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Danheim
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Key Information
Reidar Schæfer Olsen (born 29 April 1985), known professionally as Danheim, is a Danish ambient and Nordic folk musician.[1][2][3]
Works and style
[edit]Olsen was born in Brøndby[4] in 1985 and produced mostly in the electronic genre until 2016, when a strong interest in Norse mythology led him to start combining that with his music.[1] His stage name approximately means 'Danish home', taken from the Old Norse language word heim, meaning 'home'.[5]
Since 2016, Danheim has released eight records on his own independent label.[6] His style has been described by reviewers as "Brian Eno doing the soundtrack for Game of Thrones"[2] or "inspired folk music, with dark undertones".[7] Lyrically, his music deals with such tales from Norse mythology such as Hrungnir's fight with Thor, the story of Fimbulwinter and much more.[7]
In his 2019 release Hringrás, Danheim recorded the last three minutes of a track using only parts of dead plants and animals, as well as some real human bones.[8]
In 2019, Danheim also contributed music to the soundtrack of three episodes from the second half of the sixth season of the History Channel series Vikings.[9] One of the actors from the show, Georgia Hirst, enjoyed Danheim's contributions to the score so much that she released a social media video praising his music.[10]
As of July 2023,[update] his YouTube channel had 555,000 subscribers and received more than 220 million video views.[11]
In March 2020 Danheim released his third full-length album of 11 tracks, Skapanir.[12] He decided to release the album earlier than planned, to help entertain his fans under lock-down or in isolation due to the 2020 Coronavirus/COVID-19 pandemic.[13] Reviewers praised the album's 'visceral and hypnotic' composition, and noted the varied instrumentation that produced a 'multidimensional Viking soundbath'.[14] Teemu Esko of Kaos Magazine called Skapanir "versatile and touching, while rich and immersive".[15]
Discography
[edit]Albums
[edit]- Munarvágr (2017)
- Mannavegr (2017)
- Herja (2018)
- Friðr (2018)
- Vega (EP, 2018)
- Runagalðr (2018)
- Hringrás (2019)
- Skapanir (2020)
- Domadagr (2021)
- Heimferd (2025)
Singles
[edit]- "Munarvágr" (2017)
- "Jörmunganðr" (2017)
- "Temple of Odin" (2017)
- "Ivar's Revenge – Danish Viking Music" (2017)
- "Angrboða" (ft. Sigurboði) (2017)
- "Jörmunganðr – Vocal Version" (2017)
- "Tyr" (2017)
- "Gjallarhorn" (2017)
- "Myrkviðr" (2017)
- "Floki's Last Journey" (2017)
- "Alfaðir" (2017)
- "Ulfhednar" (2017)
- "Tyrfing" (2017)
- "Gleipnir" (ft. Fader Sol, Moder Jord) (2017)
- "Valravn" (2017)
- "Gripir" (2017)
- "War of the North" (2017)
- "Valhal – Viking War Song" (2017)
- "Berserkir" (2017)
- "Gungnir" (2018)
- "Ginnung" (2018)
- "Fornheim" (2018)
- "Vikinger" (ft. Sigurboði) (2018)
- "Vigja" (2018)
- "Vega" (2018)
- "Glitnir" (2018)
- "Fella" (2018)
- "Feikinstafir" (2018)
- "Rùnatal" (ft. Sigurboði) (2018)
- "Egilsson" (2018)
- "Heilagr Domr" (2018)
- "Hausrùnir" (ft. Sigurboði) (2018)
- "Hefna" (2019)
- "Bana" (ft. Gealdýr) (2019)
- "Reida" (2019)
- "Blodfest" (ft. Heldom) (2019)
- "Ymir" (ft. Gealdýr) (2019)
- "Niu Heimar" (2020)
- "Skylda" (2020)
- "Runamal" (2021)
- "Runar" (2021)
- "Skovblót" (2022)
- "Hel" (2022)
- "Hagalaz" (2022)
- "Valkyrier" (2022)
- "Ulvekald" (2022)
- "Brekvirki" (2022)
- "Tivar" (2022)
- "Kammergrav" (2023)
- "Langskib" (2023)
- "Heimdalsvejen" (2023)
- "Asablót" (2023)
See also
[edit]References
[edit]- ^ a b Rosvald, Jonas (2 May 2018). "Interview med Danheim". Heavymetal.dk (in Danish). Retrieved 28 January 2020.
- ^ a b "Modern-Day Thors Drop the Hammer: These Vikings Show Us How to Rock". InsideHook. Retrieved 28 January 2020.
- ^ "Viking Music". Sons of Vikings. Retrieved 28 January 2020.
- ^ "About". Retrieved 6 February 2020.
- ^ Rotar, Tim Raven (10 December 2017). "RavenzCraft Arts Interview Project: Interview with Danheim". RavenzCraft Arts Interview Project. Retrieved 31 January 2020.
- ^ "Discography – Danheim | Official Page". Retrieved 28 January 2020.
- ^ a b "Danheim - Herja". Heavymetal.dk (in Danish). 15 March 2018. Retrieved 28 January 2020.
- ^ "Danish Viking musician Danheim uses real human bones in upcoming album about Life & Death". GRIMM Gent. 30 November 2018. Retrieved 28 January 2020.
- ^ Vikings (TV Series 2013– ) - IMDb, retrieved 28 January 2020
- ^ "'Vikings' Season 6 Episode 9: Artist Danheim's music has fans asking for more Norwegian folk melodies". meaww.com. Retrieved 31 January 2020.
- ^ "Danheim's YouTube Stats (Summary Profile) - Social Blade Stats". socialblade.com. Archived from the original on 27 May 2019. Retrieved 27 June 2021.
- ^ "Danheim - Skapanir (Full album 2020) Nordic Folk & Dark Viking Music". Danheim - Skapanir (Full album 2020) Nordic Folk & Dark Viking Music. Retrieved 30 March 2020.
- ^ mythologica (18 March 2020). "Danheim | Projeto dinamarquês lança álbum 'Skapanir'". Mythologica (in Brazilian Portuguese). Retrieved 30 March 2020.
- ^ "Album Review : Skapanir – Danheim". Folk N' Rock. Retrieved 22 May 2020.
- ^ Esko, Toimittaja: Teemu (1 May 2020). "Koskettava katsaus pakanalliseen sielunmaisemaan – arviossa folkia ja ambientia esittävän Danheimin 'Skapanir'". KaaosZine (in Finnish). Retrieved 25 May 2020.
Danheim
View on GrokipediaBiography
Early life
Reidar Schæfer Olsen was born on 29 April 1985 in Brøndby, Denmark.[6] From an early age, Olsen nurtured a passion for songwriting, alongside a deep connection to his Danish roots and cultural heritage.[1] These formative interests in Nordic traditions and folklore laid the groundwork for his later artistic explorations.[7] In the early 2000s, he began shifting his focus toward music production.[8]Career beginnings
Reidar Schæfer Olsen, known professionally as the creator behind Danheim, began his foray into music production in the early 2000s, initially exploring electronic and ambient genres. Inspired by 90s dance and trance music, he transitioned from other pursuits to composing his own tracks during this period, building foundational skills in sound design and production.[1][9] By the mid-2010s, Olsen had amassed 8 to 10 years of experience in electronic music production, honing techniques in ambient soundscapes and electronic composition. This period marked his development as a self-taught producer based in Copenhagen, Denmark, where he experimented with atmospheric and instrumental works.[1][10][4] In conjunction with his growing expertise, Olsen founded the independent label Fimbul Records, which served as a platform for self-releasing his early productions and supporting like-minded artists in the Nordic folk and Viking-inspired genres. The label, established in 2018 shortly after the launch of his Danheim project, facilitated his independent output and later evolved into the Fimbul Radio initiative in 2020.[11][1] This accumulation of experience in electronic production provided the technical groundwork for Olsen's eventual pivot toward Nordic folk elements in his Danheim persona.[1]Formation and development of Danheim
Danheim was launched in 2017 as a solo project by Copenhagen-based Danish producer Reidar Schæfer Olsen, focusing on Nordic folk and Viking-inspired music that drew from his eight years of prior experience in electronic production.[1][12] The project's debut albums, Munarvagr and Mannavegr, were released independently that year, establishing Olsen's alias as a distinctive voice in the genre through self-produced recordings that blended ancient Nordic themes with modern soundscapes.[13][14] Initially operating as an independent endeavor, Danheim gained traction through digital platforms, amassing over one billion streams worldwide by the mid-2020s, which propelled its evolution from niche online releases to broader international recognition.[14] This growth included expansions into merchandise, such as apparel and accessories tied to Viking motifs, available through dedicated online shops.[15] However, as Danheim's popularity grew, Olsen closed Fimbul Records to concentrate on his solo project.[4] In August 2024, Olsen signed Danheim to the Season of Mist label, enabling wider distribution, professional reissues, and enhanced global outreach for the project.[16][17] Under the new label partnership, Season of Mist facilitated vinyl reissues of the foundational albums Munarvagr and Mannavegr in March 2025, remastering them for physical formats to reach vinyl enthusiasts and collectors internationally.[13] This milestone marked a significant step in Danheim's development, transitioning from digital-first independence to structured label support that amplified its presence in the Nordic folk scene.[18] Olsen's personal motivations have increasingly shaped the project's direction, particularly in recent works exploring ancestral heritage. The 2025 album Heimferd, released on October 31 via Season of Mist, serves as a profound reflection on these themes, with Olsen describing it as "a journey home... to my ancestry, honouring the weight of old paths while also forging new ones."[19][20] Centered on Ǽttartrú—a self-constructed belief system rooted in Scandinavian ancestral practices—the album underscores Olsen's drive to connect contemporary music with historical and cultural introspection.[21][3]Musical style and influences
Influences
Danheim's music draws primary inspiration from the Viking Age and ancient Nordic culture, particularly elements of mythology, runes, and rituals that evoke the era's spiritual and historical depth. Reidar Schæfer Olsen, the project's creator, bases compositions on the darker aspects of the Viking period, incorporating stories from Nordic mythology and old Danish folklore to create an authentic atmospheric mood.[1][22] This influence extends to runic symbolism and ritualistic practices, as seen in thematic explorations of ancient Norse doomsday prophecies and protective runes within album concepts.[23] Historical and folkloric elements further shape Danheim's sound, rooted in Old Norse sagas, pagan traditions, and broader Scandinavian heritage. Olsen's work reflects the narrative traditions of Viking sagas and pre-Christian pagan customs, emphasizing ancestral reverence and cultural authenticity from Denmark's past.[1][4] These sources provide a foundation for evoking the social structures and ritual practices of early medieval Scandinavia.[21] In addition to traditional roots, modern musical genres influence Danheim's style, blending Nordic folk with neo-pagan folk, dark folk, and ambient electronic elements. This fusion allows for a contemporary interpretation of ancient themes, using electronic production techniques to enhance the haunting, ritualistic quality.[1][24] The neo-pagan folk scene, inspired by Heathenry and Viking history, aligns closely with Olsen's approach to cultural revival, though the genre has faced criticisms for far-right appropriations of Nordic paganism; Olsen has stated that he does not support white supremacy.[25][26] Olsen's personal ancestral ties play a central role, stemming from his Danish roots and active exploration of family history. He developed a deep connection to his heritage, which fueled his entry into the Nordic folk genre.[1] Recent projects, such as the album Heimferd, incorporate Ǽttartrú—a self-constructed belief system centered on Scandinavian ancestral reconnection and individual lineage—further personalizing these influences.[21] This ancestral focus manifests in themes of homeward journeys and lineage ties across Danheim's discography.Style and themes
Danheim's music fuses ambient and Nordic folk elements with ritualistic and dark atmospheric tones, creating immersive soundscapes that evoke ancient Scandinavian rituals and landscapes. This style blends electronic production techniques, rooted in the artist's background in ambient music, with organic folk instrumentation to produce a hypnotic, otherworldly effect. Production often occurs in a home studio, incorporating layered field recordings from Nordic environments—such as winds, geysers, and natural echoes from Denmark, Iceland, Norway, and Finland—to enhance the raw, elemental quality of the compositions.[4][27] Central to the sonic palette are traditional and unconventional instruments that contribute to the ritualistic intensity, including the tagelharpa (a bowed lyre), bowed bass lyre, frame drums, and custom-made percussion crafted from wood, bones, and Viking-era artifacts like weapons and rattles. Throat singing and raw, hypnotic vocals are employed, adding a primal, trance-like dimension, while electronic elements provide subtle undercurrents of depth and modernity without overpowering the acoustic authenticity. These choices result in textured, imperfect sounds that prioritize emotional resonance over polished production, fostering a sense of ancient power and introspection.[10][4][28] Thematically, Danheim's work explores the darker facets of Viking lore, including berserkir warriors in trance-like fury, epic battles, and confrontations with elemental forces like storms and earth, intertwined with motifs of nature's majesty and spiritual connectivity. Recurring narratives delve into spirituality through sacred rites and pagan practices, portraying journeys of struggle, longing, and return to ancestral roots, often symbolizing a homeward path amid mythological trials. These themes draw briefly from Nordic mythology to underscore a vivid, imaginative reconnection with pre-Christian heritage.[1][4][29] Over time, Danheim's style has evolved from early ritualistic and war-oriented compositions in the 2010s, emphasizing raw Viking aggression, to more introspective and personal ancestral narratives in the 2020s. Recent releases incorporate experimental vocals, brighter tonal shifts, and a deeper integration of natural field recordings, reflecting a self-constructed ancestral belief system known as Ǽttartrú that personalizes the mythic framework with contemporary emotional depth. This progression maintains the core dark ambiance while broadening accessibility through varied linguistic elements and thematic subtlety.[1][21][4]Discography
Studio albums
Danheim's studio albums form the core of the project's discography, blending Nordic folk elements with atmospheric soundscapes inspired by Viking-age narratives and Norse mythology. Initially self-released, the early works established a raw, immersive style, while later releases show growing production sophistication and thematic complexity, often incorporating throat singing, traditional instruments like the tagelharpa, and electronic undertones. By 2023, the albums had collectively amassed over 1 billion streams across digital platforms, contributing to Danheim's placement in media such as the final season of Vikings and Vikings: Valhalla. In 2025, Season of Mist began reissuing key early titles on vinyl, marking a shift toward wider distribution.[13] The debut album, Munarvágr, was self-released on May 23, 2017, and comprises 9 tracks that evoke shadowy Viking voyages and mythological depths, drawing from Old Norse lore such as references to Jörmungandr and Tyrfing.[30] This foundational release set the tone for Danheim's dark, ambient explorations of Nordic heritage. The follow-up, Mannavegr, also self-released later in 2017, expands to 15 tracks, including collaborations with Sigurboði Grétarsson on three songs, and delves into themes of human paths through ancient folklore and introspection.[31] Both early albums were reissued on vinyl by Season of Mist in March 2025, enhancing their accessibility to collectors.[13] In 2018, Danheim released three albums, intensifying the focus on Viking-era intensity. Herja, self-released on April 1, features 13 tracks centered on Viking heritage and mythological motifs like berserkergang (berserker rage), Hrungnir, and Gungnir, portraying themes of war and devastation—Herja itself translating to "lay waste" in Old Norse.[32][33] Friðr, also self-released that year with 13 tracks, shifts toward concepts of peace and reflection amid Norse turmoil, balancing the aggression of prior works.[34] Runagalðr, issued via Ballista Records with 12 tracks, emphasizes incantatory spells and runic mysticism, inspired by Old Danish poetry and pagan rituals.[35] These 2018 releases marked a prolific period, deepening the project's engagement with historical and mythical storytelling. Subsequent albums built on this momentum. Hringrás, released in 2019 through Ballista Records, contains 11 tracks exploring cyclical themes of fate and cosmic order (hringrás meaning "wheel" or "cycle" in Old Norse), incorporating ritualistic percussion to evoke eternal Norse cycles.[36] Skapanir, self-released in 2020 with 12 tracks, delves into pagan soulscapes and creation myths, praised for its folk-ambient immersion in spiritual Nordic landscapes.[37][38] The 2021 self-released Domadagr, featuring 13 tracks, confronts apocalyptic visions from Norse eschatology—domadagr referring to Judgment Day—with poetic excerpts from ancient texts framing themes of doom and renewal.[39] Danheim's most recent studio album, Heimferd, marks the project's debut with Season of Mist, released on October 31, 2025, and includes 13 tracks. It portrays a journey driven by instinct and ancestral return, blending pounding rhythms with minimalist atmospheres to reflect timeless Nordic cultural undercurrents, as seen in tracks like "Stormdans" and "Yggdrasil II."[40][19] Post-2018, the discography exhibits increasing thematic depth, evolving from broad atmospheric Viking motifs to more nuanced mythological narratives and production polish, solidifying Danheim's influence in the Nordic folk genre.Extended plays and singles
Danheim's extended plays and singles have served as key vehicles for introducing and testing new ritualistic elements within his Nordic folk sound, often bridging gaps between full-length albums or promoting thematic expansions. The project's sole EP to date, Vega (2018), released via self-distribution on Ballista Records, features ambient tracks evoking ancient Scandinavian mysticism, including the title track and "Feikinstafir," which experiment with droning percussion and throat singing to foreshadow the rune-inspired motifs in subsequent works like Runagalðr.[41][42] Among early singles, "Ivar's Revenge (Danish Viking Music)" (2017) marked Danheim's debut release, establishing the project's focus on dark Viking atmospheres with ritual chants and frame drums, garnering over 27 million Spotify streams as a standalone introduction to the Munarvágr era.[43] Similarly, "Berserkir" (2017), a high-energy track channeling berserker rage through pounding rhythms and guttural vocals, achieved more than 37 million Spotify streams and later anchored the war-themed Herja album, highlighting its role in building audience engagement for battle-oriented narratives.[44] In later years, singles continued to expand thematic universes, such as "Draugrsongr" (2024), a haunting exploration of undead folklore with layered horns and echoes, released via Ballista Records to test supernatural motifs ahead of broader releases.[45] More recently, under Season of Mist, promotional singles for the Heimferd album included "Heimferd" (2025), evoking homeward journeys with expansive ambient builds; "Stormdans" (2025), capturing stormy rituals through dynamic percussion; and "Yggdrasil II" (2025), a sequel reimagining cosmic tree lore with ethereal synths, each building anticipation for the album's heritage-focused soundscapes.[46][47]| Release Type | Title | Year | Label | Notable Context |
|---|---|---|---|---|
| EP | Vega | 2018 | Ballista Records | Experimental ambient tracks testing rune and ritual sounds.[41] |
| Single | Ivar's Revenge (Danish Viking Music) | 2017 | Self-released | Debut single introducing Viking project; 27M+ Spotify streams.[43] |
| Single | Berserkir | 2017 | Self-released | Berserker-themed promotion for war motifs; 37M+ Spotify streams.[44] |
| Single | Draugrsongr | 2024 | Ballista Records | Standalone undead folklore track expanding supernatural themes.[45] |
| Single | Heimferd | 2025 | Season of Mist | Lead single for Heimferd album, focusing on heritage journeys. |
| Single | Stormdans | 2025 | Season of Mist | Promotional track evoking stormy rituals.[46] |
| Single | Yggdrasil II | 2025 | Season of Mist | Sequel single reimagining Norse cosmology.[47] |
