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David Yarrow
David Yarrow
David Yarrow
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David Yarrow (born 8 February 1966) is a British fine-art photographer, conservationist, philanthropist and author. The subjects of his photography include sport stars, world-renowned models, wildlife, indigenous communities and landscapes.[1][2] He has collaborated with super models Cara Delevingne and Cindy Crawford.[3][4] Since 2018, Yarrow's work has raised over $20m for philanthropic and conservation organisations. In 2021, his collaboration with Crawford raised over $5m for the American Family Children's Hospital.[5] He is also known for his staged narrative series capturing the American Wild West.[3] He currently lives in London.

Key Information

Early life

[edit]

Yarrow is the son of Eric Yarrow, who was an active member of the Yarrow shipbuilding dynasty before serving as the chairman of Clydesdale Bank from 1985 to 1991.

He began his photographic career recording iconic sporting events and was named Young Scottish Photographer of the Year at the age of 20 whilst studying at Edinburgh University.[6] In the same year (1986) he covered the World Cup in Mexico for The Times. His photo of Diego Maradona holding the trophy aloft was internationally syndicated.[citation needed]

Career

[edit]

After graduating from Edinburgh University, Yarrow pursued a career in finance. He spent 8 years working as an institutional stockbroker in UK equities, both in London and New York City.[7] In 1993 Yarrow was appointed Director of Equities at Natwest Securities where he worked until leaving to found his London-based hedge fund, Clareville Capital in 1995.[8]

Yarrow's passion and interest in photography remained constant throughout this period, which prompted Spear's magazine to liken him to James Boswell in an article that explored Yarrow's "double-life" as hedge fund manager and artist.[7] In 2021, Yarrow has been focussing on his staged narrative shoots such as his Wild West series.[9]

Photography

[edit]

His approach to photography is guided by Jim Richardson's assertion that "if you want to be a better photographer stand in front of more interesting stuff".[10][11]

He has captured a diverse range of subjects and collaborators including the Dinka people of South Sudan, Diego Maradona, Cindy Crawford, Cara Delevingne and various wildlife around the world.[1][12]When possible, Yarrow takes his photographs of dangerous wildlife using a remote-controlled camera, acknowledging that a photographer can achieve perspective by capturing shots that look up at the animal from the ground.[13]

Yarrow uses an innovative technique to capture his shots. One of Yarrow's methods involves coating his camera casing in a variety of scents to entice dangerous animals towards his camera lens. These treatments have been used after research into identifying the most attractive and enticing smell for the animal in question.[13]

Prints and exhibitions

[edit]

Yarrow's work has been exhibited in London's Saatchi Gallery, the Phillip's Gallery and Christie's global headquarters (8 King Street).[14]

His photographs have been auctioned at Sotheby's. On 19 May 2017, Yarrow's "Mankind" image was included in Sotheby's annual photography auction. The photograph sold for £60,000. A 2018 New York auction for "The Wolf of Main Street" fetched $100,000, 4 times the high estimate of $25,000. A 2018 London auction for "78 Degrees North" fetched £81,250, thus marking a new record. In 2019, edition 12/12 of the photograph "Africa" sold for $106,250.[15][16][17][18] In 2019,"Old Testament" the photograph "Old Testament sold for $52,500 in a Sotheby's auction.[19]

Solo Exhibitions:

  • Storytelling, Maddox Gallery, London (October-November 2023)[20]
  • David Yarrow Gallery Space, Maddox Gallery, London (August 2024-April 2025)[21]

Books

[edit]

Nowhere (2007) is a 172-page selection of colour photographs of some of the world's most isolated locations.[22]

Encounter (2013) is a compilation of 87 monochrome photographs of wildlife and indigenous communities, combined with Yarrow's narrative. The collective is a result of three years of trips to parts of the world that have largely escaped public overexposure.[23]

Wild Encounters (2016) includes a foreword written by Prince William, Duke of Cambridge and was awarded Art Book of 2017 by Amazon. Yarrow's royalties from the book are being donated to Tusk Trust, a British charity that focuses on animal conservation in Africa.[24]

David Yarrow (2019) is a 368-page photography monograph, it contains 150 images from the past two years. The book includes a foreword by global NFL player Tom Brady and an afterword by Cindy Crawford. All royalties from this book are being donated to conservation charities Tusk in the UK and WildAid in the US.[25]

Charity

[edit]

Yarrow is the affiliated photographer for the African Conservation Charity Tusk Trust, a British organisation founded in 1990. Since November 2013, David Yarrow Photography has contributed over $1 million to help support Tusk's programmes and projects.[26] Yarrow is also an Ambassador for Wild Ark,[27] the Kevin Richardson Foundation,[28] the African Community and Conservation Foundation,[29] and Best Buddies.

Since 2018, Yarrow's work has raised over $20m for philanthropic and conservation organisations. In 2021, his collaboration with Cindy Crawford raised over $3m for the American Family Children's Hospital.[5]

In 2020, he launched the #KoalaComeback Campaign to support the wildfire recovery efforts in Australia. The campaign raised over $1.4m and after the outbreak of COVID-19, he helped raise over £1m for the NHS by releasing a charity print, “Our Pride” with all proceeds going to HEROES.[5]

In 2021, his collaboration with Cindy Crawford raised over $3m for the American Family Children's Hospital.[5]

Personal life

[edit]

Yarrow married Jane Martin, a public relations director in 2000. The couple are now divorced. They have two children.[30]

Publications

[edit]
  • Nowhere (Clearview, 2007)
  • Encounter (Clearview, 2013)
  • Wild Encounters (Rizzoli, 2016)
  • David Yarrow (Rizzoli, 2019)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

David Yarrow

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from Grokipedia
David Yarrow (born 1966) is a Scottish fine-art photographer known for his dramatic, narrative-driven images of wildlife, celebrities, and cultural scenes, which have established him as one of the world's best-selling contemporary photographers. Born in Glasgow, Scotland, Yarrow's work often blends immersive storytelling with black-and-white aesthetics, capturing subjects ranging from endangered animals in their natural habitats to portraits of sports icons and supermodels, while emphasizing conservation and philanthropy. His photographs, sold through over 40 global galleries, have generated sales exceeding $125 million in recent years, with a significant portion directed toward charitable causes. Yarrow developed an early passion for photography, securing a commission from The Times (London) at age 20 to cover the 1986 FIFA World Cup Final in Mexico, where he captured iconic moments such as Diego Maradona being lifted on teammates' shoulders after Argentina's victory. Following this breakthrough, he pursued a career in finance, working in banking and later founding the hedge fund Pegasus Partners, which allowed him to step away from photography for nearly three decades. He returned to the medium full-time in 2014, driven by a renewed focus on environmental themes and personal storytelling. Since resuming his photographic career, Yarrow has gained acclaim for series depicting Africa's wildlife, the American West, and collaborations with figures like Cindy Crawford and Erling Haaland, often staging scenes inspired by cinema to highlight human-nature interactions. His images have been exhibited internationally, including at Art Miami and through galleries such as Maddox Gallery in London and Sorrel Sky Gallery in New York, where they command prices from $10,000 to over $100,000. As a Nikon European Ambassador, Yarrow's approach prioritizes close encounters and ethical fieldwork. Yarrow's philanthropy is integral to his practice; since 2018, sales of his work have raised over $20 million for organizations like and WildAid, focusing on African and efforts. He has authored several monographs published by Rizzoli New York, including David Yarrow Photography (2019), (2022) with a foreword by , and The Collection (2025) introduced by , donating all royalties to charity. These books chronicle his evolution from to , underscoring his commitment to using as a tool for environmental advocacy.

Early life

Childhood and family background

David Yarrow was born on February 8, 1966, in , , as the youngest son of Sir Eric Grant Yarrow, a prominent Scottish businessman from the historic Yarrow shipbuilding dynasty and chairman of the from 1985 to 1991. His father, who had previously led the family firm Yarrow plc, provided a stable and affluent environment shaped by 's industrial legacy and financial prominence. Growing up in this privileged setting in , Yarrow was exposed to opportunities that reflected his family's status, including access to and cultural influences. From an early age, he displayed a keen interest in sports, particularly football, frequently positioning himself pitch side at local clubs to observe and engage with the game. This enthusiasm for athletics laid foundational experiences that would later intersect with his creative pursuits.

Introduction to photography

David Yarrow, born in , , in 1966, developed an early passion for during his teenage years, driven by his love of sports. Self-taught, he began experimenting with basic equipment to document local scenes and sporting events around the city, honing his skills through hands-on practice while photographing matches for local press outlets. By age 20, while studying business studies and accountancy at the , Yarrow achieved his first major recognition as Young Scottish Photographer of the Year in 1986, an accolade that validated his burgeoning talent and opened professional doors. This success led to a pivotal assignment with , where Yarrow covered the in as one of the youngest photographers on the scene. There, he captured the iconic image of being hoisted aloft by his teammates while holding the trophy after Argentina's victory over , an image that marked the launch of his early press career and showcased his ability to seize high-stakes opportunities.

Professional career

Finance and investments

Following his early foray into , including documenting the at age 20, David Yarrow shifted focus to a career in to secure financial stability. After graduating from the with a degree in business and economics in 1987, he began working as an institutional in , gaining experience in financial markets during the late 1980s and early 1990s. He spent eight years in this role, including stints at firms like County NatWest, before expanding his operations to New York, where he honed skills in equity trading and market analysis. In 1995, Yarrow founded Clareville Capital in London as a family office and investment firm specializing in hedge funds and private equity. The firm managed significant assets through strategies like long/short equity trading, with its flagship Pegasus Fund attracting high-profile investors, including celebrities and business figures such as Formula One team principal Eddie Jordan. Clareville Capital emphasized a concentrated portfolio approach, often focusing on UK small-cap stocks and opportunistic private equity placements. For instance, in 2006, the firm allocated approximately $25 million to private equity investments, including a stake in the major firm 3i Group. Yarrow's leadership at Clareville Capital yielded notable successes, providing the financial independence that later supported his artistic pursuits. By 2013, the Pegasus Fund, with about $160 million in assets under management, delivered a 63.8% return, driven by strategic positions in undervalued UK companies amid market volatility. The firm adopted an increasingly private equity-oriented strategy in later years, blending hedge fund tactics with longer-term holdings to capitalize on buyout opportunities. These achievements established Yarrow as a respected figure in London's alternative investment scene, amassing substantial wealth over nearly two decades before he sold the fund in 2014.

Transition to full-time photography

After nearly three decades in , including launching and managing a successful , David Yarrow decided in 2013 to transition to full-time , selling the fund in 2014 to pursue his lifelong passion. This pivot was motivated by a desire to reclaim creative control after the eroded his enthusiasm for hedge fund management, compounded by personal challenges such as and feelings of isolation. The financial independence gained from his investments provided the security to make this career shift without immediate economic pressure. Upon returning to photography, Yarrow began experimenting with a fine art approach, emphasizing large-format prints and cinematic compositions that evolved from his earlier press work. He embarked on travels to remote locations, including parts of , to hone this stylistic development, focusing on immersive fieldwork in challenging environments. These initial efforts marked a deliberate move toward producing collectible art rather than journalistic images, informed by a 2011 realization of 's commercial potential in the fine art market. To professionalize his practice, Yarrow established David Yarrow as his dedicated entity, prioritizing gallery partnerships to build a model. By late 2012, he secured representation with galleries such as Holden Luntz in Palm Beach, and in 2017, Maddox Gallery became his exclusive representative, facilitating global distribution of his work. This infrastructure supported his re-entry into the art world, leveraging his finance-honed acumen for monetization strategies like limited editions.

Artistic practice

Photographic style and techniques

David Yarrow's photographic style is characterized by a cinematic approach that blends meticulous planning with immersive fieldwork, resulting in high-contrast, narrative-driven images captured in remote and often hazardous environments. Following his transition to full-time around 2013, Yarrow refined this method, moving away from earlier press-style toward a more interpretive, fine-art practice that prioritizes emotional depth and visual storytelling. Central to his technique is the use of high-resolution digital cameras, such as the and Z9, paired with lenses like the 58mm f/1.4 to enable close-range compositions in extreme conditions, including sub-zero temperatures and proximity to dangerous . To facilitate these encounters, Yarrow employs custom protective housings, such as enclosures, allowing safe operation near subjects like lions or while maintaining compositional control. He emphasizes patience in the field, often waiting hours or days for ideal and authentic animal behaviors to unfold, drawing on extensive pre-shoot to position himself optimally without relying on telephoto lenses for distance. However, his close-encounter methods have sparked debates within conservation and communities regarding and ethical practices, including allegations of baiting and staging. Yarrow predominantly works in black and white to heighten drama, eliminate color distractions, and impart a timeless quality to his images, believing it reveals the "soul" of the subject rather than surface details like or hues. Influenced by film directors such as and the , he constructs staged narratives that evoke classic cinema, using elements like foreground tension and layered compositions to guide the viewer's eye and convey deeper stories. Post-capture, he adheres to minimal intervention, avoiding additive digital manipulation in Photoshop—such as inserting elements—and limiting edits to basic removals of minor distractions during printing, ensuring the integrity of the original frame.

Key themes and subjects

David Yarrow's photography prominently features endangered wildlife in their natural habitats, such as the vast African savannas of Kenya's Amboseli and South Africa's False Bay, as well as the stark Arctic regions of Svalbard, Norway, where he captures species like polar bears, and great white sharks in False Bay to underscore the pressing need for conservation. These images aim to evoke the raw vulnerability of these animals in their environments, highlighting ecological threats through intimate, character-driven portrayals that blend documentary authenticity with artistic narrative. His work in these remote settings emphasizes the urgency of preserving biodiversity, often drawing from expeditions that immerse him in the animals' worlds to convey a sense of place and peril. Yarrow integrates human elements into his compositions to create narrative tension, including poignant portraits of indigenous communities such as the Dinka herdsmen in South Sudan's cattle camps, where he explores the interplay between people and their surroundings. He also juxtaposes with urban or human-altered landscapes, such as animals in fringe zones between and , fostering a dialogue on coexistence and conflict that adds emotional depth to his scenes. These inclusions humanize the broader environmental story, portraying indigenous lives and modern intrusions as integral to the conservation discourse without overshadowing the natural subjects. Central to Yarrow's oeuvre is the exploration of adventure and survival themes, inspired by his extensive travels to over 50 countries across seven continents, from the icy expanses of to the deserts of . These journeys emphasize the unfiltered beauty and harsh realities of remote frontiers, capturing moments of resilience in extreme conditions that reflect broader tales of endurance. Through this lens, his celebrates the thrill of discovery while advocating for the of these wild spaces, often employing large-format techniques to enhance the immersive quality of these narratives.

Notable works and collaborations

Iconic photographs

David Yarrow's early career breakthrough came with his 1986 photograph of . At just 20 years old, Yarrow, then a young Scottish photographer, captured Maradona triumphantly holding the trophy after Argentina's victory in the final against in on June 29, 1986. This black-and-white image, taken amid the post-match celebrations, portrays Maradona in a moment of raw elation, sweat-drenched and arms raised, embodying the intensity of sporting triumph and controversy. The photograph not only launched Yarrow's professional trajectory, leading to assignments covering the Olympics and other major events, but has since become a collector's item, with prints fetching significant sums at auctions. In 2014, Yarrow ventured to the remote cattle camps of South Sudan to document the Dinka people, resulting in his seminal image Mankind, captured at a Mundari or Dinka camp near Yirol. Overcoming logistical challenges in a war-torn region, Yarrow positioned himself among thousands of cattle at dawn, directing the composition to evoke a biblical scale of human-animal coexistence, with nude Dinka herdsmen emerging from the dust like ancient warriors. The monochromatic photograph, emphasizing dramatic scale and narrative tension, symbolized the enduring bond between mankind and nature amid environmental pressures. Auctioned at Sotheby's London in May 2017, Mankind sold for £60,000 (approximately $78,000), setting a record as the highest bid in that sale and highlighting Yarrow's shift toward large-format, cinematic wildlife and human portraits that blend authenticity with staged drama. Its cultural resonance lies in raising awareness for tribal preservation, with reproductions featured in exhibitions worldwide and contributing to Yarrow's reputation for images that provoke reflection on humanity's place in the natural world. Yarrow's 2015 image The Wolf of Main Street exemplifies his approach to staged , depicting a lone gray prowling the wooden floor of a derelict Wild West saloon in the ghost town of . Created during a frigid January shoot, Yarrow collaborated with animal handlers to introduce a live into the historic bar after hours, capturing the animal's instinctive curiosity in low light to convey a surreal crossover between untamed wilderness and human abandonment. The composition, with the 's piercing gaze amid dusty artifacts, draws on cinematic tropes from Western films while underscoring themes of encroaching nature in post-industrial spaces. Yarrow's staged approaches, including use of captive animals, have faced criticism from photographers and ethicists for potential concerns. Presented at New York auction in April 2018, the print achieved $100,000, the top price for any work by a living in that sale, cementing its status as a landmark in contemporary . This image has influenced discussions on ethical depiction in , aligning with Yarrow's broader conservation advocacy by illustrating human- intersections.

Partnerships with celebrities and brands

David Yarrow has forged notable partnerships with high-profile celebrities, integrating them into his photographic narratives to blend fashion, adventure, and philanthropy, thereby expanding the visibility of his work and conservation messages. A prominent example is his ongoing collaboration with supermodel , which began in 2019 and has focused on charitable initiatives supporting pediatric cancer care. In 2021, Yarrow recreated Crawford's iconic 1992 advertisement in , transforming the commercial homage into a fundraising effort that raised over $1 million for the American Family Children's Hospital through sales of limited-edition prints. These projects exemplify Yarrow's approach to leveraging celebrity involvement for social impact, with all proceeds from their joint works directed to the UW Health Kids Cancer Care Charity, amassing more than $3 million to date. Similarly, Yarrow has partnered with supermodel on shoots set in African wildlife environments, merging high-fashion elements with advocacy for . In 2018, he photographed Delevingne alongside a in as part of a campaign for , which supported 53 conservation projects across 18 African countries aimed at protecting wildlife habitats. Subsequent collaborations, such as the 2024 "For Your Eyes Only" series in featuring Delevingne with a , continued this theme, emphasizing dramatic, cinematic compositions that highlight human-wildlife coexistence while directing proceeds toward philanthropic causes. Yarrow's cinematic style, characterized by large-scale, black-and-white imagery evoking classic film stills, enhances the narrative power of these celebrity integrations. On the brand front, Yarrow contributed to adidas's promotional efforts surrounding major sporting events, including a 2025 campaign tied to the . That year, he captured an iconic group portrait of the European team against the New York skyline at Bethpage Black, a image released with the caption "New York was built on the backs of Europeans" to evoke the event's competitive spirit and cultural resonance. This collaboration amplified adidas's branding as the team's apparel sponsor, blending Yarrow's dramatic aesthetic with the high-stakes world of professional . Yarrow's joint initiatives with celebrities have extended to exhibitions and auctions that raise awareness for environmental causes through compelling portraits and narratives. In 2018, an exhibition titled at Maddox Gallery featured works from his Delevingne collaboration, auctioning prints that generated £240,000 for the Foundation, which supports and environmental initiatives. Broader efforts include over 200 prints auctioned since 2018, contributing more than $25 million (as of 2025) to conservation organizations like the Tusk Trust, where Yarrow serves on the and has raised over $1 million for African wildlife preservation since 2005. These high-visibility events underscore how celebrity partnerships not only boost commercial appeal but also drive substantial funding for ecological protection.

Exhibitions and publications

Major exhibitions

David Yarrow's major exhibitions have showcased his wildlife and narrative photography across prominent galleries and events globally, marking significant milestones in his career. Starting in January 2025, Yarrow presented a solo exhibition at (UBP) in , featuring stunning images captured in natural habitats, emphasizing his conservation themes. Early in the year, his work appeared in a February 2025 event at Sorrel Sky Gallery in , highlighting recent series alongside collector previews. This was followed by the "Storytelling" pop-up exhibition in , , from May 22 to June 1, 2025, inspired by his of the same name and transforming a local gallery space into a cinematic showcase of his dramatic compositions. In October 2025, Yarrow held a retrospective at Samuel Owen Gallery in Greenwich, Connecticut, debuting new works like "The Last Days of Summer" and "Trainspotting," with an opening reception attended by collectors and featuring artist meet-and-greets. Concurrently, Maddox Gallery in London hosted "David Yarrow: The Collection" from October 17 to November 21, 2025, across its Maddox Street and Shepherd Market locations, presenting iconic images of predators, legends, and cultural icons in a career-defining solo show. Supporting these efforts, Maddox Gallery maintained dedicated spaces for Yarrow's works at 8 Shepherd Street, including from August 20, 2024, to April 7, 2025, and another from August 7 to October 3, 2025, both by appointment, allowing access to his evolving portfolio. These exhibitions often incorporated collaborative elements from his celebrity partnerships, such as portraits integrated into thematic displays. Looking ahead, a solo show at in opened on November 22, 2025, running through January 24, 2026, focusing on his "The Natural World" and "Storytelling" series.

Books and print editions

David Yarrow has published several monographs showcasing his photography, often in collaboration with prominent publishers such as Clearview and Rizzoli. His debut book, Nowhere (Clearview, 2007), compiles early travel works from his journeys across remote landscapes, emphasizing exploratory narratives in black-and-white imagery. Subsequent publications shifted toward wildlife and human interactions. Encounter (Clearview, 2013) focuses on wildlife photography alongside portraits of indigenous communities, featuring 87 black-and-white images that highlight intimate encounters in natural settings. Wild Encounters (Rizzoli, 2016) expands on adventure narratives, presenting iconic photographs of endangered animals and cultures, with royalties directed toward conservation efforts. Storytelling (Rizzoli, 2022), with a foreword by , features over 150 cinematic photographs, including unpublished works and collaborations with supermodels like and , emphasizing narrative-driven scenes from to celebrity portraits. Later works offer of his evolving style. David Yarrow Photography: (Rizzoli, 2019), commonly referred to as David Yarrow, serves as a comprehensive with 150 iconic images spanning continents and subjects, underscoring his global documentation. His most recent , The Collection (Rizzoli, 2025), provides an overview of his four-decade career, curating 150 photographs including previously unpublished works alongside best-sellers, with a foreword by . In addition to books, Yarrow produces limited-edition prints of his photographs, emphasizing archival for collectors. These are typically signed, numbered, and produced in small runs—such as editions of 12 for iconic pieces like Mankind (2014), depicting a amid human figures in —using prints on Hahnemühle Photo Rag Baryta paper, varnished for longevity. Sold through galleries and his official shop, prices for framed editions range from £15,000 to over £100,000, depending on size and rarity, with self-produced variants often tied to book releases or exhibitions. These prints frequently explore themes of and human coexistence, mirroring motifs in his publications.

Philanthropy

Conservation efforts

David Yarrow has been actively involved in through strategic partnerships with prominent organizations, serving as an for WildArk since 2017 and as an for the Tusk Trust, where he leverages his to support African initiatives. These collaborations emphasize the use of visual to highlight environmental threats, aligning with his broader artistic focus on endangered animals. Central to Yarrow's efforts is his documentation of perils facing iconic , such as in African savannas and in the , through expeditions that capture the impacts of habitat loss and human encroachment. He has undertaken trips to regions in and to photograph scenes related to the illegal , aiming to expose the scale of and trafficking networks that endanger . This work directly advocates for measures and habitat preservation, promoting policies and on-the-ground protections for vulnerable ecosystems. Yarrow extends his advocacy through educational outreach, delivering talks and workshops that underscore photography's power in fostering global awareness of conservation challenges. For instance, in public lectures and masterclasses, he discusses how compelling images can mobilize public support for preservation, drawing from his experiences in remote areas.

Fundraising and impact

David Yarrow has raised over $25 million for charitable causes since 2018 through the sale of his photographs at auctions and galas, as of 2025. These efforts include high-profile events such as auctions in 2017 and 2018, where works like "Mankind" from sold for $75,000—the highest price of the 2017 sale—and other images achieved significant bids supporting conservation initiatives. More recently, tie-ins with the 2025 , where Yarrow photographed Team for an iconic image, have advanced conservation fundraising by leveraging his images for philanthropic outreach. A key example is Yarrow's ongoing collaboration with since 2019, which has generated over $3 million for the American Family Children's Hospital at the University of . This partnership utilizes collaborative photographs to drive auction proceeds directly toward pediatric care. The broader impacts of these funds include support for patrols and various restoration projects across African conservation areas, enhancing protection efforts. Additionally, contributions have financed hospital expansions and improved children's care facilities, particularly in pediatric , through partnerships like UW . In 2023, Yarrow and his family established the David Yarrow Family Foundation to raise funds for cancer care research and the creative arts in .

Personal life

Family and relationships

David Yarrow married Jane Martin, a director, in 2000. The couple later divorced in 2003 but share two children, Cameron and Jade Yarrow. Yarrow's father, Sir Eric Grant Yarrow, 3rd Bt., a prominent Scottish industrialist from the Yarrow dynasty and chairman of the from 1985 to 1991, played a key role in shaping his son's approach to work and business. From a young age, Eric encouraged David to enter banking, describing it as a "robust, honorable profession" in contrast to photography, which he viewed as merely a hobby; this guidance instilled a disciplined and that Yarrow carried into his professional life. Post-divorce, Yarrow has maintained a private family life. His children occasionally appear with him in personal, non-professional settings, reflecting a focus on familial bonds away from his public career.

Residences and lifestyle

David Yarrow maintains his primary residence in , where he returns after extended periods of travel for photography expeditions around the world. His professional address is also based in , reflecting his long-standing ties to the city since his early career working for The London Times. Despite his nomadic schedule, which often involves crisscrossing , , and remote locations like and , Yarrow balances high-energy shoots with periods of downtime at home, emphasizing reflection and planning for future projects. Yarrow's lifestyle is deeply intertwined with , driven by his passion for immersive in and cultural settings, such as crossing the amid crocodiles or enduring sub-zero temperatures in . He maintains strong roots in , his birthplace in , where he has family connections and occasionally bases himself. This Scottish heritage fuels his lifelong fandom of football, particularly supporting the national team, a passion that traces back to his youth and influenced his iconic 1986 photograph of . Amid his global fame, Yarrow leads a relatively low-profile , focusing on events and conservation causes rather than public spectacle, with family providing essential support for his demanding, travel-intensive routine.

References

  1. https://davidyarrow.photography/about
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  4. https://www.theguardian.com/artanddesign/2018/jan/25/david-yarrow-best-photograph-wolf-wild-west-saloon
  5. https://maddoxgallery.com/artists/28-david-yarrow/overview/
  6. https://tusk.org/who-we-are/tusk-ambassadors/david-yarrow/
  7. https://www.rizzoliusa.com/book/9780847872299/
  8. https://www.scotsman.com/news/obituary-sir-eric-yarrow-chairman-of-yarrows-shipbuilders-who-steered-the-company-through-turbulent-times-567903
  9. https://www.artsy.net/partner/samuel-lynne-galleries/artists/david-yarrow
  10. https://www.heraldscotland.com/opinion/16908141.obituary---sir-eric-yarrow-shipbuilder-businessman-banker/
  11. https://www.edmiston.com/edmiston-is-proud-to-partner-with-maddox-gallery/
  12. https://aotw.com/2023/12/blazing-his-own-trail/
  13. https://bluetoad.com/article/DAVID%2BYARROW/4692500/810090/article.html
  14. https://thecuriouseye.com/2023/10/26/david-yarrow-how-i-make-photograhs/
  15. https://www.mutualart.com/Artist/David-Yarrow/D590DE4EA29549A1/Biography
  16. https://coolwildlife.com/david-yarrow-wildlife-photography-masterclass/
  17. https://www.telegraph.co.uk/news/uknews/6607957/David-Yarrow-founder-of-the-celebrity-hedge-fund.html
  18. https://www.forbes.com/sites/ceciliarodriguez/2017/09/15/12-breathtaking-wildlife-photos-from-david-yarrows-new-london-and-paris-exhibitions/
  19. https://m.economictimes.com/cashing-in-uks-clareville-capital-plans-fund-to-invest-in-local-equity/articleshow/1461971.cms
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  22. https://tim.blog/2020/06/27/david-yarrow-transcript/
  23. https://www.bloomberg.com/news/articles/2014-12-10/fund-manager-finds-stalking-lions-harder-than-tracking-markets
  24. https://medium.com/maddox-gallery/celebrated-wildlife-photographer-david-yarrow-joins-maddox-gallery-dbed716e00da
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  26. https://www.holdenluntz.com/magazine/in-discussion/david-yarrow-and-holden-luntz/
  27. https://maddoxgallery.com/news/435-how-david-yarrow-photos-are-made/
  28. https://fstoppers.com/animal/david-yarrow-running-afoul-ethics-wildlife-photography-again-524660
  29. https://www.savingthewild.com/news/david-yarrow-exposed/
  30. https://www.digitalcameraworld.com/news/david-yarrow-explains-why-black-and-white-is-best
  31. https://www.sothebys.com/en/articles/david-yarrow-meeting-nature-face-to-face
  32. https://www.cnn.com/style/article/david-yarrow-how-i-make-photographs-wildlife-culture-queue
  33. https://www.artsy.net/artwork/david-yarrow-diego-maradona-1
  34. https://www.thetimes.com/article/homecoming-show-for-scots-photographer-david-yarrow-qt9jkmv7c
  35. https://www.sundaypost.com/fp/tartan-army-vips-party/
  36. https://davidyarrow.photography/collections/mankind
  37. https://maddoxgallery.com/artworks/2014480-david-yarrow-mankind-ii-2015/
  38. https://www.holdenluntz.com/artists/david-yarrow/mankind-2-yirol-south-sudan-2015/
  39. https://davidyarrow.photography/collections/the-wolf-of-main-street
  40. https://www.rollingstone.com/culture/culture-features/photography-game-farms-exploiting-wild-animals-1235002275/
  41. https://samuellynne.com/art/bearish-ii-by-david-yarrow
  42. https://davidyarrow.photography/charity
  43. https://anneofcarversville.com/eye/2018/5/9/wild-encounters-photographer-david-yarrow-shoots-cara-delevingne-with-lion-for-tag-heuer
  44. https://www.artsy.net/artwork/david-yarrow-for-your-eyes-only-b-and-w-namibia-by-david-yarrow-cara-delevingne-cheetah
  45. https://www.rydercup.com/news-media/david-yarrow-behind-the-lens-of-the-ryder-cups-iconic-new-york
  46. https://genesisimaging.co.uk/news/david-yarrow-raises-240k-for-the-cara-delevingne-foundation/
  47. https://www.ubp.com/en/news-insights/newsroom/photographer-david-yarrow-exhibits-at-ubp-monaco-in-2025
  48. https://www.in-the-pink.com/news/39-david-yarrows-storytelling-exhibition-brings-cinematic-power-to-article-by-portugal-confidential/
  49. https://sorrelsky.com/pages/david-yarrow-soho
  50. https://livinggreenwich.com/photos-david-yarrows-captivating-photography-retrospective-debuts-at-samuel-owen-gallery-in-greenwich/
  51. https://maddoxgallery.com/news/466-david-yarrow-the-collection-exhibition-book-signing/
  52. https://maddoxgallery.com/exhibitions/181-our-david-yarrow-gallery-space/
  53. https://maddoxgallery.com/exhibitions/196-our-dedicated-david-yarrow-permanent-space/
  54. https://www.artatberlin.com/en/david-yarrow-camera-work-22-11-2025-24-01-2026-2/
  55. https://www.holdenluntz.com/artists/david-yarrow/
  56. https://tinneycontemporary.com/David-Yarrow-Wild-Encounters
  57. https://shop.davidyarrow.photography/
  58. https://www.rizzolibookstore.com/author/david%2Byarrow
  59. https://www.rizzoliusa.com/book/9780847864775/
  60. https://www.artsy.net/artwork/david-yarrow-mankind-ii-black-and-white
  61. https://davidyarrow.photography/print-enquiry
  62. https://www.sierraclub.org/sierra/slideshow/truth-vanishing-wild
  63. https://www.the-independent.com/world/exclusive-wildlife-photographs-illegal-wildlife-trade-b1719685.html
  64. https://www.youtube.com/watch?v=WKPEy7U2sGE
  65. https://www.samuelowen.com/artists/81-david-yarrow/
  66. https://cherrycreekmag.com/art-with-heart/
  67. http://www.thepeerage.com/p61535.htm
  68. https://kids.kiddle.co/David_Yarrow
  69. https://www.instagram.com/p/Cy1GczENN9K/
  70. https://find-and-update.company-information.service.gov.uk/officers/BVniuoJSM0Gtv6Fn1GqduQ3GHOw/appointments
  71. https://www.knightfrank.com/research/article/2021-03-01-the-big-interview-photographer-david-yarrow-on-his-world-in-focus
  72. https://www.forbes.com/sites/laurenjadehill/2020/05/06/photographer-david-yarrow-on-celebrity-collaborations-travel-and-supporting-healthcare-workers-during-lockdown/
  73. https://www.in-the-pink.com/exhibitions/17-storytelling-david-yarrow/
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