Eragon

Eragon is the first book in The Inheritance Cycle by American fantasy writer Christopher Paolini. Paolini, born in 1983, began writing the novel after graduating from home school at the age of fifteen. After writing the first draft for a year, Paolini spent a second year rewriting and fleshing out the story and characters. His parents saw the final manuscript and in 2001 decided to self-publish Eragon; Paolini spent a year traveling around the United States promoting the novel. The book was discovered by novelist Carl Hiaasen, who brought it to the attention of Alfred A. Knopf. The re-published version was released on August 26, 2003.

The book tells the story of a farm boy named Eragon, who finds a mysterious stone in the mountains. The stone is revealed to be a dragon egg, and a dragon whose name is Saphira hatches from it. When the evil King Galbatorix finds out about the egg, he sends monstrous servants to acquire it, making Eragon and Saphira flee from their hometown with a storyteller named Brom. Brom, an old member of an extinct group of Dragon Riders, teaches Eragon about the ways of the Rider.

Eragon was the third-best-selling children's hardback book of 2003, and the second-best-selling paperback of 2005. It placed on the New York Times Children's Books Best Seller list for 121 weeks and was adapted as a feature film of the same name that was released on December 15, 2006.

Christopher Paolini started reading fantasy books when he was 10 years old. At the age of 14, as a hobby, he started writing a novel, endeavoring to create the sort of fantasy story that he himself would enjoy reading. However, he could not get beyond a few pages because he had "no idea" where he was going. He began reading everything he could about the "art of writing", and then plotted the whole Inheritance Cycle book series. After a month of planning out the series, he started writing the draft of Eragon by hand. It was finished a year later, and Paolini began writing the second draft of the book. After another year of editing, Paolini's parents saw the final manuscript. They immediately saw its potential and decided to publish the book through their small, home-based publishing company, Paolini International. Paolini created the cover art for this edition of Eragon, which featured Saphira's eye on the cover. He also drew the maps inside the book.

Paolini and his family toured across the United States promoting the book. He gave over 135 talks at bookshops, libraries, and schools, many with Paolini dressed up in a medieval costume; but the book did not receive much attention. Paolini said he "would stand behind a table in (his) costume talking all day without a break – and would sell maybe forty books in eight hours if (he) did really well. [...] It was a very stressful experience. (He) couldn't have gone on for very much longer." In the summer of 2002, American novelist Carl Hiaasen was on vacation in one of the cities that Paolini gave a talk in. While there, Hiaasen's stepson bought a copy of Eragon that he "immediately loved". He showed it to Hiaasen, who brought the book to the attention of the publishing house Alfred A. Knopf. Michelle Frey, executive editor at Knopf, contacted Paolini and his family to ask if they were interested in having Knopf publish Eragon. The answer was yes, and after another round of editing, Knopf published Eragon in August 2003, with a new cover, drawn by John Jude Palencar.

Paolini cites old myths, folk tales, medieval stories, the epic poem Beowulf, and authors J. R. R. Tolkien and E. R. Eddison as his biggest influences in writing. Other literary influences include David Eddings, Andre Norton, Brian Jacques, Anne McCaffrey, Raymond E. Feist, Mervyn Peake, Ursula K. Le Guin, Frank Herbert, Philip Pullman, and Garth Nix.

The ancient language used by the elves in Eragon is based "almost entirely" on Old Norse, German, Anglo Saxon, and Russian myth. Paolini commented: "[I] did a god-awful amount of research into the subject when I was composing it. I found that it gave the world a much richer feel, a much older feel, using these words that had been around for centuries and centuries. I had a lot of fun with that." Picking the right names for the characters and places was a process that could take "days, weeks, or even years". Paolini said: "if I have difficulty choosing the correct moniker, I use a placeholder name until a replacement suggests itself." He added that he was "really lucky" with the name Eragon, "because it's just dragon with one letter changed." Also, Paolini commented that he thought of both parts of the name "Eragon"—"era" and "gone"—as if the name itself changes the era in which the character lives. He thought the name fit the book perfectly, but some of the other names caused him "real headaches".

The landscape in Eragon is based on the "wild territory" of Paolini's home state, Montana. He said in an interview: "I go hiking a lot, and oftentimes when I'm in the forest or in the mountains, sitting down and seeing some of those little details makes the difference between having an okay description and having a unique description." Paolini also said that Paradise Valley, Montana is "one of the main sources" of his inspiration for the landscape in the book (Eragon takes place in the fictional continent Alagaësia). Paolini "roughed out" the main history of the land before he wrote the book, but he did not draw a map of it until it became important to see where Eragon was traveling. He then started to get history and plot ideas from seeing the landscape depicted.