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Five Votes Down
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| "Five Votes Down" | |
|---|---|
| The West Wing episode | |
| Episode no. | Season 1 Episode 4 |
| Directed by | Michael Lehmann |
| Story by | |
| Teleplay by | Aaron Sorkin |
| Production code | 225903 |
| Original air date | October 13, 1999 |
| Guest appearances | |
| |
"Five Votes Down" is the fourth episode of The West Wing. The episode aired on October 13, 1999 on NBC. Presidential chief of staff Leo McGarry needs five more House votes to pass a bill restricting the sale of automatic firearms—but the cost might be too high, especially if he has to go to the unpredictable Vice President to help put them over the top. The staff's annual financial disclosure statements prove to be thorny for Toby, whose innocent technology stock purchase last year proved to be wildly profitable, which raises eyebrows due to his association with an expert in the field. In addition, Leo's long hours on the job cause an unforeseen crisis at home, and the President unintentionally mixes up the potent medications he receives for his ailing back.
Plot
[edit]While President Josiah Bartlet delivers a speech priding the inevitable passage of a gun control bill in the House, his staff learns that said passage is in jeopardy. Chief of Staff Leo McGarry calls an emergency meeting in which he instructs C.J. Cregg to play up the release of the staff's financial disclosure report to provide cover for them to work on getting the votes. Sam suggests using the Vice President, but Leo shoots down this idea. When Leo finally arrives home, he finds his wife still awake, having expected Leo home hours before. He also realizes he has completely forgotten it was their wedding anniversary.
The disclosure report brings with it a number of comical revelations (including a valuable smoking jacket given to Josh from an ex-girlfriend). It also brings with it some trouble—the report reveals that a stock Toby invested in went from $5,000 to over $125,000, soon after he had arranged for a friend to testify before Congress about stocks. Toby insists he had no idea what his friend was going to testify about, and it was an innocent coincidence. Nevertheless, with the report being made public, there is concern he may be indicted on federal charges of manipulating the stock market. Sam suggests that they announce Toby will avoid any potential legal and political landmines at the expense of cashing out his stocks the next day and dropping his salary to a dollar for the next year, to which a drugged-out President Bartlet agrees. This led a stunned Toby to tell the rest of the senior staff that he feels "like I just got screwed with my pants on."
Josh manages to strong-arm one of the five defecting Congressmen into getting back in line by threatening that the President will not endorse him in the Midterms. This action prompts two other defectors to switch their votes back. Josh then meets with Congressman Christopher Wick, an old college fraternity buddy, whom he angrily confronts about going against the President. Wick replies that he broke ranks to prove he's not on a leash, but he'll change his vote again for a photo op with the President. Josh, disgusted by the Congressman's motives, nonetheless complies with his wishes.
Leo again vetoes the suggestion of using Hoynes to speak with Texas Congressman Cal Tillinghouse. Instead, Leo approaches Congressman Mark Richardson, an African American, with an appeal that the gun ban will save African American lives. The Congressman rebuffs Leo, saying the law has no teeth and is nothing more than for show.
Leo reluctantly must now turn to the Vice President. He schedules the meeting for late, wanting to spend most of the evening with his wife to make up for his lapse the night before; he had spent the day planning an in-house dinner for the two, at one point buying her a pearl choker by Harry Winston. When he arrives home, however, he finds Jenny, with her bags packed. She announces she's leaving him, that she can no longer bear the life they have. Leo, distraught over the thought of her leaving him, still insists his job is more important than their marriage.
Shaken, Leo meets with Hoynes, who immediately realizes something is wrong. Leo confides in Hoynes, and the VP tells Leo about a secret AA meeting he hosts with several other prominent politicians and administrators, inviting him to come. He also says he will be happy to speak with Tillinghouse.
The following day, Hoynes makes good on his promise, convincing Tillinghouse to go along with the bill as a personal favor to him, stating directly that the Congressman would be wise to do what he asks because "one day I'll be President...and you won't be." He also encourages Tillinghouse to speak with the four other Congressmen who were compelled to vote yes (all of whom are looking for a little political retribution). After the bill is signed, all five of the Congressmen pile the credit upon the Vice President, making the victory more hollow for President Bartlet. Most of the staff are upset with this result and realize that asking Hoynes would lead to a PR sacrifice, however Leo ends by saying that it was hubris on the part of the President and his staff. Josh later congratulates Hoynes on a game well played.
The episode ends with Leo attending the AA meeting.
Production notes
[edit]The cold open of this episode features one of the longest and most ambitious steadicam walk-and-talk scenes of the series. Over four minutes in length, it was shot on location at The Ambassador Hotel in Los Angeles.[1]
Director of photography Tom Del Ruth recalls, "It started out on the dance floor, went into the lobby, through the top-floor kitchen area, down two flights of stairs into the bowels of the kitchen and through the cavernous kitchen, where food was being prepared for a banquet. We worked our way through that area, went down another flight of stairs to where the laundry facilities are, then proceeded into the catacombs, all the way through the base of the hotel and out into the parking lot, where we ended up in a motorcade. The shot involved more than 500 extras and nearly all of the major cast members, and it was all done in one seamless Steadicam shot. Each take required one magazine of film, and the actors had to pass off dialogue from one person to another. It required quite a bit of orchestration. It was about a five-page scene and took us half the night [to shoot]." This required steadicam operator Dave Chameides to walk backwards at full speed for over thirteen takes, nearly collapsing in exhaustion by the end of the shoot.[2]
Emmy awards
[edit]John Spencer was nominated for Outstanding Supporting Actor in a Drama Series for his work in this episode.[3]
References
[edit]- ^ "Tom Del Ruth, ASC lends an idealistic ambiance to NBC's critically acclaimed presidential drama THE WEST WING". The American Society of Cinematographers. Retrieved November 4, 2013.
- ^ "Watch the Longest, Most Elaborate Walk-and-Talk Ever Filmed for The West Wing [Video]". Geekosystem. Retrieved November 4, 2013.
- ^ "The West Wing". Emmys.com. Retrieved September 4, 2013.
External links
[edit]Five Votes Down
View on GrokipediaEpisode Overview
Basic Information
"Five Votes Down" is the fourth episode of the first season of the American political drama series The West Wing, created by Aaron Sorkin.[1] The episode was directed by Michael Lehmann.[1] It features a teleplay written by Aaron Sorkin from a story by Lawrence O'Donnell and Patrick Caddell.[1] "Five Votes Down" originally aired on NBC on October 13, 1999.[1]Broadcast Details
"Five Votes Down" originally aired on NBC in the United States on October 13, 1999.[1][3] The episode has a runtime of 44 minutes and carries a TV-14 rating.[1] It was broadcast as the fourth episode of The West Wing's first season, following the series premiere on September 22, 1999.[1] International airings included Japan on November 1, 2002.[4]Synopsis
Main Plot
With only 72 hours remaining before a pivotal House vote on legislation restricting the sale of automatic firearms, White House Chief of Staff Leo McGarry learns that five Democratic votes have defected, jeopardizing passage.[5] McGarry assigns Deputy Chief of Staff Josh Lyman the task of reclaiming the votes through direct negotiations with the holdouts, whose objections range from personal gun ownership concerns to dissatisfaction with the bill's scope and fears of electoral backlash.[6] Lyman targets four of the defectors with high-pressure tactics, including veiled threats to withhold party support in future primaries and exposure of compromising information, successfully flipping their positions and restoring those votes to the administration's column.[5] For the fifth holdout, freshman Congressman Matt Tillinghouse from Texas, initial efforts via an intermediary ally fail, prompting McGarry to reluctantly enlist Vice President John Hoynes despite their strained relationship.[6] Hoynes, leveraging his influence over Tillinghouse as a fellow Texan and former Senate leader, intervenes personally to secure the vote, but demands public credit for the bill's success as compensation, highlighting the political costs of relying on the vice president's clout.[5] The maneuver succeeds, allowing the bill to pass narrowly, though it underscores the administration's vulnerability to internal party fractures and external deal-making.[6]Subplots
In parallel to the efforts to secure votes for the gun control legislation, Toby Ziegler encounters scrutiny over a lucrative investment in a technology stock. After consulting an expert witness on Capitol Hill, Ziegler purchased shares in the individual's company, which subsequently rose sharply in value; to mitigate perceptions of insider trading, he sells the holdings and publicly commits to waiving his White House salary for one year.[5][7] Leo McGarry's personal life deteriorates amid the crisis, as his wife Jenny confronts him about the all-consuming demands of his role, which she believes supersedes their marriage. McGarry acknowledges prioritizing the job, prompting Jenny to leave their home with their daughters; in a candid exchange with Vice President Hoynes, McGarry discloses his history of alcoholism, revealing underlying personal struggles that foreshadow his eventual divorce.[8][7] President Bartlet inadvertently combines two prescription painkillers—Percocet and Vicodin—for back discomfort, leading to disorientation and erratic behavior during interactions with staff. This episode of impairment provides comic relief, as Bartlet rambles incoherently and requires assistance to regain composure, underscoring the physical toll of his duties.[5][8] A minor thread involves Sam Seaborn agreeing to tutor Mallory O'Brien, McGarry's daughter, in economics at her father's request, as she struggles academically; their initial meeting hints at mutual attraction, establishing the foundation for their recurring relationship.[9]Production
Development and Writing
The story for "Five Votes Down," the fourth episode of The West Wing's first season, was developed by Lawrence O'Donnell Jr., a former staff director for the U.S. Senate Committee on Finance, and Patrick Caddell, a Democratic pollster who advised President Jimmy Carter's 1976 and 1980 campaigns.[10][11] Their contributions provided the foundational plot centered on White House staff scrambling to secure five additional House votes for a gun control bill facing defeat, incorporating realistic elements of legislative deal-making, vote-whipping, and intra-party pressure drawn from their Washington experience.[12][13] Series creator Aaron Sorkin adapted this story into the teleplay, completing the first draft on August 9, 1999, and emphasizing character conflicts through his characteristic walk-and-talk scenes and witty banter.[13] Sorkin's script expanded the core political intrigue—requiring 72 hours of frantic negotiations, including reluctant outreach to Vice President Hoynes—while weaving in subplots like Chief of Staff Leo McGarry's marital strain, which underscored the personal costs of high-stakes governance.[12] This episode represented an early shift toward "process stories" in the series, prioritizing procedural realism over standalone character introductions from prior installments.[14] The writing process aligned with Sorkin's season-one approach, where external consultants like Caddell and O'Donnell supplied authentic political scaffolding, which Sorkin then dramatized to heighten tension and ethical ambiguity, such as the staff's use of threats and favors to sway congressmen.[13] No major rewrites or production delays were reported for this installment, allowing a swift transition to filming under director Michael Lehmann ahead of its October 13, 1999, NBC premiere.[1] The script's focus on gun control legislation, including restrictions on automatic weapons sales, mirrored contemporaneous debates but avoided prescriptive advocacy, instead illustrating the pragmatic compromises inherent in bipartisan legislating.[12]Casting and Direction
Michael Lehmann directed the episode, marking his contribution to the series' early visual style characterized by tight, dialogue-driven scenes emphasizing the urgency of political negotiations.[1] Lehmann, previously known for helming the satirical film Heathers (1988), focused on fluid camera work to capture the White House staff's rapid movements through corridors, underscoring the 72-hour deadline to secure votes for the gun control bill. His direction highlighted ensemble dynamics, with long takes following characters like Leo McGarry and Josh Lyman as they navigated defections among Democratic congressmen.[1] The principal cast comprised series regulars, including Martin Sheen as President Josiah Bartlet, John Spencer as Chief of Staff Leo McGarry, Bradley Whitford as Deputy Chief of Staff Josh Lyman, and Richard Schiff as Communications Director Toby Ziegler, whose performances conveyed the high-stakes improvisation central to the episode's plot.[1] Casting for recurring roles featured Janel Moloney as assistant Donna Moss and special guest Tim Matheson as Vice President John Hoynes, whose tense interactions with the staff amplified themes of intra-party leverage.[15] Guest stars portrayed the pivotal congressmen whose votes were in play: Michael McGuire as Cal Tillinghouse, Thom Barry as Mark Richardson, and Jay Underwood as Christopher Wick, selected to embody diverse motivations from ideological opposition to personal grievances.[1] Overall casting was overseen by John Levey, Kevin Scott, and executive Barbara Miller, prioritizing actors capable of delivering nuanced portrayals of legislative realpolitik within the episode's compressed timeline.[8]Reception
Critical Response
Critics praised "Five Votes Down" for its depiction of the gritty realities of legislative compromise, highlighting how the episode illustrates the incremental nature of political deal-making in passing a gun control bill restricting automatic firearms sales.[16] Reviewers noted the staff's frantic efforts to secure five missing House votes within 72 hours, portraying it as a realistic lesson in how bills often advance through targeted negotiations rather than sweeping victories.[17] The episode's structure, blending high-stakes policy work with personal subplots like Leo McGarry's marital tensions, was commended for deepening character motivations amid the chaos.[18] Several commentators appreciated the humor injected into tense scenarios, such as Josh Lyman's aggressive vote-whipping tactics and the administration's reluctant concessions to secure support, which added levity without undermining the procedural authenticity.[18] Toby Ziegler's confrontation with ideological purity versus pragmatism received mixed feedback; while some lauded its exploration of internal Democratic tensions, others critiqued the resolution as abrupt, leaving his dissent feeling underdeveloped despite strong dialogue.[19] The episode's direction by Michael Lehmann was highlighted for efficient pacing, maintaining momentum through rapid scene transitions that mirrored the White House's urgency.[7] Retrospective analyses positioned "Five Votes Down" as a pivotal early installment where the series refined its formula, building on the pilot's promise with more ensemble focus and less reliance on overt idealism.[6] Critics from outlets like The A.V. Club described it as increasingly engrossing, crediting Aaron Sorkin's script for balancing procedural drama with subtle character arcs, such as Sam Seaborn's ethical qualms over compromising principles.[17] Though not without flaws—like occasional plot conveniences in vote flips—the episode contributed to Season 1's strong critical consensus, evidenced by the season's 96% approval rating on Rotten Tomatoes based on 46 reviews.[20] Overall, it was seen as advancing the show's reputation for intelligent, fast-paced political storytelling, though some noted its optimistic view of bipartisan horse-trading diverged from real-world partisan gridlock observed in subsequent congressional sessions.[21]Viewership and Audience Feedback
The episode "Five Votes Down," which aired on October 13, 1999, contributed to the first season's modest initial viewership, as the series did not achieve breakout ratings early on despite critical acclaim.[22] Specific Nielsen figures for this installment are not prominently documented in contemporary reports, though the season overall built a dedicated audience through word-of-mouth and Emmy momentum, averaging household ratings in the mid-teens for leading episodes.[23] Audience reception has been generally positive in retrospective user evaluations, with the episode earning an 8.1 out of 10 rating on IMDb from 1,486 votes, reflecting appreciation for its depiction of White House deal-making and character tensions.[1] Viewers have highlighted the episode's fast-paced political intrigue, particularly the staff's frantic efforts to secure votes for a gun control bill, as a strong example of the show's ensemble dynamics coming together.[24] Some feedback notes strengths in subplots like Josh Lyman's personal struggles, which added emotional depth amid the procedural focus.[7] However, not all responses were uniformly enthusiastic; in aggregated rankings, it places mid-tier among the series' 155 episodes, with critiques pointing to dated elements in negotiations and character portrayals that may not resonate as strongly today.[25] Fan discussions on platforms like Reddit emphasize its role in establishing the series' procedural rhythm, though some express frustration with unresolved legislative tensions mirroring real-world gridlock.[26] Overall, the episode solidified early fan engagement by blending idealism with pragmatic horse-trading, contributing to the show's cult following despite initial ratings challenges.[18]Awards and Recognition
Emmy Nominations and Wins
Richard Schiff won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series at the 52nd Primetime Emmy Awards on September 10, 2000, submitting "Five Votes Down" as one of two qualifying episodes for his portrayal of Toby Ziegler during the intense late-night vote-whipping sequence.[27][28] The episode was featured in the ceremony broadcast, highlighting key scenes from the first season of The West Wing.[1] John Spencer received a nomination in the same category for his performance as Leo McGarry, though his submission episodes included others beyond this installment.[29] No additional Emmy nominations or wins were recorded for directing, writing, or other technical aspects specific to "Five Votes Down."Themes and Analysis
Political Elements
The episode "Five Votes Down" centers on the Bartlet administration's urgent campaign to secure passage of a gun control bill restricting the sale of automatic firearms, illustrating the intricate and often compromising nature of legislative deal-making in the U.S. House of Representatives. With the vote just 72 hours away, Chief of Staff Leo McGarry discovers that five Democratic members have defected, jeopardizing the slim 218-vote majority needed for approval in a Republican-controlled chamber.[1] This shortfall prompts senior staff, including Deputy Chief of Staff Josh Lyman, to deploy a range of tactics—personal appeals, promises of future support, and veiled threats of primary challenges—to reclaim the votes, highlighting the tension between policy idealism and political pragmatism.[30] A key political dynamic depicted is intra-party division, as several holdout Democrats represent districts with strong pro-gun sentiments or ties to the National Rifle Association (NRA), reflecting real-world pressures from constituents and interest groups that can override national party priorities.[31] One representative from the Congressional Black Caucus opposes the measure for lacking sufficient stringency, arguing it fails to address broader urban violence concerns, which forces the White House to negotiate with advocates of an even weaker alternative version.[30] Ultimately, Vice President John Hoynes intervenes to deliver the final vote but claims public credit for the bill's success, underscoring opportunistic alliances and the dilution of executive influence in favor of maintaining legislative momentum.[1] These elements portray the causal mechanics of lawmaking, where absolute victories are rare, and passage often requires ethical trade-offs like logrolling and credit-sharing amid NRA lobbying and post-Columbine public demands for reform following multiple school shootings earlier in 1999.[31] The narrative also critiques the executive branch's limited leverage over Congress, as staff debates escalate to considerations of withholding administration endorsements or exploiting personal vulnerabilities, tactics that border on coercion but mirror documented arm-twisting in real congressional whips operations.[14] While dramatized for tension, the episode's focus on these maneuvers—aired on October 13, 1999—captures the era's gun policy debates, where Democratic majorities still grappled with internal fractures despite public outrage over events like the Columbine massacre, emphasizing how district-level electoral incentives can stall national agendas.[31] This realism tempers the show's idealistic tone, revealing politics as a zero-sum contest shaped by power asymmetries rather than pure principled debate.Ethical and Character Development
In "Five Votes Down," the White House staff confronts the ethical complexities of legislative horse-trading to secure passage of H.R. 2020, a crime bill addressing gun control measures, after five Democratic votes defect. Josh Lyman, as deputy chief of staff, employs aggressive tactics, including blunt threats to Congressman Richard Katzenmoyer of primary challenges if he fails to switch his vote, highlighting the moral ambiguity of leveraging political power to enforce party loyalty.[12][32] Leo McGarry, the chief of staff, resorts to invoking racial dynamics in appealing to Congressman Richardson and later swallows personal pride by seeking assistance from Vice President John Hoynes, who demands concessions in return, underscoring the tension between principled governance and pragmatic deal-making.[33] These actions reveal the characters' willingness to bend ethical norms for policy advancement, portraying politics as a realm where idealism often yields to causal necessities like vote counts.[34] Character development emerges through the personal repercussions of these compromises, fostering growth in self-awareness and restraint. Lyman's relentless pursuit yields four of the five needed flips but inadvertently elevates Hoynes' influence, teaching him the limits of unilateral strong-arming and the humility required in interdependent political ecosystems.[33] McGarry's immersion in the crisis exacerbates strains on his marriage, as he prioritizes duty over family obligations—missing key personal commitments—illustrating the sacrificial ethos of high-stakes service while exposing vulnerabilities in work-life balance.[1] Toby Ziegler, meanwhile, navigates a subplot on financial ethics by divesting $125,000 in stocks amid scrutiny over potential insider gains, opting for symbolic salary reduction to $1 annually despite tax penalties, which reinforces his commitment to public integrity over personal gain.[33] The episode collectively advances the ensemble's arcs by juxtaposing triumphant bill passage—achieved via a mix of persuasion, threats, and alliances—against unintended costs, such as eroded trust and heightened rivalries, emphasizing causal realism in how ethical shortcuts propagate long-term consequences in governance.[35] This portrayal critiques unbridled ambition while affirming that character maturation in politics demands balancing efficacy with moral accountability, as staffers reflect on overreach without descending into cynicism.[36]Criticisms and Real-World Context
Critics have faulted "Five Votes Down" for inaccurately depicting congressional procedure, such as the mechanics of bill passage between the House and Senate, which the episode simplifies for dramatic effect rather than adhering to strict parliamentary rules.[37] The narrative's reliance on rapid, personal arm-twisting by senior staff to flip votes overlooks the dominant role of special interest lobbying, campaign contributions, and district-specific pressures that often dictate legislative outcomes in practice.[38] [39] The episode's gun control bill, framed as a moderate measure requiring only five additional Democratic votes, has drawn scrutiny for downplaying the profound splits within the Democratic Party on firearm restrictions, portraying opposition primarily as isolated "bad apples" rather than principled ideological resistance rooted in Second Amendment interpretations and rural constituencies.[40] This approach aligns with broader critiques of The West Wing as a liberal-leaning fantasy that attributes Republican obstructionism to villainy while idealizing Democratic unity and moral superiority, potentially misleading viewers on the transactional, adversarial nature of cross-party negotiations.[41] [42] In real-world terms, the plot mirrors aspects of early Clinton administration efforts to advance gun reforms, such as the 1993 Brady Handgun Violence Prevention Act and the 1994 assault weapons ban embedded in the Violent Crime Control and Law Enforcement Act, both of which demanded intensive White House lobbying to overcome Democratic defections from gun-manufacturing districts. These initiatives succeeded narrowly— the assault weapons ban passed the House 216-214 and the Senate 61-38— but exacted a toll on party cohesion, with figures like Vice President Al Gore casting tie-breaking Senate votes amid threats of primary challenges, contrasting the episode's cleaner resolution via vice-presidential intervention. The storyline also evokes Lyndon B. Johnson's legendary vote-whipping tactics, referenced in the episode, though real applications involved more coercion and fewer ethical qualms than depicted. Educational analyses have noted the episode's utility in illustrating vote-securing dynamics, such as logrolling and constituent appeals, but emphasize its dramatization compresses timelines—real bill negotiations span weeks or months, not 72 hours— and omits procedural hurdles like committee markups and filibuster threats that frequently derail reforms.[34] Despite these liberties, the portrayal underscores persistent challenges in maintaining party discipline on divisive issues, as evidenced by ongoing Democratic struggles with gun legislation in the 1990s and beyond, where intra-party holdouts from states like Pennsylvania and Ohio mirrored the fictional holdouts' motivations.References
- https://en.wikiquote.org/wiki/The_West_Wing