Fay Kanin

Fay Kanin (née Mitchell; May 9, 1917 – March 27, 2013) was an American screenwriter, playwright and producer. Kanin was president of the Academy of Motion Picture Arts and Sciences from 1979 to 1983.

Born Fay Mitchell in New York City to David and Bessie (née Kaiser) Mitchell, she was raised in Elmira, New York, where she won the New York State Spelling Championship at twelve and was presented with a silver cup by then Governor Franklin Roosevelt. She was encouraged to write for money by supplying small items to the Elmira Star Gazette. She was Jewish.

In high school she wrote and produced a children's radio show; then on full scholarship, she attended the private, all-female Elmira College where she divided her studies between writing and acting as well as editing the yearbook. Fay's mother took her daughter to visit her grandmother in the Bronx, and it was there that she became devoted to the theater when she saw a matinée of Idiot's Delight starring Alfred Lunt and Lynn Fontanne.

Kanin longed to move to Los Angeles to get into pictures and her parents indulged her. Her father moved to California first to secure a job, then she and her mother packed everything and followed by train. Kanin spent her senior year at the University of Southern California where she became active in college radio. After graduating with a bachelor's degree, she wangled an interview with Sam Marx who thought she was much too young to hire; but her next interview was with story editor Bob Sparks at RKO who sent her to producer Al Lewis, who then hired her as a story editor at $75 a week. RKO released Lewis, but Sparks kept Fay on as scriptreader to write one-page summaries for $25 a week. Kanin proceeded to teach herself everything she could about the movie industry at RKO's expense. During the lunch hour, she talked to anyone she happened to find – whether they were art directors, editors, or cinematographers.

There was a small theater at the studio where contract players put on plays. While Kanin was acting in Irwin Shaw's Bury the Dead, she came to the attention of Michael Kanin, who had just been hired as a writer in the B unit. Michael was trained as an artist and had turned to commercial art and painting scenery for burlesque houses to help support his parents during the Great Depression. They were introduced by a mutual friend, and Michael practically asked Kanin to marry him right then and there, but it took her a little while to come around to the idea.

The Kanins rented a house in Malibu for their honeymoon, and after buying The New Yorker short story by A. J. Liebling about a boarding house for boxers, spent the next six months writing its 1942 adaptation, Sunday Punch. They knew they were on the track to a partnership when MGM bought the screenplay.

"We would make a story outline together with rather detailed descriptions of the scenes. Then we divided up the writing, each taking the scenes we felt strongly about. Then one or the other of us would put it all together into a single draft. We did find a common voice, though we had different strengths. As an artist, Michael brought a great visual sense to the process. I was a people person who loved the characters and the dialogue. Through the collaboration, we learned a lot from each other and about each other. But the time came when I felt as if we were together 48 hours a day. Writing with someone else always requires some degree of compromise, as does marriage. When it came down to the question of which would survive, the marriage or the writing partnership, it was a pretty easy decision. But I remember that it was a challenge convincing the powers that be that we had been successful writers individually and would be again. We were hyphenated in people's minds: Fay-and-Michael Kanin. To again become Fay Kanin and Michael Kanin took some doing."

Michael took a job working with Ring Lardner Jr. to work on the Tracy / Hepburn project Woman of the Year (1942), based on an original story by his brother Garson Kanin. Fay Kanin wrote the play, Goodbye, My Fancy, (originally titled Most Likely to Succeed) which was produced on Broadway by Michael. The play told the story of a female congressional representative renewing past loves. Countering existing gender roles, the play made a bold statement about women and their place outside the home. The play was a Broadway smash and starred Madeleine Carroll, Conrad Nagel, and Shirley Booth, and was eventually filmed by Vincent Sherman in 1951 with Joan Crawford and Robert Young.