Beggars Banquet is the seventh studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the Rolling Stones' sound throughout the late 1960s and early 1970s.

Brian Jones, the band's co-founder and early leader, had become increasingly unreliable in the studio due to his drug use, and it was the last Rolling Stones album to be released during his lifetime, though he also contributed to two songs on their next album Let It Bleed, which was released after his death (Jones also contributed to the group's hit song "Jumpin' Jack Flash", which was part of the same sessions, and released in May 1968). Nearly all rhythm and lead guitar parts were recorded by Keith Richards, the Rolling Stones' other guitarist and the primary songwriting partner of their lead singer Mick Jagger; together the two wrote all but one of the tracks on the album. Rounding out the instrumentation were bassist Bill Wyman and drummer Charlie Watts, though all members contributed on a variety of instruments. As with most albums of the period, frequent collaborator Nicky Hopkins played piano on many of the tracks.

Beggars Banquet marked a change in direction for the band following the psychedelic pop of their previous two albums, Between the Buttons and Their Satanic Majesties Request. Styles such as roots rock and a return to the blues rock sound that had marked early Stones recordings dominate the record, and the album is among the most instrumentally experimental of the band's career, as they use Latin beats and instruments like the claves alongside South Asian sounds from the tanpura, tabla and shehnai, and African music-influenced conga rhythms.

Beggars Banquet was a top-ten album in many markets, including a number 5 position in the US—where it has been certified platinum—and a number 3 position in the band's native UK. It received a highly favourable response from music critics, who deemed it a return to form. While the album lacked a major hit single at the time of its release, songs such as "Sympathy for the Devil" and "Street Fighting Man" (U.S. Billboard number 48) became rock radio staples for decades to come. The album has appeared on many lists of the greatest albums of all time, including by Rolling Stone, and it was inducted into the Grammy Hall of Fame in 1999.

Glyn Johns, the album's recording engineer and a longtime collaborator of the band, said that Beggars Banquet signalled "the Rolling Stones' coming of age. ... I think that the material was far better than anything they'd ever done before. The whole mood of the record was far stronger to me musically." Producer Jimmy Miller described guitarist Keith Richards as "a real workhorse" while recording the album, mostly due to the infrequent presence of Brian Jones. When he did show up at the sessions, Jones behaved erratically due to his drug use and emotional problems. Miller said that Jones would "show up occasionally when he was in the mood to play, and he could never really be relied on:

When he would show up at a session—let's say he had just bought a sitar that day, he'd feel like playing it, so he'd look in his calendar to see if the Stones were in. Now he may have missed the previous four sessions. We'd be doing let's say, a blues thing. He'd walk in with a sitar, which was totally irrelevant to what we were doing, and want to play it. I used to try to accommodate him. I would isolate him, put him in a booth and not record him onto any track that we really needed. And the others, particularly Mick and Keith, would often say to me, 'Just tell him to piss off and get the hell out of here'.

Nevertheless, Jones contributed to eight tracks on the album, playing sitar and tanpura on "Street Fighting Man", acoustic slide guitar on "No Expectations", harmonica on "Parachute Woman", "Dear Doctor" and "Prodigal Son", acoustic guitar and backing vocals on "Sympathy for the Devil", and Mellotron on "Jigsaw Puzzle" and "Stray Cat Blues". In a television interview, Mick Jagger recalled that Jones' slide guitar performance on "No Expectations" was the last time he contributed something "of significance" to the band. Other than Jones, the principal band members appeared extensively, with Richards providing nearly all of the lead and rhythm guitar work, as well as playing bass on two others, in the place of Bill Wyman, who appears on the rest. Drummer Charlie Watts plays the drum kit on all but two tracks, as well as other percussion on the tracks that do not feature a full drum kit. Additional parts were played by keyboardist and frequent Rolling Stones collaborator Nicky Hopkins and percussionist Rocky Dijon, among others.

The basic track of "Street Fighting Man" was recorded on an early Philips cassette deck at London's Olympic Sound Studios, where Richards played a Gibson Hummingbird acoustic guitar, and Watts played on an antique, portable practice drum kit. "Prodigal Son", a cover of Robert Wilkins's Biblical blues song, was originally credited as a Jagger/Richards composition on initial pressings of the album, but was subsequently corrected on later pressings.