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Edith Meiser
Edith Meiser
Edith Meiser
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Edith Meiser (May 9, 1898[2] – September 26, 1993[1]) was an American author and actress, who wrote mystery novels, stage plays, and numerous radio dramas. She is perhaps best known for bringing adaptations of Sherlock Holmes stories to radio in the 1930s.[3][nb 1]

Key Information

Meiser had been a member of the Actors Equity board of governors as well as the chairwoman of the Equity Library Theater.[1]

Early life

[edit]

Born in Detroit,[1] Meiser studied at the Liggett School,[5] Kox Schule in Dresden, Germany,[5] and the Ecole de la Cour de St. Pierre in Geneva, Switzerland[5] before eventually attending Vassar College.[1]

Acting career

[edit]

At Vassar, Meiser began performing with the college drama society[5] appearing in such plays as L'Aiglon,[6] Jezebel,[7] and Punishment,[8] the last of which she authored herself.[9]

After graduating college, Meiser began performing with such groups as the American Shakespeare Festival,[5] The Theater Guild,[5] Edward Albee's vaudeville circuit,[5] and Jessie Bonstelle's Summer Stock Company[5] before making her Broadway debut in 1923 in The New Way.[1] She went on to appear in over 20 Broadway shows, including Fata Morgana,[1] The Guardsman,[1] Garrick Gaieties,[10] Sabrina Fair[1] and the 1960 production of The Unsinkable Molly Brown.[11]

Meiser also appeared in films such as Middle of the Night, It Grows on Trees and Queen for a Day.[12]

Writing career

[edit]

Meiser authored many radio scripts including Helen Hayes's first radio serial, The New Penny.[1]

Sherlock Holmes

[edit]

At age fifteen, Meiser traveled to Europe on the SS Bremen.[13] The ship's purser provided Meiser with a copy of a Sherlock Holmes book which sparked her interest in the character.[13]

Year later, Meiser and then-husband Tom McKnight made the leap from writing for the stage to writing for radio.[14] After forming a company and finding some success in radio, Mesier decided that Sherlock Holmes would make for a very good radio program[14] but she was unable to interest NBC in a series unless she found herself a sponsor.[15] It took more than a year for Meiser to interest a sponsor in the idea.[14] George C. L. Washington, inventor of the first instant coffee, and also a Holmesian, agreed to sponsor the series[14] which became The Adventures of Sherlock Holmes.

The premiere episode featured an adaptation of "The Adventure of the Speckled Band" on October 20, 1930, and starred William Gillette as Sherlock Holmes and Leigh Lovell as Dr Watson.[16] Further episodes featured Richard Gordon in the role of Holmes until 1933[17] and Louis Hector from 1934 to 1935[17] with Richard Gordon again taking over for the last season in 1936.[17]

All episodes were adapted or devised by Meiser[17][18] and at the end of the first season a survey of American radio editors found that 94% said The Adventures of Sherlock Holmes was the best radio program.[16]

In 1935, Meiser authored a radio adaptation of Gillette's play, Sherlock Holmes.[17] Gillette returned to the role opposite Reginald Mason as Dr Watson.[17]

Three years after the end of The Adventures of Sherlock Holmes, the success of the Rathbone/Bruce Sherlock Holmes film series[5] prompted Meiser to begin adapting and authoring stories for The New Adventures of Sherlock Holmes starring Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr Watson.[19] From 1939 until 1943, all episodes were written by Meiser.[19] Meiser left the show after disagreements with a sponsor over the amount of violence in the program.[20]

Beginning in 1953, Meiser with co-writer Frank Giacoia authored a comic strip series of Sherlock Holmes adventures for the New York Herald Tribune Syndicate.[21]

Later life

[edit]

In 1987, University of Minnesota Libraries purchased the "Edith Meiser Collection" which consisted of original scripts, tapes, and other material.[22]

In 1991 at age 93, Meiser was invested as a member of The Baker Street Irregulars for her work in maintaining interest in Sherlock Holmes throughout her career.[23]

Death

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Meiser died at age 95 in Roosevelt Hospital.[1]

References

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Notes

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Sources

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Edith Meiser

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from Grokipedia
Edith Meiser was an American writer known for adapting Sir Arthur Conan Doyle's Sherlock Holmes stories for radio. Her scripts for the pioneering NBC radio series "The Adventures of Sherlock Holmes" (1930–1936) marked the first regular American radio dramatizations of the detective, helping to popularize the character in the medium and influencing later adaptations. Born in Detroit, Michigan, on May 9, 1898, Meiser began her career in theater and acting before transitioning to radio scriptwriting in the late 1920s. She adapted dozens of Conan Doyle's original stories for radio, remaining largely faithful to the source material while crafting narratives suitable for the audio format, and she occasionally created original Holmes tales to supplement the canon when necessary. Her work on the 1930s series featured actors such as Richard Gordon as Holmes and Leigh Lovell as Watson, establishing a template for future radio portrayals. Meiser's contributions extended beyond Sherlock Holmes; she wrote scripts for other radio programs and remained active in the industry for decades. She continued to be recognized by Sherlockian enthusiasts for her role in bringing the detective to a mass audience through the new medium of radio. Meiser died on September 26, 1993.

Early life and education

Childhood, education, and early interests

Edith Meiser was born on May 9, 1898, in Detroit, Michigan. Her early education featured an international scope, beginning at the Liggett School in Detroit before continuing at the Kox Schule in Dresden, Germany, and the Ecole de la Cour de St. Pierre in Geneva, Switzerland. This diverse schooling exposed her to varied cultural influences during her formative years. Meiser attended Vassar College from 1917 to 1921, where she headed the dramatic society and actively participated in theater. She appeared in productions including L'Aiglon, Jezebel, and Punishment, the latter a play she authored herself. These college experiences deepened her engagement with drama and playwriting. Her interest in Sherlock Holmes began at age 15 when, during a voyage to Europe aboard the SS Bremen, a ship's purser gave her a Sherlock Holmes book. This encounter sparked a lifelong fascination with the detective character that later influenced her career. After graduating from Vassar, Meiser transitioned to professional acting.

Stage acting career

Broadway and theater performances

Edith Meiser maintained a sustained stage acting career over several decades, beginning her professional work shortly after graduating from Vassar College. She performed with the American Shakespeare Festival Company, Jessie Bonstelle's Summer Stock Company in Detroit in 1921, and The Theatre Guild. She also toured the vaudeville circuit with Edward Albee's Keith-Orpheum organization from 1927 to 1928. She made her Broadway debut in 1923 in The New Way and went on to appear in more than 20 Broadway productions. Among her early credits were roles in Fata Morgana (1924) as Katherine and The Guardsman (1924) as Liesl, along with performances as a member of the original cast in The Garrick Gaieties (1925), with subsequent appearances in the revue's 1926 and 1930 editions. Later Broadway appearances included Sabrina Fair (1954) and her final show, The Unsinkable Molly Brown (1960), in which she played Mrs. McGlone. She also returned to the American Shakespeare Festival for productions such as King John and Measure for Measure in 1956. Meiser continued occasional stage work into the 1970s, including repertory and regional theater engagements. From 1954 until her death on March 19, 1994, she served on the Board of Governors of Actors Equity Association and acted as chairwoman of the Equity Library Theater.

Radio career

Sherlock Holmes radio adaptations

Edith Meiser pioneered the adaptation of Sherlock Holmes stories for American radio, creating one of the earliest and most influential series featuring the detective. After conceiving the idea and facing resistance from NBC without a sponsor, she spent over a year securing backing, ultimately obtaining sponsorship from George C. L. Washington, the inventor of instant coffee and a Sherlock Holmes enthusiast, through his George Washington Coffee company. The Adventures of Sherlock Holmes premiered on October 20, 1930, on NBC with an adaptation of "The Adventure of the Speckled Band" starring Richard Gordon as Holmes and Leigh Lovell as Dr. Watson. Meiser adapted or devised every episode of the series, which ran until 1936, incorporating both canonical Conan Doyle stories and original plots. Richard Gordon played Holmes from late 1930 through 1933 and returned for the final season in 1936, while Louis Hector portrayed the detective during the 1934–1935 period. The series achieved notable success, with a survey of American radio editors at the end of its first season declaring it the best radio program on the air, garnering 94% approval. Among her contributions was a 1935 radio adaptation of William Gillette's famous stage play Sherlock Holmes, broadcast on WABC and allowing the 82-year-old Gillette to reprise his celebrated portrayal of the detective. Meiser later wrote for The New Adventures of Sherlock Holmes, which began in 1939 starring Basil Rathbone as Holmes and Nigel Bruce as Watson, scripting all episodes until 1943 when she departed due to disagreements with the sponsor over the inclusion of violence in the stories. Only a limited number of her Sherlock Holmes radio scripts survive in the Edith Meiser papers at the New York Public Library, primarily from the 1932–1936 period.

Other radio scripts and production

Edith Meiser engaged in extensive radio scriptwriting and production throughout the 1930s, often through her company McKnight and Jordan Inc., which she co-founded with her husband Tom McKnight and another partner. This work encompassed a range of serials and dramatic programs distinct from her Sherlock Holmes adaptations, which remain her most famous contribution to the medium. Her scripts typically incorporated detailed production elements such as timings, cast lists, sound effects cues, and integrated commercials, reflecting the era's emphasis on precise broadcast execution. The majority of these materials are preserved in the Edith Meiser papers at the New York Public Library's Billy Rose Theatre Division, which document her prolific output in 1930s radio. Among her early efforts was The Adventures of Polly Preston (1929–1931), a series that featured ongoing commercials for Shoes by Fisher delivered in the voice of the title character. She also contributed to Alias Edward Taylor (1930) and Judge Priest around the same period. In 1932, she worked on Mysteries in Paris (1932–1933) and Island Boat / Concert Orchestra (1932), showcasing her versatility in mystery and musical-dramatic formats. Meiser scripted The New Penny (1935–1936), notable as Helen Hayes's first radio serial, with surviving materials including a New Year's Eve episode in which Hayes personally acknowledged Meiser and the production team. She later handled Welcome Valley (1936–1937) and A Case for Mr. Fortune (1937–1938), continuing her focus on serialized storytelling. In 1939, she wrote for Dr. Susan / The Life and Love of Dr. Susan, contributing episodes 1–153 (with some gaps) to this medical-themed drama. These projects highlight Meiser's role in shaping daytime serial and adventure programming during radio's formative commercial years.

Other writing

Mystery novels, plays, and comics

Edith Meiser authored the mystery novel Death Catches Up with Mr. Kluck, published in 1935 under the pseudonym Xantippe by Doubleday, Doran and Co. for The Crime Club. The story unfolds in the radio broadcasting industry, where an unpopular inventor and beverage magnate dies under suspicious circumstances initially attributed to a heart attack before being revealed as a complex case involving arsenic and carbon monoxide poisoning. Amateur detective Benjamin Franklin Butts investigates with assistance from radio production scriptwriter Finny McCorkle, offering a satirical view of early radio talent, programs, and their cultural impact. Meiser also wrote the original play The Wooden O (alternatively titled This Wooden O), which explores Shakespeare's Globe Theatre across three acts, with multiple script versions preserved in her archival papers. The work appears to have remained unproduced, consistent with many of her stage scripts. In the 1950s, Meiser scripted a short-lived Sherlock Holmes comic strip illustrated by Frank Giacoia and distributed as a daily and Sunday half-page feature by the New York Herald Tribune Syndicate. This project extended her longstanding engagement with Arthur Conan Doyle's detective, previously central to her radio work. Her archived papers further contain several unproduced adaptations and scripts, including a dramatization of Eugene O'Neill's Ah! Wilderness, a reading version of Charles Dickens's A Christmas Carol, a 1973 musical synopsis adaptation of Colette's Gigi, and a partial script for The Musical Wizard of Oz.

Film and television roles

Screen appearances

Edith Meiser's on-screen career remained limited and sporadic compared to her extensive work in radio and theater, consisting primarily of supporting roles in a handful of films and guest appearances on television anthology series and sitcoms. She made her film debut in the early 1940s with small parts in Glamour Boy (1941), where she portrayed Jenny Sullivan, and Go West, Young Lady (1941), playing Mrs. Hinkle. After a decade-long hiatus from film, she returned in the 1950s with roles in Queen for a Day (1951) as Miss Wilmarth and It Grows on Trees (1952) as Mrs. Pryor, followed by Evelyn Kingsley in Middle of the Night (1959). On television, Meiser appeared in two episodes of I Love Lucy (1952) as Mrs. Littlefield (also credited as Mrs. Phoebe Littlefield), marking one of her more recognizable small-screen contributions. She also featured in two episodes of Goodyear Playhouse (1951–1952), three episodes of The United States Steel Hour (1956–1960), and single episodes of The Defenders (1961), Naked City (1963), and Great Performances (1981). These occasional screen roles continued alongside her primary pursuits in writing and stage performance throughout her career.

Personal life and affiliations

Marriage, Equity involvement, and later years

Edith Meiser married Thomas McKnight in 1927 in Chicago while she was performing on the vaudeville circuit. The marriage later ended in divorce. With McKnight and another partner, she formed McKnight and Jordan Inc., through which the couple produced radio programs and collaborated on early radio scripts in the late 1920s and 1930s. Meiser served as a member of the Board of Governors of the Actors Equity Association from 1954 until her death. She also chaired the Equity Library Theater. In her later years, Meiser made occasional returns to the stage from the 1940s through the 1970s, including performances in productions at the American Shakespeare Festival in 1956 and in A Little Night Music in 1976. She received recognition for her pioneering Sherlock Holmes radio adaptations, including investiture in the Baker Street Irregulars in 1991.

Legacy and recognition

Honors and death

Edith Meiser received late-life recognition for her enduring contributions to Sherlock Holmes enthusiasm. In 1991, she was invested as a member of The Baker Street Irregulars, an honorary Sherlockian society, in acknowledgment of her efforts to sustain interest in the character through her pioneering radio adaptations and other work. Her materials were preserved in major archival collections. In 1986, Edith Meiser donated the Edith Meiser Collection, comprising her original Sherlock Holmes radio scripts and related items, to the University of Minnesota Libraries. In 1993, the Edith Meiser Foundation donated her papers to the New York Public Library's Billy Rose Theatre Division. Meiser died on September 26, 1993, at Roosevelt Hospital in Manhattan, New York City, at the age of 95.
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