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Sharreth
Sharreth
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Key Information

Sujith Vasudevan I (born 3 October 1969), professionally credited as Sharreth, is an Indian music director and singer.[1] He predominantly composes film scores and songs for Malayalam films, but has also composed many songs for the Tamil, Telugu and Hindi film industries too.

He won the Filmfare Award for the best music director in 2008. He won the Kerala State Film Award for Best Music Director in 2011 for the film Ivan Megharoopan. He was also the first recipient of the Kerala State Film Award for Best Classical Music Singer for his song Bhavayami in the film Meghatheertham. He is the son-in-law of famous music director Kannur Rajan.

Early life

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Born to Vasudevan Achari and Indiradevi in Kollam,[2] Kerala, India, Sharreth is a protégé of carnatic music virtuoso M. Balamuralikrishna. He made his debut as a film composer in the 1990 Malayalam language film Kshanakkathu. Prior to debuting as a composer, Sharreth had a sporadic presence as a playback singer for films. His first song was 'Dum dum dum', a duet with K. S. Chithra for the Malayalam film Onningu Vannengil (1985).

Personal life

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Sharreth is married, since 19 March 1999, to Seetha Rajan, daughter of Kannur Rajan. They have a daughter, Diya, born in 2006.

Career

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He was one of the permanent judges of Idea Star Singer on Asianet till the end of the fifth season. From 26 September 2011, he has become a judge along with P. Jayachandran on the Amrita TV musical reality show Super Star – the Ultimate.[3] From May 2012, he has become a judge along with Ouseppachan and S. P. Shylaja on the Kairali TV's Gandharava Sangeetham. From February 2013, he was a judge along with K. S. Chithra, Srinivas and Sujatha on the Mazhavil Manorama's singing reality show Indian Voice (season 2) and Indian Voice Junior. His memoir written by Sanjeev Pillai titled Aathmaraagam was published by Litmus Publications (an imprint of DC Books) in 2014. At present, he is one of the permanent judges of Star Singer hosted by Asianet from 2020, along with K .S Chithra, G. Venugopal, Stephen Devassy and Manjari.

Awards

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Discography

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Film discography

[edit]
Year Title Language Notes
1990 Kshanakkathu Malayalam Debut Film
1991 Ottayal Pattalam Malayalam
1994 Rudraksham Malayalam
Pavithram Malayalam
Sagaram Sakshi Malayalam
Vilakku Vecha Neram Malayalam Background Score Only
1995 Thacholi Varghese Chekavar Malayalam
Sindoora Rekha Malayalam
1998 Daya Malayalam Background Score Only
Sooryavanam Malayalam
1999 Devadasi Malayalam
2000 Ayyappantamma Neyyappam Chuttu Malayalam
Sparsham Malayalam
Cover Story Malayalam
Raja Ko Rani Se Pyar Ho Gaya Hindi Hindi Debut;
Background Score Only
2001 Vakkalathu Narayanankutty Malayalam Background Score Only
Déjà vu English
Achaneyanenikkishtam Malayalam Background Score Only
2002 Sesham Malayalam
2003 Magic Magic 3D Tamil
2005 The Campus Malayalam Background Score Only
Kanne Madanguka Malayalam Background Score Only
June R Tamil Debut Tamil Film[4]
2006 Shyaamam Malayalam
2008 Thirakkatha Malayalam Filmfare Award for Best Music Director – Malayalam
Kamasutra Nights English Music Director[5][citation needed]
2009 Kalavaramaye Madilo Telugu Debut Telugu Film
Chal Chala Chal Hindi Background Score Only.
Paleri Manikyam Malayalam
Meghatheertham Malayalam First recipient of Kerala State Film Award for Best Classical Music Singer for his song Bhavayami.
2010 Pulliman Malayalam
Nalla Pattukare Malayalam
Kanyakumari Express Malayalam
Orange Malayalam Background Score Only
Kushti Hindi Background Score Only
2011 180 Tamil / Telugu
2012 Thalsamayam Oru Penkutty Malayalam
Ivan Megharoopan Malayalam Kerala State Film Award for Best Music Director
Kanneerinu Madhuram Malayalam
2013 Ente Malayalam
Naa Bangaaru Talli Telugu
The Reporter Malayalam
2014 Kathai Thiraikathai Vasanam Iyakkam Tamil Guest Composer.
Drushyam Telugu
2017 Hadiyya Malayalam
2018 Naa Nuvve Telugu
Parole Malayalam
Autorsha Malayalam
Neeli Malayalam
2020 Shyamaragam Malayalam Background Score
2024 DNA Malayalam [6]

Independent album discography

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  • Sangeetha Paravai (Tamil)
  • Chitra Pournami (1994)
  • Sarana Manthram (1994)
  • Chaithra Geethangal (1997)
  • Pasupathaasthram -Sree Kadampuzha Bhagavathi (1997)
  • Gopeechandanam – Guruvayoorpuran Songs (1999)
  • Onappoovu
  • Gurudevan (2001)
  • Veendum (2003)
  • Sree Gananaatham (2008)
  • Devapampa (2009)
  • Sasthavu (2010)
  • Strawberry Theyyam (2014)
  • Njanappana (ART OF LIVING (2014)
  • Pahimam Padmanabha (2015)
  • Green Symphony (2015)
  • Paavana Pamba (2016)
  • Madhumasa mazha (Ronima Creations) (2022)

As singer

[edit]
Year Film Co-singer(s) Music director Song
1985 Onningu Vannenkil K. S. Chithra Shyam Dum dum dum swaramelam
1986 Ice Cream Cochin Ibrahim Johnson Premamennaalenthu
1990 His Highness Abdullah K. J. Yesudas, M. G. Sreekumar, Raveendran Raveendran Devasabhathalam
1995 Sindoora Rekha Sharreth Paahiraama Prabhu
Thacholi Varghese Chekavar Srinivas Sharreth Veeraalipattin
1997 Aaraam Thampuran K. J. Yesudas Raveendran Sandatham
1999 Devadasi (1999 film) G. Venugopal Traditional Slokam in
Lakshmi Ashtakam
Namasthesthu
Devadasi (1999 film) Sharath Paaraalum Maalore
Devadasi (1999 film) K. S. Chithra Sharreth Yamuna Nadhiyozhukum
2000 Cover Story M. G. Sreekumar, K. S. Chithra Sharreth Ini Maanathum
Sparsham Sharreth Pandenno Kettathaane
Sparsham Sharreth Thengi Mounam
2002 Shesham Sharreth Ethetho
2003 Nala Damayanthi Ramesh Vinayagam Pei Muzhi
2005 June R Sharreth Eano Eano
2006 Kalabham K. J. Yesudas, K. Krishnakumar Raveendran Varoo Varoo
2008 Thirakkatha Sharreth Oduviloru
2009 Meghatheertham K. S. Chithra Sharreth Mazhayaal
Meghatheertham Sharreth Bhavayaami. Kerala State Film Award for Best classical singer
Meghatheertham Sharreth Dhyanam Kondu
Paleri Manikyam Hariharan Sharreth Tum Jo Mujh Mein
Seetha Kalyanam Madhu Balakrishnan, Karthik, Anuradha Sriram Srinivas Seetharaamam
2010 Kadaksham M. Jayachandran Omanapennalle
Pulliman Traditional Folk Aanandam
Kavalar Kudiyirippu Priya Hemesh James Vasanthan Kodi Kodi Aasaikal
Kadhaksham Solo M. Jayachandran Omana pennllayo
2011 180 Sharreth Niyayam Thaana
Pranayam M. Jayachandran Kalamozhi
2012 Ivan Megharoopan K.S.Chithra Sharreth Vishukili
2013 Ente Solo Sharreth Engengo
The Reporter Solo Sharreth Karukkal nirathi
The Reporter Solo Sharreth Vaarmthiye
2014 Ulavacharu Biryani Solo Ilaiyaraaja Raayaleni Lekhane [Telugu song]
Oggarane Solo Ilaiyaraaja Bareyada Saalanu [Kannada song]
Drishya Solo Ilaiyaraaja Devare Kelu [Kannada song][Remake of Drishyam Malayalam movie]
Nadan Ouseppachan Sargavedhikale [Malayalam song]
Varsham Solo Bijibal Karimukilukal [Malayalam song]
2015 Touring Talkies Anitha Karthikeyan Ilaiyaraaja Nenju Porukuthilayae [Tamil song]
Solo Ilaiyaraaja Kathirunthaen [Tamil song]
Kida Poosari Magudi Solo Ilaiyaraaja Intha kaalathile [Tamil song]
Kanal Solo Ouseppachan Maaya Nagarame[Malayalam song]
2015 Tharai Thappattai Solo Ilaiyaraaja Idarinum [Tamil song]
2018 Naa... Nuvve Solo Sharreth Premika [Telugu Song]
2018 Thamizh Padam 2 Vijay Prakash N Kannan En Nadanam [Tamil song]
2022 Sita Ramam Nithya Mammen Vishal Chandrashekhar Pen Poove Thenvande [Malayalam song]

As dubbing artist

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Year Film Actor Notes
2010 Chutti Chathan Kottarakkara Sreedharan Nair Dubbed for its 2010 re-released version in Tamil

Television

[edit]
  • All are Malayalam shows unless noted
As Judge
year Program Channel Notes
2007 Idea Star Singer 2007 Asianet
2008 Idea Star Singer 2008 Asianet
2009-2010 Idea Star Singer Season 4 Asianet
2009 Zee Tamil Sa Re Ga Ma Pa 2009 Challenge Zee Tamil Tamil show
2010-2011 Idea Star Singer Season 5 Asianet
2012 Gandharva Sangeetham Kairali TV
2013 Super star the ultimate Amrita TV
2013 Josco Indian voice season 2 Mazhavil Manorama
2013 Candyman Indian Voice Junior Mazhavil Manorama
2014 Super Star Amrita TV
2015 Bhima Indian Music League Flowers TV
2016 Super Star Junior Amrita TV
2018 Super 4 Mazhavil Manorama
2019 Paadaam Namuk Paadam Mazhavil Manorama
2020–2022 Star Singer Season 8 Asianet
2022-2023 top singer 3 flowers TV
2023- 2024 top singer 4 flowers TV

Concerts

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In 2024, K. S. Chithra headlined the Chithra Varnam[7] concert on May 11th at the Chabot Performing Arts Center, Hayward, California. Organized by Kalalaya sponsored by Nambiar Builders, the event featured her signature melodies across multiple Indian languages, with support from musicians such as Sharreth and K. K. Nishad. The concert celebrated Mother's Day, adding a sentimental note to the evening.[8]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Sharreth (born Sujith Vasudevan I, 3 October 1969) is an Indian music director, composer, and renowned for his work in the , where he integrates influences into film scores. Born in , , he began his career in and has composed for films across multiple South Indian languages, including , Tamil, and Telugu, over a span exceeding three decades. Sharreth made his debut as a music director with the Malayalam film Kshanakkathu in 1990 and went on to score notable soundtracks for films such as Thirakkatha (2008), 180 (2011), and Ivan Megharoopan (2012). His compositions for Thirakkatha earned him the Filmfare Award for Best Music Director – Malayalam in 2009, while Ivan Megharoopan secured the Kerala State Film Award for Best Music Director in 2012. A trained Carnatic vocalist from a musical family, Sharreth has also excelled as a singer, receiving the inaugural Kerala State Film Award for Best Classical Playback Singer in 2010. Beyond films, he has judged popular music reality shows and marked 35 years in the industry in 2025, continuing to perform and mentor emerging talents.

Early Life and Background

Childhood and Family

Sharreth, born Sujith Vasudevan on October 3, 1969, in , , , grew up in a culturally rich environment steeped in the traditions of South . He was the son of Vasudevan Achari, a Sales Tax Commissioner in who was deeply interested in music and frequently brought home collections of classical recordings, and Indiradevi, a trained singer who became his initial music guide and fostered his early interest in . The family's home in served as a constant hub of musical activity, influenced by 's strong heritage, with his uncles—ardent enthusiasts of the genre—and brother Renjith Vasudev, who later became a and , further immersing the young Sujith in performances and discussions that shaped his foundational exposure to melody and rhythm. From a tender age, Sharreth's childhood revolved around this familial and regional musical milieu, where he first experimented with composition and vocal practice amid the coastal town's vibrant artistic traditions. Later, as he entered the professional music scene, he adopted the stage name "Sharreth" without any specific rationale, having initially used his birth name for a few recordings.

Education and Musical Influences

Sharreth received his early schooling in , , where he demonstrated a keen interest in music by winning a state award at the school youth festival. He expressed a strong dislike for formal studies, frequently skipping classes to immerse himself in musical pursuits, and ultimately discontinued his pre-degree college education in to relocate to and dedicate himself fully to music. His musical education began informally at home, with his mother, Indiradevi, serving as his first after recognizing his talent at the age of two; the family's encouragement, including his father's collection of records, provided early exposure to Carnatic forms and ragas. Sharreth underwent initial formal training in Carnatic under the unconventional B.A. Chidambaranath and, from the age of six, became a long-term disciple of the renowned Carnatic virtuoso , training under him for over 20 years and developing proficiency as a Carnatic vocalist. He also acquired skills in keyboard playing through self-experimentation on the harmonium—where he composed his first at six and a half by rearranging popular works—and later honed them professionally. Sharreth's early artistic development was profoundly shaped by influences from Carnatic classical music, including ragas like Amritavarshini, which he first impressed Balamuralikrishna with as a child, as well as exposure to film music through family listening. Key inspirations came from composers like , whose melodic style he admired and under whom he worked as a favored keyboard programmer in his initial professional forays, blending classical elements with film traditions. He also drew from innovative figures such as Ilayaraja, whose reinterpretations of Carnatic kritis influenced Sharreth's own experimental approach to ragas and old songs.

Professional Career

Debut and Playback Singing

Sharreth entered the film music industry as a in 1985 with the duet "Dum Dum Dum Swaramelam" from the film Onningu Vannengil, composed by and featuring as the female vocalist. This debut track, penned by Poovachal Khader, marked his initial foray into professional singing, showcasing a youthful energy suited to the film's romantic narrative. In the late , Sharreth contributed sporadically to playback , including the "Premamennalenthu" from the 1986 film , where he performed solo under composer . By the early , prior to his prominent shift to composition, he lent his voice to notable tracks such as "Devasabhaathalam" from (1990), a duet with composed by . Another highlight was "Vaalinmel Poovum" from Pavithram (1994), again a collaboration with Chithra, which highlighted his melodic versatility in film contexts. Throughout the 1980s and 1990s, Sharreth collaborated with leading playback singers like and , as well as composers including and , often in projects directed by filmmakers such as Mohan Segar for Onningu Vannengil. These partnerships exposed him to diverse musical demands in , from light romantic duets to more structured melodies. Drawing from his classical training under figures like , Sharreth's early singing style evolved to blend Carnatic elements with accessible film playback, evident in the intricate phrasing of tracks like "Dum Dum Dum Swaramelam," which incorporated subtle influences for emotional depth. This fusion allowed him to adapt traditional techniques to cinematic needs, setting a foundation for his later recognition as a classical .

Film Music Composition

Sharreth transitioned to film music composition in the early , marking his debut as a with the film Kshanakkathu (1990), where he crafted the soundtrack after establishing himself as a . This assignment showcased his early ability to integrate melodic structures suitable for cinematic narratives, drawing from his prior vocal experience to inform song placements. Throughout the 2000s and 2010s, Sharreth composed for several notable South Indian films, emphasizing innovative and raga-based melodies. In Thirakkatha (2008), his return to composition after a hiatus featured tracks like "Oduvil Oru Shonarekhayayi," which blended subtle Carnatic with layered instrumentation to evoke the film's nostalgic tone, earning praise for its emotional depth and restraint. For the bilingual 180 (2011), he delivered a with experimental elements, such as the pulsating interludes in "Nyaayam" that fused ethnic rhythms with modern beats, creating a fresh sound that critics highlighted for its and thematic coherence despite the film's mixed box-office performance. His work on Ivan Megharoopan (2012) stood out for tracks like "Kaanada'ish Vishukili," where he innovatively employed structures and orchestral swells to mirror the film's poetic rural setting, receiving acclaim for its thematic richness and classical infusions. Sharreth's compositional style evolved through a fusion of Carnatic classical elements—such as ragas like Amritavarshini and techniques like —with contemporary film scoring, allowing him to create non-commercial yet accessible pieces that prioritize soulful melodies over formulaic patterns. This approach is evident in his use of complex rhythms (e.g., 11:8 or 13:8 beats) and full visualizations of from the initial tune conception, as seen in enduring like "Sreeragamo" from Pavithram (1994). By 2025, reflecting on three decades in the industry, he noted the influence of in enhancing production but cautioned against overreliance, stressing that true quality demands 95% human effort in performance and composition. As of 2025, Sharreth continues to work on new film projects in and Tamil, maintaining his approach to each as if it were his first. His soundtracks, particularly from Ivan Megharoopan and 180, have been critically received for their timeless appeal and innovative blend of tradition and modernity, with tracks continuing to resonate in music circles for their raga-driven emotional layering up to 2025.

Independent Projects and Other Roles

Beyond film scores, Sharreth has pursued production, creating non-cinematic tracks that fuse classical traditions with modern sensibilities. His feature Carnatic krithis and pieces, exemplified by Carnatic Classical (2022), where he performs vocal renditions accompanied by traditional instruments like , , and . In 2025, he released the Classical Moments series (Volumes 1 and 2), highlighting compositions such as "Siddhivinayakam Anisham" and "Evarre Ramaiyya," performed with ensembles including Thiruvizha Viju on and Nanjil A. R. Arul on , emphasizing his deep roots in . Sharreth has composed numerous advertising jingles, which served as a crucial financial lifeline during periods of limited film opportunities, allowing him to hone concise, memorable melodies within strict time constraints of under 20 seconds. A representative example is the catchy "Mazha Mazha Kuda Kuda, Mazha Vannal Popy Kuda," which captured public attention through its playful rhythm and regional appeal. He has also provided background scores for non-film media, including documentaries and television, while taking on production roles for his own albums and select collaborative projects. In recent years up to 2025, Sharreth has focused on devotional and regional music endeavors, singing songs like Ayyappa devotional tracks and Christian songs such as "Jeevitha Marubhooviloode." These projects reflect his versatility in spiritual genres, often blending classical influences with accessible melodies for regional audiences.

Awards and Recognitions

Major Film Awards

Sharreth received the Filmfare Award for Best Music Director – Malayalam in 2009 for his work on the film Thirakkatha (2008), directed by R. Sarath, where his score blended nostalgic melodies with contemporary rhythms to complement the film's tribute to cinema's golden era. In 2012, he was honored with the for Best Music Director (announced as part of the 42nd ) for (2012), a poetic directed by Ajmal, praised for its evocative fusion of folk and classical elements that captured the emotional depth of M. Mukundan's novel adaptation. Sharreth became the inaugural recipient of the for Best Classical in 2010 for his rendition of "Bhavayami Padumente" from Meghatheertham (2009), a 13-minute composition that he both composed and sang. The track blends three Carnatic ragas—Pantuvarali, , and Suddha Dhanyasi—along with raga bhedas and sruti variations recorded in three sessions, showcasing his vocal prowess rooted in over two decades of training under Chidambaranath and .

Additional Honors and Milestones

In 2025, Sharreth marked his 35-year milestone in the music industry, commemorating his debut composition for the film Kshanakkathu in 1990. During interviews reflecting on this journey, he emphasized maintaining a fresh approach to each project, stating, “Whether it's ‘Kshanakkathu’ or my ongoing work, I approach each project as if it were my first. The tension, the confusion, the drive for perfection—everything feels the same!” He highlighted his early role as a programmer for Raveendran Master on hits like Akashathamara Pole and his critique of the overreliance on technology in modern music production. As a on music reality shows like Super Star in 2025, Sharreth has actively mentored emerging talents, expressing joy in guiding the next generation of musicians and contributing to the vitality of . His enduring legacy in the scene, as reflected in his 2025 milestone discussions, lies in blending classical precision with film innovation, inspiring younger composers to prioritize originality and emotional depth over technological shortcuts.

Discography

Film Scores

Sharreth debuted as a film composer with the movie in 1990, introducing a melodic style influenced by his Carnatic training under . His film scores typically feature 4-7 songs per project, blending classical ragas with romantic and folk genres, and often collaborate with lyricists like and singers including and . Over his career, he has composed for approximately 32 films, focusing on emotional depth and orchestral arrangements, with occasional forays into Tamil, Telugu, and . The following table catalogs his film compositions chronologically, highlighting key soundtrack features such as genres and notable collaborators. Sharreth occasionally provided playback vocals in his own scores, such as in Pavithram. No notable unreleased or partial scores were identified beyond standard background music contributions in listed projects.
YearFilm TitleLanguageKey Features
1990KshanakkathuMalayalamDebut; romantic ballads; 5 songs; lyrics by O. N. V. Kurup; singers: K. J. Yesudas, Sujatha.
1994PavithramMalayalamClassical-infused melodies; 6 songs; hit track "Sreeraagamo"; collaborators: K. J. Yesudas, Sharreth (vocal).
1994RudrakshamMalayalamAction-drama score; folk elements; 5 songs; singers: M. G. Sreekumar.
1994Sagaram SakshiMalayalamMelodic romance; 4 songs; lyrics by Kaithapram.
1995Thacholi Varghese ChekavarMalayalamMartial arts theme; rhythmic tracks; 6 songs; singers: Sreenivas.
1998DayaMalayalamEmotional drama; subtle orchestration; 5 songs.
1999DevadasiMalayalamDevotional and romantic genres; 6 songs.
2000Ayyappantamma Neyyappam ChuttuMalayalamComedy; devotional songs; 6 songs.
2000Cover StoryMalayalamThriller score; contemporary fusion; 5 songs; singers: Sujatha.
2003Magic Magic 3DTamilFantasy adventure; upbeat tracks; first Tamil project; 4 songs.
2008ThirakkathaMalayalamBiographical drama; nostalgic tunes; 7 songs; lyrics by Gireesh Puthenchery.
2009MeghatheerthamMalayalamSpiritual themes; classical ragas; 5 songs; singers: Shankar Mahadevan.
2009Oru Pathirakolapathakathinte KathaMalayalamSatirical; co-composed with Bijibal; 4 songs.
2009Kalavaramaye MadiloTeluguRomantic drama; melodic score; 6 songs.
2010Kanyakumari ExpressMalayalamRoad trip narrative; folk-rock fusion; 5 songs.
2011180Tamil/TeluguHorror-thriller; tense atmospheric score; 5 songs; critical acclaim.
2012Ivan MegharoopanMalayalamArtistic drama; folk and classical blend; 6 songs; notable for poetic lyrics.
2013EnteMalayalamEmotional family story; 5 songs; co-elements with Shanthanu Moitra.
2014DrushyamTeluguSuspense thriller; minimalistic score; 4 songs.
2015The ReporterMalayalamInvestigative drama; rhythmic tracks; 6 songs; singers: Sharreth.
2017HadiyaMalayalamRomantic thriller; 5 songs.
2018AutorshaMalayalamWomen-centric drama; introspective melodies; 4 songs.
2018Naa NuvveTeluguRomantic; hit soundtrack; 6 songs.
2022Ente MazhaMalayalamPeriod drama; orchestral elements; 5 songs; co-composed with Rijosh Aluva.
2024DNAMalayalamMystery thriller; contemporary score; 4 songs.

Independent Albums

Sharreth's independent albums primarily explore Carnatic classical traditions and devotional themes, distinct from his film compositions. These releases showcase his vocal training in Carnatic music and feature studio recordings with collaborations from fellow musicians. In 2023, Sharreth released Paavana Pamba, a devotional album dedicated to Lord Ayyappa, comprising eight tracks that blend traditional bhajans with melodic arrangements. Key highlights include the opening track "Thungajadadhara Nandhananakum," sung by Madhu Balakrishnan, and "Sabarikku Sabari Girishane," featuring Somadas, emphasizing rhythmic percussion and harmonious vocals to evoke spiritual reverence. Produced under his own label, the album was distributed digitally on platforms such as Spotify and Apple Music, running for approximately 35 minutes. Sharreth's 2025 output marked a deeper immersion into classical with Classical Moments Sharreth Vol 1, a six-track collection of Carnatic krithis rendered in traditional ragas. The album, lasting 47 minutes, was released on major streaming services including and , underscoring Sharreth's commitment to preserving Purandara Dasa-inspired compositions. Complementing this, Classical Moments Sharreth Vol 2, released on September 14, 2025, features five Carnatic pieces, such as "Nagumomu Ganaleni," with contributions from Tripunithura on . Spanning another 47 minutes, it continues the fusion of vocal purity and instrumental subtlety, available on and other digital platforms. Earlier independent efforts include recordings of Carnatic classical concerts, such as the 2025 album Carnatic Classical Concert, a live-studio hybrid capturing extended improvisations like ragam-tanam-pallavi segments with ensemble support from S. Anand on . Released on May 31, 2025, via and , it reflects Sharreth's ongoing exploration of concert-style classical performances outside cinematic contexts.

Selected Songs as Singer

Sharreth's vocal contributions as a in the post-2000 era emphasize his ability to infuse compositions with classical nuances and emotional depth, often in or solo renditions within his own film scores. In the 2000 film Cover Story, he collaborated with on the "Ini Maanathum," a poignant track that captures themes of longing through harmonious interplay. This marked one of his notable film singing credits around the turn of the , blending his compositional vision with vocal synergy. By 2009, Sharreth expanded his singing role in Meghatheertham, where he lent his voice to the romantic duet "Mazhayal" alongside , evoking the monsoon imagery central to the film's narrative. The same soundtrack featured his solo rendition of "Bhaavayaami," a 13-minute devotional composition drawing on Carnatic traditions, which received the Kerala State Film Award for Best Singer. In a cross-industry , Sharreth contributed vocals to "Pen Poove Thenvande" from the 2022 Telugu film , joining Vishal Chandrashekar and in a melodic piece that became one of the soundtrack's highlights, praised for its tender portrayal of love. Shifting to independent projects, Sharreth's 2025 releases underscore his focus on classical and devotional music. The Classical Moments Sharreth Vol. 1 showcases his interpretations of Carnatic krithis. Vol. 2 continues this with tracks like "Evarre Ramaiyya," performed alongside accompanists such as Thiruvizha Viju and Nanjil A.R. Arul, emphasizing rhythmic and melodic purity. The same year, his single Spandanam features "Thazhittupoottiyoren" and "Harithamee," devotional solos that highlight Sharreth's mature and spiritual expression, produced in collaboration with and . Additionally, the standalone single "Prakrithiyaam Amma" reflects his ongoing exploration of nature-inspired bhajans. These works represent a curated evolution in his singing career, prioritizing artistic depth over commercial volume.

Dubbing Contributions

Sharreth has ventured into as an extension of his multifaceted career in , providing voice-overs for character roles in re-released films. His most notable dubbing credit is for the character originally portrayed by in the 2010 Tamil dubbed version of the classic film , titled Chutti Chathan. This contribution helped adapt the 1984 fantasy film for a new audience, maintaining the emotional integrity of the performance through his expressive vocal delivery. Sharreth's dubbing style, influenced by his background as a , emphasizes natural and nuance, receiving positive reception for its seamless integration with the film's narrative. While his dubbing work remains limited compared to his musical endeavors, it highlights his vocal versatility in the industry up to the mid-2010s, with no major projects reported since.

Performances and Public Engagements

Live Concerts and Tours

Sharreth has occasionally performed in live , blending his expertise in Carnatic with film compositions and original works. His Carnatic series, which features renditions of traditional krithis such as "Abala Gopalamu" and "Siddhivinayakam Anisham," highlights his vocal prowess and has been presented in recorded formats that capture live-like performances. In past collaborations, Sharreth has joined renowned artists for live shows abroad, including a 2018 concert with in , where they performed a mix of and multilingual hits to enthusiastic audiences. Similar joint performances, such as with in , have showcased film hits alongside classical elements, receiving positive reception for their emotional depth and musical fusion. As of November 10, 2025, no upcoming live tours or concerts for Sharreth are listed on event platforms like Sulekha Events, though he continues to engage in select performances in and international venues when opportunities arise.

Television and Media Appearances

Sharreth has been a prominent figure on television, particularly as a on musical reality shows, where he has mentored aspiring singers for nearly two decades. His involvement began prominently with Idea Star Singer on Asianet, where he served as a permanent through its initial seasons starting in 2005, contributing significantly to the show's popularity by providing insightful feedback and using his signature phrase "Sangathi" to connect with contestants. By 2025, Sharreth reflected on his 19-year journey in the reality show industry, noting how these platforms have allowed him to nurture talent while maintaining his musical integrity. In recent years, Sharreth continued his judging role on shows like Super Star on , where he appeared regularly in 2025 episodes, including performances and critiques alongside other judges such as Parvathy Babu and Manjari. He emphasized the talent of contestants as the key to a show's success during promotions for the season, highlighting his enjoyment in guiding young artists through competitive formats. Earlier appearances include judging Super 4 on in 2018, where he shared personal anecdotes with fellow judge , and Gandharva Sangeetham on starting from 2012. These engagements have solidified his reputation as a staple in music television, often blending his composing expertise with on-screen charisma. Beyond judging, Sharreth has featured in television interviews and specials that delve into his career. In a March 2025 interview with , he marked his 35-year milestone in the industry, discussing how he approaches each project with fresh enthusiasm and the evolving role of technology in music composition, from digital tools to AI influences. He appeared on 's Samagamam in 2023, sharing insights into his musical journey, and in September 2025, he gave an exclusive interview to , reflecting on his special compositions and industry collaborations. These media spots, often on channels like Asianet and , provide platforms for Sharreth to discuss his transition from playback singing to scoring, emphasizing innovation without compromising artistic vision. While Sharreth's television presence is predominantly music-focused, he has occasionally guested on broader entertainment programs, such as Kaumudy TV's A Day With in 2017, which offered a look at his daily life as a . His media engagements underscore a consistent theme of accessibility, allowing audiences to engage with his expertise in non-concert settings.

References

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