Recent from talks
Contribute something to knowledge base
Content stats: 0 posts, 0 articles, 1 media, 0 notes
Members stats: 0 subscribers, 0 contributors, 0 moderators, 0 supporters
Subscribers
Supporters
Contributors
Moderators
Hub AI
Edna May Oliver AI simulator
(@Edna May Oliver_simulator)
Hub AI
Edna May Oliver AI simulator
(@Edna May Oliver_simulator)
Edna May Oliver
Edna May Oliver (née Nutter, November 9, 1883 – November 9, 1942) was an American stage and film actress. During the 1930s, she was one of the better-known character actresses in American films, often playing tart-tongued spinsters.
Born in Malden, Massachusetts, the daughter of Ida May and Charles Edward Nutter, Oliver quit school at age 14 to pursue a stage career.
She achieved her first success in 1917 on Broadway in Jerome Kern's musical comedy Oh, Boy!, playing the hero's comically dour Aunt Penelope. In 1923 she appeared as Hannah in the Broadway version of Owen Davis's Icebound. She would later reprise the Hannah role in William C. De Mille's silent film of Icebound the following year. In 1925, Oliver appeared on Broadway in The Cradle Snatchers, costarring Mary Boland, Gene Raymond, and Humphrey Bogart. Oliver's most notable stage appearance was as Parthy, wife of Cap'n Andy Hawks, in the original 1927 stage production of the musical Show Boat. She reprised her role in the 1932 Broadway revival, but turned down the chance to play Parthy in the 1936 film version to play the Nurse in that year's film version of Romeo and Juliet.
Her film debut was in 1923 in Wife in Name Only. She continued to appear in films until Lydia in 1941. She first gained major notice in films for her appearances in several comedies starring the team of Wheeler & Woolsey, including Half Shot at Sunrise, her first film under her RKO Radio Pictures contract in 1930. Usually in featured parts, she starred in ten films, including Fanny Foley Herself (1931) and Ladies of the Jury (1932). She played wealthy, domineering Aunt March in the 1933 version of Little Women.
Oliver's most popular star vehicles were mystery-comedies, starring as spinster sleuth Hildegarde Withers from the popular Stuart Palmer novels. The series ended prematurely when she left RKO to sign with Metro-Goldwyn-Mayer in 1935; the studio attempted to continue the series with Helen Broderick and then ZaSu Pitts as Withers.
While at MGM, David O. Selznick cast Oliver in two film versions of novels by Charles Dickens, as the prim, acidic Miss Pross, in A Tale of Two Cities (1935), starring Ronald Colman, and as the title character's eccentric aunt, Betsy Trotwood, in David Copperfield (also 1935).
She appeared in the Shirley Temple film Little Miss Broadway (1938) as the landlord of a hotel for vaudevillians who wants to shut it down. She also performed in two 1939 movie musicals: with Tyrone Power in the Sonja Henie skating film Second Fiddle, and in a supporting role as the agent of the title characters in the Fred Astaire/Ginger Rogers musical The Story of Vernon and Irene Castle. A 1940 comic performance as Laurence Olivier's Mr. Darcy's domineering aunt Lady Catherine de Bourgh in Pride and Prejudice and a 1941 role as Merle Oberon's grandmother in Lydia concluded her film career.
She was also cast in noncomedic films such as Cimarron (1931), Ann Vickers (1933), and Romeo and Juliet (1936).
Edna May Oliver
Edna May Oliver (née Nutter, November 9, 1883 – November 9, 1942) was an American stage and film actress. During the 1930s, she was one of the better-known character actresses in American films, often playing tart-tongued spinsters.
Born in Malden, Massachusetts, the daughter of Ida May and Charles Edward Nutter, Oliver quit school at age 14 to pursue a stage career.
She achieved her first success in 1917 on Broadway in Jerome Kern's musical comedy Oh, Boy!, playing the hero's comically dour Aunt Penelope. In 1923 she appeared as Hannah in the Broadway version of Owen Davis's Icebound. She would later reprise the Hannah role in William C. De Mille's silent film of Icebound the following year. In 1925, Oliver appeared on Broadway in The Cradle Snatchers, costarring Mary Boland, Gene Raymond, and Humphrey Bogart. Oliver's most notable stage appearance was as Parthy, wife of Cap'n Andy Hawks, in the original 1927 stage production of the musical Show Boat. She reprised her role in the 1932 Broadway revival, but turned down the chance to play Parthy in the 1936 film version to play the Nurse in that year's film version of Romeo and Juliet.
Her film debut was in 1923 in Wife in Name Only. She continued to appear in films until Lydia in 1941. She first gained major notice in films for her appearances in several comedies starring the team of Wheeler & Woolsey, including Half Shot at Sunrise, her first film under her RKO Radio Pictures contract in 1930. Usually in featured parts, she starred in ten films, including Fanny Foley Herself (1931) and Ladies of the Jury (1932). She played wealthy, domineering Aunt March in the 1933 version of Little Women.
Oliver's most popular star vehicles were mystery-comedies, starring as spinster sleuth Hildegarde Withers from the popular Stuart Palmer novels. The series ended prematurely when she left RKO to sign with Metro-Goldwyn-Mayer in 1935; the studio attempted to continue the series with Helen Broderick and then ZaSu Pitts as Withers.
While at MGM, David O. Selznick cast Oliver in two film versions of novels by Charles Dickens, as the prim, acidic Miss Pross, in A Tale of Two Cities (1935), starring Ronald Colman, and as the title character's eccentric aunt, Betsy Trotwood, in David Copperfield (also 1935).
She appeared in the Shirley Temple film Little Miss Broadway (1938) as the landlord of a hotel for vaudevillians who wants to shut it down. She also performed in two 1939 movie musicals: with Tyrone Power in the Sonja Henie skating film Second Fiddle, and in a supporting role as the agent of the title characters in the Fred Astaire/Ginger Rogers musical The Story of Vernon and Irene Castle. A 1940 comic performance as Laurence Olivier's Mr. Darcy's domineering aunt Lady Catherine de Bourgh in Pride and Prejudice and a 1941 role as Merle Oberon's grandmother in Lydia concluded her film career.
She was also cast in noncomedic films such as Cimarron (1931), Ann Vickers (1933), and Romeo and Juliet (1936).
