Community hub
0 subscribers8 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Eric Heisserer.
Nothing was collected or created yet.
Eric Heisserer
View on Wikipediafrom Wikipedia
Eric Andrew Heisserer (born 1970) is an American filmmaker, comic book writer, television writer, and television producer. His screenplay for the film Arrival earned him a Best Adapted Screenplay nomination at the 89th Academy Awards in 2016.
Key Information
Career
[edit]Heisserer's professional screenwriting career was launched with the sale of The Dionaea House to Warner Bros. in 2005,[1] based on an online epistolary story of the same name[2] that he wrote from autumn 2004 to winter 2006.[1] The Dionaea House was a multimedia novel told across multiple blogs run by fictional characters, and concerned an ominous house that existed in multiple places across the United States. It is considered to be one of the first popular creepypasta stories. He then developed an original television pilot for Paramount Pictures and CBS, and wrote feature projects for Jerry Bruckheimer Films and Warner Bros.[3] In 2007, he sold a pitch to Regency Enterprises and Fox called Inhuman, a supernatural thriller set in Tokyo that combines live action and anime sequences, as well as a coming-of-age horror script titled Dustycats, about a teenage girl who discovers she transforms into a werecat when aroused.[4]
In December 2008, Heisserer was hired to re-envision and rewrite the script for the franchise reboot of A Nightmare on Elm Street, produced by Platinum Dunes.[5] An early draft had been written by Wesley Strick. The script went on to land director Samuel Bayer, actor Jackie Earle Haley, and began filming in May 2009.[6]
He rewrote the prequel to director John Carpenter's 1982 remake The Thing.[7] In April 2010, Heisserer signed on to write Final Destination 5,[8] the fifth film of the horror film franchise.
Heisserer made his directorial debut with the film Hours, starring Paul Walker.[9] Heisserer co-wrote The Conjuring 2 along with the brothers Chad Hayes and Carey Hayes.[10] Heisserer wrote along with artist Felipe Massafera and Colorist Wes Dzioba, the comic book series Shaper.[11]
Heisserer wrote the 2016 film Arrival based on Ted Chiang's novella "Story of Your Life". Heisserer has said that he was attracted to the challenge of adapting the non-linear story by its emotional content.[12] After the release of the film, he was nominated for Best Adapted Screenplay at the 89th Academy Awards.
In July 2017, Heisserer announced that he was developing a science fiction series based on another Ted Chiang story, "Liking What You See: A Documentary", for AMC. The series will explore concepts such as beauty, relationships, and advertising.[13]
On September 27, 2017, there was an announcement that Heisserer would write the script for the live-action remake of the sci-fi romance anime Your Name. By September 2020, he was replaced by Lee Isaac Chung and Emily V. Gordon.[14]
Heisserer wrote the script for Bird Box (2018), based on the thriller book Bird Box, by Josh Malerman.[15][16] Released by Netflix, the film stars Sandra Bullock and was directed by Susanne Bier.[17]
Heisserer formerly served as creator, head writer, show runner, and executive producer of the adapted 2021 Netflix series Shadow and Bone, an adaptation of the fantasy book series The Grisha Trilogy and the Six of Crows Duology.[18] The show ran for two seasons before being cancelled by Netflix in November 2023.[19]
His debut novel, Simultaneous, released on October 28, 2025.
Personal life
[edit]Heisserer is the son of Margaret L., a senior editor for a publishing company, and Andrew J. Heisserer, a professor of ancient history, of Norman, Oklahoma. Heisserer married television producer/writer Christine Boylan in 2010. His previous marriage ended in divorce.[20]
Heisserer identifies as agnostic.[21]
Filmography
[edit]Film
| Year | Title | Writer | Producer | Notes |
|---|---|---|---|---|
| 2010 | A Nightmare on Elm Street | Yes | No | Co-written with Wesley Strick |
| 2011 | Final Destination 5 | Yes | No | |
| The Thing | Yes | No | ||
| 2013 | Hours | Yes | No | Also director |
| 2016 | Lights Out | Yes | Yes | |
| Arrival | Yes | Executive | Saturn Award for Best Writing Critics' Choice Movie Award for Best Screenplay Writers Guild of America Award for Best Adapted Screenplay Nominated – Academy Award for Best Adapted Screenplay Nominated – BAFTA Award for Best Adapted Screenplay Nominated – Chicago Film Critics Award for Best Adapted Screenplay | |
| 2018 | Bird Box | Yes | Executive | |
| 2020 | Bloodshot | Yes | No | Co-written with Jeff Wadlow |
Television
| Year | Title | Writer | Executive Producer |
|---|---|---|---|
| 2021–2023 | Shadow and Bone | Yes | Yes |
Books
[edit]He wrote the book "150 Screenwriting Challenges", containing exercises to help screenwriters develop their skills.[22] It was published in November 2013.
References
[edit]- ^ a b "Warners buys spec 'House'; Heyday aboard". HollywoodReporter.com. May 11, 2005. Archived from the original on December 26, 2005.
- ^ Eric Heisserer. "The Dionaea House: Correspondence from Mark Condry". Archived from the original on April 19, 2012. Retrieved August 10, 2019.
- ^ "Writer Eric Heisserer Talks Getting Final Destination 5 Right". DreadCentral.com.
- ^ "Inhuman and Dustycats, 2011". The Hollywood Reporter. June 2007.
- ^ "Eric Heisserer Paying Attention to the Hallmarks of 'Final Destination' Franchise". Bloody-Disgusting.com.
- ^ Mary Elizabeth Winstead, Joel Edgerton to star in 'The Thing' Archived February 10, 2010, at the Wayback Machine
- ^ "Screenwriter Eric Heisserer Talks Bringing The Thing Story Full Circle". DreadCentral.com.
- ^ "New Title for Fifth 'Final Destination', Opening Disaster Revealed!". Bloody-Disgusting.com.
- ^ "Paul Walker Starring in Post-Hurricane Katrina Thriller 'Hours'". Hollywood Reporter. October 5, 2011. Retrieved November 7, 2012.
- ^ "New Writer Tapped For The Conjuring 2". Dread Central. October 5, 2011. Retrieved November 7, 2012.
- ^ "Eric Heisserer Talks Space Opera In "Shaper"". BD. October 5, 2011. Retrieved November 7, 2012.
- ^ Greene, Steve (February 7, 2017). "'Arrival' Screenwriter Eric Heisserer on Writing the Unfilmable Story: Awards Spotlight". IndieWire. Retrieved September 15, 2017.
- ^ Riesman, Abraham (July 22, 2017). "Arrival Screenwriter Developing AMC Sci-Fi Series". Vulture. Retrieved September 15, 2017.
- ^ Kroll, Justin (September 18, 2020). "Lee Isaac Chung To Direct 'Your Name' Live-Action Reimagining From Toho, Paramount And Bad Robot". Deadline. Retrieved February 15, 2021.
- ^ "Eric Heisserer In Talks To Adapt 'Bird Box' For Universal". Deadline Hollywood. July 16, 2013. Retrieved July 17, 2013.
- ^ "'Mama' director Andy Muschietti in talks for 'Bird Box'". digitalspy.co.uk. February 27, 2013. Retrieved July 17, 2013.
- ^ Kroll, Justin (July 19, 2017). "Sandra Bullock to Star in Netflix Thriller 'Bird Box'". Variety. Retrieved January 25, 2018.
- ^ Andreeva, Nellie; Petski, Denise (January 10, 2019). "Netflix Orders Shadow And Bone Series Based On Leigh Bardugo's Grishaverse Novels From Eric Heisserer & Shawn Levy". Deadline Hollywood. Retrieved January 15, 2019.
- ^ "Shadow and Bone cancelled after two seasons as Netflix axes five underperforming shows". November 16, 2023.
- ^ "Christine Boylan, Eric Heisserer". The New York Times. October 22, 2010. Retrieved October 9, 2012.
- ^ Heisserer, Eric (January 23, 2018). "As an agnostic I find merit in the theory that the rapture has happened in slow motion and only Prince, Bowie, and Ursula made the cut". @HIGHzurrer. Retrieved January 24, 2018.
- ^ "Eric Heisserer".
External links
[edit]
Eric Heisserer
View on Grokipediafrom Grokipedia
Early life
Family and upbringing
Eric Andrew Heisserer was born in 1970 in Norman, Oklahoma.[13] He is the son of Andrew J. Heisserer, who served as a professor of ancient history at the University of Oklahoma and curator of the Stovall Museum of Science and History, and Margaret L. Heisserer, a senior editor at Nancy Larson Publishers.[14] The family resided in Norman throughout his childhood, providing a stable environment rooted in academic and editorial pursuits.[14] This academic household atmosphere in Norman fostered a foundation in intellectual curiosity and narrative exploration, setting the stage for his eventual pursuits in writing during the 1990s.Early writing pursuits
After high school, Heisserer worked as a subcontractor for NASA before beginning his writing career in the early 1990s with contributions to tabletop role-playing games, including modules for the Cyberpunk 2020 system such as The Bonin Horse in 1993 and Cabin Fever in 1994, followed by additional content like Listen Up, You Primitive Screwheads! in the mid-1990s. These works marked his initial forays into narrative fiction, blending speculative elements with structured scenarios for gamers. Influenced by 1980s horror and science fiction films such as John Carpenter's early works, Aliens, and The Hunt for Red October, Heisserer gravitated toward genre storytelling in the late 1990s and early 2000s.[15] During this period, he produced self-published and small-press works, including horror-themed short stories that explored supernatural and psychological themes, though many remained unpublished in major outlets. His affinity for horror deepened through these efforts, emphasizing atmospheric dread and unreliable narrators. A pivotal project was the online horror story The Dionaea House, which Heisserer developed and self-published across blogs and websites from autumn 2004 to winter 2006. Presented in an epistolary format through emails, news clippings, and documents, the narrative follows a journalist investigating a predatory supernatural house that manifests in multiple locations and lures victims, inspired by Lovecraftian concepts and research on the Venus flytrap plant.[16] The story achieved viral spread, garnering four million hits in a single night and establishing Heisserer as an emerging online horror author. This success led to his first major spec script deal when Warner Bros. purchased the rights in 2005, though the project ultimately stalled in development.[17] In the mid-2000s, Heisserer faced significant challenges breaking into Hollywood, including repeated rejections after transitioning from game writing to screenplays following a dismissal of his RPG submission as "too linear, like a movie."[18] He wrote 13 unproduced screenplays amid discouragement from representatives who advised against original material, yet persisted through self-taught study of scripts by authors like William Goldman. This stubborn determination, fueled by the viral momentum of The Dionaea House, secured him a manager in 2004 and positioned him for future opportunities.[16]Career
Early screenwriting
Following the success of his early creative pursuits in Oklahoma, which culminated in the viral online horror story "The Dionaea House" in 2004, Heisserer transitioned to professional screenwriting by adapting it into a spec script. This twelfth spec screenplay, centered on a malevolent house that ensnares those who learn of its existence, sold to Warner Bros. in 2005, marking his breakthrough into Hollywood.[16][19] The sale prompted Heisserer to relocate from Norman, Oklahoma, to Los Angeles, where he leveraged the deal to secure meetings with studio executives and build connections in the horror community. Through these networks, he pitched additional horror concepts to Warner Bros. and other studios, though many remained unproduced, including early ideas exploring supernatural entities and psychological terror.[20][15] By 2007, Heisserer landed his first studio assignments, focusing on rewrites for low-budget horror films, which allowed him to hone his craft while establishing a foothold in the genre. These uncredited polishes on independent projects, often involving tightening narratives and amplifying scares, further solidified his reputation among producers seeking fresh voices in horror.[19]Film projects
Heisserer's entry into major film screenwriting came with the 2010 remake of A Nightmare on Elm Street, where he co-wrote the screenplay with Wesley Strick under intense time constraints, delivering a draft in just four weeks to meet a narrowing production window.[21] The project faced challenges including rapid development to capitalize on franchise interest, resulting in a film that grossed $63 million domestically and $118 million worldwide despite a modest budget.[22] Critically, it received poor reception for lacking originality in its horror elements, earning a 14% approval rating on Rotten Tomatoes and a one-star review from Roger Ebert, who criticized its repetitive structure and failure to innovate on Freddy Krueger's dream-based kills.[23][24] In 2011, Heisserer contributed to the Final Destination franchise by writing Final Destination 5, directed by Steven Quale, where he helped craft elaborate, Rube Goldberg-style death sequences that became a hallmark of the series' appeal.[25] His script introduced twists like characters attempting to cheat death by killing others, while innovating kills such as an acupuncture session gone fatally wrong, developed through extensive trial and error in pre-production.[25] The film achieved commercial success, earning $43 million domestically and $155 million worldwide, revitalizing the series before its shift to 3D presentation. That same year, Heisserer co-wrote the prequel The Thing, directed by Matthijs van Heijningen Jr., adapting elements from John Carpenter's 1982 classic by setting the story at a Norwegian Antarctic research station where a paleontologist uncovers an alien organism.[26] The screenplay drew on detailed research into Antarctic isolation and scientific protocols to heighten tension, focusing on the organism's assimilation abilities while bridging to the original film's events.[27] It received mixed reviews, with praise for its practical effects and fidelity to the source but criticism for overreliance on CGI and familiar plotting, as noted in Roger Ebert's 2.5-star assessment; the film underperformed at the box office, grossing $31.5 million worldwide.[28] Heisserer's breakthrough in science fiction arrived with Arrival (2016), where he adapted Ted Chiang's novella "Story of Your Life" into a screenplay that emphasized nonlinear time perception and the Sapir-Whorf hypothesis on language shaping thought.[4] Collaborating closely with director Denis Villeneuve, Heisserer restructured the narrative to reveal the protagonist's prescient visions gradually, avoiding overt exposition while exploring global cooperation amid alien contact.[29] The film earned widespread critical acclaim for its intellectual depth and emotional resonance, grossing $100 million domestically and $203 million worldwide, and influencing discussions on linguistics and determinism in popular culture. For Netflix's Bird Box (2018), Heisserer adapted Josh Malerman's 2014 novel, crafting a screenplay that navigated the challenge of depicting unseen, madness-inducing entities through implication and sensory deprivation, relying on sound design and blindfolded sequences to build dread.[30] Starring Sandra Bullock as a mother protecting her children in a post-apocalyptic world, the script heightened the novel's survival themes by focusing on Bullock's character's resourcefulness and moral dilemmas.[30] It became a streaming phenomenon, viewed by over 45 million accounts in its first week, though critics noted its metaphorical potential on denial and isolation was underexplored.[30][31] Heisserer's work extended to superhero fare with Bloodshot (2020), co-writing the adaptation of Valiant's comic series about a resurrected soldier enhanced with nanotechnology, starring Vin Diesel in a high-octane blend of action and sci-fi espionage.[32] The script incorporated comic elements like memory manipulation and corporate intrigue, but its March theatrical release was hampered by the COVID-19 pandemic's onset, limiting audience access and contributing to a modest $37 million worldwide gross against a $45 million budget. Reception was moderate, with Variety praising Diesel's physicality and the film's self-aware nods to genre tropes, though others like Roger Ebert critiqued its convoluted plot and lack of innovation.[32][33] Heisserer also penned an early script for the live-action adaptation of Makoto Shinkai's Your Name in 2017 alongside J.J. Abrams' Bad Robot, but departed the project by 2020 amid directorial changes and rewrites.[34]Television production
Heisserer's early involvement in television production included developing a science-fiction series for AMC based on Ted Chiang's novelette "Liking What You See: A Documentary," announced in 2017, with no further developments reported as of 2025.[35] In 2021, Heisserer created the Netflix fantasy series Shadow and Bone, an adaptation of Leigh Bardugo's Grishaverse novels, serving as showrunner, head writer, and executive producer.[36] The series combined elements from Bardugo's Grisha Trilogy and Six of Crows duology to leverage television's long-form format for deeper character exploration.[36] For the lead role of Alina Starkov, Heisserer and the team cast Jessie Mei Li, selected for her ability to embody the character's emotional journey.[37] Season 1 premiered on April 23, 2021, earning critical acclaim for its rich world-building, visual splendor, and cultural specificity that immersed viewers in the fantastical setting.[38] The production of season 2, which began filming in July 2021, encountered significant challenges due to ongoing COVID-19 protocols, including separated filming schedules for cast members and disruptions from infections that forced the removal of planned scenes.[39][40] Heisserer implemented strict safety measures to maintain a supportive environment, building on a "no assholes" policy from season 1 to prioritize cast well-being amid the pandemic constraints.[36] The second season aired on March 16, 2023. Shadow and Bone was canceled by Netflix in November 2023, shortly after the resolution of the SAG-AFTRA strike, with production delays and the show's high costs relative to season 2 viewership cited as key factors.[41] The decision also halted a planned Six of Crows spinoff. Fans responded with a Change.org petition that amassed over 125,000 signatures by late November 2023, alongside billboard campaigns urging revival on other platforms like Amazon or HBO.[41] Heisserer expressed gratitude for the support on Reddit, stating, "The truth is, every bit helps… It will take some time," while noting that post-strike studio changes might delay any revival decisions until 2024 or later.[41] In August 2024, Legendary Entertainment announced a first-look TV deal with Heisserer, under which he is developing an origin series for the Pacific Rim franchise as writer and executive producer through his banner Chronology. The live-action prequel, focusing on the early days of the Jaeger program and kaiju threats, entered development at Amazon Prime Video in April 2025.[8][9]Directing and other ventures
Heisserer's directorial debut came with the 2013 thriller Hours, a film he also wrote, starring Paul Walker as a new father racing against time to keep his premature infant daughter alive in a New Orleans hospital plunged into darkness by the aftermath of Hurricane Katrina.[42] The story draws from real events, including accounts of medical staff manually operating equipment during the storm's chaos, and reflects Heisserer's personal connections to the disaster through friends affected in nearby Houston, where he lived at the time.[43] Motivated by a desire to explore themes of fatherhood and resilience without sensationalizing the tragedy, Heisserer aimed for an emotionally authentic narrative grounded in human vulnerability.[43] Principal photography for Hours occurred in 2012 at the then-abandoned Pendleton Memorial Methodist Hospital in New Orleans, leveraging the site's frozen-in-time quality—complete with calendars still marked on August 29, 2005—for stark realism, while employing a predominantly local crew to infuse the production with regional insight.[43] The film premiered at the Sundance Film Festival in January 2013 and received a limited theatrical release later that year, earning praise for Walker's nuanced performance in one of his final leading roles, though critics noted its modest pacing; it holds a 64% approval rating on Rotten Tomatoes based on 33 reviews.[44] Heisserer later reflected on the project's intimate scale as a deliberate transition from screenwriting, allowing him to helm a story close to his experiences with loss and survival.[45] Beyond directing, Heisserer has taken on producer roles in comic book adaptations, notably co-writing and producing Bloodshot (2020), a Sony Pictures action film based on the Valiant Comics superhero, starring Vin Diesel as a resurrected soldier seeking vengeance.[46] This marked an extension of his genre expertise into hybrid creative positions, blending script development with oversight of visual effects and narrative fidelity to the source material.[47] In 2025, Heisserer expanded into prose with his debut novel Simultaneous, a speculative psychological thriller published by Flatiron Books on October 28, centering on a past-life regression therapist and a predictive analytics agent investigating a supernatural killer exploiting reincarnation cycles.[12] Sony Pictures preemptively acquired the film rights the following day, October 30, integrating it into Heisserer's first-look deal with the studio under his production banner Chronology, where he will produce alongside Carmen Lewis.[12] This venture highlights his growing role in originating intellectual properties across media, with Chronology—launched in 2024 to champion sci-fi and thriller projects—facilitating developments like the adaptation of Nicholas Binge's 2025 novel Dissolution.[11]Personal life
Family
Heisserer's first marriage ended in divorce prior to 2010.[14] In 2010, Heisserer married screenwriter Christine Boylan in a ceremony at the Wilshire Ebell Theatre in Los Angeles.[14] The couple shares overlapping professional interests in genre storytelling, with Boylan known for her work on science fiction and fantasy television series. Since their marriage, Heisserer and Boylan have resided in Los Angeles.[48] As of 2025, the couple has no publicly known children.Beliefs
Heisserer views storytelling as a vehicle for delving into the human condition, prioritizing emotional authenticity in his adaptations to mirror the personal impact of the source material on audiences. In discussing his process, Heisserer has stated, "If I can make the audience feel what I felt when I read it, I consider that an effective adaptation."[49] Heisserer advocates for greater diversity in science fiction and fantasy narratives, emphasizing incremental progress toward inclusivity. Regarding adaptations like Shadow and Bone, he supported recasting the protagonist as half-Asian to align with a more representative worldview, noting that "the world is diverse" and requires storytelling that reflects varied environments and identities. He has remarked, "You make progress one step at a time," expressing hope for continued expansion of diverse representation in future projects.[50][51][52]Awards and nominations
Film awards
Heisserer's screenplay for the 2016 science fiction film Arrival earned him widespread acclaim and multiple prestigious awards, establishing it as a pivotal achievement in his film career. The adaptation, based on Ted Chiang's short story "Story of Your Life," was nominated for the Academy Award for Best Adapted Screenplay at the 89th Academy Awards in 2017, recognizing his innovative narrative structure and thematic depth in exploring linguistics and time perception.[53] It also won the Ray Bradbury Nebula Award for Outstanding Dramatic Presentation in 2017, credited to Heisserer and director Denis Villeneuve.[54] Although it did not win the Oscar, the nomination highlighted Arrival as a breakthrough following earlier horror projects that garnered limited recognition. Heisserer secured wins for Arrival at several key ceremonies, including the 22nd Critics' Choice Awards for Best Adapted Screenplay, where it was praised for its intellectual rigor amid competition from films like Lion and Nocturnal Animals.[55] Similarly, at the 69th Writers Guild of America Awards, he received the award for Best Adapted Screenplay, an honor voted by his peers in the screenwriting community.[56] The 43rd Saturn Awards further celebrated his work with a win in the Best Writing category, underscoring Arrival's impact within science fiction and fantasy genres.[57] In contrast, Heisserer's prior films, such as the 2011 prequel The Thing, received nominations at the 38th Saturn Awards for Best Horror/Thriller Film and Best Make-Up but did not result in wins for his screenplay, reflecting the more modest reception of his early horror efforts.[58] His screenplay for Bird Box (2018) earned a nomination for the Bram Stoker Award for Best Screenplay in 2019 but did not win.[59]| Award | Category | Year | Result | Notes |
|---|---|---|---|---|
| Academy Awards | Best Adapted Screenplay | 2017 | Nominated | For Arrival[53] |
| Nebula Awards | Ray Bradbury Award for Outstanding Dramatic Presentation | 2017 | Won | For Arrival (with Denis Villeneuve)[54] |
| Critics' Choice Awards | Best Adapted Screenplay | 2017 | Won | For Arrival[55] |
| Writers Guild of America Awards | Best Adapted Screenplay | 2017 | Won | For Arrival[56] |
| Saturn Awards | Best Writing | 2017 | Won | For Arrival[57] |
| Saturn Awards | Best Horror/Thriller Film | 2012 | Nominated | For The Thing (no screenplay-specific award)[58] |
| Bram Stoker Awards | Best Screenplay | 2019 | Nominated | For Bird Box[59] |
Television and other awards
Heisserer's work as showrunner and executive producer on the Netflix fantasy series Shadow and Bone (2021–2023) earned a nomination at the 2021 Dragon Awards for Best Science Fiction or Fantasy TV Series.[60] The series did not win the award, but the recognition highlighted its impact in the genre television landscape. No other major television awards or nominations have been reported for Heisserer's contributions to the project up to 2025.Filmography
Films
Heisserer's feature film credits as writer, director, and producer are as follows:| Year | Title | Role(s) |
|---|---|---|
| 2010 | A Nightmare on Elm Street | Screenplay https://www.rottentomatoes.com/m/nightmare_on_elm_street_2010 |
| 2011 | Final Destination 5 | Screenplay https://www.rottentomatoes.com/m/final_destination_5 |
| 2011 | The Thing | Screenplay https://www.rottentomatoes.com/m/the_thing_2011 |
| 2013 | Hours | Director, screenplay https://www.rottentomatoes.com/m/hours_2013 |
| 2016 | Lights Out | Producer, screenplay https://www.rottentomatoes.com/m/lights_out_2016 |
| 2016 | Arrival | Executive producer, screenplay https://www.rottentomatoes.com/m/arrival_2016 |
| 2018 | Bird Box | Executive producer, screenplay https://www.rottentomatoes.com/m/bird_box |
| 2020 | Bloodshot | Screenplay https://www.rottentomatoes.com/m/bloodshot_2020 |