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Séance conducted by John Beattie, Bristol, England, 1872
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A séance or seance (/ˈseɪ.ɑːns/; French: [seɑ̃s]) is an attempt to communicate with spirits. The word séance comes from the French word for "session", from the Old French seoir, "to sit". In French, the word's meaning is quite general and mundane: one may, for example, speak of "une séance de cinéma" (lit. 'a movie session'). In English, however, the word came to be used specifically for a meeting of people who are gathered to receive messages from ghosts or to listen to a spirit medium discourse with or relay messages from spirits. In modern English usage, participants need not be seated while engaged in a séance.

Fictionalised conversations between the deceased appeared in Dialogues of the Dead by George, First Baron Lyttelton, published in England in 1760.[1] Among the notable spirits quoted in this volume are Peter the Great, Pericles, a "North-American Savage", William Penn, and Christina, Queen of Sweden. The popularity of séances grew dramatically with the founding of the religion of Spiritualism in the mid-nineteenth century. Perhaps the best-known series of séances conducted at that time were those of Mary Todd Lincoln who, grieving the loss of her son, organized Spiritualist séances in the White House, which were attended by her husband, President Abraham Lincoln, and other prominent members of society.[2] The 1887 Seybert Commission report marred the credibility of Spiritualism at the height of its popularity by publishing exposures of fraud and showmanship among secular séance leaders.[3] Modern séances continue to be a part of the religious services of Spiritualist, Spiritist, and Espiritismo churches today, where a greater emphasis is placed on spiritual values versus showmanship.[4][5]

Varieties

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The term séance is used in a few different ways, and can refer to any of four different activities, each with its own social norms and conventions, its own favoured tools, and its own range of expected outcomes.

Religious

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Main articles: Spiritualism (movement), Kardecist spiritism, and Espiritismo
Black Hawk

In the religion of Spiritualism, and the religion of Divine Metaphysics (a federally recognized religious branch out of Spiritualism in the United States), it is generally a part of services to communicate with living personalities in the spirit world. Usually, this is only called "séance" by outsiders; the preferred term for Spiritualists is "receiving messages". In these sessions, which generally take place in well-lit Spiritualist churches or outdoors at Spiritualist camps (such as Lily Dale in upstate New York or Camp Cassadaga in Florida), an ordained minister or gifted contact medium will relate messages from spirit personalities to those here in the physical form.[4] Generally Spiritualist "message services" or "demonstrations of the continuity of life" are open to the public. Sometimes the medium stands to receive messages and only the sitter is seated;[6] in some churches, the message service is preceded by a "healing service" involving some form of faith healing.[7]

In addition to communicating with the spirits of people who have a personal relationship to congregants, some Spiritual Churches also deal with spirits who may have a specific relationship to the medium or a historic relationship to the body of the church. An example of the latter is the spirit of Black Hawk, a Native American warrior of the Fox tribe who lived during the 19th century. Black Hawk was a spirit who was often contacted by the Spiritualist medium Leafy Anderson and he remains the central focus of special services in the African American Spiritual Churches that she founded.[5]

In the Latin American religion of Espiritismo, which somewhat resembles Spiritualism, séance sessions in which congregants attempt to communicate with spirits are called misas (literally "masses"). The spirits addressed in Espiritismo are often those of ancestors or Catholic saints.

Paschal Beverly Randolph

Stage mediumship

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Mediums who give performances on stage of contacting spirits, with audience members seated before them, are not literally holding a séance, because they themselves are not seated; however, this is still called "séance". One of the foremost early practitioners of this type of contact with the dead was Paschal Beverly Randolph, who worked with the spirits of the relatives of audience members, but was also famed for his ability to contact and deliver messages from ancient seers and philosophers, such as Plato.[8]

Leader-assisted

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Leader-assisted séances are generally conducted by small groups of people, with participants seated around a table in a dark or semi-dark room. The leader is typically asserted to be a medium and he or she may go into a trance that theoretically allows the spirits to communicate through their body, conveying messages to the other participants. Other modes of communication may also be attempted, including psychography or automatic writing, numbered raps, levitation of the table or of spirit trumpets, apports, or even smell. It was thought spirits of the dead resided within the realm of dark and shadow, making the absence of light a necessity to invoke them. Skeptics were unwilling to accept this required condition. Saying,"You would not buy an automobile if it was only presented in the dark."

This is the type of séance that is most often the subject of shock and scandal when it turns out that the leader is practicing some form of stage magic illusion or using mentalism tricks to defraud clients.

Informal social

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Seance, Balmain, Sydney, 1939, by Ray Olsen

Among those with an interest in the occult, a tradition has grown up of conducting séances outside of any religious context and without a leader. Sometimes only two or three people are involved, and, if they are young, they may be using the séance as a way to test their understanding of the boundaries between reality and the paranormal. It is in such small séances that the planchette and ouija board are most often utilized.[9]

Spiritualist

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Here spiritualists and practitioners (psychic and mediums) hold a seance so that all participants speak with various personalities in the spirit world. This held in a seating manner in a circle.

Tools and techniques

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Mediumship, trance, and channeling

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Main article: Mediumship
The fraud medium Eva Carrière in a séance with cardboard cut out figure of King Ferdinand of Bulgaria.

Mediumship involves an act where the practitioner attempts to receive messages from spirits of the dead and from other spirits that the practitioner believes exist. Some self-ordained mediums are fully conscious and awake while functioning as contacts; others may slip into a partial or full trance or into an altered state of consciousness. These self-called "trance-mediums" often state that, when they emerge from the trance state, they have no recollection of the messages they conveyed; it is customary for such practitioners to work with an assistant who writes down or otherwise records their words.[10]

Spirit boards, talking boards, and ouija boards

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Main article: Ouija
Further information: Dactylomancy

Spirit boards, also known as talking boards, or ouija boards (after a well-known brand name) are flat tablets, typically made of wood, Masonite, chipboard, or plastic. On the board are a number of symbols, pictures, letters, numbers and/or words. The board is accompanied by a planchette (French for "little board"), which can take the form of a pointer on three legs or magnifying glass on legs; homemade boards may employ a shot glass as a planchette. A most basic Ouija board would contain simply the alphabet of whatever country the board is being used in, although it is not uncommon for whole words to be added.[11]

The board is used as follows: One or more of the participants in the séance place one or two fingers on the planchette which is in the middle of the board. The appointed medium asks questions of the spirit(s) with whom they are attempting to communicate.[12]

Trumpets, slates, tables, and cabinets

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Main article: Table-turning

During the latter half of the 19th century, a number of Spiritualist mediums began to advocate the use of specialized tools for conducting séances, particularly in leader-assisted sessions conducted in darkened rooms. "Spirit trumpets" were horn-shaped speaking tubes that were said to magnify the whispered voices of spirits to audible range. "Spirit slates" consisted of two chalkboards bound together that, when opened, were said to reveal messages written by spirits. "Séance tables" were special light-weight tables which were said to rotate, float, or levitate when spirits were present. "Spirit cabinets" were portable closets into which mediums were placed, often bound with ropes, in order to prevent them from manipulating the various aforementioned tools.

Critical objections

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A poster for an early 20th century stage show from Houdini, advertised as proving that spirits do not return

Scientific skeptics and atheists generally consider both religious and secular séances to be scams, or at least a form of pious fraud, citing a lack of empirical evidence.[13] The exposure of supposed mediums whose use of séance tools derived from the techniques of stage magic has been disturbing to many believers in spirit communication. In particular, the 1870s exposures of the Davenport Brothers as illusionists and the 1887 report of the Seybert Commission[3] brought an end to the first historic phase of Spiritualism. Stage magicians like John Nevil Maskelyne and Harry Houdini made a side-line of exposing fraudulent mediums during the late 19th and early 20th centuries. In 1976, M. Lamar Keene described deceptive techniques that he himself had used in séances; however, in the same book, Keene also stated that he still had a firm belief in God, life after death, ESP, and other psychic phenomena.[14] In his 2004 television special Seance, magician Derren Brown held a séance and afterwards described some of the tricks used by him (and 19th-century mediums) to create the illusion of paranormal events.

Critics of channeling—including both skeptics and believers—state that since the most commonly reported physical manifestations of channeling are an unusual vocal pattern or abnormal overt behaviors of the medium, it can be quite easily faked by anyone with theatrical talent.[14] Critics of spirit board communication techniques—again including both skeptics and believers—state that the premise that a spirit will move the planchette and spell out messages using the symbols on the board is undermined by the fact that several people have their hands on the planchette, which allows any of them to spell out anything they want without the others knowing. They say that this is a common trick, used on occasions such as teenage sleepover parties, to scare the people present.

Another criticism of spirit board communication involves what is called the ideomotor effect which has been suggested as an automatism, or subconscious mechanism, by which a Ouija-user's mind unknowingly guides his hand upon the planchette, hence he will honestly believe he is not moving it, when, in fact, he is.[15] This theory rests on the embedded premise that human beings actually have a "subconscious mind," a belief not held by all.[16]

The exposures of fraud by tool-using mediums have had two divergent results: skeptics have used historic exposures as a frame through which to view all spirit mediumship as inherently fraudulent,[13] while believers have tended to eliminate the use of tools but continued to practice mediumship in full confidence of its spiritual value to them.[4][5]

Jews and Christians are taught that it is sinful to attempt to conjure or control spirits in accordance with Deuteronomy 18:9–12.[17][18]

Psychology

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Research in anomalistic psychology has revealed the role of suggestion in seances. In a series of fake seance experiments (Wiseman et al.. 2003) paranormal believers and disbelievers were suggested by an actor that a table was levitating when, in fact, it remained stationary. After the seance, approximately one third of the participants incorrectly reported that the table had moved. The results showed a greater percentage of believers reporting that the table had moved. In another experiment the believers had also reported that a handbell had moved when it had remained stationary and expressed their belief that the fake seances contained genuine paranormal phenomena. The experiments strongly supported the notion that in the seance room, believers are more suggestible than disbelievers for suggestions that are consistent with their belief in paranormal phenomena.[19]

Notable mediums, attendees, and debunkers

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Main article: Spiritualism (movement)

Mediums

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Cora Scott Hatch

Popular 19th-century trance medium lecturers include Cora Scott Hatch, Achsa W. Sprague, Emma Hardinge Britten (1823–1899), and Paschal Beverly Randolph (1825–1875).

Among the notable people who conducted small leader-assisted séances during the 19th century were the Fox sisters, whose activities included table-rapping, and the Davenport Brothers, who were famous for the spirit cabinet work. Both the Foxes and the Davenports were eventually exposed as frauds.[20][21][22]

In the 20th century, notable trance mediums also include Edgar Cayce, Arthur Ford and David Marius Guardino.

Attendees

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Notable people who have attended séances and professed a belief in Spiritualism include the social reformer Robert Owen; the journalist and pacifist William T. Stead;[23] William Lyon Mackenzie King, the Prime Minister of Canada for 22 years, who sought spiritual contact and political guidance from his deceased mother, his pet dogs, and the late US President Franklin D. Roosevelt;[24] the journalist and author Lloyd Kenyon Jones; and the physician and author Arthur Conan Doyle.[25]

A number of artists, including abstractionists Hilma af Klint, the Regina Five, and Paulina Peavy have given partial or complete credit for some of their work to spirits that they contacted during seances. Paulina said that "when she painted, she did not have control over her brush, that it moved on its own, and that it was Lacamo (the spirit) who was directing it."

Scientists who have conducted a search for real séances and believed that contact with the dead is a reality include chemist William Crookes,[26] evolutionary biologist Alfred Russel Wallace,[27] inventor of radio Guglielmo Marconi, inventor of the telephone Alexander Graham Bell, experimental physicist Oliver Lodge, and inventor of television technology John Logie Baird, who said he had contacted the spirit of inventor Thomas Edison.[28]

Debunkers

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Among the best-known exposers of fraudulent mediumship acts have been the researchers Frank Podmore of the Society for Psychical Research, Harry Price of the National Laboratory of Psychical Research, the professional stage magicians John Nevil Maskelyne[29] (who exposed the Davenport Brothers) and Harry Houdini, who clearly stated that he did not oppose the religion of Spiritualism itself, but only the trickery by phony mediums that was being practiced in the name of the religion.[30]

The psychical researcher Hereward Carrington exposed the tricks of fraudulent mediums such as those used in slate-writing, table-turning, trumpet mediumship, materializations, sealed-letter reading and spirit photography.[31] The skeptic Joseph McCabe documented many mediums who had been caught in fraud and the tricks they used in his book Is Spiritualism Based on Fraud? (1920).[32]

Magicians have a long history of exposing the fraudulent methods of mediumship. Early debunkers included Chung Ling Soo, Henry Evans and Julien Proskauer.[33] Later magicians to reveal fraud were Fulton Oursler,[34] Joseph Dunninger,[35] and Joseph Rinn.[36] The researchers Trevor H. Hall and Gordon Stein have documented the trickery of the medium Daniel Dunglas Home.[37][38] Tony Cornell exposed a number of fraudulent mediums including Rita Goold and Alec Harris.[39]

See also

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References

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Further reading

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Séance

View on Grokipedia
from Grokipedia
A séance is a formal gathering of individuals, guided by a medium, who attempt to communicate with the spirits of the deceased through various phenomena. The term derives from the French séance, meaning "sitting" or "session," originating from the Latin sedere ("to sit"), and entered English in the late to describe any formal assembly before acquiring its specific spiritualist connotation in the . Séances emerged as a core practice within the Spiritualist movement, a religious and cultural phenomenon that emphasized the immortality of the and direct interaction with the . Modern Spiritualism is widely regarded as originating on March 31, 1848, in Hydesville, New York, when sisters () and , aged 15 and 12, claimed to receive messages from a spirit via mysterious rapping sounds in their family home. The sisters developed a code to interpret the raps—one for "yes," two for "no," and sequences to spell out words using the alphabet—which they attributed to the ghost of a murdered named Charles B. Rosna buried in their cellar. This event sparked national and international interest, leading the to conduct public demonstrations and marking the birth of organized Spiritualism, which attracted millions of adherents by the mid-19th century, particularly in the United States, , and . In a typical 19th-century séance, participants—known as "sitters"—would assemble around a table in a dimly lit parlor or dedicated room, often forming a circle by holding hands to purportedly channel collective energy and prevent spirit interference. The medium, believed to possess innate abilities, would enter a state, sometimes entering a "spirit cabinet" (a curtained enclosure) for during manifestations. Communication occurred through physical or auditory signs, such as rapping knocks on the table, or speaking by the medium in altered voices, object (e.g., tables tipping or guitars playing autonomously), or early spirit boards like the for spelling messages. These sessions often began with a to invite positive spirits and lasted 30 minutes to an hour, with the goal of receiving guidance, consolation for the grieving, or evidence of survival after death. The Spiritualist movement peaked during the (1837–1901), fueled by high mortality rates from wars, disease, and industrialization, which heightened public interest in the amid a crisis of religious faith. Prominent figures, including scientists like and , attended and endorsed séances as potential new branches of science, conducting experiments to verify phenomena such as ectoplasm or . However, grew as exposés revealed mechanical tricks, including hidden accomplices, toe-cracking for raps, and rigged furniture; notably, Margaret Fox confessed in that she and Kate had fabricated their original rappings using joints in their toes and big knuckles, though she later recanted, and the movement persisted. By the early 20th century, séances had influenced broader traditions, literature, and even early , while continuing in various forms today as part of parapsychological inquiry or entertainment.

History

Origins and Early Practices

The roots of séance-like practices trace back to ancient , a form of involving communication with the dead. In , one of the earliest literary depictions appears in Homer's (circa 8th century BCE), where Odysseus, guided by the sorceress , digs a pit, pours libations of milk, honey, water, and wine, and sacrifices a ram to summon shades from the , including the prophet , for prophetic advice. This ritual, known as nekromanteia, was conducted at sacred sites like the oracle of the dead at , where participants sought revelations through evoked spirits, often in darkened caves to mimic the . Roman practices built on Greek traditions, incorporating evocation rituals to call forth the spirits of the deceased () for guidance or vengeance. These rites, detailed in texts like those of Virgil's (1st century BCE), involved similar offerings and incantations at or crossroads, sometimes led by priests or sorcerers to compel ghosts to appear and speak, reflecting a cultural in the permeable boundary between the living and the dead. Such evocations were not merely literary but paralleled historical funerary customs aimed at appeasing or interrogating ancestral spirits. In medieval , from the 15th to 17th centuries, accusations of spirit communication fueled widespread witchcraft trials, where suspects were charged with pacting with demons or evoking familiars for malevolent purposes. Treatises like the (1487) described witches as convening in nocturnal gatherings to summon infernal spirits, leading to executions across regions like the , where an estimated 40,000–60,000 executions occurred across during the period, with the Holy Roman Empire accounting for the majority of cases. These persecutions framed spirit contact as , contrasting earlier folk practices but highlighting persistent fears of unauthorized otherworldly dialogue. The saw precursors to formalized séances through Franz Mesmer's development of in the 1770s, a therapeutic system positing an invisible "magnetic fluid" that could induce trance-like states for healing, influencing later mediumistic ecstasies by demonstrating altered consciousness as a conduit for unseen forces. Concurrently, Swedish theologian (1688–1772) chronicled personal visions of the in works like Heaven and Hell (1758), detailing conversations with spirits in a spiritual realm accessible through contemplative states, which prefigured séance dynamics without group ritual. The term "séance" itself originates from the French séance, meaning "sitting" or "session," derived from Old French seoir ("to sit"), with its application to spiritual assemblies emerging in the early 19th century as a descriptor for organized sittings with mediums, though rooted in earlier legislative and assembly usages. These diverse historical threads—from ancient rituals to Enlightenment —provided conceptual foundations that evolved into the structured Spiritualist practices of the .

Rise of Spiritualism

The emergence of modern Spiritualism as a formalized movement began with the 1848 Rochester Rappings incident in Hydesville, New York, where sisters and claimed to receive communications from the spirit of a murdered peddler through mysterious knocking sounds, captivating public attention and inspiring widespread experimentation with spirit contact. This event, which drew crowds to the Fox family home and led to public demonstrations by the sisters, marked the catalyst for organized séances in the , transforming informal folk beliefs into a structured religious phenomenon. The movement rapidly expanded during the 1850s and 1870s, with a surge in self-proclaimed mediums across the and who facilitated spirit communications through raps, table-tipping, and trance speaking, attracting adherents seeking evidence of amid social upheavals. In , systematized these ideas into Spiritism with the publication of in 1857, a foundational text compiling questions and answers from spirits via mediums, which emphasized moral evolution and while spreading through organized societies. In Britain, the London Spiritualist Alliance was established in 1884 by figures like Rev. William Stainton Moses to promote ethical and psychic research, further institutionalizing the movement. By 1897, Spiritualism boasted over eight million followers in the and , primarily from middle- and upper-class backgrounds. The profoundly accelerated Spiritualism's growth, as the unprecedented death toll—over 600,000 soldiers—drove grieving families to mediums for consolation and messages from the departed, making séances a common outlet for collective mourning and psychological relief. Socially, the movement empowered women in by positioning them as primary mediums, granting them rare public authority and in a patriarchal era where they could channel spirits to address audiences on spiritual and ethical matters. Many female Spiritualists also linked the practice to progressive causes, intersecting with through anti-slavery spirit messages and with the movement, where mediums like Achsa Sprague advocated for during lectures. Signs of decline emerged in the late 1880s as high-profile exposures of fraudulent mediums eroded public trust, with sensational revelations of tricks like hidden wires and confederates undermining the movement's credibility and leading to a contraction in organized activities by the century's end.

20th Century and Modern Developments

In the early 20th century, the (SPR), established in 1882, conducted systematic investigations into séances, treating them as controlled experiments to test claims of spirit communication and physical manifestations. Researchers like Baron von Schrenck-Notzing documented sessions with mediums, observing alleged materializations between 1909 and 1913, though many findings were later attributed to trickery or suggestion. These efforts positioned the séance as a laboratory for psychical inquiry, blending scientific rigor with exploration. The 1920s and 1930s marked a "golden age" for physical mediumship, with widespread interest in phenomena like ectoplasm and table levitation amid post-World War I grief. Spiritualist societies proliferated, attracting hundreds of thousands of participants in the UK and , as mediums gained prominence through public demonstrations and private sittings. This era saw peak enthusiasm for tangible spirit interactions, fueled by cultural fascination with the . Following , spiritualism experienced a sharp decline, driven by that marginalized psychical research within mainstream and the fading trauma of wartime losses. By 1939, the movement had waned significantly, supplanted by emerging entertainments like radio and , reducing the appeal of séances as a primary means of coping with death. Membership in spiritualist groups plummeted, reflecting broader societal shifts toward empirical science over claims. A revival emerged in the 1960s amid countercultural experimentation, with renewed academic interest in at institutions like University's Parapsychology Laboratory, where studies on and spirit contact continued from earlier foundations. This period integrated séances into broader explorations of consciousness, influencing the subsequent movement. From the 1980s through the 2020s, New Age adaptations reframed traditional séances as channeling sessions, emphasizing personal spiritual growth and energy work over Victorian-era formalities. Modern variants include online virtual séances via apps simulating Ouija boards, such as Spirit Board Simulator, which use voice recognition for interactive spirit simulations since the early 2010s. Pop culture integrations, like the depictions of séances in the Conjuring film series (2013–present), have sustained public fascination by blending horror with spiritual themes, drawing religious audiences to paranormal narratives. Recent surveys indicate persistent belief in spirit communication, with 39% of US adults reporting faith in ghosts or spirits that can interact with the living, and 48% endorsing or spiritual . Legal scrutiny has intensified, as seen in prosecutions for , including a 2025 Pennsylvania case where two self-proclaimed s defrauded victims of over $600,000 by promising curse removals through rituals akin to . Another 2023 conviction sentenced a to over nine years for a $1 million involving false spirit consultations. Globally, séance practices spread to , notably through 1990s Filipino psychic surgery, where healers performed apparent bare-handed operations in group settings resembling communal spirit rituals, attracting international despite widespread fraud allegations. This adaptation blended indigenous healing with spiritualist elements, peaking in popularity during alternative medicine booms of the era.

Cultural and Religious Contexts

Western Spiritualism

Western Spiritualism emerged in the mid-19th century as a religious movement centered on the belief that spirits of the deceased can communicate with the living through mediums, providing evidence of an afterlife and guidance for moral and personal improvement. This doctrine posits that such interactions affirm the continuity of life beyond physical death and emphasize personal responsibility for one's actions, with spiritual progression tied to ethical living. A foundational text articulating these ideas is Davis's The Principles of Nature, Her Divine Revelations, and a Voice to Mankind (1847), which outlined a "harmonial philosophy" integrating natural laws with spiritual communication and influenced early Spiritualist thought. The movement's organizational structure solidified with the establishment of formal bodies, including the (NSAC) in 1893, which unified disparate Spiritualist groups in the United States under a shared declaration of principles affirming infinite intelligence, the phenomena of nature as expressions of that intelligence, eternal progress of the , and communication with the spirit world. Periodicals like The Banner of Light, launched in 1857, played a crucial role in disseminating these beliefs, reporting on séances, lectures, and mediumship while fostering community among adherents until its closure in 1907. Societally, Western Spiritualism intersected with progressive reforms, notably empowering women as mediums and leaders; , a prominent Spiritualist, leveraged her to advocate for and , becoming the first woman to run for U.S. president in 1872. In the arts, figures like promoted Spiritualism through writings such as The History of Spiritualism (1926), influencing literary explorations of the and bridging rational inquiry with belief in the . Within the West, variations emerged between American Spiritualism's progressive, faith-based emphasis on moral reform and personal guidance from spirits, and the British approach, which adopted a more scientific lens through the (SPR), founded in 1882 to rigorously investigate claims including . Today, organized Spiritualism maintains a modest presence, with the NSAC overseeing approximately 65 churches in the U.S. and hosting annual conventions that draw thousands for education and worship, while the UK's Spiritualists' National Union (SNU) unites around 300 churches and centres, with over 2,500 individual members and approximately 11,500 subscribing members as of 2024.

Non-Western and Indigenous Traditions

In Haitian Vodou, a syncretic religion that emerged during the 18th-century Atlantic slave trade from West African spiritual traditions blended with Catholicism, loa possession rituals serve as central séance-like practices where spirits, known as loa, temporarily inhabit practitioners to deliver guidance, healing, or communal messages. These rituals, often conducted in temples calledhounfour, involve drumming, dancing, and offerings to induce trance states, allowing the loa to "ride" the horse-like medium and interact directly with participants. Similarly, in Yoruba traditions of West Africa, Ifá divination sessions facilitate spirit communication through a system overseen by the orisha Orunmila, where trained babalawo priests cast sacred palm nuts or cowrie shells to interpret verses from a vast oral corpus, invoking ancestral and divine wisdom for personal or communal resolution. These practices emphasize communal harmony and ethical living, with sessions structured around poetic recitations that bridge the living and spirit realms. In Asian contexts, Japanese miko mediumship involves female shamans entering states to channel spirits, a practice tracing back to the late Jomon period (c. 14,000–300 BCE) when women served as prophetic conduits for divine messages through convulsions and utterances. Historically, miko performed itako rituals, using rhythmic chanting and sacred dances at shrines to evoke or ancestral voices, providing oracles on health, harvests, or misfortunes. In , Fu Ji spirit writing employs a device suspended over sand or ash trays, where mediums in guide the tool to inscribe automatic messages from deities or ancestors, a technique documented since ancient times and persisting in Daoist and folk rituals for and moral instruction. These methods highlight a cultural emphasis on harmonizing human actions with cosmic forces, distinct from Western séance formats yet analogous in their pursuit of spirit dialogue. Among , Native American ceremonies, rooted in pre-colonial traditions across tribes like the Lakota and , create enclosed spaces heated by heated stones to induce purification, visions, and encounters with ancestor spirits through intense sweating and prayer-led introspection. Participants often report spiritual guidance from forebears or guardian spirits during these rites, which reinforce tribal identity and ecological balance. In the , indigenous groups such as the Shipibo and conduct ayahuasca ceremonies using a psychoactive brew from vines and leaves, prepared in multi-day rituals to access visions of ancestor spirits and plant intelligences for and . These pre-colonial practices, led by shamans or curanderos, foster connections to the spirit world embedded in the . Oceanic indigenous traditions, particularly among Australian Aboriginal peoples, incorporate storytelling as a form of spirit , where oral narratives sung along ancestral tracks trace creation paths and invoke eternal beings from era to transmit knowledge of land, law, and cosmology. These melodic maps, performed in ceremonies with and , evoke spirit ancestors to affirm kinship with country and guide seasonal or initiatory decisions. In the 21st century, Brazilian exemplifies modern hybridizations of séance practices, blending African Yoruba and Bantu influences with indigenous Amazonian elements and European Spiritism since its formalization in the , through giras sessions where mediums incorporate (indigenous) or pretos velhos (African ) spirits for charity, , and advice. centers, widespread in urban , adapt these rituals with Catholic saints syncretized to orixás, reflecting ongoing cultural synthesis amid .

Religious Perspectives

In , séance practices are generally prohibited based on biblical injunctions against and , such as Deuteronomy 18:10-12, which explicitly forbids consulting the dead or engaging in spiritist activities as detestable to . The reinforces this stance by condemning Spiritualism and séances as forms of superstition and occultism that attempt to manipulate powers outside divine will, viewing them as incompatible with Christian . In contrast, while the Church authorizes rituals to address demonic possession—distinguishing them as acts of liberation through Christ's authority—some Pentecostal traditions emphasize direct communication with the through glossolalia () and , which they rigorously differentiate from séance-induced spirit contact as biblically sanctioned gifts rather than forbidden . Islam similarly warns against séance-like attempts to communicate with (supernatural beings), as articulated in 72:6, which describes how such interactions lead humans into greater sin and disbelief by seeking protection or knowledge from jinn, thereby increasing arrogance and deviation from (divine oneness). Islamic prohibits any form of jinn invocation or , classifying it as shirk (associating partners with ) or sihr (sorcery), with scholars emphasizing that true spiritual guidance comes solely from through prophetic revelation, not ethereal intermediaries. However, Sufi traditions permit (remembrance of through rhythmic recitation and meditation), which may induce permissible trance states of ecstasy (wajd) aimed at divine union, distinct from séances as these practices invoke God's presence without seeking jinn or the deceased. Judaism addresses séance practices through narratives of possession in Kabbalistic lore, where a restless soul attaches to a living person, requiring by righteous rabbis to restore spiritual order, and tales of creation, an artificial being animated via mystical incantations to protect the community, as in the 16th-century legend of Rabbi Judah Loew of . These stories highlight esoteric traditions' engagement with supernatural forces under strict rabbinic oversight, yet rejects séances outright as violations of prohibitions against (doresh el hameisim), viewing them as idolatrous attempts to query the dead, punishable by divine retribution and contrary to reliance on God's direct . In , tantric rituals within Śaiva and Śākta traditions incorporate spirit communication through invocation of deities or ancestral entities during elaborate pūjās and meditative visualizations, seeking empowerment () for spiritual liberation, as seen in left-hand path practices that transgress conventional taboos to transcend duality. , particularly in Tibetan Vajrayāna, accepts oracle consultations where trained mediums channel protective deities (like ) for guidance on matters, integrating these as skillful means (upāya) within a cosmological framework of interdependent realms. Both traditions, however, caution against attachment to spirits or phenomena, warning that such fixation fosters delusion and rebirth in samsara, prioritizing non-attachment ( or nekkhamma) to achieve enlightenment over transient encounters. Interfaith perspectives in the 20th century included ecumenical debates on Spiritualism, exemplified by the Vatican's 1975 document on Christian Faith and , which affirmed belief in spiritual beings while critiquing practices like séances as distortions of true faith that risk demonic influence and undermine reliance on Christ.

Types and Formats

Formal Medium-Led Séances

Formal medium-led séances involve a professional medium guiding a group of participants in a ritualistic effort to communicate with spirits, adhering to established protocols to ensure focused and respectful interaction. The setup typically occurs in a dimly lit room to minimize distractions and enhance sensitivity to subtle energies, with participants—often six to eight individuals—seated in a and to form a collective magnetic chain that purportedly strengthens the connection to the spirit realm. The medium initiates the session by entering a state, a process that allows them to temporarily surrender control of their to facilitating entities, enabling direct evidential exchanges. The core purpose of these séances centers on evidential , where spirits convey verifiable personal details such as names, dates, or shared memories to affirm their identity and after , thereby offering comfort and resolution to those grappling with or seeking spiritual guidance. This evidential approach distinguishes formal séances from casual encounters, emphasizing proof over general messages to foster belief and emotional healing among attendees. Sessions may incorporate tools like boards under the medium's direction to facilitate written responses from spirits. Protocols are rigorously maintained to preserve the integrity of the and prevent disruptions to the delicate energy flow, including rules against interruptions, physical movements, or skeptical questioning during active communication. A "control" spirit, often a guiding to the medium, typically initiates contact to oversee the proceedings and invite specific spirits, ensuring exchanges. These gatherings generally last 1 to 2 hours, allowing sufficient time for multiple communications while avoiding exhaustion for the medium. Variations of formal medium-led séances include leader-assisted home circles, particularly prevalent in the , where the medium directs a small, trusted group in private settings to cultivate deeper, ongoing spirit connections. To conclude, safety measures such as grounding rituals—often involving collective prayers, visualizations of protective light, or affirmations of closure—are performed post-séance to sever links with the spirit world and mitigate concerns over unwanted attachments.

Informal Social Gatherings

Informal social gatherings involving séances typically occur in casual settings such as sleepovers, house parties, or small get-togethers among friends and family, where participants use everyday household items like flashlights, candles, or Ouija boards without the presence of a trained medium. In these egalitarian environments, individuals take turns leading simple rituals, fostering a collaborative atmosphere driven by or rather than spiritual conviction. These gatherings often evolve from formal Spiritualist practices of the into lighter, recreational activities accessible to amateurs. Activities in these settings emphasize low-stakes engagement, such as group to "invoke" spirits followed by interpreting knocks, whispers, or movements on a board, all conducted without inducing states. Participants might dim the lights and share personal anecdotes about the deceased to set a mood, then pose yes/no questions or request signs through sounds on tables, relying on collective imagination and subtle physical cues to generate responses. This format prioritizes shared excitement over structured protocol, with tools like Ouija boards serving as focal points for interaction. Social dynamics in these gatherings are frequently lighthearted yet influenced by , where group enthusiasm encourages participation even among skeptics, potentially amplifying and leading to unintended scares. Adolescents and young adults, in particular, may conform to the group's energy to avoid exclusion, resulting in heightened anxiety or perceived as influences and expectations shape perceptions. Historical examples include 1920s parlor games in the , where boards and amateur séances became popular diversions amid post-World War I grief and cultural fascination with the , often integrated into home entertainment during the era's social restrictions. In modern times, such informal experiments remain prevalent among high school and college students, particularly during Halloween events or sleepovers, with boards continuing as a staple for exploring the in a playful context. Surveys indicate notable participation rates, such as one in ten teens engaging in séances historically, though contemporary data highlights broader interest in spirit communication tools among young people seeking social bonding through mildly thrilling activities.

Stage and Entertainment Séances

Stage and entertainment séances emerged as a popular form of theatrical illusion in the late 19th century, blending elements of spiritualism with vaudeville performances to captivate audiences seeking thrills beyond everyday reality. Performers often presented themselves as mediums or psychics, using staged rituals to simulate communication with the dead, though these acts were explicitly rooted in entertainment rather than genuine belief. This genre gained traction in the 1890s amid the vaudeville boom, where psychic demonstrations became a staple alongside comedy sketches and musical numbers. For instance, acts like those of Aletheia and Aleko toured U.S. vaudeville circuits for a decade, astonishing crowds with purported mind-reading and spirit contact that blurred the line between spectacle and supernatural claim. Early precursors included spirit photography exhibitions by William Mumler in the 1860s and 1870s, which evolved into live stage formats by the 1890s, drawing on the era's fascination with emerging technologies like photography to lend credibility to illusory "spirit manifestations." Techniques in these performances relied heavily on psychological manipulation and clever props to create convincing illusions. Audience participation was central, with performers employing —observing subtle cues like or clothing to make generalized statements that spectators interpreted as personal revelations. Props such as fake ectoplasm, often crafted from or treated with chemicals for a luminous effect, were dramatically revealed during darkened sessions to simulate spirit materializations. These devices were staples in psychic acts, allowing performers to control the pacing and atmosphere while maintaining the pretense of otherworldly intervention. The 1930s marked a notable era for spiritualist revues, particularly through figures like , whose dark theatre performances in Britain and touring shows incorporated physical phenomena like levitating objects and ectoplasmic extrusions to packed houses. These revues combined séance elements with revue-style variety, appealing to Depression-era audiences craving and wonder. In the modern period, from the 2000s onward, mentalism shows have revived the format in a self-aware manner, as seen in Derren Brown's television special Séance, where he orchestrated a group using and misdirection to mimic spirit contact, explicitly framing it as psychological entertainment. Brown's style, blending and probability manipulation, has influenced contemporary stage mentalists who tour globally with similar interactive séance recreations. Ethical debates surrounding these acts intensified in the mid-20th century, as critics argued they blurred with , potentially exploiting vulnerable mourners or fostering . This led to legislative responses, such as the UK's Fraudulent Mediums Act 1951, which prohibited fraudulent claims of spiritual powers for profit, and ongoing of anti- ordinances in various U.S. states dating to the , building on earlier campaigns by magicians like to expose stage tricks as illusions. In the U.S., these measures aimed to protect consumers from scams masquerading as , though varied and focused on proving intent to defraud rather than the performance itself. The enduring appeal of and séances lies in the thrill of mystery and communal immersion, offering audiences a to confront the unknown through spectacle. Ticketed events, from houses to modern theaters, have consistently drawn large crowds, with contemporary tours like those inspired by attracting thousands annually to sold-out venues worldwide, underscoring the format's lasting draw as participatory theater.

Techniques and Tools

Mental Mediumship Methods

Mental mediumship methods in séances involve techniques where the medium relies on of or heightened perceptual abilities to facilitate communication with spirits, without the use of physical objects or manifestations. These approaches emphasize subjective experiences such as visions, voices, or channeled messages, often occurring in controlled group settings like formal séances to enhance focus and rapport among participants. Trance mediumship represents a core technique, wherein the medium enters a deep hypnotic state, characterized by altered breathing, closed eyes, and reduced responsiveness to external stimuli, allowing a spirit entity to temporarily control their voice or actions to convey messages. In this state, the medium's personality recedes, enabling the spirit—often referred to as a "control"—to speak directly through them, providing guidance or evidential information about the deceased. Historical accounts from the late describe as combining elements of automatism and absorption, where the medium's body serves as a conduit for spirit wisdom during séances. Channeling, a related yet distinct method, involves establishing a conscious or semi-conscious rapport with spirit entities to receive and relay information, often in a lighter than full possession. Pioneered in modern spiritualism during the 1960s, this technique gained prominence through , who channeled the entity from 1963 to 1984, producing philosophical teachings on reality creation and the soul's eternity documented in multiple volumes. Roberts described entering a trance-like state to allow Seth's voice and insights to flow, distinguishing it from involuntary by the medium's active participation in the process. Clairvoyance and clairaudience provide direct perceptual channels for spirit communication, with enabling the medium to receive visual impressions or visions of spirits or deceased individuals, and clairaudience allowing the hearing of internal voices or sounds from the spirit realm. These abilities are typically cultivated for evidential purposes in séances, where the medium describes unseen details to validate the presence of specific entities. Research on practicing mediums indicates that clairaudient experiences often occur as inner dialogues during sessions, perceived as distinct from personal thoughts. Training for mental mediumship emphasizes meditative practices and participation in development circles, which are weekly group sessions designed to build sensitivity to spirit impressions through shared exercises like guided visualization and evidential practice. Originating in 19th-century spiritualist communities, these circles foster skill progression by encouraging mediums to interpret subtle mental cues in a supportive environment, often starting with basic to quiet the mind. Reported phenomena in mental mediumship include automatic writing and speaking, where the medium's hand or voice produces messages without conscious direction, purportedly from spirits. A seminal example is Leonora Piper's sittings in the 1880s, where she entered states to deliver automatic speech and later writing, conveying detailed personal information to sitters that was investigated by the as evidence of spirit intervention. Piper's controls, such as "Rector," communicated through her in these sessions, with writing often featuring rapid, syllabic scripts that bypassed her normal awareness.

Physical Phenomena Devices

In physical mediumship during 19th- and early 20th-century séances, various devices were employed to produce tangible manifestations attributed to spirits, such as audible voices, object movements, and written messages. These tools aimed to provide objective evidence of spirit intervention, often under controlled conditions to prevent fraud, though many were later scrutinized for mechanical trickery. Spirit trumpets, typically constructed from lightweight aluminum or tin in the form of elongated cones, were designed to amplify faint spirit voices during dark or dimly lit séances. Introduced in the mid-19th century by mediums like Jonathan Koons under the guidance of his spirit control John King, these devices were said to float independently and direct ethereal sounds toward participants. By the 1890s, Italian medium Eusapia Palladino incorporated trumpets into her demonstrations, where they purportedly channeled voices during sessions observed by scientists, though investigators like Professor Enrico Morselli noted instances of her manipulating the device covertly. Tables served as central props for phenomena like tipping, tilting, and , where participants placed their fingertips lightly on the surface to invite spirit communication through raps or rotations. Emerging prominently in the amid the rise of Spiritualism, these movements were explained scientifically as resulting from unconscious muscle tension and the ideomotor effect, whereby subtle, involuntary pressures from sitters caused the motion without deliberate intent. Michael Faraday's 1853 experiments, using mechanical indicators like layered cardboard under the table, confirmed this muscular mechanism by detecting participant-applied forces that ceased when sitters were made aware of their influence. Spirit cabinets, enclosed wooden structures often fitted with curtains or slats, were used to isolate the medium and concentrate "spiritual energy" for manifestations like object animation or full-form materializations. Pioneered by American mediums Ira and William Davenport in the late 1850s, these cabinets allowed the brothers to be bound inside while instruments rang or figures appeared outside, purportedly proving spirit agency in darkened rooms. The design emphasized "spirit-proof" features, such as secure fastenings, to assure observers that no human intervention occurred, though the apparatus became a staple in both spiritualist circles and theatrical illusions by the . Slate writing involved pairs of small blackboards or slates, clamped together with chalk inside, to capture spirit-scripted messages emerging sealed and unread. Popularized in the 1870s by American medium Henry Slade, who claimed his deceased wife's spirit inscribed responses during sessions, the method gained notoriety after Slade's 1876 exposure in , where investigators Ray Lankester and Bryan Donkin seized a slate mid-séance and revealed hidden trickery involving prepared messages or . Ectoplasm, described as a vaporous or fabric-like substance allegedly extruded from the medium's body—often the mouth, nose, or other orifices—served as a purported bridge for spirit materializations in early 20th-century séances. Mediums like produced it in the 1930s as veiled forms or pseudopods, but forensic examinations, including during Duncan's 1944 trial, identified it as regurgitated surgical gauze, paper, and egg whites manipulated for effect. Historical cabinets and related enclosures drew from 19th-century innovations by mediums like the Davenports, who adapted simple framed structures without formal patents to emphasize containment of forces, contrasting with later patented devices for spirit communication like planchettes in the 1890s. These tools blurred lines between authentic claims and stage entertainment, with identical apparatuses appearing in both contexts to heighten dramatic impact.

Divination and Communication Aids

Divination and communication aids in séances encompass a range of interactive tools designed to facilitate the receipt of messages purportedly from spirits, often involving participants' subtle physical inputs to guide the process. These devices, ranging from boards to suspended objects, are employed to spell out words, indicate affirmations, or reveal visions, with users attributing the outcomes to influence rather than conscious control. One of the most iconic aids is the board, a flat board featuring the , numbers, and words like "yes" and "no," used with a —a heart-shaped pointer—to spell messages. Patented in 1891 by Elijah J. Bond (application filed in 1890) as a "talking board" for spirit communication, it was initially marketed as a parlor game by the Kennard Novelty Company in . The board gained mass commercialization in 1966 when the Fuld family sold manufacturing rights to , who produced millions of units and embedded it in as a tool for séances. Participants place fingers on the planchette, which moves across the board to form words, claimed to be directed by spirits despite explanations attributing motion to the ideomotor effect—unconscious muscle movements influenced by expectations. Spirit boards and talking boards represent broader variations of this concept, with precursors dating to the mid-19th century, including automatic writing tables and s. The , invented in around the during the rise of French Spiritualism under , consisted of a small wooden or basket-like device on wheels or casters with a attached, allowing multiple users to produce written messages without deliberate effort. These early tools evolved from experiments in the 1840s and were adapted for séances to enable spirit-guided automatic writing, where the device allegedly inscribed responses independently. Other aids include pendulums, simple weighted objects suspended from a chain or string, used for binary yes/no responses in during spiritualist gatherings. In 19th-century séances, mediums and participants swung pendulums over charts marked with affirmations, interpreting clockwise or back-and-forth motions as spirit-directed answers to questions about the or guidance. mirrors, polished surfaces for inducing visions, provide another method; the 16th-century obsidian mirror owned by English occultist , likely of Aztec origin, was used in rituals to contact angels and receive communications, held during sessions to gaze into for apparitions or symbols. In non-Western contexts, Chinese séances incorporate aids like spirit money burning to enable communication with the deceased. During rituals such as those in Ghost Month, joss paper replicas of currency are burned to "send" offerings to spirits, believed to summon ancestors or ghosts for interaction and to convey messages of gratitude or requests, facilitating a reciprocal dialogue between the living and the dead. These tools are often integrated into sessions led by mediums, enhancing the immersive environment for spirit contact.

Psychological and Scientific Analysis

Psychological Explanations

Psychological explanations for experiences during séances emphasize natural cognitive and behavioral processes rather than causes. One key mechanism is the , first described by British physiologist William Benjamin Carpenter in 1852, which refers to unconscious muscular movements triggered by expectations or ideas without deliberate volition. In séance settings, this can account for apparent spirit communications, such as the movement of tables or planchettes on boards, where participants' subtle, involuntary actions align with their beliefs about contacting the deceased. Suggestibility plays a central role in shaping séance perceptions, particularly through and expectation. Participants in dimly lit, ritualistic environments become more prone to interpreting ambiguous stimuli as , leading to shared hallucinations or misperceptions. French physiologist Charles Richet's studies in the 1880s and 1890s on and demonstrated how verbal cues and could induce vivid sensory experiences, including hallucinations, mirroring effects observed in group séances where collective anticipation amplifies these responses. Experimental recreations, such as those by psychologist , have shown that up to 20% of participants in simulated séances report due to heightened , with false memories forming when prompted. Séances often serve as psychological coping mechanisms for and bereavement, providing comfort through perceived contact with lost loved ones. Individuals experiencing bereavement may seek out mediums to alleviate emotional distress, interpreting vague messages as evidence of continued connection, which aligns with the dual process model of that involves oscillating between loss-oriented and restoration-oriented avoidance. This process is influenced by , where participants selectively recall and emphasize "hits" that confirm their hopes while dismissing misses, thereby reinforcing belief and aiding short-term emotional regulation. Research indicates that stronger spiritual beliefs, including those involving communication, correlate with faster resolution by fostering a sense of meaning and continuity. Mediums frequently employ techniques to generate seemingly accurate information, relying on observational cues and probabilistic statements. Psychologist detailed this in his 1977 , describing how readers use , clothing, and general queries (e.g., "I sense a loss around you") to elicit confirmatory responses from clients, creating an illusion of insight without prior knowledge. In séance contexts, this method exploits emotional vulnerability, leading participants to fill in details and attribute successes to ability. Modern research supports psychological models of states in , revealing patterns akin to those in . Functional MRI studies from the 2000s and 2010s show patterns during states akin to , with reduced activity in the and prefrontal regions—areas associated with executive control and error detection—indicating a dissociative state where conscious monitoring diminishes. scans of mediums in trance further demonstrate decreased regional cerebral blood flow in hippocampal and temporal areas, suggesting automatic, unconscious processes drive the experiences rather than external influences.

Scientific Investigations

Scientific investigations into séances have primarily focused on testing claims of (ESP), psychokinesis (PK), and communication with the deceased through controlled experiments conducted by parapsychologists and skeptics. Early efforts by the (SPR) included the Census of Hallucinations, conducted between 1889 and 1894, which surveyed approximately 17,000 individuals in Britain and to assess reports of veridical hallucinations—vivid impressions of seeing, hearing, or being touched by an absent person at the time of their death or crisis. Of the respondents, 1,684 (about 10%) reported such experiences, with the SPR analyzing them to explore potential telepathic or survival-related explanations, though the results were correlational rather than causal. In the 1930s, parapsychologist J.B. Rhine advanced experimental rigor at University's Parapsychology Laboratory, where he developed —decks featuring five symbols (circle, cross, waves, square, star)—to test for ESP through and in controlled trials mimicking séance-like mental . Over thousands of trials with subjects guessing card symbols, Rhine reported hit rates slightly above the 20% chance expectation, publishing his findings in the 1934 book Extra-Sensory Perception, which claimed statistical evidence for psi phenomena but faced criticism for potential and insufficient randomization. Key experiments in the 1920s targeted physical , notably those involving Mina "Margery" Crandon, a medium known for producing table levitations, raps, and purported ectoplasm during séances. A series of investigations, including nine formal sittings by researchers from the and the prize committee between 1923 and 1926, employed sealed boxes around her hands and feet, , and direct observation to detect ; results were inconclusive, with some observers reporting anomalous movements while others attributed phenomena to Crandon's subtle manipulations, such as using her head or toes. Post-1950s research shifted toward quantitative measures of subtle effects, exemplified by the Princeton Engineering Anomalies Research (PEAR) laboratory, operational from 1979 to 2007, which examined micro-PK in settings analogous to séance intention experiments. Participants attempted to influence random event generators (e.g., electronic dice) producing binary outcomes, yielding small deviations (about 0.1% from chance) across over 2.5 million trials, interpreted as evidence of mind-matter interaction; however, the lab faced substantial criticism for methodological flaws, including non-independent trials, selective reporting, and failure to replicate under stricter controls. Recent meta-analyses have synthesized decades of mediumship studies, with a 2021 meta-analysis of 18 experiments on anomalous information reception by mediums finding a small standardized of 0.18 (95% CI: 0.12–0.25) above chance in protocols with varying levels of blinding, though the results are debated due to potential and artifacts. More recent research, such as a 2025 whole-exome sequencing study on highly gifted mediums, has explored potential genetic correlates of mediumistic abilities. To mitigate and , modern protocols emphasize double-blind designs—where neither experimenters nor participants know target identities—alongside video monitoring, randomized target selection, and statistical controls for multiple comparisons, as implemented in Rhine's card tests and PEAR's apparatus.

Criticisms and Debunking

Séances have faced significant criticism throughout their history, primarily due to numerous documented cases of that undermined claims of genuine spirit communication. One of the most influential exposures occurred in 1888 when Margaretta Fox, one of the who popularized spirit rapping in the 1840s, publicly confessed that the mysterious knocks attributed to spirits were produced by cracking her toes and joints, a technique she and her sister Kate had used to their family and later the public. This admission, detailed in a interview, revealed how the sisters had initiated a movement based on deliberate deception, though it did little to halt the spread of Spiritualism. Similarly, in 1922, British spirit photographer William Hope was exposed for forging images of deceased loved ones appearing alongside sitters; investigators discovered he secretly substituted pre-exposed photographic plates with faked "spirit" extras during séances, a trick confirmed through controlled tests using marked plates. Debunkers employed various methods to reveal these deceptions, often relying on surveillance and scientific analysis to demonstrate the absence of supernatural elements. Hidden cameras, introduced in early 20th-century investigations, captured mediums manipulating objects or using props under cover of darkness during darkened séance rooms. Chemical tests further exposed purported physical phenomena, such as ectoplasm—a supposed ethereal substance extruded by mediums—which in 1930s cases was found to consist of soap, paper, or animal tissue rather than any otherworldly material, with analyses showing it dissolved or ignited like ordinary substances when examined post-séance. These techniques, applied systematically, consistently showed that what participants experienced as miraculous was achievable through sleight-of-hand, mechanical aids, or chemical tricks. Ethical concerns have also arisen, particularly regarding the exploitation of vulnerable individuals seeking comfort after loss or during personal crises. In the UK, the Fraudulent Mediums Act of 1951 criminalized fraudulent spiritualistic practices, and by the , parliamentary discussions highlighted cases where mediums preyed on the grieving by charging exorbitant fees for false assurances of spirit contact, prompting calls for stricter enforcement to protect the emotionally distressed. Such practices raised broader moral questions about profiting from bereavement, with critics arguing that they exacerbated suffering rather than alleviating it. Cultural critiques of séance skepticism point to underlying colonialism, where Western rationalism has historically dismissed indigenous spiritual practices as primitive or fraudulent while imposing Eurocentric standards. For instance, European colonial accounts often portrayed shamanic rituals—analogous to séances in their trance-induced spirit communication—as superstitious deceptions, thereby justifying the suppression of non-Western traditions under the guise of enlightenment. This imposition ignored the cultural validity of such practices in indigenous contexts, framing them through a lens of superiority that facilitated cultural erasure. In the 2020s, online exposés have continued to highlight ongoing , particularly with hotlines that promise spirit guidance but deliver scripted deceptions to extract payments via . Investigations have revealed these services often use algorithms and to mimic personalized insights, defrauding users of millions annually, with regulatory bodies issuing warnings about their predatory targeting of isolated individuals during global uncertainties.

Notable Individuals

Renowned Mediums

The —Leah (1814–1890), (1833–1893), and Kate (1837–1892)—are widely regarded as the originators of modern Spiritualism, beginning with reported spirit rappings in their family home in Hydesville, New York, on March 31, 1848. The sisters claimed these knocks were communications from the spirit of a murdered , Charles B. Rosna, leading to public demonstrations and the rapid spread of séance practices across the and during the 1850s and 1860s. Their activities played a pivotal role in launching the Spiritualist movement, attracting thousands to belief in spirit communication through mediums. In 1888, publicly confessed that the rappings were produced by cracking her toe joints against a bedpost, a technique they had used as a prank, though she partially recanted the admission two years later amid financial incentives from Spiritualists. Despite the controversy, the sisters' influence endured, inspiring generations of mediums and establishing the foundational framework for séance rituals. Daniel Dunglas Home (1833–1886), a Scottish medium, became famous in the mid-19th century for physical phenomena including levitations, spirit hands, and accordion playing without human touch during séances. Raised in the United States, Home conducted sessions across Europe and America from the 1850s, attracting notable figures like and without being caught in , though skeptics questioned the controls. His Incidents in My Life (1872) documented these events, contributing to the legitimacy of physical mediumship in Spiritualism. Eusapia Palladino (1854–1918), an Italian physical medium, gained international prominence in the late for producing phenomena such as table levitations, apports, and partial materializations during controlled séances. Her career began in around 1872 under the guidance of mediums like Giovanni Battista Ercolano, but she achieved scientific scrutiny starting in 1888 when Neapolitan physician Ercole Chiaia challenged criminologist to investigate her. Lombroso, initially dismissive of Spiritualism, attended sessions in Milan in 1892 and became convinced of her powers after witnessing what he described as genuine ectoplasmic materializations, later documenting his experiences in the 1909 book After Death—What? Palladino's séances drew further examinations from figures like physiologist , psychologist , and astronomer , with investigations spanning Europe from 1893 to 1910. Although some researchers noted instances of fraud, such as her using her feet to move objects, her ability to produce effects under partial controls contributed to debates on psychical phenomena and influenced early parapsychological studies. Leonora Piper (1857–1950), an American trance medium, became one of the most rigorously tested figures in séance history through investigations by the (SPR) beginning in the 1880s. Discovered in Boston in 1884 by William Dean Howland, Piper's sittings involved entering a deep trance to channel spirits, often providing detailed personal information about sitters unknown to her, such as names, events, and veridical details verified post-session. From 1887 to 1893, SPR researcher Richard Hodgson conducted over 100 sittings with her, concluding in his 1889 and 1892 reports that her phenomena were "genuine and not due to ," attributing them potentially to or spirit agency. , the Harvard philosopher and SPR member, attended multiple sessions in the 1880s and 1890s, famously describing Piper as the "white crow" that challenged materialist views after she accurately described his deceased mother's appearance and messages. Overall, Piper participated in hundreds of documented sittings across the U.S. and until the 1920s, with SPR analyses endorsing many as evidential despite later suspicions of occasional accomplices. Edgar Cayce (1877–1945), dubbed the "Sleeping Prophet," conducted trance-based readings that extended séance traditions into holistic diagnostics and spiritual guidance, producing over 14,000 documented sessions from 1901 until his death. Born in , Cayce discovered his abilities as a youth when hypnotized to cure his , later entering self-induced trances to "read" health conditions, prescribe treatments, and discuss topics like , , and the . Approximately 9,000 of his readings focused on medical issues, recommending natural remedies like diet and , while others addressed metaphysical questions about souls and post-death states, often channeled through entities like the "Source" or historical figures. Cayce founded the Association for Research and Enlightenment in to archive and study his work, influencing modern and spirituality without direct séance gatherings but through individual or group trance consultations. In contemporary times, (born 1966), known as the , has popularized séance-style readings through television and live events, conducting sessions on , New York, and touring, where she claims to relay messages from spirits to grieving clients as of 2025. Raised in Hicksville, Caputo began developing her in childhood and gained fame via the TLC reality series , which aired from 2011 to 2019 and featured live group and private readings interpreted as spirit communications. Her approach emphasizes emotional validation, such as confirming presence and unresolved issues, often in informal séance settings at homes or events, extending historical mediumship into mainstream entertainment.

Famous Participants and Attendees

Throughout the 19th and early 20th centuries, several prominent figures beyond professional mediums participated in séances, often driven by personal loss, intellectual curiosity, or a quest for evidence of the afterlife. One of the earliest and most notable examples occurred in the during the . In 1862, following the death of their 11-year-old son Willie from , organized private séances in the Red Room to cope with her grief, believing they allowed communication with the spirit world. President (1809–1865) attended at least one such session, reportedly sitting silently as participants claimed to channel messages from the deceased, though his involvement was limited and more supportive of his wife's emotional needs than a deep personal endorsement. These gatherings, held several times between 1862 and 1863, reflected the widespread appeal of spiritualism amid national turmoil and personal tragedy. In the late 19th century, American philosopher and psychologist (1842–1910) emerged as a key intellectual participant in séances, approaching them with scientific rigor. Beginning in the mid-1880s, James attended multiple sessions with the trance medium in , seeking for psychic phenomena that might expand understandings of . His investigations, starting around 1885, convinced him of Piper's apparent genuineness in some instances, leading him to introduce her to the in 1887 for further study. These experiences profoundly influenced James's psychological theories, particularly his ideas on the subconscious and the potential for "leaks" from a larger reality into human perception, as explored in works like (1902), where he advocated for open-minded inquiry into mystical states without dismissing them outright. Sir Arthur Conan Doyle (1859–1930), the renowned creator of Sherlock Holmes, became one of spiritualism's most vocal advocates after attending numerous séances in the 1910s and 1920s, which deepened his conviction in spirit communication. A physician by training, Doyle participated in sittings across Europe and the United States, documenting his observations in lectures and writings that emphasized scientific validation of psychic events. His seminal two-volume work, The History of Spiritualism (1926), drew on over 40 years of personal involvement, including séance attendance, to trace the movement's evolution from the Fox sisters onward, arguing for its compatibility with rational inquiry. Doyle's experiences shaped his broader worldview, culminating in his enthusiastic endorsement of the 1917 Cottingley Fairies photographs as authentic evidence of otherworldly beings, a belief rooted in his spiritualist convictions despite later revelations of the hoax, which underscored his unwavering commitment to the supernatural as a complement to empirical science.

Prominent Skeptics and Debunkers

(1874–1926), the famed escape artist and illusionist, turned his attention to debunking spiritualist mediums in the 1920s following the death of his mother, which fueled his skepticism toward claims of spirit communication. He conducted nationwide tours, attending séances incognito to observe and later publicly expose the deceptive techniques used by mediums, such as and hidden accomplices. In his 1924 book A Magician Among the Spirits, Houdini detailed these exposures, including recreations of phenomena like table levitations and spirit raps, asserting that all could be achieved through stage magic without supernatural means. James Randi (1928–2020), a professional magician and prominent skeptic, extended the tradition of challenging claims through rigorous testing. Randi began offering challenges to claimants in 1964, which culminated in the offered by his from 1996 to 2015, promising the prize to any medium or who could demonstrate their abilities under scientific controls; no claimant succeeded, and the challenge went unclaimed until its discontinuation. Randi's work targeted specific frauds, such as the faith healer , whose "spirit messages" were revealed as radio transmissions from his wife. Joseph McCabe (1867–1955), a former priest turned rationalist lecturer and author, critiqued spiritualism in the 1920s through public talks and publications that dismantled popular séance tricks. He focused on exposing slate-writing, a method where mediums claimed spirits inscribed messages on locked slates in darkened rooms, demonstrating it as a sleight-of-hand ruse involving prepared slates or hidden writing tools. In his 1920 book Is Spiritualism Based on Fraud?, McCabe systematically refuted endorsements of such practices by figures like , arguing they relied on ignorance of conjuring methods. In the 2010s, advanced skeptical efforts against psychic claims through digital activism. Founding the Guerrilla Skepticism on Wikipedia project in 2010, she organized a team of editors to rigorously source and revise articles on mediums and séances, countering pseudoscientific assertions with verifiable evidence and preventing the spread of online. These skeptics commonly utilized stage recreations of séance effects to illustrate human trickery, with Houdini and Randi performing live demonstrations of ectoplasm production and spirit control using props and misdirection, underscoring that no intervention was required.

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