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Philip IV of Spain
Philip IV (Spanish: Felipe Domingo Victor de la Cruz de Austria y Austria, Portuguese: Filipe III; 8 April 1605 – 17 September 1665), also called the Planet King (Spanish: Rey Planeta), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years' War.
By the time of his death, the Spanish Empire had reached approximately 12.2 million square kilometres (4.7 million square miles) in area but in other aspects was in decline, a process to which Philip contributed with his inability to achieve successful domestic and military reform. He was succeeded on his death by his young son Charles II as King of Spain and in 1640 (with the collapse of the Iberian Union) by John IV as King of Portugal.
Philip IV was born in the Royal Palace of Valladolid, and was the eldest son of Philip III and his wife, Margaret of Austria. In 1615, at the age of 10, Philip was married to 13-year-old Elisabeth of France. Although the relationship does not appear to have been close, some have suggested that Gaspar de Guzmán, Count-Duke of Olivares, his key minister, later deliberately tried to keep the two apart to maintain his influence, encouraging Philip to take mistresses instead, by whom he is known to have had at least 30 progeny.
Philip had ten children with Elisabeth, with only one being a son, Balthasar Charles, who died at the age of sixteen in 1646. The death of his son deeply shocked the King, who appears to have been a good father by the standards of the day. Elisabeth was able to conspire with other Spanish nobles to remove Olivares from the court in 1643, and for a brief period she held considerable influence over Philip; by the time of her death, however, she was out of favour, following manoeuvering by Olivares' successor and nephew, Luis de Haro.
Aged 44 in 1649, Philip remarried, following the deaths of both Elisabeth and his only son. His choice of his second wife, 14-year-old Maria Anna, also known as Mariana, Philip's niece and the daughter of Ferdinand III, Holy Roman Emperor, was guided by politics and Philip's desire to strengthen the relationship with Habsburg Austria. They were married on 7 October 1649. Maria Anna bore him five children, but only two survived to adulthood, a daughter Margarita Teresa, born in 1651, and the future Charles II of Spain in 1661 – but the latter was sickly and considered in frequent danger of dying, making the line of inheritance potentially uncertain.
Perceptions of Philip's personality have altered considerably over time. Victorian authors were inclined to portray him as a weak individual, delegating excessively to his ministers, and ruling over a debauched Baroque court. Victorian historians even attributed the early death of Balthasar to debauchery, encouraged by the gentlemen entrusted by the King with his education. The doctors who treated the Prince at that time in fact diagnosed smallpox, although modern scholars attribute his death to appendicitis.[citation needed] Historians' estimation of Philip gradually improved in the 20th century, with comparisons between Philip and his father being increasingly positive – some noting that he possessed much more energy, both mental and physical, than his diffident father.
Philip was idealized by his contemporaries as the model of Baroque kingship. Outwardly he maintained a bearing of rigid solemnity; foreign visitors described him as being so impassive in public he resembled a statue, and he was said to have been seen to laugh only three times in the course of his entire public life. Philip certainly had a strong sense of his 'royal dignity', but was also extensively coached by Olivares in how to resemble the Baroque model of a sovereign, which would form a key political tool for Philip throughout his reign. Philip was a fine horseman, a keen hunter and a devotee of bull-fighting, all central parts of royal public life at court during the period.
Privately, Philip appears to have had a lighter persona. When he was younger, he was said to have a keen sense of humor and a 'great sense of fun'. He privately attended 'academies' in Madrid throughout his reign – these were lighthearted literary salons, aiming to analyze contemporary literature and poetry with a humorous touch. A keen theatre-goer, he was sometimes criticized by contemporaries for his love of these 'frivolous' entertainments. Others have captured his private personality as 'naturally kind, gentle and affable'. Those close to him claimed he was academically competent, with a good grasp of Latin and geography, and could speak French, Portuguese and Italian well. Like many of his contemporaries, including Olivares, he had a keen interest in astrology. His handwritten translation of Francesco Guicciardini's texts on political history still exist.
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Philip IV of Spain
Philip IV (Spanish: Felipe Domingo Victor de la Cruz de Austria y Austria, Portuguese: Filipe III; 8 April 1605 – 17 September 1665), also called the Planet King (Spanish: Rey Planeta), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years' War.
By the time of his death, the Spanish Empire had reached approximately 12.2 million square kilometres (4.7 million square miles) in area but in other aspects was in decline, a process to which Philip contributed with his inability to achieve successful domestic and military reform. He was succeeded on his death by his young son Charles II as King of Spain and in 1640 (with the collapse of the Iberian Union) by John IV as King of Portugal.
Philip IV was born in the Royal Palace of Valladolid, and was the eldest son of Philip III and his wife, Margaret of Austria. In 1615, at the age of 10, Philip was married to 13-year-old Elisabeth of France. Although the relationship does not appear to have been close, some have suggested that Gaspar de Guzmán, Count-Duke of Olivares, his key minister, later deliberately tried to keep the two apart to maintain his influence, encouraging Philip to take mistresses instead, by whom he is known to have had at least 30 progeny.
Philip had ten children with Elisabeth, with only one being a son, Balthasar Charles, who died at the age of sixteen in 1646. The death of his son deeply shocked the King, who appears to have been a good father by the standards of the day. Elisabeth was able to conspire with other Spanish nobles to remove Olivares from the court in 1643, and for a brief period she held considerable influence over Philip; by the time of her death, however, she was out of favour, following manoeuvering by Olivares' successor and nephew, Luis de Haro.
Aged 44 in 1649, Philip remarried, following the deaths of both Elisabeth and his only son. His choice of his second wife, 14-year-old Maria Anna, also known as Mariana, Philip's niece and the daughter of Ferdinand III, Holy Roman Emperor, was guided by politics and Philip's desire to strengthen the relationship with Habsburg Austria. They were married on 7 October 1649. Maria Anna bore him five children, but only two survived to adulthood, a daughter Margarita Teresa, born in 1651, and the future Charles II of Spain in 1661 – but the latter was sickly and considered in frequent danger of dying, making the line of inheritance potentially uncertain.
Perceptions of Philip's personality have altered considerably over time. Victorian authors were inclined to portray him as a weak individual, delegating excessively to his ministers, and ruling over a debauched Baroque court. Victorian historians even attributed the early death of Balthasar to debauchery, encouraged by the gentlemen entrusted by the King with his education. The doctors who treated the Prince at that time in fact diagnosed smallpox, although modern scholars attribute his death to appendicitis.[citation needed] Historians' estimation of Philip gradually improved in the 20th century, with comparisons between Philip and his father being increasingly positive – some noting that he possessed much more energy, both mental and physical, than his diffident father.
Philip was idealized by his contemporaries as the model of Baroque kingship. Outwardly he maintained a bearing of rigid solemnity; foreign visitors described him as being so impassive in public he resembled a statue, and he was said to have been seen to laugh only three times in the course of his entire public life. Philip certainly had a strong sense of his 'royal dignity', but was also extensively coached by Olivares in how to resemble the Baroque model of a sovereign, which would form a key political tool for Philip throughout his reign. Philip was a fine horseman, a keen hunter and a devotee of bull-fighting, all central parts of royal public life at court during the period.
Privately, Philip appears to have had a lighter persona. When he was younger, he was said to have a keen sense of humor and a 'great sense of fun'. He privately attended 'academies' in Madrid throughout his reign – these were lighthearted literary salons, aiming to analyze contemporary literature and poetry with a humorous touch. A keen theatre-goer, he was sometimes criticized by contemporaries for his love of these 'frivolous' entertainments. Others have captured his private personality as 'naturally kind, gentle and affable'. Those close to him claimed he was academically competent, with a good grasp of Latin and geography, and could speak French, Portuguese and Italian well. Like many of his contemporaries, including Olivares, he had a keen interest in astrology. His handwritten translation of Francesco Guicciardini's texts on political history still exist.