Exile on Main St.

Exile on Main St. is the tenth studio album by the English rock band the Rolling Stones, released on 12 May 1972, by Rolling Stones Records. The 10th released in the UK and 12th in the US, it is viewed as a culmination of a string of the band's most critically successful albums, following Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971). Exile on Main St. is known for its wide stylistic range and the strong influence of Delta blues, gospel music, and country rock. The album was originally met with mixed reviews before receiving strong reassessments by the end of the 1970s. It has since been recognized as a pivotal rock album, viewed by many critics as the Rolling Stones' best work and as one of the greatest albums of all time.

The album was a commercial success topping the charts in many countries including Netherlands, Norway, Canada, Sweden, the US and UK. Recording began in 1969 at Olympic Studios in London during sessions for Sticky Fingers, with the main sessions beginning in mid-1971 at Nellcôte, a rented villa in the South of France, after the band members became tax exiles. Due to the lack of a professional studio nearby, they worked with a mobile recording studio and recorded in-house. The loose and unorganised Nellcôte sessions went on for hours into the night, with personnel varying greatly from day to day. Recording was completed with overdub sessions at Sunset Sound in Los Angeles and included additional musicians such as the pianist Nicky Hopkins, the saxophonist Bobby Keys, the drummer and producer Jimmy Miller, and the horn player Jim Price. The results produced enough songs for the Stones' first double album.

The band continued a back-to-basics direction heard in Sticky Fingers, yet Exile exhibited a wider range of influences in blues, rock and roll, swing, country and gospel, while the lyrics explored themes related to hedonism, sexuality, and nostalgia. The album contains frequently performed concert staples and topped the charts in six countries, including the UK, US and Canada. It included the singles "Happy", which featured lead vocals from Keith Richards, the country ballad "Sweet Virginia", and the worldwide top-ten hit "Tumbling Dice". The album's artwork, a collage of various images, reflected the Rolling Stones' prideful rebellion. After its release, the Stones embarked on an American tour, gaining infamy for riotous audiences and performances.

Rolling Stone magazine ranked the album number 7 on its list of the "500 Greatest Albums of All Time" in 2003 and 2012, with it dropping to number 14 in the 2020 edition, consistently as the highest-ranked Rolling Stones album on the list. In 2012, the album was inducted into the Grammy Hall of Fame, the band's fourth album to be inducted. A remastered and expanded version of the album was released in 2010 featuring a bonus disc with 10 new tracks. Unusual for a re-release, it also charted highly at the time of its release, reaching number one in the UK and number two in the US.

Exile on Main St. was written and recorded between 1969 and 1972. Mick Jagger said, "After we got out of our contract with Allen Klein, we didn't want to give him [those earlier tracks]," as they were forced to do with "Brown Sugar" and "Wild Horses" from Sticky Fingers (1971). Many tracks were recorded between 1969 and 1971 at Olympic Studios and Jagger's Stargroves country house in East Woodhay during sessions for Sticky Fingers.

By the spring of 1971 the Rolling Stones had spent the money they owed in taxes and left Britain before the government could seize their assets. Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in the south of France. As a suitable recording studio could not be found where they could continue work on the album, Richards' basement at Nellcôte became a makeshift studio using the band's mobile recording truck.

Recording began in earnest sometime near the middle of June. Bassist Bill Wyman recalls the band working all night, every night, from eight in the evening until three the following morning for the rest of the month. Wyman said of that period, "Not everyone turned up every night. This was, for me, one of the major frustrations of this whole period. For our previous two albums we had worked well and listened to producer Jimmy Miller. At Nellcôte things were very different and it took me a while to understand why." By this time Richards had begun a daily habit of using heroin. Thousands of pounds' worth of heroin flowed through the mansion each week, along with visitors such as William S. Burroughs, Terry Southern, Gram Parsons, John Lennon, and Marshall Chess, the son of the famous blues impresario Leonard Chess, who had been recently recruited to serve as president of the Rolling Stones' new eponymous record label. Parsons was asked to leave Nellcôte in early July 1971, the result of his obnoxious behavior and an attempt by Richards to clean the house of drug users as the result of pressure from the French police.

Richards' substance abuse frequently prevented him from attending the sessions that continued in his basement, while Jagger and Wyman were often unable to attend sessions for other reasons. This often left the band in the position of having to record in altered forms. A notable instance was the recording of one of Richards' most famous songs, "Happy". Recorded in the basement, Richards said in 1982, "'Happy' was something I did because I was for one time early for a session. There was Bobby Keys and Jimmy Miller. We had nothing to do and had suddenly picked up the guitar and played this riff. So we cut it and it's the record, it's the same. We cut the original track with a baritone sax, a guitar and Jimmy Miller on drums. And the rest of it is built up over that track. It was just an afternoon jam that everybody said, 'Wow, yeah, work on it'".