's short film Boy, which he wrote and directed, and was funded by bravoFACT, premiered at the 2015 Toronto International Film Festival.[21][22]

In 2016, Jessup was included in Filmmaker Magazine's annual list of the 25 New Faces of Independent Film.[1] His short film Lira's Forest, which he wrote and directed, premiered at the 2017 Toronto International Film Festival.[23] Jessup wants to expand this story with a feature film, Simon's Forest.[1]

In 2017, it was announced that Jessup would be directing a documentary profile of Thai filmmaker Apichatpong Weerasethakul for FilmStruck and The Criterion Collection.[24] The film was released in the second quarter of 2018.[3]

In 2019, he produced the omnibus film 30/30 Vision: 3 Decades of Strand Releasing, which included short films by Ira Sachs, Catherine Breillat, Cindy Sherman, Athina Rachel Tsangari, Brady Corbet, Rithy Pahn, Lulu Wang and more.[25][26] He contributed his own film to the program, Night Flight, inspired by the book by Antoine de Saint-Exupéry.[27]

Julian and the Wind, a short film written and directed by Jessup, premiered at the Toronto International Film Festival in September 2024.[28] Jessup directed the music videos for Frances Whitney's "Biggest Fan" and Sebastian Croft's debut single "Tokyo", which were both released in 2025.[29][30]

Influences

[edit]

As a director, Jessup has expressed a particular fascination with Japanese film and culture and has stated in interviews that he is highly influenced by East Asian cinema, including directors Hirokazu Kore-eda, Edward Yang, Yasujirō Ozu, Hayao Miyazaki, Isao Takahata, and Apichatpong Weerasethakul.[1][31][32][33] He has also expressed admiration for directors Abbas Kiarostami, Andrew Haigh, and Ira Sachs.[1][34]

Personal life

[edit]

Jessup is gay and came out publicly in a post on Instagram in June 2019.[35]

Filmography

[edit]

Film

[edit]
Year Title Role Type
2012 Blackbird Sean Randall
2014 Skating to New York Casey Demas
2015 Closet Monster Oscar Madly
2019 Strange But True Ronnie
Disappearance at Clifton Hill
White Lie Owen
2025 Peak Everything (Amour Apocalypse) Tom
TBA Jengira's Magnificent Dream TBA

Television

[edit]
Year Title Role Notes
2007 The Jon Dore Television Show Bat Throwing Kid #3 Episode: "Jon Gets Scared"
2008–2009 The Saddle Club Simon Atherton Main role (series 3)
2011 King Ben Moser Episode: "Eleni Demaris"
2011–2015 Falling Skies Ben Mason Main role
Nominated—Saturn Award for Best Performance by a Younger Actor in a Television Series
Nominated—Young Artist Award for Best Younger Supporting Actor in a Television Series
2016 American Crime Taylor Blaine Main role (season 2)
2017 American Crime Coy Henson Recurring role (season 3)
2020–2022 Locke & Key Tyler Locke Main role
2021 Canada's Drag Race Himself Guest judge, episode "Snatch Game"

Filmmaking credits

[edit]
Year Title Director Writer Producer Notes
2015 Boy[22] Yes Yes Yes Short film
2017 Lira's Forest[23] Yes Yes Yes Short film
2018 A.W. A Portrait of Apichatpong Weerasethakul Yes Yes No Documentary
2019 Night Flight[27] Yes Yes No Short film
2024 Julian and the Wind[28] Yes Yes Yes Short film
2025 Frances Whitney – "Biggest Fan"[29] Yes No Yes Music video
2025 Sebastian Croft – "Tokyo"[30] Yes No No Music video

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Connor Jessup

View on Grokipedia
from Grokipedia
Connor William Jessup (born June 23, 1994) is a Canadian , director, , and best known for his leading roles in television series including Ben Mason on (2011–2015), Taylor Blaine on American Crime (2015–2017), and Tyler Locke on (2020–2022). Born in , , Jessup began acting at age eleven, with early roles including Simon Atherton on the children's series (2008–2009), marking his entry into the industry. His breakthrough came with the science fiction series , produced by , where he portrayed a teenager navigating an alongside . Following this, Jessup earned critical acclaim for his performances in independent films such as Blackbird (2012), a drama about family secrets, and Closet Monster (2015), a exploring identity that premiered at the . Jessup's television work expanded with American Crime, an ABC anthology series created by John Ridley, where he played complex characters across its three seasons, including a victim of sexual assault in season two and a young immigrant in season three; his portrayal of Taylor Blaine drew praise for addressing themes of race, class, and sexuality. In 2020, he starred as the eldest Locke sibling in Netflix's fantasy adaptation Locke & Key, based on the comic by Joe Hill, appearing in all three seasons until its conclusion in 2022. In 2025, he appeared as Tom in the dramedy Peak Everything, which premiered at the . Beyond acting, Jessup has established himself as a filmmaker, directing the documentary A.W. A Portrait of Apichatpong Weerasethakul (2018), which profiles the acclaimed Thai director, and the short drama Julian and the Wind (2024), a story of connection between boarding school roommates that premiered at the Toronto International Film Festival, earning a jury mention, and screened at the Berlin International Film Festival. He founded the production company Big & Quiet Pictures to support his writing and directing projects. An openly who came out publicly in , Jessup has spoken about the importance of authentic representation in media, drawing from his experiences in roles like those in Closet Monster and American Crime. His work spans genres from and to horror and independent cinema, establishing him as a versatile talent in the entertainment industry.

Early life

Childhood and family background

Connor Jessup was born on , 1994, in , , , to parents of Canadian descent. Public information about Jessup's family remains limited, with few details available regarding his parents or siblings. He was raised in , where he grew up in a supportive environment that fostered his early creative inclinations, though no one in his immediate family was involved in the arts. As a child, Jessup was profoundly unsporty and lacked traditional hobbies, instead channeling his energy into reading fantasy books such as the Harry Potter series and the Prydain Chronicles, as well as watching films extensively. He developed an early interest in drama and film during his youth, which laid the groundwork for his later pursuits, and participated in school plays to explore performance. These exposures prior to age 11 highlighted his affinity for imaginative storytelling over more conventional activities.

Entry into acting

Jessup began his acting career at the age of 11 in , , without any formal training. His debut came in a stage adaptation of around 2005, marking his initial foray into professional performance. Jessup transitioned to screen acting with his first substantial television role as Simon Atherton in the children's series (2008–2009), where he appeared in 26 episodes during the third season and gained foundational experience in the industry.

Career

Acting roles

Jessup gained prominence with his role as Ben Mason, the resilient teenage son of resistance leader Tom Mason, in the TNT science fiction series (2011–2015), where he portrayed a character grappling with the psychological scars of and harnessing enhanced abilities in a post-apocalyptic world. Critics noted his ability to convey the emotional turmoil of a young survivor evolving from naivety to fierce determination, adding depth to the ensemble-driven narrative of human-alien conflict. His performance as Ben, who navigates family bonds and moral dilemmas amid invasion chaos, was praised for its authenticity in capturing adolescent vulnerability under extreme pressure. In film, Jessup starred as Sean Randall in the coming-of-age drama Blackbird (2012), depicting a troubled 15-year-old in rural who befriends a newcomer while confronting , isolation, and fleeting hopes of escape. Reviewers commended his restrained portrayal of Sean's quiet dignity and , highlighting how Jessup's subtle expressions elevated the indie film's exploration of adolescent angst and unlikely connections. Building on this early film work, Jessup led as Oscar in the queer coming-of-age film Closet Monster (2015), embodying a young man's turbulent journey of self-discovery amid familial dysfunction, first love, and repressed identity in suburban . His performance was lauded for visceral emotional authenticity, blending surreal elements with heartfelt realism to explore themes of ness and personal growth. Reviewers praised Jessup's ability to make Oscar's inner conflicts palpably urgent, solidifying his reputation for nuanced portrayals of identity struggles. Jessup's television work continued with American Crime (2016–2017), where he played Taylor Blaine in season 2, a high accusing a peer of in a story unpacking privilege, race, and institutional . His depiction of Taylor's trauma and isolation drew acclaim for its raw emotional intensity, contributing to the anthology's unflinching examination of social fractures. In season 3, he portrayed Coy Henson, an undocumented immigrant youth entangled in labor exploitation and deportation fears, further demonstrating his range in addressing systemic injustices through vulnerable, multifaceted characters. Critics highlighted his persuasive handling of Coy's quiet desperation and resilience, enhancing the series' thematic depth on inequality. In supporting roles, Jessup appeared as Ronnie Chase in the supernatural thriller Strange but True (2018), playing the deceased brother whose memory haunts a family unraveling around a mysterious claim. His brief but poignant flashbacks were noted for adding emotional weight to the film's themes of and , with solid ensemble chemistry underscoring the domestic suspense. He followed this as Owen in White Lie (2019), the supportive boyfriend to a law student fabricating a cancer , contributing to the psychological drama's tense exploration of manipulation and moral erosion. Critics appreciated his subtle conveyance of Owen's growing unease, enhancing the film's jittery character study. Jessup took the lead as Tyler Locke in Netflix's fantasy series (2020–2022), portraying the eldest sibling who uncovers magical keys in their ancestral home while coping with their father's and family trauma. His interpretation of Tyler's protective instincts and internal guilt was acclaimed for balancing action with profound emotional layers, particularly in navigating dynamics and personal loss. Reviewers highlighted Jessup's excellent depth in scenes blending horror, mystery, and heartfelt coming-of-age elements. In 2025, Jessup appeared as Tom in Anne Émond's Peak Everything, a climate-anxiety dramedy following a kennel owner navigating existential dread and unexpected romance amid apocalyptic fears. His portrayal of Tom as a chaotic yet endearing figure was described as a bright spot, infusing the film's absurdist tone with relatable vulnerability and humor. Critics noted how Jessup's performance grounded the narrative's blend of personal crisis and environmental satire, providing emotional resonance in the overcrowded ensemble.

Filmmaking projects

Connor Jessup made his directorial debut with the Boy in 2015, a poignant exploration of youth, mortality, and identity through the perspective of a young boy's ghost wandering the world on the day of his death. Shot on 35mm film, the 14-minute narrative premiered at the (TIFF) and screened at additional festivals including and Palm Springs ShortsFest, earning praise for its atmospheric cinematography and emotional restraint. Jessup wrote and directed the piece under his , Big & Quiet Pictures, which he co-founded in 2014 with producer Ashley Shields-Muir to support personal, auteur-driven projects. In 2017, Jessup wrote and directed Lira's Forest, a 9-minute 35mm short delving into themes of loss, aging, and the mystical bond between humanity and nature, where an elderly woman encounters a forest spirit in her final days. The film world-premiered at TIFF, receiving a jury mention at the Festival du nouveau cinéma, and was selected for over 50 international festivals, highlighting Jessup's growing reputation for visually poetic . Produced again by Big & Quiet Pictures, it underscored his interest in liminal spaces and quiet , influences drawn subtly from his acting experiences in character-driven dramas. In 2018, Jessup directed the documentary A.W. A Portrait of Apichatpong Weerasethakul, a 47-minute intimate profile of the acclaimed Thai filmmaker during a trip in the Colombian jungle for his next project. The film explores Weerasethakul's creative process and philosophical approach to cinema, blending observational footage with personal reflections. It premiered on the Criterion Channel as part of the Meet the Filmmakers series in March 2018, receiving praise for its tender and insightful portrayal of one of contemporary cinema's most enigmatic artists. Produced by Big & Quiet Pictures, the documentary marked Jessup's expansion into filmmaking. Jessup expanded into producing with 30/30 Vision: 3 Decades of Strand Releasing in 2019, an omnibus of 30 short films shot on iPhones by acclaimed directors including , , and Lulu Wang, commemorating the independent distributor's 30th anniversary. As lead producer, he curated the project, contributed his own segment Night Flight—a whimsical adaptation inspired by Antoine de Saint-Exupéry's —and oversaw editing, resulting in a collaborative to indie cinema that screened at festivals like MoMA's Doc Fortnight. This endeavor marked a pivotal step in his multifaceted career, blending production with creative input. Jessup's most recent short, Julian and the Wind (2024), which he wrote and directed, examines vulnerability and unspoken connection through the story of two roommates navigating a episode that bridges their emotional distance. Shot on 16mm, the 15-minute film world-premiered in TIFF's program, where it was named one of Canada's Top Ten, and had its international premiere in the section at the 2025 Berlinale, earning acclaim for its tender portrayal of adolescent intimacy. Produced by Big & Quiet Pictures, it reflects Jessup's ongoing focus on queer-tinged coming-of-age narratives. In 2025, Jessup served on the TIFF Short Cuts jury alongside cinematographer Ashley Iris Gill and Festival artistic director Marcel Jean, evaluating international and Canadian shorts to select winners including the Best International Short Film award for Talk Me. This role positioned him as a key contributor to emerging filmmakers, aligning with his festival circuit experience. Later that year, he directed the music video for Sebastian Croft's debut single "Tokyo," a visually intimate piece capturing themes of longing and urban isolation, expanding his work into music visuals while maintaining his signature stylistic subtlety.

Artistic influences

Cinematic inspirations

Connor Jessup has frequently cited Japanese cinema as a profound influence on his artistic approach, particularly the family dramas of Hirokazu Kore-eda and the subtle emotional storytelling of Yasujirō Ozu. Kore-eda's work, such as Still Walking (2008), resonates with Jessup for its patient exploration of familial bonds, everyday rituals, and understated grief, often employing non-professional actors to capture authentic, humane interactions. He has described the film as his favorite, praising its flawless craft and emotional precision, which he has viewed over 50 times. Similarly, Ozu's films like Late Spring (1949) exemplify for Jessup a "glacial humanist" style, using static shots and low-angle compositions to convey quiet domestic tensions and inevitable change with cumulative emotional depth. These techniques inform Jessup's directorial style, as seen in his short film Lira's Forest (2017), where minimalism and serene pacing evoke a similar patience in depicting personal and supernatural encounters. Beyond Japanese cinema, Jessup draws inspiration from Abbas Kiarostami's poetic realism in Iranian film, valuing the director's ability to blend philosophical inquiry with everyday landscapes. Films such as Taste of Cherry (1997) struck Jessup with their contemplative pace and existential themes, slowing attention to wind, dust, and fleeting human connections, while The Wind Will Carry Us (1999) moved him to tears through its lyrical portrayal of life and loss. He has also cited the Thai director Apichatpong Weerasethakul as a key influence shaping his teenage perspective on cinema, leading him to direct the documentary A.W. A Portrait of Apichatpong Weerasethakul (2018) for the Criterion Collection. In American independent cinema, Ira Sachs' intimate narratives on queer identity and relationships have shaped Jessup's appreciation for emotionally raw, character-driven storytelling. Sachs' films, with their focus on vulnerability and relational nuance, align closely with Jessup's interest in subtle, personal dramas akin to those in Asian cinema. These influences converge in Jessup's , where he seeks to merge Ozu's static restraint and Kore-eda's naturalistic to create quiet, immersive worlds, as evident in the restrained supernatural elements of Lira's Forest. In interviews, he has emphasized how such directors prioritize small gestures and rhythmic subtlety over overt drama, guiding his own pursuit of sincere, contradiction-embracing narratives.

Broader creative influences

Jessup's literary influences extend to classic works that explore human endeavor and introspection, notably Antoine de Saint-Exupéry's 1931 novel Night Flight, which he adapted into a of the same name. In this directorial effort, Jessup captures the novella's themes of isolation and risk through a pilot navigating a perilous , reflecting his interest in narratives that blend adventure with emotional depth. Music plays a significant role in Jessup's creative process, particularly through his work in sound design and directing music videos for indie artists. He has collaborated with Canadian musician Casey MQ, directing the 2018 video for "The Constant," where the eerie, atmospheric score inspired a dreamlike visual style emphasizing sensuality and mystery, shot on 35mm film without digital effects. Additionally, Jessup directed videos for his brother, indie artist ELJAY (Liam Jessup), including pieces that highlight personal and experimental soundscapes, underscoring how music informs his approach to rhythm and tone in filmmaking. Growing up queer in Toronto's supportive, urban environment has subtly shaped Jessup's thematic explorations of identity and vulnerability, fostering a creative lens attuned to joy and . Raised in a liberal family in a city known for its inclusive scene, he credits this backdrop with easing his navigation of personal authenticity, which permeates his projects without overt autobiography. This foundation influences his emphasis on emotional openness in , as seen in collaborative works like the Queer Was Always Here, where narratives promote healing and representation.

Personal life

Identity and public coming out

In June 2019, during , Connor Jessup publicly came out as through a lengthy Instagram post, marking a significant moment in his personal and professional life. In the essay, he revealed that he had known he was since age 13 but concealed it for years due to internalized shame, despite his privileged background as a white, man from an upper-middle-class liberal family. Jessup described the process of as ongoing and airless under the weight of , emphasizing that he had been out privately for years but avoided public acknowledgment to maintain professional neutrality. He expressed gratitude for his queerness, viewing it as a "solution" that enriches life against clichés and blandness, and extended support to others in the LGBTQ+ community who might feel isolated or in pain. Jessup reflected on how his closeted status had previously shaped his approach to queer roles, admitting to a detached, "anthropological" distance in discussions about characters he portrayed, which he now finds embarrassing and evasive. This introspection particularly ties to his lead performance in the 2015 film Closet Monster, where he played Oscar Madly, a teenager grappling with internalized homophobia and family trauma through surreal elements symbolizing repression. Post-coming out, Jessup has noted that his queer identity informs the vulnerability central to his and directing, allowing for more authentic explorations of emotional exposure and in storytelling. For instance, he has highlighted how queerness influences his creative affinities, drawing him to , , and narratives within the community that emphasize release from tension. Following his , Jessup has engaged in for LGBTQ+ causes, using his platform to promote and support. In interviews, he has discussed the importance of representation and the relief of living openly, crediting his with fostering deeper connections in his professional life. Notably, in 2023, he co-created the initiative Queer Was Always Here with actor , a project featuring art and history—such as illustrated gay dinosaurs—to raise funds and awareness for LGBTQIA+ refugees and displaced individuals fleeing conflict. The initiative continued in 2025 with pop-up shops and events, including partnerships during to support displaced LGBTQIA+ individuals. Jessup has also participated in -focused programming, including the CBC Arts Here & interview series, and supported events at festivals like the , where his directorial works and align with LGBTQ+ highlights.

Private life and interests

Jessup resides primarily in , , where he has returned after periods away for work and considers it his home base. He frequently travels for film festivals, including attending the (TIFF) as a local event and participating in international showcases like the Berlinale, where his short films have screened. In his personal time, Jessup pursues interests such as reading, having cited a childhood passion for that continues to influence his creative pursuits. He also enjoys , particularly capturing moments during travels, though he has noted a desire to incorporate it more into his daily routine at home. Additionally, Jessup has discussed his focus on creating comfortable and personalized living spaces, reflecting an interest in hands-on projects that enhance his domestic environment. Jessup maintains a high level of concerning his relationships, with limited public information available and no confirmed long-term partners discussed as of 2025. He has emphasized the importance of balancing public visibility with in interviews.

Filmography

Film acting credits

YearTitleRoleDirectorNotes
2012BlackbirdSean RandallJason BuxtonIndependent drama about a bullied teenager falsely accused of planning a attack.
2013Skating to New YorkCasey DemasCharles MinskyComing-of-age adventure following five teenage hockey players skating across .
2015Closet MonsterOscar MadlyStephen DunnAcclaimed film exploring themes of internalized homophobia through a teenager's story; Jessup's performance received praise for its emotional depth.
2018Strange but TrueRonnie ChaseRowan AthaleThriller adaptation of John Searles' novel, where Jessup plays the deceased brother central to the plot's mystery.
2019AlexAlbert ShinMystery thriller involving a woman's investigation into a of a in .
2019White LieOwenYonah Lewis, Calvin ThomasPsychological drama about a faking cancer; Jessup portrays Owen, a drug dealer aiding the .
2025Peak EverythingTomAnne Émond set against climate crisis, featuring Jessup as Tom in a story of love and anxiety in a collapsing world.

Television acting credits

Jessup began his television career with guest appearances before landing recurring roles in major series. His notable television acting credits are presented below in chronological order.
Year(s)TitleRoleEpisodesNetwork/Platform
2008–2009Simon Atherton26ABC (Australia)
2011Ben Moser1Showcase
2011–2015Ben Mason49TNT
2015–2016American Crime (Season 2)Taylor Blaine10ABC
2016–2017American Crime (Season 3)Coy Henson4ABC
2020–2022Tyler Locke28
These roles span guest spots, series regulars, and lead characters across genres including children's , , crime anthology, and fantasy.

Directing and other credits

Jessup began his directing career in his late teens with the Little Coffins (2014), which he wrote, directed, and produced, depicting two lonely people reuniting after years apart. He continued focusing primarily on s that explore themes of loss, identity, and the . His work often features intimate storytelling and has premiered at major festivals like the (TIFF). In addition to directing, he has taken on producing and writing roles, co-founding the Big & Quiet Pictures in 2014 to support independent filmmakers. His directorial credits include the short film (2015), which follows the ghost of a young boy navigating the world on the day of his death and screened at TIFF. He also directed and wrote Lira's Forest (2017), a poignant tale of an elderly encountering spirit as her life nears its end, which premiered at TIFF and earned praise for its magical realism. In 2020, Jessup directed Night Flight, a brief iPhone-shot adaptation inspired by Antoine de Saint-Exupéry's novella, depicting a pilot enduring a storm; the film was part of the omnibus project 30/30 Vision: Three Decades of Strand , for which he also served as a producer. Jessup expanded into documentary with A.W. A Portrait of Apichatpong Weerasethakul (2018), a piece profiling the acclaimed Thai filmmaker, highlighting Jessup's interest in cinematic influences. His short Julian and the Wind (2024) premiered at TIFF, continuing his exploration of ethereal narratives. In 2025, he directed music videos for "Biggest Fan" by Frances Whitney and "Tokyo" by , visually striking collaborations with friends that debuted in March and November, respectively. wait, use actual if possible, but since not, perhaps omit specific IMDB for Biggest Fan or find. Actually, from search, IMDB has it. Beyond directing, Jessup produced the anthology 30/30 Vision (2019), commissioning 30 iPhone-filmed shorts from international directors to celebrate Strand Releasing's anniversary. He also participated as a juror for TIFF's 2025 Short Cuts program, evaluating emerging short films alongside cinematographer Ashley Iris Gill and Annecy Festival artistic director Marcel Jean. No camera, editing, or music department credits were identified in verified sources.

References

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  55. https://schonmagazine.com/interview-connor-jessup/
  56. https://www.imdb.com/title/tt11099372/
  57. https://hero-magazine.com/article/136520/connor-jessup-talks-us-through-his-daydreamy-new-music-video-for-casey-mq
  58. https://iriscovetbook.com/connor-jessup-star-of-netflixs-locke-key/
  59. https://www.cbc.ca/arts/connor-jessup-here-and-queer-1.7037242
  60. https://www.instagram.com/p/BzE6A9llBf2/?hl=en
  61. https://people.com/tv/american-crime-connor-jessup-comes-out-gay/
  62. https://www.indiewire.com/features/commentary/closet-monster-best-coming-out-movies-1235132912/
  63. https://www.queerwasalwayshere.com/about
  64. https://www.standard.co.uk/lifestyle/fashion/pride-heartstopper-sebastian-croft-connor-jessup-queer-t-shirt-b1236607.html
  65. https://thequeerreview.com/2024/09/04/lgbtq-highlights-at-2024-toronto-international-film-festival-queer-tiff/
  66. https://tiff.net/press/news/see-the-world-in-short-form-tiff-announces-its-2025-short-cuts-programme
  67. https://thelaterals.com/articles/lounge-talk-connor-jessup/
  68. https://www.swooon.com/gallery/boots-cast-real-life-relationships-dating-history/
  69. https://www.imdb.com/title/tt2077721/
  70. https://www.imdb.com/title/tt2784036/
  71. https://www.imdb.com/title/tt3638396/
  72. https://www.imdb.com/title/tt5919756/
  73. https://www.imdb.com/title/tt0278876/
  74. https://www.imdb.com/title/tt1804880/
  75. https://www.imdb.com/title/tt1462059/
  76. https://www.imdb.com/title/tt3488298/
  77. https://www.imdb.com/title/tt4147506/
  78. https://www.imdb.com/title/tt9999999/
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