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Faaiz Anwar
Faaiz Anwar
Faaiz Anwar
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Faaiz Anwar (born 9 March 1965) is an Indian poet and lyricist who has written songs for popular movies including Dil Hai Ke Manta Nahin, Saajan, Tum Bin, Jab We Met, Dabangg, and Rowdy Rathore.

Key Information

Career

[edit]

Anwar entered the Hindi music industry by chance. In 1989, on a sightseeing visit to Bombay, he happened to meet Roop Kumar Rathod. Impressed by his Shayri, Roop Kumar Rathore introduced him to Mahesh Bhatt. And, Mahesh Bhatt was so impressed by his Shayari that he asked to join the Film Industry and even promised to give the break. And Mahesh Bhatt kept his promise. Mahesh Bhatt was working on a subject and had the music ready for a song but wanted Shayri with a touch of sensibility and human feel. He tried many established lyricists but they could not satiate Mahesh Bhatt's demanding soul. He asked Faaiz Anwaar to write lyrics. In 40 min. what Faaiz Anwaar wrote, went to become musical milestone of Music Industry. This was the title song "Dil Hai Ke Manta Nahin" which stayed on the top of the most popular Radio Programme Cibaca Geetmala for almost two years. Soon, followed musical hit film of the year "Imtihaan" and Saajan” which consolidated his place in the Film Industry. He was nominated for Best Lyricist for his debut song "Dil Hai Ke Maanta Nahi" (Film: Dil Hai Ke Maanta Nahin), "Is Tarah Aashiqui Ka Asar... (Film: Imtehan), and "Tere Mast Mast Do Nain" (Film: Dabangg) in Filmfare awards, Zee awards.

Filmography

[edit]

Albums

[edit]
Album Singer Music Director
I Love You Udit Narayan Sandesh Shandilya
Deewana (album) Sonu Nigam Sajid–Wajid
Jaan (album) Sonu Nigam Nikhil Vinay
Yaad Sonu Nigam Nikhil Vinay
Oh My Love Sadhana Sargam Sandesh Shandilya
Jaanam Udit Narayan Nikhil Vinay
Aashiqui Abhijeet Bhattacharya Nikhil Vinay
Ishq Hua Anuradha Paudwal Nikhil Vinay
Love Is Life Udit Narayan Anand–Milind
Sochta Hun Babul Supriyo
Tujhse Pyar Hai P.Balram and Sadhna Sargam Sayeed Ali
Teri Kuch Yaadein Shael Milind Sagar
Maah-E-Ru Jojo Prakash-Ashish
Sitara Vibhav Krishna Prakash-Ashish

Accolades

[edit]
Year Award Ceremony Category Film Song Result Reference(s)
2010 Mirchi Music Awards Album of The Year Dabangg - Won [1][2]
Lyricist of The Year "Tere Mast Mast Do Nain" Nominated

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Faaiz Anwar

View on Grokipedia
from Grokipedia
Faaiz Anwar (born 9 March 1965 in , ) is an Indian poet and lyricist renowned for his contributions to Bollywood music, particularly romantic and philosophical song lyrics that have become chart-toppers in several blockbuster films. His career breakthrough came with the 1991 Dil Hai Ke Manta Nahin, where he penned the title track, earning a Award nomination for Best in his debut year. Over the decades, Anwar has written for over 40 films, blending poetic traditions with contemporary cinema, and his work has been sung by prominent artists like , , and . Anwar's notable songs include "Dil Hai Ke Manta Nahin" from the 1991 eponymous film, "Pehli Baar Mile Hain" from (1991), "Aaoge Jab Tum" from (2007), and "Tere Mast Mast Do Nain" from (2010), the latter garnering him another nomination for Best Lyricist in 2011. Beyond films, he has contributed lyrics to albums such as Sonu Nigam's Deewana (1999) and Jaan (2000), influencing the singer's early rise. His style often draws from and Sufi elements, emphasizing themes of love, longing, and introspection, making him a respected figure in Indian literary and musical circles. In addition to lyricism, Anwar has occasionally ventured into production, though his primary legacy remains his evocative songwriting that has endured across generations of Bollywood audiences.

Early life and background

Birth and upbringing

Faaiz Anwar was born on 9 March 1965 in Amraudha, a town in , , . He was raised in , where he spent his formative years in a culturally vibrant environment typical of , which played a key role in shaping his affinity for and literary traditions. From a young age, Anwar nurtured a deep interest in poetry and literature, composing shayri and ghazals that he successfully published in local newspapers and magazines. Details on his , including parents or siblings, remain limited in available records, underscoring the focus on his personal development within 's rich poetic milieu rather than specific familial lineage.

Entry into the industry

Faaiz Anwar gained initial recognition as a in his hometown of , , where his upbringing amid the city's cultural milieu shaped his poetic voice, drawing from and traditions. He composed shayari and ghazals from a young age, with some works published in local newspapers and magazines, while others remained unpublished and circulated among literary circles in the region. Anwar's transition from amateur poetry to professional opportunities in the film industry occurred serendipitously in the late 1980s. During a sightseeing visit to Bombay in 1989, he had an accidental encounter with playback singer Roop Kumar Rathod, who was impressed by Anwar's impromptu shayari recitation. This led Rathod to introduce him to filmmaker , whose appreciation for Anwar's lyrical talent opened doors to Bollywood lyricism. The role of personal networks proved pivotal in this shift, as Anwar's pre-existing reputation in local poetic communities facilitated these key connections, bridging his Urdu-Hindi verse with the demands of film songwriting around 1989.

Professional career

Debut and breakthrough

Faaiz Anwar, originally from where he had established himself as a young through shayari and ghazals published in local newspapers, marked his entry into Bollywood via pivotal industry connections. During a visit to in the late 1980s, he encountered playback singer and composer Roop Kumar Rathod, who was struck by Anwar's poetic flair and facilitated an introduction to director . Impressed by Anwar's shayari during their meeting, Bhatt promptly offered him the chance to pen for his next project, initiating Anwar's collaboration with the influential Bhatt camp and his evolution from standalone to film . Anwar's debut came with the 1991 romantic comedy Dil Hai Ke Manta Nahin, directed by and produced by under T-Series, featuring and in lead roles. He contributed the lyrics for the film's iconic title track, "Dil Hai Ke Manta Nahin," composed by the duo Nadeem-Shravan and rendered by singers and . The song's evocative verses, exploring the turmoil of unspoken affection with lines like "Dil hai ki manta nahin, mushkil badi hai rasme mohabbat," resonated deeply, seamlessly integrating Anwar's poetic roots into the film's narrative inspired by Frank Capra's . The track propelled Anwar to prominence, as the soundtrack sold over 2.5 million units, ranking among the year's top-selling Bollywood albums and dominating music charts through 1991 and into 1992. Its enduring appeal led to securing the Award for Best Female in 1992, highlighting the song's melodic and lyrical synergy. This breakthrough not only boosted the film's commercial success but firmly positioned Anwar as a rising talent in , opening doors for further assignments within the Bhatt production ecosystem.

Rise in the 1990s and 2000s

Following his debut, Faaiz Anwar's career gained momentum in the through contributions to prominent Bollywood films, notably (1991), where he wrote the lyrics for the romantic duet "Pehli Baar Mile Hain," composed by Nadeem-Shravan and sung by and . This work, part of a blockbuster soundtrack, highlighted his ability to blend emotional depth with melodic simplicity, earning appreciation in the romantic drama genre. Anwar's association with Bhatt productions, stemming from his earlier involvement, continued to provide a platform, allowing him to refine his poetic style amid the era's emphasis on heartfelt ballads. As the decade progressed, Anwar expanded his portfolio with films like (1995), where his lyrics complemented the narrative's themes of youth and relationships, solidifying his reputation for evocative wording. By the early , his trajectory shifted toward broader Bollywood projects, reflecting increased demand for his introspective in an industry evolving toward more nuanced romantic . This period marked a transition from production-house centric work to diverse collaborations, with Anwar's output aligning with the rising popularity of ghazal-infused tracks in mainstream cinema. Key milestones in the 2000s included Tum Bin (2001), for which Anwar penned "Koi Fariyaad," a poignant ghazal sung by Jagjit Singh and set to music by Nikhil-Vinay, capturing themes of longing and separation that resonated widely with audiences. The song's success, from a film that emphasized emotional romance, underscored his growing influence in independent productions. Further elevating his profile was Jab We Met (2007), directed by Imtiaz Ali, where Anwar contributed philosophical love tracks such as "Aaoge Jab Tum," sung by Ustad Rashid Khan with music by Sandesh Shandilya, exploring anticipation and destiny in a modern rom-com context. These collaborations with directors like Imtiaz Ali and composers including Pritam built on his foundational success, establishing Anwar's niche in romantic dramas by infusing lyrics with philosophical undertones that appealed to contemporary viewers. Post-2000, this versatility led to heightened opportunities across varied projects, as filmmakers sought his talent for crafting lyrics that bridged traditional poetry with evolving cinematic narratives.

Major works in the 2010s and beyond

In the , Faaiz Anwar contributed lyrics to several high-profile Bollywood films, beginning with the action-comedy (2010), where he wrote the words for the chart-topping romantic track "Tere Mast Mast Do Nain," sung by and , which became a defining element of the film's soundtrack under composers Sajid-Wajid. This song's evocative portrayal of helped propel Dabangg's music to widespread commercial success, blending Anwar's poetic flair with the era's mass-appeal rhythms. Anwar's involvement extended to the 2012 action-romance Rowdy Rathore, where he crafted lyrics for upbeat numbers like "Dhadhang Dhang," enhancing the film's energetic vibe alongside Sajid-Wajid's compositions and contributing to its role as a box-office entertainer in the action-romance genre. His words captured playful flirtation, aligning with the movie's lighthearted sequences and reinforcing his versatility in high-octane narratives. Moving into the mid-2010s, Anwar's original "Koi Fariyaad" from (2001) was adapted for the romantic drama (2016) as "Teri Fariyad," with new lyrics by , composed by , and sung by and , incorporating elements from Jagjit Singh's original rendition, evoking themes of longing that resonated deeply with audiences through its emotional depth. In 2018, he wrote for the comedy , including the melodic "Na Kasoor" sung by , under Farzan Faaiz's music, infusing wedding-themed romance with poetry that complemented the film's humorous tone. Entering the 2020s, Anwar provided lyrics for the thriller (2022), where his contributions were noted for their appealing quality amid Harsh Raj's score, adding layers of intrigue to the narrative-driven soundtrack. Beyond films, he collaborated with singer Shaan on the non-film single "Mujh Pe Hua Hai Jo Karam Tera" in 2025, composed by Gianysh Toolsee, delivering a retro-inspired romantic that highlighted enduring themes of in . As of November 2025, Anwar continues to engage in new lyrical projects, maintaining his influence in Bollywood and independent music. Throughout this period, Anwar adapted to evolving Bollywood trends by partnering with emerging composers like Ankit Tiwari and Gianysh Toolsee, while preserving his signature poetic depth in lyrics that balanced contemporary beats with timeless emotional resonance.

Writing style and themes

Poetic influences

Faaiz Anwar's poetic roots are deeply embedded in the traditions of Urdu poetry, where he drew significant inspiration from classical Urdu masters, imparting a profound philosophical depth to his lyrical sensibility. These influences are evident in Anwar's early personal writings, which echoed the philosophical undertones of Urdu literary heritage. Growing up in , Anwar's literary formation was further enriched by the impact of and Sufi elements prevalent in the region's cultural milieu, allowing him to fuse classical forms with contemporary expressions. This upbringing in Amraudha, , provided a fertile ground for absorbing Sufi , which infused his with spiritual introspection and emotional nuance. The syncretic environment of , blending Hindu and Muslim poetic traditions, encouraged Anwar to explore themes of love and longing through a lens that transcended rigid boundaries. Anwar's early exposure to Bollywood music legends played a pivotal role in inspiring a fusion of romance and introspection in his style. These poignant, socially aware lyrics in films motivated Anwar to adapt poetic depth for cinematic narratives, bridging personal expression with popular appeal. Anwar has described his evolution from maintaining personal poetry notebooks in his youth to adapting verses for films beginning in the late 1980s, marking a deliberate shift toward professional lyricism while retaining his foundational influences. This transition, initiated after moving to in 1988, allowed him to channel his notebook compositions into broader audiences without diluting their poetic essence.

Signature lyrical elements

Faaiz Anwar's lyrics often emphasize intertwined with philosophical undertones, employing metaphors of longing and destiny to evoke a sense of inevitable emotional journeys. This approach creates layers of meaning, where personal desire merges with broader existential questions, as seen in his use of imagery depicting life as an extended wakeful dream interrupted by suppressed yearnings. A hallmark of his style is the seamless blend of simple, accessible with poetic phrases, which enhances emotional resonance without alienating audiences. This linguistic fusion allows for conversational intimacy while infusing verses with rhythmic depth and vivid metaphors, such as those comparing unspoken emotions to stifled cries within the heart. Anwar has noted the importance of such heart-touching quality in his work, prioritizing emotional impact over superficial trends. Recurring themes include , , and the ironies of life, which appear consistently across his decades-long oeuvre, reflecting a contemplative gaze on human vulnerability. These elements underscore a of amid isolation and fleeting connections, often portrayed through motifs of time's passage and unfulfilled anticipation. Over time, Anwar's style has evolved from the more introspective tones suited to romances to upbeat, contemporary expressions in action films and beyond, including recent works like those in Subway (2022), adapting to industry shifts while maintaining core emotional authenticity. This progression reflects his critique of modern lyrics lacking poetic and philosophical depth, as he balances artistic integrity with commercial demands.

Works

Film contributions

Faaiz Anwar has contributed lyrics to over 50 Bollywood , penning more than 100 as of 2025. His selective filmography includes the following notable contributions: (1991) Saajan (1991) Tum Bin (2001) Jab We Met (2007) Dabangg (2010) Rowdy Rathore (2012) Tum Bin 2 (2016) Veerey Ki Wedding (2018)
  • "Na Kasoor", sung by and Akanksha Bhandari, composed by Farzan Faaiz.
Subway (2022)
  • "Piya Re Piya", sung by and , composed by Harsh Raj Harsh.
  • "Mast Maula", sung by , composed by Harsh Raj Harsh.
  • "Rubaru", composed by Harsh Raj Harsh (specific singers not detailed in sources).

Non-film albums

Faaiz Anwar's non-film albums primarily explore romantic and themes, often collaborating with established playback singers and composers to create standalone releases distinct from Bollywood soundtracks. These projects, spanning from the late 1990s onward, emphasize lyrical depth in private label formats, with Anwar contributing that evokes longing and emotion. By , his includes approximately five major non-film albums, plus recent singles, highlighting his versatility beyond cinematic work. His debut non-film effort, I Love You (1999), was composed by and featured as the lead vocalist across all tracks. The album comprises nine songs, including "Tera Chehra Nazar Se Hatata Nahi" and "Zindagi Bhar Tumhain Chahein," which capture subtle expressions of enduring love through simple yet poignant verses. Released under a , it marked Anwar's initial foray into , prioritizing melodic introspection over narrative-driven film songs. In the same year, Deewana (1999) followed, with music direction by Sajid-Wajid and vocals by Sonu Nigam. This eight-track collection includes standout pieces like "Deewana Tera" and "Ab Mujhe Raat Din," where Anwar's lyrics delve into obsessive romance, blending upbeat rhythms with heartfelt pleas. The album's private release underscored Anwar's growing reputation for crafting accessible, emotion-laden non-film content. Anwar continued this trajectory with Jaan (2000), again partnering with Sonu Nigam and composers Nikhil-Vinay for a nine-song set. Notable tracks such as "Jaane Kyon Main Tujhko" and "Kya Baat Hai O Jaane Jaan" reflect his signature romantic flair, applied to non-cinematic melodies that emphasize personal yearning. This release, like its predecessors, was issued via independent channels, solidifying Anwar's contributions to the ghazal-infused pop genre. Later works, including (2000) featuring and Nikhil-Vinay, further expanded his non-film output, maintaining a focus on duet-friendly romantic ballads. These albums collectively showcase Anwar's poetic influences in standalone formats, with collaborations involving artists like and driving their appeal. Recent non-film singles include "Dhadkan Ki Tarah" (2025), "Adhura" (2024), and "Jaa Bewafa Jaa" (2023).

Awards and recognition

Major wins

Faaiz Anwar received early industry acclaim for his debut as a lyricist with the title song "Dil Hai Ke Manta Nahin" from the 1991 film of the same name, directed by Mahesh Bhatt, which became a chart-topping hit and contributed to the film's commercial success. His most notable award victory came in 2011 at the Mirchi Music Awards for Album of the Year, shared with composers Sajid–Wajid, Lalit Pandit, and fellow lyricist Jalees Sherwani, for the soundtrack of Dabangg, a blockbuster action film starring Salman Khan that revitalized the actor's career. Anwar also won the Bollywood Hungama Surfers' Choice Music Award in 2011 for his lyrics in "Tere Mast Mast Do Nain" from the same album, highlighting the song's massive popularity with over 21% of public votes. These wins for , which featured Anwar's contributions to hit tracks like "Tere Mast Mast Do Nain" and "," marked a career resurgence after a period of relative inactivity, solidifying his position among Bollywood's elite lyricists by associating him with one of the decade's highest-grossing films.

Nominations

Faaiz Anwar has received several notable nominations for his lyrical contributions to Bollywood films throughout his career, recognizing his ability to craft emotive and memorable songs. These nominations span major awards ceremonies, highlighting works from his early breakthrough to high-profile action-dramas in the . By 2025, Anwar had accumulated approximately five significant nominations, though he did not secure wins in these instances, with his triumphs covered separately in award histories. One of his earliest recognitions came at the in 1992, where he was nominated for Best Lyricist for the title song "Dil Hai Ke Manta Nahin" from the Dil Hai Ke Manta Nahin (1991), a debut effort that showcased his poetic flair for themes of love and longing. (Note: Using for verification, but cite primary like ) In 2011, Anwar earned a nomination for Best Lyrics at the for "Tere Mast Mast Do Nain" from Dabangg (2010), praised for its playful sensuality and integration with the film's energetic soundtrack. The same song also garnered him a nomination for Lyricist of the Year at the 3rd Mirchi Music Awards in 2011, where it competed against entries from films like Ishqiya, underscoring the track's commercial and critical buzz despite the award going to another lyricist. Anwar's work on "Tere Mast Mast Do Nain" further led to a for Best Lyricist at the 2011 , reflecting peer recognition in a category dominated by established names like . Additionally, he received a at the 12th IIFA Awards in 2011 for Best Lyrics (Popular Choice) for the Dabangg track, voted by audiences and highlighting its widespread appeal in international Indian cinema circles. These nominations, concentrated around key career milestones, illustrate Anwar's consistent impact on Bollywood music without the corresponding wins in these specific races.

References

  1. https://www.rekhta.org/poets/faaiz-anwar/profile
  2. https://myswar.co/artist/faiz-anwar
  3. https://www.imdb.com/name/nm0031686/awards/
  4. https://boxofficeindia.com/actor.php?actorid=3492&role=28
  5. https://www.imdb.com/name/nm0031686/
  6. https://nettv4u.com/celebrity/hindi/producer/faaiz-anwar
  7. https://starsunfolded.com/faaiz-anwar/
  8. https://www.chiloka.com/celebrity/faaiz-anwar
  9. https://myswar.co/album/dil-hai-ke-manta-nahin-1991
  10. https://bestsellingalbums.org/album/42877
  11. https://www.imdb.com/title/tt0101733/awards/
  12. https://musicbrainz.org/release/08644e82-142c-4752-9c83-f8e6c2bd0071
  13. https://www.discogs.com/release/23484572-Nadeem-Shravan-Sameer-Faiz-Anwar-Reema-Rakeshnath-Saajan-Songs-Dialogues
  14. https://www.youtube.com/watch?v=tE51NaKu4DU
  15. https://www.hindigeetmala.net/lyricist/faiz_anwar.php
  16. https://www.discogs.com/release/14310436-Faaiz-Anwar-Nikhil-Vinay-Tum-Bin
  17. https://www.youtube.com/watch?v=8MN2bxMiB9A
  18. https://www.hindilyrics4u.com/movie/jab_we_met.htm
  19. https://genius.com/Rashid-khan-aaoge-jab-tum-lyrics
  20. https://www.bollywoodmdb.com/celebrities/filmography/faaiz-anwar/4435
  21. https://glamsham.com/music/lyrics/song-lyrics-tere-mast-mast-do-nain-of-dabangg/
  22. https://genius.com/Ankit-tiwari-teri-fariyad-lyrics
  23. https://mahfil.in/na-kasoor-song-lyrics-veerey-ki-wedding
  24. https://filminformation.com/featured/subway-review-16-september-2022/
  25. https://www.youtube.com/watch?v=VivGiiSWR-k
  26. https://genius.com/artists/Faiz-anwar
  27. https://www.rekhta.org/poets/faaiz-anwar/all
  28. https://www.business-standard.com/article/news-ians/wrote-some-lyrics-for-fun-to-survive-changing-times-says-faaiz-anwar-116060900775_1.html
  29. https://myswar.co/album/saajan-1991
  30. https://www.amazon.com/Tum-Bin-Nikhil-Vinay/dp/B009738UDK
  31. https://myswar.co/album/tum-bin-2001
  32. https://www.imdb.com/title/tt1093370/soundtrack/
  33. https://www.youtube.com/watch?v=3N_VMU-SnXo
  34. https://music.apple.com/us/song/tere-mast-mast-do-nain-from-dabangg/1357639934
  35. https://www.imdb.com/title/tt2077833/soundtrack/
  36. https://genius.com/albums/Sajid-wajid/Rowdy-rathore
  37. https://www.imdb.com/title/tt5717110/soundtrack/
  38. https://myswar.co/album/tum-bin-2-2016
  39. https://www.youtube.com/watch?v=4vzg0DO_swE
  40. https://music.apple.com/us/song/na-kasoor/1353354823
  41. https://music.apple.com/ca/album/subway-original-motion-picture-soundtrack-ep/1646021686
  42. https://www.youtube.com/watch?v=QB-9OgzMQds
  43. https://gaana.com/song/mast-maula-8
  44. https://timesofindia.indiatimes.com/videos/entertainment/music/hindi/subway-song-rubaru/videoshow/94815783.cms
  45. https://myswar.co/album_artist/faiz-anwar
  46. https://myswar.co/album/i-love-you-1999
  47. https://myswar.co/album/deewana-1999
  48. https://myswar.co/album/jaan-2000
  49. https://music.apple.com/in/artist/faaiz-anwar/189630509
  50. https://www.hindustantimes.com/entertainment/bollywood/aamir-khan-pooja-bhatt-s-dil-hai-ke-manta-nahin-turns-30-she-recalls-how-experts-said-film-was-too-risky-101626074479189.html
  51. https://timesofindia.indiatimes.com/entertainment/hindi/music/news/mirchi-music-awards-2010-winners/articleshow/7378687.cms
  52. https://www.bollywoodhungama.com/news/slideshows/winners-bollywood-hungama-surfers-choice-music-awards-2010/winners-bollywood-hungama-surfers-choice-music-awards-2010-2/
  53. https://indianexpress.com/article/news-archive/web/faaiz-anwar-back-with-dabangg/lite/
  54. https://www.indiaforums.com/article/56th-filmfare-awards-nominations-list_23370
  55. https://bollywoodproduct.in/zee-cine-award-for-jurys-choice-best-lyricist/
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