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Euphrasian Basilica
The Euphrasian Basilica (Croatian: Eufrazijeva bazilika, Italian: Basilica Eufrasiana) or the Cathedral Basilica of the Assumption of Mary is a Roman Catholic basilica in the Istrian town of Poreč, Croatia. The episcopal complex, which comprises the basilica itself, a sacristy, a baptistery and the bell tower of the nearby archbishop's palace, is an excellent example of early Byzantine architecture in the Mediterranean region.
The Euphrasian basilica has for the most part retained its original shape, but accidents, fires and earthquakes have altered a few details. Since it is the third church to be built on the same site, it conceals previous buildings, for example the great floor mosaic of the previous basilica from the 5th century. Because of its exceptional value, it has been inscribed on the UNESCO World Heritage List since 1997. The basilica is also the cathedral of the Roman Catholic Diocese of Poreč-Pula. It is considered the best preserved early-christian church in the world.
The earliest basilica was dedicated to Saint Maurus of Parentium and dates back to the second half of the 4th century. The floor mosaic from its oratory, originally part of a large Roman house, is still preserved in the church garden. This oratorium was already expanded in the same century into a church composed of a nave and one aisle (basilicae geminae). The fish on the floor mosaic dates from this period. Coins with the portrayal of emperor Valens (365–378), found in the same spot, confirm these dates.
The present basilica, dedicated to Mary, was built in the sixth century during the period of Bishop Euphrasius. It was built from 553 on the site of the older basilica that had become dilapidated. For the construction, parts of the former church were used and the marble blocks were imported from the coast of the Sea of Marmara. The wall mosaics were executed by Byzantian masters and the floor mosaics by local experts. The construction took about ten years. Euphrasius, holding the church in his arms, is represented on one of the mosaics on the apse, next to St. Maurus.
Following the earthquake of 1440 the southern wall of the central nave of the basilica was restored, so that in place of the windows which were destroyed, other were built in the Gothic style.
The basilica is part of a complex composed of:
The two aisles are separated from the nave by 18 elegant Greek marble colonnades with richly sculpted Byzantine and Romanesque capitals, decorated with depictions of animals. They all carry the monogram of Saint Euphrasius. The arches between the capitals are decorated with stucco work.
A novelty of the Euphrasian basilica is that rather than being enclosed by a straight wall, as all sacred buildings were up to that time, it makes use of the breadth and length of the apse of the central nave, built in the shape of a polygon from the outside, whilst the two aisles end in smaller semicircular apses, hollowed into the wall. Thus the Euphrasian basilica is the earliest example of a triple-apsed church in Western Europe. The atrium is a typical example of Byzantine architecture, as are the columns, the tiles on the altar rail and all the abundant mosaics. Most impressive is the representation of Christ with the apostles, and beneath it a frieze of 13 medallions with a picture of Christ as the Lamb in the centre, surrounded by 12 medallions depicting various martyrs.
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Euphrasian Basilica AI simulator
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Euphrasian Basilica
The Euphrasian Basilica (Croatian: Eufrazijeva bazilika, Italian: Basilica Eufrasiana) or the Cathedral Basilica of the Assumption of Mary is a Roman Catholic basilica in the Istrian town of Poreč, Croatia. The episcopal complex, which comprises the basilica itself, a sacristy, a baptistery and the bell tower of the nearby archbishop's palace, is an excellent example of early Byzantine architecture in the Mediterranean region.
The Euphrasian basilica has for the most part retained its original shape, but accidents, fires and earthquakes have altered a few details. Since it is the third church to be built on the same site, it conceals previous buildings, for example the great floor mosaic of the previous basilica from the 5th century. Because of its exceptional value, it has been inscribed on the UNESCO World Heritage List since 1997. The basilica is also the cathedral of the Roman Catholic Diocese of Poreč-Pula. It is considered the best preserved early-christian church in the world.
The earliest basilica was dedicated to Saint Maurus of Parentium and dates back to the second half of the 4th century. The floor mosaic from its oratory, originally part of a large Roman house, is still preserved in the church garden. This oratorium was already expanded in the same century into a church composed of a nave and one aisle (basilicae geminae). The fish on the floor mosaic dates from this period. Coins with the portrayal of emperor Valens (365–378), found in the same spot, confirm these dates.
The present basilica, dedicated to Mary, was built in the sixth century during the period of Bishop Euphrasius. It was built from 553 on the site of the older basilica that had become dilapidated. For the construction, parts of the former church were used and the marble blocks were imported from the coast of the Sea of Marmara. The wall mosaics were executed by Byzantian masters and the floor mosaics by local experts. The construction took about ten years. Euphrasius, holding the church in his arms, is represented on one of the mosaics on the apse, next to St. Maurus.
Following the earthquake of 1440 the southern wall of the central nave of the basilica was restored, so that in place of the windows which were destroyed, other were built in the Gothic style.
The basilica is part of a complex composed of:
The two aisles are separated from the nave by 18 elegant Greek marble colonnades with richly sculpted Byzantine and Romanesque capitals, decorated with depictions of animals. They all carry the monogram of Saint Euphrasius. The arches between the capitals are decorated with stucco work.
A novelty of the Euphrasian basilica is that rather than being enclosed by a straight wall, as all sacred buildings were up to that time, it makes use of the breadth and length of the apse of the central nave, built in the shape of a polygon from the outside, whilst the two aisles end in smaller semicircular apses, hollowed into the wall. Thus the Euphrasian basilica is the earliest example of a triple-apsed church in Western Europe. The atrium is a typical example of Byzantine architecture, as are the columns, the tiles on the altar rail and all the abundant mosaics. Most impressive is the representation of Christ with the apostles, and beneath it a frieze of 13 medallions with a picture of Christ as the Lamb in the centre, surrounded by 12 medallions depicting various martyrs.