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Drishya
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Drishya
Theatrical release poster
Directed byP. Vasu
Written byP. Vasu
Story byJeethu Joseph
Based onDrishyam
by Jeethu Joseph
Produced byMukesh R. Mehta
StarringRavichandran
Navya Nair
Aarohi Narayan
Unnathi
Asha Sharath
Prabhu
CinematographyMadhu Neelakandan
Edited bySuresh Urs
Music byIlaiyaraaja
Production
company
E4 Entertainment
Distributed byE4 Entertainment
Release date
  • 20 June 2014 (2014-06-20)
Running time
154 minutes
CountryIndia
LanguageKannada

Drishya (transl. Visual) is a 2014 Indian Kannada-language crime thriller film directed by P. Vasu and produced by E4 Entertainment. It is a remake of the 2013 Malayalam film Drishyam and stars V. Ravichandran, Navya Nair, Aarohi Narayan, Unnathi, Asha Sharath, Prabhu, and Achyuth Kumar, The film's music was composed by Ilaiyaraaja. A sequel titled Drishya 2 was released in 2021.

The film released on 20 June 2014 to widespread critical acclaim, with the performances of Ravichandran, Nair, and Sharath, and the screenplay being praised.[1] It was a commercial success and completed a 100-day run in theatres.[2]

Plot

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Rajendra Ponnappa is an orphan who had dropped out of school after his fourth standard. He is now a businessman running a cable television service in a rural area. He is married to Seetha and they have two daughters, Sindhu, a Plus Two student, and Shreya, a student of class sixth. His only interest apart from his family is watching films. He spends most of his time in front of the TV in his small office.

During a nature camp, Sindhu gets photographed in the bathroom by a hidden cell phone. The culprit, Tarun, is the spoiled son of Inspector General of Police Roopa Chandrashekar. Tarun is accidentally killed by Seetha and her daughter when he comes to blackmail them using the clip either any one of them should sleep with him or he will surely publish the clip through Internet. They hide his body in a compost pit, which is witnessed by Shreya. Seetha tells Rajendra about the incident and he devises a way to save his family from the law. He removes the broken cell phone and disposes of Tarun's car, which is seen by a police constable, Suryaprakash, who has a grudge against Rajendra. Rajendra takes his family on a trip to attend a religious meeting, watch a movie and eat at a restaurant. Roopa, realising that her son has gone missing starts an investigation.

After a preliminary investigation, Roopa calls Rajendra and family for questioning. Rajendra had predicted that this would happen and taught his family how to change their alibi at the time of murder. When questioned individually, they reply the same thing and they had also shown the bill of the restaurant, the movie tickets and the bus journeys' tickets as proof of their alibi. Roopa questions the owners of the establishments they have been to and their statements prove Rajendra's alibi. Roopa realises that on the day of the incident, Rajendra had taken the tickets and the bill, made acquaintance with the owners and had gone for the trip with his family the next day, thus proving his alibi and making the owners unwittingly tell the lie.

Roopa arrests Rajendra and family and Suryaprakash uses brute force to beat the truth out of them. Eventually, Shreya gives in and reveals the place where the body is buried. After digging the compost pit, they find the carcass of a calf, indicating that Rajendra had moved the body. Rajendra reports to the media and complains against Suryaprakash. The constable is suspended and Roopa resigns from her post. Roopa and her husband meet Rajendra to ask forgiveness for their rude and violent behavior. Rajendra suspects there might be foul play involved and still does not reveal directly that his family has committed a crime. Rajendra, now in remand, signs a register at the newly constructed local police station. As he leaves, a flashback shows him leaving the incomplete police station with a shovel in hand, indicating that he has hidden Tarun's body in the foundations of the very police station that dealt with the said investigation.

Cast

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Production

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After the commercial and critical success of Drishyam, director P. Vasu decided to remake the film in either Tamil or Telugu, when he received an offer from the Kannada film production company E4 Entertainment. His name was referred to the producers by actor Ravichandran. It was revealed in February 2014 that the latter would portray Mohanlal's character from the original film.[3] Navya Nair was cast to play his wife, the role played by Meena in the original film.[4] Swaroopini Narayan was cast to play the role of Ravichandran's elder daughter in the film, following her successful audition for the role after having been spotted on the internet messaging service WhatsApp by one of the crew members.[5]

Filming began on 11 March 2014, in the Kodagu district in Karnataka, a major part of which was shot in Madikeri. Small parts of the film were then shot in Bangalore and Nanjangud. As compared to the Malayalam film, Drishya was trimmed by about 15 to 20 minutes.[6] Reports of the film being titled Drishya came out only in mid-May 2014, a month prior to the film's release.[7]

Soundtrack

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The film's music was composed by Ilaiyaraaja, with lyrics written by V. Nagendra Prasad. The album consists of two songs.[8]

Track listing
No.TitleSinger(s)Length
1."Ondu Kathe Kelu"Vijay Prakash, Pooja Vaidyanath, M. M. Manasi, Surmukhi Raman4:57
2."Devara Kelu"Sharreth5:26
Total length:10:23

Reception

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The film received positive reviews from critics.[9] The performances of Ravichandran, Navya Nair and Asha Sarath received overwhelmingly positive reviews, along with the film's screenplay.

Shashiprasad of Deccan Chronicle rated the film 4 of 5 stars and said, "With the perfect screenplay, Dhrishya thrills and grips the audience right till the end with crazy star V.Ravichandran at his best performance lately, which syncs so well that the character of Rajendra Ponnappa seems tailor-made for him."[10] The reviewer of Sify.com said, "A commendable team effort and the movie is definitely worth a watch!"[11] Shyam Prasad S. of Bangalore Mirror rated the film 3.5/5 stars and called it a "masterly remake" of the Malayalam version, and added that the film was Ravichandran's best in many years. He concluded writing praises of the performances of all the lead actors.[12] G. S. Kumar of The Times of India too gave a 3.5/5 star rating and wrote, "Director P Vasu knows that secret and has brilliantly incorporated it in the screenplay." He added praising the performances of the lead actors and music, and giving "a special mention" to cinematographer Madhu Neelakantan's work.[13] Writing for The New Indian Express, A. Sharadhaa reviewed the film and called it "neat little thriller and a family drama". She commended the performances of the actors, direction, screenplay and music, and the roles of the film's cinematographer and the editor.[14]

Sequel

[edit]

A sequel titled Drishya 2 (2021) directed by P. Vasu was released in 2021.

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Drishya (transl. ''Visual'') is a 2014 Indian Kannada-language crime thriller film directed by and produced by K. A. Suresh under E4 Entertainment. It stars V. Ravichandran, , , and in the lead roles, alongside Asha Sarath, Vijaya Raghavendra, and others. The film is a remake of the 2013 film '''', written and directed by . The story revolves around Rajendra Ponnappa (Ravichandran), a cable operator and avid enthusiast, who uses his knowledge of cinema to protect his family after they become entangled in a . The explores themes of family, deception, and justice. It was released on 20 June 2014 to positive reviews for its engaging plot and performances.

Development

Remake origins

The 2013 Malayalam film Drishyam, written and directed by and starring in the lead role, emerged as a critical and commercial triumph, becoming the first Malayalam-language production to gross over ₹50 crore worldwide and setting a benchmark for suspense thrillers in Indian cinema. Its narrative of a ordinary family man protecting his loved ones through ingenuity resonated widely, inspiring multiple regional adaptations across . Following the film's release in December 2013, production house E4 Entertainment acquired the remake rights for a version in late 2013, aiming to capitalize on its pan-Indian appeal while tailoring it for local audiences. The decision involved conceptualizing adjustments to align with cultural contexts, such as relocating the protagonist's business to a rural setting, including areas like Coorg, to enhance relatability for viewers in the state. In early 2014, was announced as the director, a choice influenced by actor V. Ravichandran's recommendation and Vasu's established expertise in handling thriller genres and remakes, including successful films like Aapthamitra. Vasu accepted the project from E4 Entertainment, marking a strategic collaboration to preserve the original's tension while infusing regional nuances.

Pre-production

The pre-production phase of Drishya focused on adapting the screenplay from the 2013 Malayalam film Drishyam to resonate with Kannada audiences, while securing remake rights and planning logistics. Director P. Vasu, who also penned the screenplay, localized the narrative by altering character names—such as changing the protagonist from Georgekutty to Rajendra Ponnappa, a name evocative of Kodava heritage—and shifting the primary setting to the rural landscapes of Kodagu (Coorg) district in Karnataka to incorporate regional cultural elements like local dialects and community dynamics. E4 Entertainment handled the financing, estimating the budget at approximately ₹4 to cover , , and preparatory work. commenced in early 2014, with scheduled to begin on March 11, 2014, in Kodagu, allowing time for script finalization and crew assembly. was confirmed as the music composer during this phase, adding to the film's anticipation. To enhance pacing for viewers, made initial decisions during this phase to trim the runtime from the original's 164 minutes to 154 minutes, eliminating select scenes from the first half while preserving the core thriller structure.

Cast and crew

Casting

V. Ravichandran was cast in the lead role of Rajendra Ponnappa, a cable operator and devoted family man, leveraging his established presence in to portray an everyman character in this thriller . This selection represented a notable shift for Ravichandran, known primarily for romantic and song-dance films, toward a more dramatic and suspenseful narrative. Navya Nair was chosen for the role of Seetha, Rajendra's wife, marking her return to Kannada films after a break following her marriage in 2010. Asha Sarath reprised her role as the determined police officer IG Roopa Chandrashekhar (adapted from Geetha Prabhakar in the original), selected to maintain the character's authoritative intensity across remakes. Tamil actor Prabhu was cast as Chandrashekhar, the influential father of the story's key antagonist, adding depth to the supporting ensemble. Achyuth Kumar portrayed the advocate Surya Prakash, contributing to the film's legal intrigue. For the child roles, debutant Aarohi Narayan was selected as the elder daughter Sindhu, while Unnathi played her younger sister , both chosen to bring authenticity to the family dynamics. Supporting parts, including minor characters, were filled through casting calls and auditions conducted in Bangalore to identify local talent suitable for the thriller's grounded tone.

Production team

The film Drishya was directed by , a prolific filmmaker renowned for his thrillers in Tamil and , including the blockbuster (2005), which ran for over 800 days in theaters. In addition to helming the direction, Vasu oversaw the adaptation of the screenplay from its origins during pre-production. Production was led by E4 Entertainment as the primary banner, with C. V. Sarathi credited as . The cinematography was captured by Madhu Neelakandan, whose lens work supported the thriller's atmospheric tension. Suresh Urs handled the editing, contributing to the film's brisk pacing and suspenseful rhythm. Art direction was managed by Ravi Santhehaklu, focusing on sets that contrasted rural and urban locales to enhance the narrative's grounded realism.

Filming and production

Principal photography

Principal photography for Drishya commenced on March 11, 2014, in the Kodagu district (also known as Coorg) of Karnataka, focusing on the rural home scenes to establish the family's everyday life. The production team opted for practical locations in this scenic region to lend authenticity to the narrative's grounded setting, as director P. Vasu noted in an interview that the shoot took place there to capture the essence of a simple family dynamic. This choice emphasized realism over studio sets, aligning with the film's thriller elements rooted in ordinary circumstances. The overall schedule was efficient, wrapping up in time for the film's release in June 2014, though specific day counts were not publicly detailed beyond the initial start.

Post-production

Following principal photography, the post-production of Drishya focused on refining the thriller's narrative for maximum impact. Editing was handled by Suresh Urs, resulting in a final runtime of 154 minutes. Post-production was completed ahead of the film's June 2014 release, including certification by the . Filming locations in rural influenced certain edit choices to preserve authentic spatial continuity.

Music

Soundtrack composition

The soundtrack for Drishya was composed by , a veteran musician known for his extensive work across South Indian cinema. The album features only two songs, a deliberate choice to prioritize the background score in enhancing the film's thriller elements over traditional elaborate musical sequences. This minimalistic approach was influenced by director P. Vasu's vision for a taut narrative. The lyrics for the songs were written by , who infused them with themes centered on family bonds and emotional depth, aligning with the film's core story of familial protection. Ilaiyaraaja's background score plays a pivotal role in building suspense throughout , utilizing subtle instrumentation to underscore tense plot developments without interrupting key scenes. The composition process emphasized atmospheric tension, contributing significantly to the film's immersive experience.

Track listing and reception

The soundtrack of Drishya consists of two songs composed by , with lyrics by , and has a total length of 10:23 minutes. The album was released on audio cassette and CD on June 11, 2014, prior to the film's theatrical release on June 20, 2014.
No.TitleDurationNotes
1"Ondu Kathe Kelu"4:57Group song picturized on a family outing, sung by , Pooja, , and Surmukhi; praised for its catchy melody.
2"Devare Kelu"5:26Emotional emphasizing family bonding, sung by , featuring Ilaiyaraaja's signature flute instrumentation.
The songs received moderate popularity among audiences, without becoming major chart-toppers, but were noted for their seamless integration into the film's narrative. In particular, the background score composed by was widely lauded for heightening the tension during key plot twists, significantly elevating the overall viewing experience.

Release

Distribution

Drishya was theatrically released on June 20, 2014, across by E4 Entertainment, the film's production banner that also handled distribution in the region. The film received a U certification from the (CBFC). It had an initial release in key cities like Bangalore and before expanding to a statewide rollout. Internationally, the film had a limited release in select theaters starting , 2014, aimed at the Kannada-speaking diaspora. Following its theatrical run, home video rights were acquired by local Kannada television channels, enabling broadcasts that extended the film's reach to non-theater viewers. The film was later made available for streaming on starting in 2019.

Promotion

The promotional campaign for Drishya began with the release of the first trailer on May 30, 2014, which teased the film's thriller elements through atmospheric visuals and suspenseful music while carefully avoiding key plot spoilers to build anticipation. To generate buzz, the production team organized several promotional events in Bangalore featuring cast appearances by lead actor V. Ravichandran, director , and other stars, including a high-profile audio release function on June 12, 2014, where Yash released the soundtrack. These events highlighted the film's central theme of family protection, reinforced by posters depicting Ravichandran in a protective stance with his on-screen , evoking emotional resonance with audiences. Tie-ins with local Kannada TV channels played a key role in outreach, with song premieres from composer Ilaiyaraaja's soundtrack aired exclusively on networks like Udaya TV, accompanied by cast interviews that discussed the remake's adaptation of the original Drishyam's success to leverage its established hype among regional viewers. A targeted social media campaign on Facebook engaged Kannada-speaking audiences through posts sharing behind-the-scenes glimpses, poster reveals, and interactive polls, capitalizing on the original film's popularity to foster pre-release excitement and community discussions. The film completed a 100-day theatrical run in several theaters.

Reception

Critical response

Upon its release, Drishya received widespread critical acclaim for P. Vasu's tight screenplay, which effectively builds suspense through a common man's ingenious efforts to protect his family, maintaining an edge-of-the-seat tension throughout much of the narrative. Critics praised the director's handling of the thriller elements, noting how the plot's twists and investigative drama create a gripping experience without relying on excessive action. The performances were a highlight, with V. Ravichandran earning particular commendation for his nuanced shift to a serious, dignified family man role, departing from his earlier romantic image and delivering a matured portrayal full of grace. impressed with her emotional depth as the supportive wife, bringing authenticity and vitality to the character. Asha Sarath's authoritative presence as the investigating officer was lauded for its energy and impressiveness, adding significant weight to the confrontational scenes. Specific reviews underscored the film's strengths in its genre execution. The Deccan Chronicle awarded it 4 out of 5 stars, highlighting the top-class thriller elements and brilliant projection of the screenplay. The Times of India gave it 3.5 out of 5, commending the engaging second half filled with mysterious turns and twists. Some critics noted minor pacing issues in the first half, where a few scenes felt slackened or less engaging compared to the taut buildup in the latter portions. Reviews also acknowledged the film as a faithful of the original , appreciating its loyalty but observing it offered fewer innovative changes. The overall consensus positioned Drishya as one of the best thrillers of , valued for its family-oriented appeal and emphasis on plot-driven suspense over commercial tropes.

Box office performance

Drishya opened strongly in , bolstered by the buzz surrounding its status as a remake of the acclaimed film . The film was commercially successful, completing a 100-day run in multiple centers, including a notable 50-day stint in Bangalore theaters. It ranked among 2014's top-grossing films due to strong urban reception. Promotional efforts from the production team enhanced initial turnout across regions.

Accolades

Drishya received several nominations and one win at major South Indian film awards for its 2014 release. At the 4th South Indian International Movie Awards (SIIMA) 2015 in the Kannada category, the film was nominated for Best Film, produced by E4 Entertainment. It also earned nominations for Best Director for P. Vasu and Best Actress in a Leading Role for Navya Nair. In the 62nd Filmfare Awards South 2015, Drishya was nominated for Best Film – Kannada. Additionally, Achyuth Kumar won Best Actor in a Supporting Role – Male (Kannada), and Asha Sarath was nominated for Best Actress in a Supporting Role – Female (Kannada). The film did not receive any awards at the 2014 Karnataka State Film Awards. These nominations and the win underscored Drishya's recognition within the Kannada film industry for its thriller elements and performances.

Legacy

Sequel

Drishya 2, the sequel to the 2014 Kannada film Drishya, was released on December 10, 2021. Directed by P. Vasu, the film was produced by Zee Studios in association with Mukesh Mehta and C. V. Sarathi under E4 Entertainment. With an approximate budget of ₹10 crore, it reflected the established value of the franchise following the original's commercial success. The story picks up seven years after the events of the first film, centering on the Ponnappa family as old evidence resurfaces, forcing them to confront past secrets once more. It retains the crime thriller style, emphasizing and family dynamics amid renewed investigation. The principal cast returns, including V. Ravichandran as Rajendra Ponnappa, as his wife Seetha, and as the determined police officer Roopa Chandrashekhar, alongside supporting actors like and . Principal photography occurred in 2021, adhering to prevailing industry safety measures during the ongoing , with sets constructed in locations like Balamuri. The final runtime stands at 146 minutes.

Cultural impact

The themes of family protection and the triumph of wit over corrupt authority in Drishya have resonated deeply within Indian cinema, sparking broader discussions on and the ethical dilemmas faced by ordinary individuals when confronting systemic . The narrative's portrayal of a father's ingenuity to shield his loved ones from legal repercussions has been cited as a catalyst for real-world debates, including concerns from about the film potentially inspiring unlawful acts to evade . This resonance extends to critiques of power imbalances, where the protagonist's resourcefulness highlights the vulnerabilities of marginalized families against influential elites. As part of the expansive franchise, the Kannada adaptation Drishya played a key role in its pan-Indian success by localizing the story for regional audiences, incorporating cultural nuances like rural Kodagu settings while preserving the thriller's suspenseful core. Released in , it exemplified the franchise's ability to bridge linguistic divides, paving the way for remakes in multiple South Indian languages and contributing to a surge in cross-regional adaptations during the mid-2010s. The film's emphasis on psychological tension and plot twists over spectacle influenced a wave of Kannada thrillers that prioritized narrative depth, earning it the moniker "Kannada " in media retrospectives on the genre's evolution. Drishya's legacy includes revitalizing V. Ravichandran's career by him in a grounded, dramatic lead role that contrasted his established image in romantic and action fare, garnering acclaim for his nuanced portrayal of a protective . This shift helped sustain his relevance in serious cinema amid industry challenges. Furthermore, the film bolstered the growing trend of remakes in South Indian filmmaking, where successful stories like Drishyam were swiftly localized to capitalize on proven formulas, fostering greater industry collaboration across states. By 2025, the franchise's global reach continued to grow, with an international Korean announced, directed by Deok Noh in partnership between Anthology Studios and Panorama Studios, marking another milestone in its cross-cultural adaptations.

References

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