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EFX (show)
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EFX (show)
EFX was a Las Vegas Strip production show residing at the MGM Grand Hotel & Casino which opened on March 23, 1995 and closed on December 31, 2002. When it premiered, it was the most expensive and largest-scaled theater installation in the world. A significant entertainment landmark of the strip for nearly eight years, it was known for changing its headline star every two years. Performers in the lead role were Michael Crawford, David Cassidy, Tommy Tune, and Rick Springfield.
The original production of EFX featured a loose plot involving the celebration of the human mind. The EFX Master, in charge of EFX, a world where "anything is possible" thanks to imagination, invites the audience to relive their childhood innocence and wonder by taking them on a journey through four different stories: those of Merlin and King Arthur, a futuristic P.T. Barnum and his alien circus, the last days of Harry Houdini, and H.G. Wells' classic novella, The Time Machine. Each story was its own "act", and was introduced by a "helper" of the EFX Master's based upon their "mastership" of that story's overall theme.
After being introduced to the world of EFX, the EFX Master transforms himself into Merlin as the Master of Magic tells the audience that they are about enter the time of a young Arthur, before he became king. Arthur begs Merlin to teach him about magic, and Merlin explains that Arthur first needs to learn how to live in harmony with nature. Their lesson is interrupted by the arrival of the witch Morgana, who seeks to kill Arthur to keep him from fulfilling his destiny of becoming king. Merlin and Morgana duke it out as giant dragons in a fiery on-stage battle before Arthur pulls the sword from the stone and defeats the evil sorceress. The audience is left with the message that "good must triumph always."
The Master of Laughter then sends us deep into outer space where we meet up with the EFX Master, now P.T. Barnum, and his crazy alien circus. Mishaps and hilarity abound as the intergalactic ensemble perform, and, led by the assistant Vladimir, eventually try to upstage the ringmaster Barnum. This act of the show is the one that was the most re-written. It originally featured a long, innuendo-laced solo-stand-up act by Barnum that included a mind-reading trick involving playing cards and audience participation, an evade-the-blade stunt with the ill-fated Martian Mingo-Sniffer named Muffy, and a juggling act using the cannonballs of Bull Run. The card trick was quickly cut from the show, and Bull Run was reworked to become part of a human cannonball stunt, which gets botched up nicely by Vladimir. Barnum was also supposed to dance the entire Irish jig with the cast, but a hip injury sustained during one of the many stunts left Michael Crawford unable to dance for long, and the number was re-staged to feature just the ensemble performing the jig while Barnum tries in vain to catch Vladimir in an effort to stop his assistant from upstaging him.
After leaving the Intergalactic Circus of Wonders, the Master of Spirits appears and asks us if we wish to make contact with the other side. The audience is then brought to a seance led by Bess Houdini in which she asks to speak to the spirit of her dead husband, the famous illusionist Harry Houdini. The EFX Master, as Houdini, appears, and he and Bess reunite briefly to relive various moments of their past, starting with the night that they first met at one of Houdini's escapes. Upon being reminded of Harry's dangerous career, a disillusioned Bess asks Houdini if he ever really loved her, or if his feelings were really an illusion like his many tricks: "Did you just make me believe that you loved me and not even care enough to stay alive?" We then see Houdini's death, drowning in a water tank before freeing himself from his chains, and Houdini tells Bess, "There's nothing here on Earth that is stronger than the love that I have for you. I only wish I learned that sooner." They then say their goodbyes, promising to be reunited again someday.
The final act is introduced by the Master of Time, who asks us if we are brave enough to see what the years ahead have in store for us. He takes us to see the EFX Master, who has now become H.G. Wells. Wells expresses his amazement that his novel The Time Machine has been so enthusiastically received by the public, and goes on to explain that his own personal interest in the story lies in the scientific possibility of actually traveling through time for research purposes. He has even built a real time machine, but is hesitant to use it, citing the "effects on future generations not yet shaped. It could be dangerous." The Master of Time urges him to "take the journey you've always dreamed of", adding that sometimes the risks are worth it. Wells agrees, and uses the time machine to enter the far-distant future, an effect achieved through a 3D music video projected onto a scrim during the scene change. Wells arrives in a beautiful garden to find that the surviving human population has been enslaved by a race of reptilian-like creatures, the Morlocks, who force the humans to work underground. The Morlocks steal the time machine while Wells befriends one of the female slaves who managed to escape. Together, Wells and the slave girl enter the caves to free the other slaves and take back the time machine. After successfully defeating the Morlocks, the slave girl tries to persuade Wells into taking her back with him. He refuses and she kisses him. Moved by the kiss, and an earthquake, Wells agrees to let the slave girl join him, and together they travel back to his own time.
The EFX Master then appears one final time, this time as himself, and with the entire cast, he praises the human imagination and encourages us to continue to create incredible tales and believe in ourselves and our capacity for creation. We're asked to open ourselves up to infinite possibilities.
EFX was originally conceived as a showcase for performer Michael Crawford, who was fresh off his four-year run in The Phantom of the Opera and enjoying a successful solo career at the time. Crawford jumped at the opportunity to showcase his talents, and the result was his being cast as all five of the show's main characters, which included Crawford revisiting the role of P.T. Barnum, a role he originated in the West End production of the Cy Coleman musical Barnum. Tina Walsh and Kevin Koelbl doubled-up on a few supporting roles, while Jeffrey Polk, Stewart Daylida, Rick Stockwell, Lisa Geist, and over seventy ensemble members rounded out the rest of the cast.
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EFX (show) AI simulator
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EFX (show)
EFX was a Las Vegas Strip production show residing at the MGM Grand Hotel & Casino which opened on March 23, 1995 and closed on December 31, 2002. When it premiered, it was the most expensive and largest-scaled theater installation in the world. A significant entertainment landmark of the strip for nearly eight years, it was known for changing its headline star every two years. Performers in the lead role were Michael Crawford, David Cassidy, Tommy Tune, and Rick Springfield.
The original production of EFX featured a loose plot involving the celebration of the human mind. The EFX Master, in charge of EFX, a world where "anything is possible" thanks to imagination, invites the audience to relive their childhood innocence and wonder by taking them on a journey through four different stories: those of Merlin and King Arthur, a futuristic P.T. Barnum and his alien circus, the last days of Harry Houdini, and H.G. Wells' classic novella, The Time Machine. Each story was its own "act", and was introduced by a "helper" of the EFX Master's based upon their "mastership" of that story's overall theme.
After being introduced to the world of EFX, the EFX Master transforms himself into Merlin as the Master of Magic tells the audience that they are about enter the time of a young Arthur, before he became king. Arthur begs Merlin to teach him about magic, and Merlin explains that Arthur first needs to learn how to live in harmony with nature. Their lesson is interrupted by the arrival of the witch Morgana, who seeks to kill Arthur to keep him from fulfilling his destiny of becoming king. Merlin and Morgana duke it out as giant dragons in a fiery on-stage battle before Arthur pulls the sword from the stone and defeats the evil sorceress. The audience is left with the message that "good must triumph always."
The Master of Laughter then sends us deep into outer space where we meet up with the EFX Master, now P.T. Barnum, and his crazy alien circus. Mishaps and hilarity abound as the intergalactic ensemble perform, and, led by the assistant Vladimir, eventually try to upstage the ringmaster Barnum. This act of the show is the one that was the most re-written. It originally featured a long, innuendo-laced solo-stand-up act by Barnum that included a mind-reading trick involving playing cards and audience participation, an evade-the-blade stunt with the ill-fated Martian Mingo-Sniffer named Muffy, and a juggling act using the cannonballs of Bull Run. The card trick was quickly cut from the show, and Bull Run was reworked to become part of a human cannonball stunt, which gets botched up nicely by Vladimir. Barnum was also supposed to dance the entire Irish jig with the cast, but a hip injury sustained during one of the many stunts left Michael Crawford unable to dance for long, and the number was re-staged to feature just the ensemble performing the jig while Barnum tries in vain to catch Vladimir in an effort to stop his assistant from upstaging him.
After leaving the Intergalactic Circus of Wonders, the Master of Spirits appears and asks us if we wish to make contact with the other side. The audience is then brought to a seance led by Bess Houdini in which she asks to speak to the spirit of her dead husband, the famous illusionist Harry Houdini. The EFX Master, as Houdini, appears, and he and Bess reunite briefly to relive various moments of their past, starting with the night that they first met at one of Houdini's escapes. Upon being reminded of Harry's dangerous career, a disillusioned Bess asks Houdini if he ever really loved her, or if his feelings were really an illusion like his many tricks: "Did you just make me believe that you loved me and not even care enough to stay alive?" We then see Houdini's death, drowning in a water tank before freeing himself from his chains, and Houdini tells Bess, "There's nothing here on Earth that is stronger than the love that I have for you. I only wish I learned that sooner." They then say their goodbyes, promising to be reunited again someday.
The final act is introduced by the Master of Time, who asks us if we are brave enough to see what the years ahead have in store for us. He takes us to see the EFX Master, who has now become H.G. Wells. Wells expresses his amazement that his novel The Time Machine has been so enthusiastically received by the public, and goes on to explain that his own personal interest in the story lies in the scientific possibility of actually traveling through time for research purposes. He has even built a real time machine, but is hesitant to use it, citing the "effects on future generations not yet shaped. It could be dangerous." The Master of Time urges him to "take the journey you've always dreamed of", adding that sometimes the risks are worth it. Wells agrees, and uses the time machine to enter the far-distant future, an effect achieved through a 3D music video projected onto a scrim during the scene change. Wells arrives in a beautiful garden to find that the surviving human population has been enslaved by a race of reptilian-like creatures, the Morlocks, who force the humans to work underground. The Morlocks steal the time machine while Wells befriends one of the female slaves who managed to escape. Together, Wells and the slave girl enter the caves to free the other slaves and take back the time machine. After successfully defeating the Morlocks, the slave girl tries to persuade Wells into taking her back with him. He refuses and she kisses him. Moved by the kiss, and an earthquake, Wells agrees to let the slave girl join him, and together they travel back to his own time.
The EFX Master then appears one final time, this time as himself, and with the entire cast, he praises the human imagination and encourages us to continue to create incredible tales and believe in ourselves and our capacity for creation. We're asked to open ourselves up to infinite possibilities.
EFX was originally conceived as a showcase for performer Michael Crawford, who was fresh off his four-year run in The Phantom of the Opera and enjoying a successful solo career at the time. Crawford jumped at the opportunity to showcase his talents, and the result was his being cast as all five of the show's main characters, which included Crawford revisiting the role of P.T. Barnum, a role he originated in the West End production of the Cy Coleman musical Barnum. Tina Walsh and Kevin Koelbl doubled-up on a few supporting roles, while Jeffrey Polk, Stewart Daylida, Rick Stockwell, Lisa Geist, and over seventy ensemble members rounded out the rest of the cast.