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Daniel David Stewart
Daniel David Stewart
Daniel David Stewart
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Daniel David Stewart is an American singer and actor known for his work in television, theatre, and musical productions. In 2015, he provided the voice of Ernst in the Broadway revival of Spring Awakening. The following year, he originated the role of Papi in the world premiere of The Band's Visit at the Atlantic Theater Company. In 2019, Stewart portrayed Milo Minderbinder in the Hulu miniseries Catch-22, directed by George Clooney. From 2021 to 2022, he appeared as NASA astronaut Nick Corrado in the Apple TV science fiction drama series For All Mankind.

Key Information

Career

[edit]

Stewart got his professional start in 2008 in the film Corpse Run. He has also appeared in cameo roles in television shows including Man Up!, The Middle, The Goodwin Games and K.C. Undercover. He has appeared in short and featured length films, including Kids vs Monsters and The Sound of Magic.[2][better source needed][3][non-primary source needed]

In 2014, Stewart appeared in the Deaf West production of the Tony Award-winning musical Spring Awakening as the Voice of Ernst. He then reprised his role for the Broadway revival, and completed his run at Brooks Atkinson Theatre on January 24, 2016.[4][5]

Filmography

[edit]

Film

[edit]
Year Title Role Notes
2008 Corpse Run Gamer Teen
2015 Kids vs Monsters Oliver Gingerfield [6]
2021 Silk Road Max [7]
2024 Red Right Hand Zeke Barkley [8]
2025 Bart Bagalzby and the Garbage Genie Willis
TBA Love Language TBA Post-production

Television

[edit]
Year Title Role Notes
2011 Man Up! Teen Episode: "Camping"
2013 The Middle Steve Episode: "Life Skills"
The Goodwin Games Salesman #2 / Pharoah / Bartender Episode: "Hamletta"
2014 Off the Record Detective Cole TV movie
2015 Late Night with Seth Meyers Voice of Ernst
K.C. Undercover Stanley Episode: "Stakeout Takeout"
2017 Controversy Oliver Peck TV movie
Encore! Back to the Woods Jack
2019 Catch 22 Milo Minderbinder 6 episodes[7]
2020 The Fugitive Stamell Main role
2021–2022 For All Mankind Nick Corrado 8 episodes
2023 Never Have I Ever Kade Andrews Episode: "...had my dream stolen"
2025 Reacher Steven Elliot
2026 Memory of a Killer[9] Jeff Main role

Theatre credits

[edit]
Year Title Role Category Location Notes
2014 Spring Awakening Voice of Ernst / Piano Los Angeles Deaf West Theatre [1]
2015 Wallis Annenberg Center
2015–2016 Broadway Brooks Atkinson Theater
2016–2017 The Band's Visit Papí Off-Broadway Linda Gross Theater
2018 Broadway Ethel Barrymore Theatre Temporary replacement for Etai Benson[10]

References

[edit]
[edit]
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Daniel David Stewart

View on Grokipedia
from Grokipedia
Daniel David Stewart is an American , singer, , and director, best known for originating the role of Papi in the Broadway production of and for his portrayal of in the miniseries . Born and raised in , Stewart began his professional acting career as a teenager in regional theater, earning an Indy Award for his lead performance as Hally in Master Harold... and the Boys at the Rubicon Theatre. A graduate of Conservatory, he has built a versatile career spanning stage, screen, and improvisation, becoming a member early in his professional journey. Stewart's theater work highlights his vocal and dramatic talents, including voicing the role of Ernst in the 2015 Deaf West Broadway revival of Spring Awakening, which received widespread critical acclaim from outlets like The Hollywood Reporter and The LA Times. He also created the role of Papi in the Off-Broadway and subsequent Broadway transfer of The Band's Visit, a production nominated for 11 Tony Awards, and appeared in notable productions such as Our Town opposite Helen Hunt, Metamorphoses as Phaeton, and world premieres like Part of the Plan as Hirsch. His stage performances often emphasize character depth and ensemble dynamics, contributing to his reputation as a multifaceted performer in both musical and straight plays. In television and film, Stewart has gained prominence through supporting and recurring roles that showcase his comedic and dramatic range. He starred as , the opportunistic mess officer, in the Golden Globe-nominated directed by , earning praise for capturing the character's chaotic energy. Additional credits include Nick Corrado in the Apple TV+ series For All Mankind, Steven Eliot in season 3 of Amazon's Reacher (2025), and appearances in Netflix's and earlier shows like The Middle and . On film, he played Zeke Barkley in the 2024 thriller , as Willis in the 2025 film Bart Bagalzby and the Garbage Genie, and led the Blow Out, which secured 8 awards across more than 20 festivals. As a and director, Stewart has extended his creative scope, including producing acclaimed short works that underscore his commitment to storytelling across media.

Early life and education

Early years

Daniel David Stewart was born on September 17, 1993, in , . He grew up in Santa Clarita, in , where he was immersed in a family environment shaped by diverse ethnic backgrounds. His father's ancestry includes Ashkenazi Jewish and Sephardi Jewish roots, as well as English, German, and Scottish heritage, while his mother's ancestry includes English and German origins. Stewart's interest in acting emerged during his teenage years, influenced by the vibrant local scene in . As a high school senior at the Academy of the Canyons in Santa Clarita, he pursued opportunities in that sparked his passion for . Around age 17, Stewart gained his first professional experience, marking the beginning of his commitment to as a career. This early involvement provided foundational exposure to performance and storytelling, setting the stage for his subsequent pursuits. At age 19, he began formal training to further develop his skills.

Acting training

After completing his early education in , Daniel David Stewart pursued structured acting training to develop his performance skills. He enrolled in the Conservatory Program in from 2012 to 2013, where he studied and writing, graduating with a focus on ensemble-based comedic techniques that emphasize spontaneous scene-building and character development. This program provided foundational skills in long-form improv, honing his ability to collaborate dynamically with performers in unscripted environments. As part of his improv training, Stewart became a founding member of two notable groups emerging from the scene: "The Brigade" and "An Evenings Entertainment." With "The Brigade," he contributed to creating original sketch and shows that explored absurd humor and group storytelling, performing at local venues in and gaining experience in audience interaction and rapid narrative construction. Similarly, in "An Evenings Entertainment," Stewart helped develop evening-length formats that blended narrative arcs with musical elements, allowing him to integrate his singing background into improvisational performance and refine his skills in sustaining character consistency over extended scenes. These groups offered practical application of his conservatory training, fostering his versatility in comedy and ensemble work. His formal training built upon his early professional experiences in theatre during his teenage years, enhancing the improv agility and emotional depth he had begun to cultivate, and setting for his transition to more prominent stage and screen work.

Theatre career

Early theatre work

Stewart began his professional theatre career in his mid-teens with a breakout lead role as Hally in Athol Fugard's Master Harold... and the Boys at the Rubicon Theatre Company in , in February 2011. At age 17, this marked his first Equity production, where he portrayed the complex, racially charged character of a privileged white South African youth during apartheid, earning widespread acclaim for capturing the role's emotional volatility and nuance. Critics praised his performance as inspirational and deft, highlighting his ability to balance kindness, conflict, and rage in a production directed by Brian McDonald. For this debut, Stewart won a Best Performance Scenie/Indy Award, solidifying his early reputation in regional theatre. Building on this success, Stewart took on supporting roles in other Southern California productions that further honed his versatility. In December 2011, he played Prince John in The Lion in Winter at the Ensemble Theatre Company in Santa Barbara, directed by Jenny Sullivan and co-starring Stephanie Zimbalist as Eleanor of Aquitaine. The role allowed him to explore familial intrigue and power dynamics in a historical drama, contributing to a feisty ensemble portrayal of the Plantagenet court's tensions. The following January, at age 18, he appeared as Wally Webb in David Cromer's intimate revival of Thornton Wilder's Our Town at The Broad Stage in Santa Monica, alongside Helen Hunt as Mrs. Webb; this minimalist production emphasized the play's themes of everyday life and community. By 2014, Stewart continued to expand his regional credits with the role of Phaeton in Mary Zimmerman's at the Ensemble Theatre Company, where he brought humor and to the mythological tale of the sun god's son in a water-themed ensemble piece directed by Jonathan Fox. These early engagements in venues like the , Ensemble, and Broad Stage— all in —provided crucial opportunities for growth, allowing the young actor to navigate demanding teen roles amid the challenges of building a resume through consistent local performances. His foundational improv training at the Conservatory in , completed around 2013, enhanced his onstage confidence and adaptability during this formative period.

Broadway and Off-Broadway roles

Stewart made his Broadway debut in the 2015 Deaf West Theatre revival of Spring Awakening at the Brooks Atkinson Theatre, where he provided the speaking and singing voice for the deaf actor Joshua Castille as the naive student Ernst while simultaneously playing piano onstage. The production, directed by Michael Arden, innovatively integrated American Sign Language (ASL) with the original score by Duncan Sheik and Steven Sater, earning praise for its fresh exploration of themes like adolescent repression and communication barriers; critics highlighted Stewart's dynamic physicality and vocal expressiveness in conveying Ernst's innocence and emerging sexuality. This role marked a pivotal breakthrough, transitioning Stewart from regional theatre to New York's major stages and showcasing his versatility in ensemble-driven, physically demanding performances. In 2016, Stewart originated the role of Papi, the shy and romantically inept young Israeli, in the world-premiere production of at the Atlantic Theater Company's Linda Gross Theater, composed by with a book by Itamar Moses. The musical, inspired by the 2007 Israeli film, follows an Egyptian police band stranded in a remote desert town and explores quiet human connections; Stewart's Papi, mentored by the suave band member Haled, navigates awkward flirtations at a , with reviewers commending his "deliciously awkward" timing and ability to infuse humor into the character's vulnerability during numbers like "Papi Hears the Ocean." The show transferred to Broadway's in November 2017, earning 11 Tony Award nominations including Best Musical; Stewart briefly reprised Papi in January 2018 during Etai Benson's hiatus, further solidifying his association with the production's intimate, character-focused storytelling. In 2017, Stewart created the role of Hirsch in the world premiere of the Dan Fogelberg musical Part of the Plan at the Tennessee Performing Arts Center in Nashville, portraying a young soldier in a production that featured 20 songs from the singer-songwriter's catalog and received positive reviews for its heartfelt storytelling. These roles in high-profile revivals and premieres elevated Stewart's profile in the theatre community, earning him recognition for supporting performances that balanced emotional depth with levity, and paving the way for subsequent opportunities in film and television while underscoring his strengths in ensemble musicals. In April–May 2025, Stewart appeared in a production of Annie Baker's The Antipodes at the Lobby Theatre, contributing to an exploring themes of storytelling and human connection in a surreal setting.

Film and television career

Film roles

Stewart transitioned to following acclaimed stage performances, where the demands of nuanced, presented challenges distinct from the broader projection required in . His training, emphasizing emotional depth and dynamics, influenced casting directors to seek him for roles requiring authentic character vulnerability on screen. Stewart's screen debut came in 2008 with a minor role as the Gamer Teen in the horror Corpse Run, a low-budget project that introduced him to on-set collaboration. He continued with supporting appearances in short films, including Timmy "Tea Cups" Lawler in the 2013 drama The Incident(s) at Paradise Bay, which depicted life in a , and Gus in the 2014 The Haircut. A pivotal early credit was his lead role as Oliver Gingerfield in the 2015 feature Kids vs. Monsters, a - produced by UAE-based Dark Dune Productions and directed by Saeed Al Darmaki. In the , Oliver, a resourceful teenager, teams up with friends to combat a series of monstrous threats invading their suburban world, blending humor with creature effects in a family-oriented adventure. This role highlighted Stewart's versatility in carrying a from script to screen, marking a significant expansion from his stage roots. He also appeared as Willis in the 2015 family The Sound of . Stewart's profile grew with supporting roles in larger productions, including Max in the 2021 crime thriller , where he played a key ally to the protagonist in establishing the infamous marketplace, stepping in after a recast from the original actor. In , he appeared as Zeke Barkley, the corrupt son of a local businessman, in the indie action-thriller , opposite and directed by Eshom and Ian Nelms, contributing to the film's tense rural revenge . That year, he also played June in the TV movie Pickleballers. Looking ahead, Stewart is set to play Willis in the 2025 comedy Bart Bagalzby and the Garbage Genie, a whimsical independent project directed by Christopher Broe and Basil Mironer, featuring a fantastical tale of environmental mischief.

Television roles

Stewart began his television career with guest appearances in several sitcoms. In 2011, he portrayed a glee club member in an episode of Cougar Town on ABC. That same year, he appeared as a teen in the short-lived series Man Up!, though specific episode details for his role remain limited in . In 2013, Stewart guest-starred as Steve in The Middle on ABC, playing a in a family-oriented episode. He also had small roles as , , and Salesman in the Fox series . His most notable early guest spot came in 2015, when he played Stanley, a delivery guy involved in a stakeout plot, in the episode "Stakeout Takeout" of Disney Channel's . Stewart gained prominence with his lead role as in the 2019 Hulu miniseries , directed by and based on Joseph Heller's novel. As the ambitious and profit-driven mess officer in a World War II bomber squadron, Minderbinder's arc spans all six episodes, evolving from a quirky entrepreneur trading supplies for personal gain to a central figure whose black-market schemes nearly undermine the unit's and operations, culminating in a confrontation that highlights the absurdity of . The performance earned praise for capturing the character's opportunistic charm and moral ambiguity. In 2017, Stewart portrayed in Controversy, a dramatic TV movie examining the fallout from a allegation against university athletes, produced by . The role required him to navigate complex moral and emotional layers in a high-stakes ensemble. From 2021 to 2022, Stewart portrayed Nick Corrado, a skilled astronaut who later joins the private aerospace firm , across eight episodes in seasons two and three of Apple TV+'s For All Mankind. Introduced in season two's "," Corrado's arc explores his transition from government missions to corporate space ventures amid escalating U.S.-Soviet rivalries in an , showcasing his technical expertise and interpersonal tensions with colleagues during high-stakes lunar and Mars-related operations. In 2023, Stewart guest-starred as Kade Andrews in the episode "...had my dream stolen" of Netflix's Never Have I Ever. In 2025, Stewart took on a recurring role as DEA agent Steven Elliot in season three of Amazon Prime Video's Reacher, adapted from Lee Child's novel Persuader. As part of a federal task force infiltrating a criminal syndicate, Elliot's dynamics with protagonist Jack Reacher (Alan Ritchson) blend professional alliance and cautious rivalry, with his impulsive decisions driving key plot tensions, including undercover risks that test team loyalty and lead to dramatic personal stakes. The season, which premiered in early 2025, highlighted Elliot's arc through intense action sequences and moral dilemmas in the fight against drug trafficking. Later in 2025, Stewart joined the cast of Fox's upcoming limited series Memory of a Killer as , the husband of a central character, in a thriller adaptation centered on a retired assassin's return to action. Production updates in November 2025 confirmed his involvement amid changes in showrunners, positioning the project as a key addition to his television portfolio.

Other pursuits

Writing and directing

Stewart has pursued writing as a creative outlet parallel to his career, creating three solo shows and two sketch shows that draw from personal narratives and comedic sketches. These works, developed during his time in , were performed at local improv and venues, though specific titles and detailed themes remain privately held or not widely documented. In addition to stage writing, Stewart developed one and one , both completed in recent years prior to 2025; as of November 2025, neither has advanced to production. Stewart's directing credits include the 2019 comedy-horror Blow Out, which he helmed in collaboration with writer and lead actress . The film follows a woman who discovers a mysterious outside her home, leading to increasingly bizarre and terrifying events, and it screened at multiple international , earning 7 awards and 7 nominations, including the Grand Jury Prize for Best (Arthouse/Experimental) at the 2019 Sherman Oaks . No additional directing projects are credited to him publicly. His writing practice intersects closely with his acting career, particularly through influences from improv training at Conservatory Program, where he honed skills in spontaneous narrative construction as a founding member of the improv group The Brigade. This foundation has informed his ability to blend character-driven storytelling with performative elements across mediums.

Music and singing

Daniel David Stewart is a member of (AEA), the labor union representing professional actors and stage managers in live theatre, including musical productions, and , which covers performers in film, television, and certain musical endeavors. Stewart's vocal talents were prominently featured in the 2015 Broadway revival of Spring Awakening produced by , where he served as the onstage pianist and singing voice for the character Ernst Robel, portrayed by deaf actor Joshua Castille. In this innovative production, Stewart provided piano accompaniment integrated into the performance space, enhancing the musical landscape while delivering Ernst's songs with a youthful, expressive style that conveyed emotional vulnerability and joy in key scenes. During previews, Stewart experienced a vocal hemorrhage that required three weeks of complete silence, causing him to miss the September 27, 2015, opening night; he returned to the role on October 5, 2015, after vocal rest, describing the ordeal as a humbling lesson in communication and resilience that deepened his connection to the show's themes of expression and isolation. Beyond performance, Stewart maintains a personal interest in songwriting, though specific compositions or standalone musical projects remain private pursuits without public releases as of 2025.

Personal life

Family and ethnicity

Daniel David Stewart's paternal lineage includes his grandfather, David Keith Stewart (1937–1997), a visual effects artist known for his work on films including Star Trek: The Motion Picture (1979) and (1982). David Keith Stewart was the son of Henry Oliver Stewart and Martha Pauline Williams, contributing to a heritage that encompasses English, German, and Scottish ancestry. Stewart's paternal grandmother, Patricia Ann Lieberman (1941–2019), brought Ashkenazi Jewish descent from her father Harry A. Lieberman (of Polish Jewish heritage) and Sephardi Jewish roots from her mother Rebecca Negri (whose parents originated from , , and , Macedonia). On his maternal side, Stewart's ancestry draws from English and German roots. His maternal grandfather, May, and maternal grandmother, Noreen May Klemm (whose father Richard Oswald Klemm was born in , ), further trace lines to these European origins, including English forebears like those in the Wall family. Stewart's grandfather David Keith Stewart's career in Hollywood special effects represents a notable family tie to the entertainment industry, aligning with Stewart's own pursuits in , writing, and directing. Raised in amid this familial context, Stewart's diverse ethnic background informs a multifaceted personal heritage, though he has not extensively discussed its role in his public identity as of 2025.

Relationships and friendships

Daniel David Stewart shares a close friendship with actor Joshua Castille, formed during their time in the 2015 Broadway revival of Spring Awakening, where Stewart provided the voice for Castille's character, Ernst. Their bond, which transcends differences in sexuality—Castille being gay and deaf, Stewart straight and hearing—developed through mutual support, including Stewart learning to communicate and interpret for Castille on stage. Castille has described Stewart as someone with whom he shares intimate thoughts typically reserved for family, stating, "We're best friends, but it's something different. I tell him things I'd never tell anyone but my family." Stewart, in turn, highlighted the reciprocity, noting a pivotal moment when Castille interpreted for him during Stewart's vocal injury, reversing their dynamic and deepening their trust. This friendship emphasizes themes of emotional openness and physical affection, such as hugging and cuddling, which they view as innocent expressions of amid societal norms. In his romantic life, Stewart has occasionally referenced a in interviews, though details remain limited. During the filming of the 2019 Hulu miniseries Catch-22, he described shared downtime with her and fellow cast members, including watching Game of Thrones together and relaxing on rocks overlooking the alongside actor . No further public disclosures about long-term partners have surfaced as of 2025, reflecting a generally reserved approach to discussing his private relationships in media appearances. Stewart's social circle often intersects with his professional world in theatre and television, where collaborations frequently evolve into personal connections. His experiences on sets like Catch-22 fostered casual friendships through group activities, such as communal TV viewings that mimicked Mystery Science Theatre 3000-style commentary. Similarly, his time with the Spring Awakening ensemble, including Castille, built a supportive network rooted in shared creative challenges and off-stage camaraderie. These ties highlight how Stewart's career in nurtures enduring personal bonds within the industry.

Awards and recognition

Theatre awards

At the age of 17, Stewart received the Scenie Award for his portrayal of Hally in Athol Fugard's Master Harold... and the Boys at the Theatre Company in , where his performance was praised for its nuance and emotional depth. In 2011, he earned the Indy Award for for his portrayal of Hally in Athol Fugard's Master Harold... and the Boys at the Theatre Company, earning critical acclaim for capturing the character's complex vulnerability and racial tensions in apartheid-era . These early honors, secured while still in his late teens, marked Stewart as a rising talent in regional and propelled his transition to higher-profile stages, including Broadway debuts in Spring Awakening and , though he received no personal Tony or Drama Desk nominations for those roles.

Other honors

In addition to his accolades, Stewart has garnered recognition for his work in film and television. For his ensemble performance in the Spell It Out in Neon (2021), he shared the Vanguard Award for Cinematic Achievement in the category of in a at the 2022 Idyllwild International Festival of Cinema with co-stars Samantha Belén and Sarah Sawyer. The film also earned a nomination for Best in a at the same festival. Stewart's directorial debut, the comedy-horror short (2019), which he co-directed with Jessica Rose, achieved notable festival success, screening at over 20 events worldwide and securing eight awards, including the Most Original Film Award at the 2020 Blackbird , shared with lead actress . The project received nominations such as Best Horror Comedy Short at the 2019 Nightmares . On television, Stewart was nominated for a 2019 Online Film & Television Association (OFTA) Award in the Best Ensemble in a Motion Picture or category for his role as in the Hulu Catch-22.

References

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