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Daisy Ridley
Daisy Ridley
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Daisy Jazz Isobel Ridley (born 10 April 1992) is an English actress. She rose to prominence for her role as Rey in the Star Wars sequel trilogy from 2015 until 2019. Following the Star Wars films, Ridley appeared in the mystery film Murder on the Orient Express (2017), and played Ophelia in the romantic drama Ophelia (2018). She had voice roles in the animated film Peter Rabbit (2018) and the video game Twelve Minutes (2021). She subsequently had leading roles in the science-fiction film Chaos Walking (2021), the independent drama Sometimes I Think About Dying (2023), and the psychological thriller The Marsh King's Daughter (2023). She also portrayed Gertrude Ederle in the biographical drama Young Woman and the Sea (2024).

Key Information

Early life

[edit]

Ridley was born on 10 April 1992 in the London borough of Westminster, and grew up in Maida Vale.[1][2] She is the youngest of three daughters born to Christopher Ridley, a photographer, and Louise (née Fawkner-Corbett), who works in internal communications for a bank.[3][4][5] She has two older sisters, Kika Rose and Poppy Sophia,[6][7] as well as two older half-sisters.[8] Her mother's family, the Fawkner-Corbetts, were landed gentry with a military and medical background.[9] Her paternal great-uncle, Arnold Ridley, served in the military as well.[10] He separately forged a career as a playwright and actor (and is best remembered for playing Private Godfrey in the sitcom Dad's Army). Arnold Ridley's brother, Daisy's grandfather, John Harry Dunn Ridley, OBE, was head of the Engineering Secretariat at the BBC from 1950 to 1965.[a]

Ridley has stated that while growing up, her favourite film was Matilda (1996), and she viewed the character Matilda as a role model.[16] While not a particularly strong Star Wars fan as a youth, she enthusiastically followed the Harry Potter series.[8]

Ridley won a scholarship to Tring Park School for the Performing Arts in Hertfordshire, which she attended from ages nine to eighteen.[17][18] She then studied classical civilisation at Birkbeck, University of London, before dropping out to focus on her acting career.[18] Prior to being cast in Star Wars: The Force Awakens, Ridley worked for more than a year as a bartender at two different pubs in London.[19] In 2016, she began studying for a BA in social science through online courses with the Open University.[20][21]

Career

[edit]

2013–2015: Beginnings and Star Wars breakthrough

[edit]

Ridley began her career with minor roles in the television programmes Youngers, Toast of London, Silent Witness, Mr Selfridge, and Casualty.[22][23][24][25][excessive citations] She appeared in the short film Blue Season, which was entered into the Sci-Fi-London 48-Hour Film Challenge.[26] Ridley played the lead in film three of Lifesaver,[27] an interactive film which was nominated for a BAFTA Award.[28] She also appeared in the music video for Wiley's song "Lights On", playing the character of Kim.[17][29] Ridley made her film debut in the 2015 British independent horror film Scrawl, after her scenes from the British comedy film The Inbetweeners 2 were removed in the final cut.[30]

Ridley's costume from Star Wars: The Force Awakens, on display at the Detroit Institute of Arts

In April 2014, the casting of Ridley as Rey, one of the lead characters in Star Wars: The Force Awakens, was announced.[22][23][24] She was cast for the film in February 2014.[31] At the time of her casting she was, according to Rolling Stone, a "total unknown".[32] Her choice by director J. J. Abrams was seen as a repeat of George Lucas' move of casting relatively unknown actors for the lead roles in the first Star Wars film in 1977.[33]

Ridley began filming her scenes in May 2014 at Pinewood Studios in Buckinghamshire, and prior to the film's release in December 2015, she appeared at the launch of a set of Star Wars postage stamps issued by the UK postal service Royal Mail, with her character Rey featuring on a stamp along with the droid BB-8.[34][35] With international revenues of over $2 billion,[36] The Force Awakens was a major box-office hit and the highest-grossing film of 2015. Her performance received critical acclaim, with Richard Roeper describing her portrayal as "a breakout performance" and adding "[Harrison] Ford has a terrific father figure chemistry [shared] with Ridley and [John] Boyega".[37]

2016–present: Continuing career

[edit]

Ridley became the executive producer of the documentary The Eagle Huntress in January 2016,[38] which premiered at the Sundance Film Festival on 24 January 2016;[39] she also recorded narration for the film's wide release.[40] Ridley was one of several actors featured on Barbra Streisand's 2016 album Encore: Movie Partners Sing Broadway. Along with Anne Hathaway, Ridley and Streisand perform the song "At the Ballet" from A Chorus Line, with Ridley performing the role of Bebe, one of a trio of dancers hoping to be cast in a forthcoming show.[41][42]

Daisy Ridley and producer Kathleen Kennedy discuss women who work for NASA in 2016

In 2017, Ridley portrayed Mary Debenham in Murder on the Orient Express, an adaptation of Agatha Christie's detective novel of the same name. Directed by and starring Kenneth Branagh, production began in London in November 2016.[43] She also reprised her role as Rey, opposite Mark Hamill as Luke Skywalker,[44] in Star Wars: The Last Jedi, which was released in December 2017.[45]

In January 2018, Ridley starred in the titular role in Ophelia, a reimagining of the Hamlet tale, alongside Naomi Watts and Clive Owen. The project was filmed from April to July 2017 and debuted at the 2018 Sundance Film Festival.[46][47] In February 2018, Ridley voiced the role of Cottontail in Peter Rabbit, an adaptation of the children's stories of the same name by Beatrix Potter.[48]

Waxwork of Ridley as Rey (and the droid BB-8) at Madame Tussauds, London

In December 2019, Ridley appeared as Rey in Star Wars: The Rise of Skywalker, the last film in the sequel trilogy.[49] She initially said she would not reprise her role again after this film,[50] and is quoted as saying, "I don't think anything could top [The Rise of Skywalker] for this character." However, she does show interest in returning as the character if needed, saying "[...] never say never. I'm always open to a revisit. But also the beautiful thing is it's this wonderful, huge universe with all of these stories that have yet to be told. I think there's a lot of cool things to be made before any potential revisit."[51] She also saw some truth in her co-star Boyega's claim that she would feel jealous if subsequent films were made with somebody else playing Rey.[52]

In 2021, Ridley co-starred in the film Chaos Walking, an adaption of the young-adult novel by Patrick Ness. She played Viola Eade, opposite Tom Holland who played Todd Hewitt. The film was released on 5 March 2021.[53] The film had been delayed occasionally due to poor test screenings that followed the film's reshoots, and later due to the COVID-19 pandemic. It received negative reviews and was a box-office flop.

She lent her voice to the point-and-click mystery video game Twelve Minutes, alongside James McAvoy and Willem Dafoe.[54][55] The game received positive reviews, with Ridley's performance being praised by critics. She also made a surprise appearance in Judd Apatow's 2022 movie, The Bubble, as Kate, a horny AI. The film received negative reviews.

In July 2023, Ridley was announced as the host of a True Spies podcast miniseries about Lee Harvey Oswald.[56]

Ridley started filming the lead role in The Marsh King's Daughter in Ontario, Canada on 7 June 2021. Filming wrapped on 6 August 2021.[57][58]

She voices a character in the French stop motion animated film The Inventor, which was released in the United States on 15 September 2023, and set for a French theatrical release in 2024.[59] In 2021–22, she shot an indie film titled Sometimes I Think About Dying in Astoria, Oregon, with Rachel Lambert directing and Ridley additionally serving as a first-time main producer on the project.[60][61] She starred in Magpie, a contemporary noir thriller written by her partner Tom Bateman, based on Ridley's original story idea.[62][63] She also starred in a biopic for Walt Disney Pictures titled Young Woman and the Sea in the role of Gertrude Ederle.[64][65]

Upcoming projects

[edit]
Ridley joins the cast and crew of The Last Resort in meeting Philippine president Bongbong Marcos (center) in Manila in 2025

In October 2021, Ridley signed on for a sci-fi mystery thriller film called Mind Fall with Mathieu Kassovitz attached to direct.[66]

On 7 April 2023, it was revealed at Star Wars Celebration that Ridley would reprise her role as Rey in an upcoming untitled Star Wars film directed by Sharmeen Obaid-Chinoy with Ridley appearing on stage.[67][68]

In March 2025, it was announced that Ridley would star alongside Alden Ehrenreich in the upcoming romantic comedy The Last Resort, directed by Donald Petrie. Production began in April.[69]

Personal life

[edit]

Ridley resides in Primrose Hill, London. Since 2017, she has been in a relationship with actor Tom Bateman, whom she met on the set of Murder on the Orient Express.[70][71] In January 2023, during the Sundance Film Festival, Ridley confirmed that she and Bateman had married.[72]

In 2016, Ridley revealed she had been diagnosed with endometriosis and polycystic ovary syndrome at age fifteen, requiring her to undergo multiple laparoscopic surgery procedures. She states that her condition left her feeling low in self-confidence due to acne which followed.[73][74][75] In 2023, Ridley was diagnosed with Graves' disease, which gave her a racing heart rate, weight loss, and fatigue, among other symptoms.[76]

Ridley has followed a vegan diet since at least 2017,[77] and has gone gluten-free following her Graves' disease diagnosis.[76]

Social media presence

[edit]

Following the 2016 Teen Choice Awards, which paid tribute to victims of gun violence, Ridley posted an anti–gun violence message on both Instagram and Facebook. Her post prompted backlash from the public, with critics accusing her of hypocrisy in reference to the violence depicted in her Star Wars films.[78] Because of this, she deleted her social media accounts,[78][79] but briefly returned to Instagram, claiming the reason for the deletion was because she had "a busy few months ahead [and] so wanted less distractions".[78] She reiterated this statement in 2017, saying that social media is "highly unhealthy for people's mental health," including hers.[80] Ridley further commented on the topic in a 2019 interview, vowing never to return to social media. She said:

I honestly think now with social media and stuff...it's great to have freedom of expression, but I do feel like people think opinions have so much weight... I don't really think bad vibes should have the sun shone on them. [...] It's dangerous. [...] It's great in that respect for people who are in serious and dire situations to be able to be communicating, but for the most part I think — no, no, no.[81]

On 4 April 2022, Ridley returned to Instagram again after six years of being off the platform.[82] In her first post, she is seen sipping tea and engaging in self-care "refreshed, recharged, and ready for what I'm calling my 'Year of Yes'".[83][84] Ridley was welcomed back to Instagram by her Orient Express co-star Leslie Odom Jr. and Chewbacca actor Joonas Suotamo.[84]

Filmography

[edit]

Film

[edit]
Denotes productions that have not yet been released
Year Title Role Notes Ref.
2013 Lifesaver Jo Short film [85]
Blue Season Sarah [85]
100% BEEF Girl [86]
Crossed Wires Her [87]
2014 Under Waitress [85]
The Quiet Ones Jane Harper / Evey Dwyer In a still mock photograph in end credits; credited as an artist [88]
2015 Scrawl Hannah
Star Wars: The Force Awakens Rey
2016 Only Yesterday Taeko Okajima Voice role; English dub
The Eagle Huntress Narrator Documentary; executive producer
2017 Murder on the Orient Express Mary Debenham [89]
Star Wars: The Last Jedi Rey
2018 Ophelia Ophelia [90]
Peter Rabbit Cottontail Rabbit Voice role [91]
2019 Star Wars: The Rise of Skywalker Rey
2020 Asteroid Hunters Narrator Documentary [92][93]
2021 Chaos Walking Viola Eade [94]
2022 The Bubble Kate Cameo [95]
2023 Sometimes I Think About Dying Fran Also producer [96]
The Inventor Marguerite Voice role [97]
The Marsh King's Daughter Helena Pelletier
2024 Magpie Anette Also producer and story writer [98]
Young Woman and the Sea Gertrude Ederle Also executive producer
2025 Cleaner Joey Locke
We Bury the Dead Ava Newman
2026 Ebenezer: A Christmas Carol Filming
TBA The Last Resort Brooke Post-production

Television

[edit]
Year Title Role Notes Ref.
2013 Casualty Fran Bedingfield Episode: "And the Walls Come Tumbling Down"
Youngers Jessie Episode: "A to B and the Apology"
Toast of London Charlotte Episode: "Vanity Project"
2014 Silent Witness Hannah Kennedy Episode: "Fraternity" (2 parts)
Mr. Selfridge Roxy Starlet Episode 2.8
2017–2018 Star Wars Forces of Destiny Rey Voice; 7 episodes [99]
2020 Star Wars Galaxy of Adventures Voice (archive material); 3 episodes
2024 The Christie Affair Nan O'Dea

Theatre

[edit]
Year Title Role Notes
2010 The Boy Friend Nancy Musical
2012 Dominoes Daisy

Music videos

[edit]
Year Artist(s) Title
2013 Wiley "Lights On"

Video games

[edit]
Year Title Voice role Ref.
2015 Disney Infinity 3.0 Rey
2016 Lego Star Wars: The Force Awakens
2017 Star Wars Battlefront II
2020 The Dawn of Art Narrator [100]
Baba Yaga Magda [101]
2021 Twelve Minutes Wife [102][103]

Theme park attractions

[edit]
Year Title Role Venue
2019 Star Wars: Rise of the Resistance Rey Disney's Hollywood Studios
Bay Lake, FL
2020 Disneyland
Anaheim, CA

Awards and nominations

[edit]
Year Association Category Nominated work Result Ref.
2015 Zed Fest Film Festival Outstanding Acting Performance Won [104]
Florida Film Critics Circle FCC Breakout Award Won [105]
2016 Central Ohio Film Critics Association Breakthrough Film Artist Nominated [106]
Georgia Film Critics Association Breakthrough Award Nominated [107]
EDA Awards Best Female Action Star Nominated [108]
Best Breakthrough Performance Nominated
Nickelodeon Kids' Choice Awards Favorite Movie Actress Nominated [109]
Empire Awards Best Female Newcomer Won [110]
MTV Movie Awards Best Female Performance Nominated [111]
Best Hero Nominated
Best Breakthrough Performance Won
Best Fight (with Adam Driver) Nominated
Saturn Awards Best Actress Nominated [112]
Teen Choice Awards Choice Movie Actress – Sci-Fi/Fantasy Nominated [113]
Choice Movie: Chemistry (with John Boyega) Nominated
Choice Movie: Breakout Star Won
2018 Empire Awards Best Actress Won [114]
Nickelodeon Kids' Choice Awards Favorite Movie Actress Nominated [115]
MTV Movie Awards Best Performance in a Movie Nominated [116]
Best Hero Nominated [116]
Saturn Awards Best Actress Nominated [117]
Teen Choice Awards Choice Fantasy Movie Actress Nominated [118]
Choice Drama Movie Actress Nominated [118]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Daisy Jazz Isobel Ridley (born 10 April 1992) is an English actress recognized primarily for her role as Rey in the *. Born in Westminster, , to parents Chris Ridley, a photographer, and Louise Fawkner-Corbett, who worked in internal communications, Ridley is the youngest of three daughters; her great-uncle was the and . After minor television appearances and stage work in her early career, she achieved international prominence with the casting as the scavenger-turned- Rey in (2015), a role she reprised in The Last Jedi (2017) and The Rise of Skywalker (2019). Ridley's performance in the trilogy earned her nominations for Movie Awards, , and , along with wins including the Empire Award for Best Newcomer in 2016 and the Oscar Wilde Award from the US-Ireland Alliance. Subsequent roles in films such as (2018) and (2023) have demonstrated her range beyond the franchise, though none have matched the cultural impact of her Star Wars work.

Early life

Family background and childhood

Daisy Ridley was born Daisy Jazz Isobel Ridley on April 10, 1992, in Westminster, , to Chris Ridley and Louise Fawkner-Corbett. She is the youngest of three full sisters, with older siblings Kika Rose Ridley and Poppy Sophia Ridley, and has two older half-sisters from her father's prior marriage. Her mother's family, the Fawkner-Corbetts, maintains a tradition of spanning generations. On her father's side, Ridley is related to actor , known for portraying in the Dad's Army, who was her great-uncle. Ridley's mother worked in , while details of her father's profession remain less publicly documented. The family resided in , a district in , where Ridley spent her early years. She has described her upbringing as close-knit, though marked by typical rivalries; in a 2017 interview, she noted growing up with her two older sisters as her "best people," despite frequent arguments among the three. As the youngest child in a household, Ridley's childhood involved standard urban family life, without indications of unusual privilege or hardship prior to her acting career.

Education and initial acting pursuits

Ridley attended Tring Park School for the Performing Arts in , , from age nine, securing a scholarship and specializing in training, which included , jazz dancing, and vocal performance as a ; she graduated in 2010. After completing secondary education, she enrolled to study classical civilisation at , but withdrew without completing the degree to prioritize her acting career. To sustain herself during this period, Ridley held various entry-level positions, including bartending at pubs for nearly two years, where she earned minimum wage under $10 per hour and handled demanding shifts such as cleaning after events like the . Her early acting efforts yielded minor television appearances, including the role of Jessie in Youngers (2013), Fran Bedingfield in Casualty (2013), Charlotte in Toast of London (2013), Roxy Starlet in Mr Selfridge (2014), and Hannah Kennedy across two episodes of Silent Witness (2014). She also featured in short films such as Scrawl, 100% Beef, Crossed Wires, the BAFTA-nominated Lifesaver, and Blue Season from the Sci-Fi-London 48-Hour Film Challenge, alongside a music video appearance in Wiley's "Lights On." Ridley's debut in a feature-length film came in 2012 with an unspecified role in a student-led project directed by Peter Hearn at Andover College. These sporadic credits reflected her persistence amid limited opportunities, preceding her breakthrough in 2014.

Acting career

Early roles before fame (2010–2014)

Ridley secured her first professional screen acting credit in 2013, appearing as Fran Bedingfield in an episode of the long-running medical drama Casualty. That same year, she played the supporting role of Jessie in the E4 comedy-drama series Youngers, which followed aspiring teenage musicians navigating the grime scene. Also in 2013, Ridley starred as Sarah in the five-minute horror Blue Season, directed by Georgina Higgins and Lee Jones as part of the Sci-Fi London 48-Hour Film Challenge; the plot depicts a woman awakening suspended upside down and receiving guidance from a mysterious voice to escape. In 2014, she continued with guest appearances, including as Hannah Kennedy in the forensic crime series . Ridley portrayed Roxy Starlet opposite in the second season of the ITV period drama , set in the early 20th-century . She also appeared as Charlotte in the BBC comedy , starring as a struggling actor. These roles, primarily uncredited or minor, marked her initial forays into British television and independent shorts prior to her casting in major productions.

Star Wars breakthrough and sequel trilogy (2015–2019)

Daisy Ridley, then a relatively unknown actress with limited credits in short films and television bit parts, auditioned extensively for the role of Rey in Star Wars: Episode VII – The Force Awakens. Her casting came after seven months of multiple auditions in 2014, during which director J.J. Abrams selected her from thousands of candidates for the part of a "twentysomething athletic girl" described in the casting call. Principal photography for the film occurred from May to November 2014, with Ridley aged 22 during her scenes. The Force Awakens, released on December 18, 2015, marked Ridley's breakthrough, propelling her to international stardom as Rey, a Jakku scavenger who uncovers her connection to the Force. The film achieved record-breaking box office performance, opening to $238 million domestically and ultimately grossing over $2 billion worldwide on a $245–306 million budget. Ridley's performance was highlighted for its emotional depth, as evidenced in her audition tape where she delivered a poignant scene involving Rey's isolation and resilience. Ridley reprised her role as Rey in the sequel trilogy's subsequent installments. Star Wars: Episode VIII – The Last Jedi, directed by and released on December 15, 2017, explored Rey's training under and her Force dyad with . The film grossed approximately $1.33 billion worldwide. Star Wars: Episode IX – The Rise of Skywalker, directed by and released on December 20, 2019, concluded the trilogy with Rey confronting her Palpatine lineage and defeating the Emperor, earning about $1.07 billion globally. Throughout the trilogy, Ridley underwent extensive physical training, including and work, to portray Rey's evolution from to . The trilogy's success, with combined worldwide earnings exceeding $4.4 billion, solidified Ridley's status as a leading actress, though it also thrust her into the franchise's polarized fan discourse.

Post-Star Wars projects (2020–present)

Ridley starred as Viola Eade, a crash-landed scout navigating a where men's thoughts manifest as audible "," in the adaptation , directed by and co-starring and . The film, based on Patrick Ness's novel, was released in the United States on March 5, 2021, after production delays due to the , and earned $26.5 million worldwide against a $100 million budget. It holds a 21% approval rating on based on 155 reviews, with critics citing uneven pacing and underdeveloped world-building despite the leads' chemistry. In 2022, Ridley appeared in a brief role as Kate, a flirtatious voiced during a virtual encounter, in Judd Apatow's satire The Bubble, which lampooned pandemic-era film production. The comedy, featuring an ensemble including and , premiered on April 1, 2022, and received a 6% score, faulted for contrived humor and lack of insight into Hollywood isolation. Ridley expanded into producing with (2023), where she portrayed Fran, an introverted office worker fixated on morbid fantasies amid emotional detachment, directed by Rachel Lambert. The independent drama, which Ridley co-produced through her Scott Free attachment, premiered at Sundance in January 2023 and received a limited U.S. theatrical release on December 8, 2023, garnering an 82% approval from 132 reviews for its subtle exploration of depression and human connection, with praise centered on Ridley's restrained performance. That year, she also led as Helena Pelletier, a survivor of childhood abduction seeking vengeance against her captor father (), in Neil Burger's thriller released on November 17, 2023; it scored 40% on , critiqued for formulaic plotting despite Ridley's committed intensity. Additionally, she voiced Marguerite of in the animated biopic The Inventor (2023), directed by Jim Capobianco and Pierre-Luc Granjon, chronicling Leonardo da Vinci's later years, which achieved a 76% rating for its whimsical style. In 2024, Ridley executive produced and starred as Gertrude "Trudy" Ederle, the first woman to swim the in 1926, in Joachim Rønning's biographical sports drama , released on Disney+ on May 31, 2024. The film, emphasizing Ederle's training and societal barriers, earned an 88% score from 96 reviews, lauded for its inspirational tone and Ridley's portrayal of physical and emotional endurance. She also starred and produced in the (2024), directed by Tom Bateman, playing Annette, a mother whose family fractures under external temptations; it secured an 81% approval from 77 reviews, noted for tense domestic dynamics and Ridley's layered vulnerability. By October 2025, Ridley had completed for We Bury the Dead, a directed by Lauren Vandever, in which she plays Ava, a officer leading survivors through an ; it was released theatrically on January 2, 2025, achieving a 89% score early in its run for gritty survival elements. These projects reflect Ridley's shift toward character-driven indies, thrillers, and biopics, often involving production input, diversifying from franchise spectacle.

Upcoming works

Ridley stars in the zombie horror film We Bury the Dead, directed by Zak Hilditch, scheduled for theatrical release on January 2, 2026, in the United States. The story depicts a post-apocalyptic scenario following a military catastrophe that causes the dead to reanimate, with Ridley in the lead role alongside Mark Coles Smith and Brenton Thwaites. She leads the Philippines-set romantic comedy The Last Resort, directed by and written by , opposite as an ex-pat pilot. Ridley portrays a career-oriented woman scouting a potential resort site, who encounters local customs and develops a romance amid the islands' scenery; production filmed on location, including a May 2025 meeting with Philippine President attended by the cast in traditional attire. No release date has been confirmed, though it is anticipated for 2026. Ridley remains attached to reprise her role as Rey Skywalker in Star Wars: New Jedi Order, a set approximately 15 years after The Rise of Skywalker focusing on rebuilding the Order, but as of October 2025, has placed the project on hold with no filming underway and potential delays extending beyond initial 2026 targets.

Critical reception and controversies

Praise for acting range and achievements

Daisy Ridley's portrayal of Rey in (2015) earned acclaim for her commanding presence and emotional intensity, with critics highlighting her ability to convey determination and vulnerability in a breakout lead role. She received the Empire Award for Best Female Newcomer in 2016 for this performance, recognizing her rapid ascent from obscurity to franchise lead. Additionally, she won the Golden Schmoes Award for Breakthrough Performance of the Year in 2015 and the Breakout Award for the same film. Beyond the action-oriented Star Wars trilogy, Ridley demonstrated versatility in dramatic roles, particularly in independent films. In Sometimes I Think About Dying (2024), she was praised for excelling as a shy, introspective office worker, with reviewers noting the performance as a revelation of her capacity for subtle, internalized emotion outside high-stakes sci-fi. The San Francisco Chronicle described it as proof of her range beyond "spunky adventuress" archetypes, positioning the film as a strong showcase for her dramatic skills. Her work in Young Woman and the Sea (2024), portraying swimmer Trudy Ederle, drew commendations for its authenticity and physical commitment, contributing to the film's positive reception as a biographical sports drama. Ridley has garnered nominations reflecting sustained recognition, including the Saturn Award for for The Force Awakens and The Last Jedi (2017), as well as Movie Awards for Best Hero and Best Female Performance tied to the Star Wars sequels. In 2025, she earned a National Film Award nomination for in Cleaner, underscoring her action-thriller proficiency. Critics have also lauded her in Magpie (2024), calling it one of her strongest outings for its layered intensity in a psychological thriller. These accolades and reviews affirm her evolution from genre icon to multifaceted performer capable of indie introspection and historical biography.

Criticisms of Rey portrayal and Star Wars involvement

Critics and fans have frequently characterized Rey, as portrayed by Daisy Ridley in the , as a —a term for an unrealistically competent lacking meaningful flaws or challenges—who achieves mastery in combat, piloting, and abilities with minimal training. In The Force Awakens (2015), Rey defeats [Kylo Ren](/page/Kylo Ren), a trained dark side warrior, in her first duel despite no prior experience, and intuitively repairs the and resists intense mind probes. Such feats, opponents argue, undermine narrative tension and in-universe consistency, as they bypass the training arcs central to predecessors like , who suffered repeated failures before growth. This portrayal drew accusations of prioritizing empowerment symbolism over coherent storytelling, with Rey's rapid power escalation—such as self-teaching Force healing and lightning in The Rise of Skywalker (2019)—exemplifying plot-driven convenience rather than earned progression. Detractors, including some female viewers, contend the character's invincibility erodes stakes, as evidenced by her consistent victories without equivalent setbacks, contrasting Luke's losses to Vader or Anakin's prolonged apprenticeship. While some defend Rey by noting inherited Skywalker potential or raw talent, critics maintain these explanations fail to justify her outsized successes relative to established lore, contributing to the trilogy's polarized reception and declining box office from The Force Awakens ($2.07 billion) to The Rise of Skywalker ($1.07 billion). Ridley's involvement amplified debates through her public dismissals of criticism as rooted in . In a 2016 interview, she labeled the "" critique inherently sexist due to the term's female origin, equating Rey's arc to Luke's despite differences in demonstrated effort and failure. More recently, in September 2024, Ridley stated she ignores "aggressive" negativity, attributing Rey's dislike to "the way that some men see women," a response that some viewed as evading substantive writing flaws. She expressed ongoing upset over The Rise of Skywalker backlash in January 2024, framing fan discontent as personal rather than script-driven, which fueled perceptions of defensiveness amid the film's 51% audience score on versus 86% critics.

Public backlash and Ridley's responses

Daisy Ridley faced significant online harassment following the release of in 2015, prompting her to delete her Instagram account in August 2016 after posting a statement criticizing in the U.S. in the wake of a Dallas police shooting, which drew accusations of politicizing tragedy and anti-American sentiment from some commenters. In response, Ridley explained that the volume of abuse, including death threats, made maintaining the account untenable, stating she preferred to avoid social media's toxicity rather than engage further. The sequel trilogy's narrative choices, particularly Rey's portrayal as highly skilled with minimal training, fueled fan criticisms labeling her a "Mary Sue" archetype, intensifying after The Last Jedi (2017) and peaking with backlash to The Rise of Skywalker (2019), which received a 51% audience score on Rotten Tomatoes compared to 86% for critics. Ridley described the response to the latter film as "still upsetting" in a January 2024 interview, noting it affected her emotionally years later despite positive personal experiences on set. She attributed some hate to broader fandom divisions but in September 2024 suggested it stemmed partly from "the way some men see women," while acknowledging in January 2024 that claims of widespread sexism among fans had been "blown out of proportion." Ridley's public comments on drew further ire, including a 2019 statement during The Rise of Skywalker promotion that "every sane person" opposed President Trump, prompting backlash from supporters who viewed it as elitist partisanship amid the film's underperformance relative to predecessors. She also faced criticism that month for denying personal privilege in a Variety interview, claiming her success resulted solely from hard work despite her London upbringing and early opportunities, which some interpreted as tone-deaf given co-star John Boyega's contrasting experiences. In response to Senator Ted Cruz's February 2021 defense of fired Mandalorian actress over her posts, Ridley tweeted sarcastically that she was "happy to be an emotionally tortured who doesn't leave their state when it's having a terrible time," referencing Cruz's Cancun trip during Texas' crisis. Ridley has since limited her presence to mitigate backlash, focusing instead on selective interviews where she emphasizes separating artistic work from personal attacks.

Public views and activism

Political positions and statements

Daisy Ridley supported the Remain campaign in the 2016 membership referendum, aligning with other celebrities advocating for continued membership. In December 2019, Ridley stated in an interview with that "every sane person" has an issue with then-U.S. President , a comment that drew criticism for implying opposition to Trump as a marker of rationality. This reflected her broader disapproval of Trump, as she expressed feeling "sick" about his in 2017 and participated in the Women's March protesting his presidency shortly thereafter. Ridley has described herself as "not a royalist," criticizing Buckingham Palace as an "unused building" in a 2023 interview with British GQ, indicating skepticism toward the British monarchy. In February 2021, she responded to U.S. Senator Ted Cruz's social media remark belittling her Star Wars character Rey by stating she was "happy to be an emotionally tortured character," amid backlash over Cruz's trip to Cancun during a Texas winter storm crisis. Ridley has not publicly endorsed specific political parties in the UK, such as the Labour Party, though her expressed views on international issues and domestic institutions lean toward progressive critiques of and .

Environmental and social advocacy

Ridley has advocated for , including opposition to in laboratories. In 2022, she received PETA's "Favorite PETA Collab" award for a letter urging the to end animal experiments in its department, highlighting her support for alternatives to such practices. She has also maintained a vegan diet, which she discussed in interviews as aligning with ethical concerns for animals and environmental sustainability. On social issues, Ridley has spoken against following the 2016 Orlando nightclub shooting, posting support for victims on , which drew backlash and prompted her to deactivate the account. She has addressed impacts of , describing it in 2017 as damaging particularly for teenagers due to curated, filtered content that distorts self-perception. Ridley has shared her experiences with since to raise awareness, emphasizing open discussions about the condition's effects on young women. In 2025, she participated in a Cinema for Gaza fundraiser, performing in a table read of to benefit , an organization providing healthcare in Gaza. She has supported NHS Charities Together, joining campaigns on the UK's National Health Service's 77th anniversary in 2025 to promote its charitable initiatives. Through the Star Wars: Force for Change initiative in 2017, Ridley collaborated with to raise funds for UNICEF's programs and Starlight Children's Foundation, which aids seriously ill youth.

Media interactions and social media use

Ridley has maintained a limited presence on platforms, citing concerns over its impact on . In August 2016, she deleted her account following online harassment triggered by a post mourning victims of , which drew significant backlash. She similarly exited around the same period, later describing as "highly unhealthy" for users, particularly teenagers, due to its potential to exacerbate anxiety and self-comparison. By 2019, Ridley vowed never to return to , likening her departure to severing a "Skywalker limb" amid ongoing fan backlash related to her Star Wars role. However, she reactivated an account in April 2022 after a six-year hiatus, stating the decision was personal and aimed at reconnecting without compromising her well-being; the account, @daisyridley, has amassed over 500,000 followers and features occasional posts related to her projects. She has also maintained a page for professional updates. In media interactions, Ridley has frequently addressed perceptions of toxicity within the Star Wars fandom, asserting in a January 2024 interview that claims of widespread sexism from fans are "blown out of proportion" by coverage in mainstream outlets. She defended fans against what she described as unfair media narratives, noting positive encounters outweighed negatives during promotional tours. During the sequel trilogy press cycles, she experienced acute stress from certain interviews, including one in that left her unable to sleep due to misinterpretations of her comments. Ridley has also navigated on-set dynamics reflected in media reports, such as a 2020 Tatler profile where she questioned labels of being "aggressive" or "intimidating" applied by crew members, attributing them potentially to gender biases rather than behavior. A December 2019 Guardian interview drew criticism for her remarks downplaying personal privilege amid discussions of industry barriers, prompting social media backlash she did not directly engage. In a June 2024 podcast, she detailed experiences of sexism on film sets, including unsolicited advances, while emphasizing professional resilience over public confrontation.

Personal life

Relationships and marriage

Ridley was rumored to have dated British actor Charlie Hamblett from 2014 to 2016, though neither party confirmed the relationship. She met actor Tom Bateman on the set of the film , where they played supporting roles, and the pair began dating shortly thereafter. Rumors of an engagement surfaced in subsequent years, fueled by public appearances together, including at the film's premiere in November 2017. Ridley and Bateman maintain a highly private relationship, rarely sharing details publicly. In January 2023, during promotion for Sometimes I Think About Dying at the Sundance Film Festival, Ridley confirmed to Rolling Stone that they had married, stating simply, "Yes! I got married," without disclosing the wedding date or other specifics. The couple has no publicly announced children as of 2025.

Health challenges and privacy

Ridley was diagnosed with in her early twenties, experiencing severe abdominal pain that prompted years of medical consultations and treatments. She later identified (PCOS) as contributing to persistent skin issues, including , which she linked to hormonal imbalances after unsuccessful topical remedies. In August 2024, she disclosed a diagnosis of , an autoimmune disorder causing , which emerged during physical training for a film role and required alongside dietary adjustments, such as adopting a plant-based regimen to manage symptoms across her conditions. Following her casting as Rey in in 2015, Ridley developed intense anxiety that manifested physically, leading to stomach ulcers described as "holes in her gut" from stress-induced isolation and pressure. She has pursued to address strains from rapid fame, emphasizing its role in coping without detailing further diagnoses like depression, though public accounts focus on anxiety's tangible impacts. Ridley prioritizes privacy in non-health aspects of her , quitting and other platforms in December 2017 to separate her career from private matters and avoid the mental toll of public scrutiny. She has consistently declined to discuss relationships, confirming her marriage to actor Tom Bateman only in January 2023 amid speculation, stating she reserves certain life elements from public discourse. This approach extends to limiting comments on family or non-professional details, reflecting a deliberate boundary against invasive media interest post-fame.

Awards and professional recognition

Major nominations and wins

Ridley earned the Best Breakthrough Performance award at the 2016 MTV Movie + TV Awards for portraying Rey in Star Wars: The Force Awakens. She also received the Best Newcomer honor at the 2016 Empire Awards for the same performance. Additionally, in 2016, she was presented with the Oscar Wilde Award by the US-Ireland Alliance, recognizing emerging Irish and Irish-American talent. Among genre awards, Ridley garnered three consecutive nominations for at the : for in 2016, in 2018, and Star Wars: Episode IX – The Rise of Skywalker in 2021. She received further nominations, including Best Hero and Best Performance in a Movie for The Last Jedi in 2018, though without additional wins.
AwardCategoryYearFilmResult
MTV Movie + TV AwardsBest Breakthrough Performance2016Won
Empire AwardsBest Newcomer2016Won
Saturn AwardsBest Actress2016Nominated
Saturn AwardsBest Actress2018Nominated
Saturn AwardsBest Actress2021Star Wars: Episode IX – The Rise of SkywalkerNominated
Ridley has accumulated nine wins overall from various ceremonies, including four National Film Awards UK and one each from Gold Derby, BAM, and Odyssey Awards, primarily tied to her Star Wars roles and supporting films like Ophelia (2018). She holds no Academy Award, BAFTA, or Golden Globe nominations for acting.

Industry impact and box office contributions

Daisy Ridley's most significant contributions stem from her portrayal of Rey in the , beginning with (2015), which grossed $2.071 billion worldwide, marking it as the highest-grossing film of that year and revitalizing the franchise under Disney's ownership. As an unknown actress prior to casting, Ridley's selection as the lead demonstrated the viability of elevating newcomers to central roles in major blockbusters, contributing to the film's domestic earnings of $936.7 million. The success of —with an opening weekend of $247.9 million domestically—underscored the enduring appeal of the Star Wars brand, amplified by Rey's character as a relatable, Force-sensitive , which helped draw diverse audiences and set records for fastest to $1 billion globally. In the subsequent films, (2017) earned $1.333 billion worldwide, while Star Wars: The Rise of Skywalker (2019) grossed $1.077 billion, with Ridley's Rey remaining a pivotal figure despite declining returns from the trilogy's peak. These entries collectively added over $4.4 billion to the franchise's , with Ridley's performance credited in industry analyses for sustaining female-led narratives that broadened the series' demographic reach, though critical and fan divisions impacted later receptions. Her involvement helped Disney's Star Wars acquisitions yield substantial returns, with the sequel trilogy's profits estimated in the billions after budgets, influencing studio strategies for serialized, character-driven sequels. Beyond Star Wars, Ridley's films have underperformed relative to expectations, with career-leading roles aggregating approximately $2.09 billion worldwide across multiple projects, heavily skewed by the franchise. Notable flops include (2021), which earned $26.3 million against a $100 million budget, and (2024), grossing under $1 million theatrically before finding success on streaming. The Cleaner (2025) similarly managed just over $1 million at the despite positive streaming metrics, highlighting a pattern where her post-trilogy vehicles struggled to replicate franchise-scale draws. This disparity illustrates Ridley's industry impact as largely franchise-dependent, with limited evidence of her driving standalone hits, though her Star Wars tenure elevated her marketability for mid-budget action and drama roles.
FilmWorldwide GrossBudgetRole
Star Wars: The Force Awakens (2015)$2.071 billion$245 millionRey (lead)
Star Wars: The Last Jedi (2017)$1.333 billion$317 millionRey (lead)
Star Wars: The Rise of Skywalker (2019)$1.077 billion$275 millionRey (lead)
Chaos Walking (2021)$26.3 million$100 millionViola (lead)
Overall, Ridley's footprint exceeds $3 billion in worldwide totals across her , ranking her among top-performing leading actresses, but analyses attribute this primarily to Star Wars' pre-existing momentum rather than independent draw. Her contributions have informed casting trends favoring versatile, non-established talents in high-stakes IP revivals, yet post-2019 projects reveal challenges in translating franchise stardom to broader commercial viability outside ensemble or branded contexts.

References

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