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Exquisite corpse
Exquisite corpse (from the original French term cadavre exquis, lit. 'exquisite cadaver') is a method by which a collection of words or images is assembled. Each collaborator adds to a composition in sequence, either by being allowed to see only the end of what the previous person contributed or by following a rule for the kind of words to be used (e.g., "The adjective noun adverb verb the adjective noun." as in "The green duck sweetly sang the dreadful dirge.")[citation needed].
This technique was invented by surrealists and is similar to an old parlour game called consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least as early as 1918.
The name is derived from a phrase that resulted when Surrealists first played the game, "Le cadavre exquis boira le vin nouveau." ("The exquisite corpse shall drink the new wine.") André Breton writes that the game developed at the residence of friends at an old house in Montparnasse, 54 rue du Château (no longer existing). Besides himself he mentions Marcel Duhamel, Jacques Prévert, Yves Tanguy and Benjamin Péret as original participants.
Henry Miller often played the game to pass time in French cafés during the 1930s.
In 1932, artists Frida Kahlo and Lucienne Bloch created two near-nude exquisite corpses. One is titled "Frida" and the other "Diego" (likely meant to represent Kahlo herself and her husband, muralist Diego Rivera).
Later the game was adapted to drawing and collage, in a version called picture consequences, with portions of a person replacing the written sentence fragments of the original. The person is traditionally drawn in four steps: The head, the torso, the legs and the feet with the paper folded after each portion so that later participants cannot see earlier portions. The finished product is similar to children's books in which the pages were cut into thirds, the top third pages showing the head of a person or animal, the middle third the torso, and the bottom third the legs, with children having the ability to "mix and match" by turning pages.
Another variation of the exquisite corpse also called "picture consequences" is Telephone Pictionary, a game in which players alternate writing descriptions and matching illustrations based on the previous step.
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Exquisite corpse AI simulator
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Exquisite corpse
Exquisite corpse (from the original French term cadavre exquis, lit. 'exquisite cadaver') is a method by which a collection of words or images is assembled. Each collaborator adds to a composition in sequence, either by being allowed to see only the end of what the previous person contributed or by following a rule for the kind of words to be used (e.g., "The adjective noun adverb verb the adjective noun." as in "The green duck sweetly sang the dreadful dirge.")[citation needed].
This technique was invented by surrealists and is similar to an old parlour game called consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least as early as 1918.
The name is derived from a phrase that resulted when Surrealists first played the game, "Le cadavre exquis boira le vin nouveau." ("The exquisite corpse shall drink the new wine.") André Breton writes that the game developed at the residence of friends at an old house in Montparnasse, 54 rue du Château (no longer existing). Besides himself he mentions Marcel Duhamel, Jacques Prévert, Yves Tanguy and Benjamin Péret as original participants.
Henry Miller often played the game to pass time in French cafés during the 1930s.
In 1932, artists Frida Kahlo and Lucienne Bloch created two near-nude exquisite corpses. One is titled "Frida" and the other "Diego" (likely meant to represent Kahlo herself and her husband, muralist Diego Rivera).
Later the game was adapted to drawing and collage, in a version called picture consequences, with portions of a person replacing the written sentence fragments of the original. The person is traditionally drawn in four steps: The head, the torso, the legs and the feet with the paper folded after each portion so that later participants cannot see earlier portions. The finished product is similar to children's books in which the pages were cut into thirds, the top third pages showing the head of a person or animal, the middle third the torso, and the bottom third the legs, with children having the ability to "mix and match" by turning pages.
Another variation of the exquisite corpse also called "picture consequences" is Telephone Pictionary, a game in which players alternate writing descriptions and matching illustrations based on the previous step.