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Encounters at the End of the World
Encounters at the End of the World is a 2007 American documentary film by Werner Herzog about Antarctica and the people who choose to spend time there. It was released in North America on June 11, 2008, and distributed by ThinkFilm. At the 81st Academy Awards, the film was nominated for Best Documentary Feature.
Filmmaker Werner Herzog and cinematographer Peter Zeitlinger travel to Antarctica to meet the people who live and work there and to capture footage of the continent's unique locations. In his narration, Herzog explains that this film will not be a typical Antarctica film about "fluffy penguins" but will instead explore the dreams of the people and the landscape.
Arriving at McMurdo Station, the two-man crew interview some maintenance and support workers and iceberg geologist Douglas MacAyeal. They travel to a nearby seal camp supervised by zoologist Olav Oftedal, then join the film's composer/producer, research diver Henry Kaiser, at a diving camp. The film then shows underwater footage shot by Kaiser. Cell biologist Samuel Bowser and zoologist Jan Pawlowski are interviewed, and after finishing their research, Kaiser and Bowser stage a rooftop guitar concert back at McMurdo.
Herzog and Zeitlinger visit Ernest Shackleton's nearby cabin, which has been preserved, unchanged, for almost a century. After some footage filmed at the South Pole, Herzog interviews penguin scientist David Ainley. He asks Ainley about penguin sexuality and mental illness, and there is footage of a penguin marching away from the sea, going inland to its certain death.
The filmmakers visit the active volcano Mount Erebus and interview volcanologists. As Herzog speculates about alien scientists visiting a post-human Earth, there is a sequence shot in tunnels carved deep into the ice below South Pole station, where various trinkets and mementos, including a can of Russian caviar and a whole frozen sturgeon, have been placed in carved-out shelves in the walls and preserved by the extreme cold and dry air. On the slope of Erebus, Herzog and Zeitlinger explore ice caves formed by fumaroles.
Continuing the progression into the metaphysical, the filmmakers visit the launch of a giant helium balloon used in a neutrino detection project (ANITA) and interview physicist Peter Gorham. The final word is given to a philosopher/maintenance worker at McMurdo, and the film ends with more footage from the fumarole ice caves and Kaiser's dives.
Herzog was drawn to Antarctica after viewing underwater footage filmed there by Henry Kaiser. He became aware of the footage when he happened to notice Kaiser showing it to a friend while working on the music for Herzog's Grizzly Man. Kaiser, a musician and diver, first went to Antarctica as part of the National Science Foundation's Antarctic Artists and Writers Program for his "Slide Guitar Around the World" project, and he returned on several scientific diving expeditions. Before Encounters at the End of the World, Herzog made prominent use of Kaiser's footage in the fiction film The Wild Blue Yonder (2005).
The film was shot in Antarctica as part of the same NSF Antarctic Artists and Writers Program that had first brought Kaiser to the continent. The entire film crew consisted of Herzog, who recorded all production sound, and cinematographer Peter Zeitlinger. The pair went to Antarctica without any opportunity to plan filming locations or interviews, and had just seven weeks to conceive the project and shoot their footage. The freewheeling nature of the time in Antarctica meant that Herzog often only met the interview subjects minutes before beginning to film them.
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Encounters at the End of the World
Encounters at the End of the World is a 2007 American documentary film by Werner Herzog about Antarctica and the people who choose to spend time there. It was released in North America on June 11, 2008, and distributed by ThinkFilm. At the 81st Academy Awards, the film was nominated for Best Documentary Feature.
Filmmaker Werner Herzog and cinematographer Peter Zeitlinger travel to Antarctica to meet the people who live and work there and to capture footage of the continent's unique locations. In his narration, Herzog explains that this film will not be a typical Antarctica film about "fluffy penguins" but will instead explore the dreams of the people and the landscape.
Arriving at McMurdo Station, the two-man crew interview some maintenance and support workers and iceberg geologist Douglas MacAyeal. They travel to a nearby seal camp supervised by zoologist Olav Oftedal, then join the film's composer/producer, research diver Henry Kaiser, at a diving camp. The film then shows underwater footage shot by Kaiser. Cell biologist Samuel Bowser and zoologist Jan Pawlowski are interviewed, and after finishing their research, Kaiser and Bowser stage a rooftop guitar concert back at McMurdo.
Herzog and Zeitlinger visit Ernest Shackleton's nearby cabin, which has been preserved, unchanged, for almost a century. After some footage filmed at the South Pole, Herzog interviews penguin scientist David Ainley. He asks Ainley about penguin sexuality and mental illness, and there is footage of a penguin marching away from the sea, going inland to its certain death.
The filmmakers visit the active volcano Mount Erebus and interview volcanologists. As Herzog speculates about alien scientists visiting a post-human Earth, there is a sequence shot in tunnels carved deep into the ice below South Pole station, where various trinkets and mementos, including a can of Russian caviar and a whole frozen sturgeon, have been placed in carved-out shelves in the walls and preserved by the extreme cold and dry air. On the slope of Erebus, Herzog and Zeitlinger explore ice caves formed by fumaroles.
Continuing the progression into the metaphysical, the filmmakers visit the launch of a giant helium balloon used in a neutrino detection project (ANITA) and interview physicist Peter Gorham. The final word is given to a philosopher/maintenance worker at McMurdo, and the film ends with more footage from the fumarole ice caves and Kaiser's dives.
Herzog was drawn to Antarctica after viewing underwater footage filmed there by Henry Kaiser. He became aware of the footage when he happened to notice Kaiser showing it to a friend while working on the music for Herzog's Grizzly Man. Kaiser, a musician and diver, first went to Antarctica as part of the National Science Foundation's Antarctic Artists and Writers Program for his "Slide Guitar Around the World" project, and he returned on several scientific diving expeditions. Before Encounters at the End of the World, Herzog made prominent use of Kaiser's footage in the fiction film The Wild Blue Yonder (2005).
The film was shot in Antarctica as part of the same NSF Antarctic Artists and Writers Program that had first brought Kaiser to the continent. The entire film crew consisted of Herzog, who recorded all production sound, and cinematographer Peter Zeitlinger. The pair went to Antarctica without any opportunity to plan filming locations or interviews, and had just seven weeks to conceive the project and shoot their footage. The freewheeling nature of the time in Antarctica meant that Herzog often only met the interview subjects minutes before beginning to film them.