Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Flash (photography)
A flash is a device used in photography that produces a brief burst of light (lasting around 1⁄200 of a second) at a color temperature of about 5500 K[citation needed] to help illuminate a scene. The main purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.
Flash units are commonly built directly into a camera. Some cameras allow separate flash units to be mounted via a standardized accessory mount bracket (a hot shoe). In professional studio equipment, flashes may be large, standalone units, or studio strobes, powered by special battery packs or connected to mains power. They are either synchronized with the camera using a flash synchronization cable or radio signal, or are light-triggered, meaning that only one flash unit needs to be synchronized with the camera, and in turn triggers the other units, called slaves.
Studies of magnesium by Bunsen and Roscoe in 1859 showed that burning this metal produced a light with similar qualities to daylight. The potential application to photography inspired Edward Sonstadt to investigate methods of manufacturing magnesium so that it would burn reliably for this use. He applied for patents in 1862 and by 1864 had started the Manchester Magnesium Company with Edward Mellor. With the help of engineer William Mather, who was also a director of the company, they produced flat magnesium ribbon, which was said to burn more consistently and completely so giving better illumination than round wire. It also had the benefit of being a simpler and cheaper process than making round wire. Mather was also credited with the invention of a holder for the ribbon, which formed a lamp to burn it in. A variety of magnesium ribbon holders were produced by other manufacturers, such as the Pistol Flashmeter, which incorporated an inscribed ruler that allowed the photographer to use the correct length of ribbon for the exposure they needed. The packaging also implies that the magnesium ribbon was not necessarily broken off before being ignited.
An alternative to magnesium ribbon was flash powder, a mixture of magnesium powder and potassium chlorate, was introduced by its German inventors Adolf Miethe and Johannes Gaedicke in 1887. A measured amount was put into a pan or trough and ignited by hand, producing a brief brilliant flash of light, along with the smoke and noise that might be expected from such an explosive event. This could be a life-threatening activity, especially if the flash powder was damp. An electrically triggered flash lamp was invented by Joshua Lionel Cowen in 1899. His patent describes a device for igniting photographers' flash powder by using dry cell batteries to heat a wire fuse. Variations and alternatives were touted from time to time and a few found a measure of success, especially for amateur use. In 1905, one French photographer was using intense non-explosive flashes produced by a special mechanized carbon arc lamp to photograph subjects in his studio, but more portable and less expensive devices prevailed. On through the 1920s, flash photography normally meant a professional photographer sprinkling powder into the trough of a T-shaped flash lamp, holding it aloft, then triggering a brief and (usually) harmless bit of pyrotechnics.
The use of flash powder in an open lamp was replaced by flashbulbs; magnesium filaments were contained in bulbs filled with oxygen gas, and electrically ignited by a contact in the camera shutter. Manufactured flashbulbs were first produced commercially in Germany in 1929. Such a bulb could only be used once, and was too hot to handle immediately after use, but the confinement of what would otherwise have amounted to a small explosion was an important advance. A later innovation was the coating of flashbulbs with a plastic film to maintain bulb integrity in the event of the glass shattering during the flash. A blue plastic film was introduced as an option to match the spectral quality of the flash to daylight-balanced colour film. Subsequently, the magnesium was replaced by zirconium, which produced a brighter flash.
There was a significant delay after ignition for a flashbulb to reach full brightness, and the bulb burned for a relatively long time, compared to shutter speeds required to stop motion and not display camera shake. Slower shutter speeds (typically from 1⁄10 to 1⁄50 of a second) were initially used on cameras to ensure proper synchronization and to make use of all the bulb's light output. Cameras with flash sync triggered the flashbulb a fraction of a second before opening the shutter to allow it to reach full brightness, allowing faster shutter speeds. A flashbulb widely used during the 1960s was the Press 25, the 25-millimetre (1 in) flashbulb often used by newspapermen in period movies, usually attached to a press camera or a twin-lens reflex camera. Its peak light output was around a million lumens. Other flashbulbs in common use were the M-series, M-2, M-3 etc., which had a small ("miniature") metal bayonet base fused to the glass bulb. The largest flashbulb ever produced was the GE Mazda No. 75, being over eight inches long with a girth of 4 inches, initially developed for nighttime aerial photography during World War II.
The all-glass PF1 bulb was introduced in 1954. Eliminating the metal base and the multiple manufacturing steps needed to attach it to the glass bulb cut the cost substantially compared to the larger M series bulbs. The design required a fibre ring around the base to hold the contact wires against the side of the glass base. An adapter was available allowing the bulb to fit into flash guns made for bayonet-capped bulbs. The PF1 (along with the M2) had a faster ignition time (less delay between shutter contact and peak output), so it could be used with X synch below 1⁄30 of a second—while most bulbs require a shutter speed of 1⁄15 on X synch to keep the shutter open long enough for the bulb to ignite and burn. A smaller version which was not as bright but did not require the fibre ring, the AG-1, was introduced in 1958; it was cheaper, and rapidly supplanted the PF1.
In 1965 Eastman Kodak of Rochester, New York replaced the individual flashbulb technology used on early Instamatic cameras with the Flashcube developed by Sylvania Electric Products.
Hub AI
Flash (photography) AI simulator
(@Flash (photography)_simulator)
Flash (photography)
A flash is a device used in photography that produces a brief burst of light (lasting around 1⁄200 of a second) at a color temperature of about 5500 K[citation needed] to help illuminate a scene. The main purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.
Flash units are commonly built directly into a camera. Some cameras allow separate flash units to be mounted via a standardized accessory mount bracket (a hot shoe). In professional studio equipment, flashes may be large, standalone units, or studio strobes, powered by special battery packs or connected to mains power. They are either synchronized with the camera using a flash synchronization cable or radio signal, or are light-triggered, meaning that only one flash unit needs to be synchronized with the camera, and in turn triggers the other units, called slaves.
Studies of magnesium by Bunsen and Roscoe in 1859 showed that burning this metal produced a light with similar qualities to daylight. The potential application to photography inspired Edward Sonstadt to investigate methods of manufacturing magnesium so that it would burn reliably for this use. He applied for patents in 1862 and by 1864 had started the Manchester Magnesium Company with Edward Mellor. With the help of engineer William Mather, who was also a director of the company, they produced flat magnesium ribbon, which was said to burn more consistently and completely so giving better illumination than round wire. It also had the benefit of being a simpler and cheaper process than making round wire. Mather was also credited with the invention of a holder for the ribbon, which formed a lamp to burn it in. A variety of magnesium ribbon holders were produced by other manufacturers, such as the Pistol Flashmeter, which incorporated an inscribed ruler that allowed the photographer to use the correct length of ribbon for the exposure they needed. The packaging also implies that the magnesium ribbon was not necessarily broken off before being ignited.
An alternative to magnesium ribbon was flash powder, a mixture of magnesium powder and potassium chlorate, was introduced by its German inventors Adolf Miethe and Johannes Gaedicke in 1887. A measured amount was put into a pan or trough and ignited by hand, producing a brief brilliant flash of light, along with the smoke and noise that might be expected from such an explosive event. This could be a life-threatening activity, especially if the flash powder was damp. An electrically triggered flash lamp was invented by Joshua Lionel Cowen in 1899. His patent describes a device for igniting photographers' flash powder by using dry cell batteries to heat a wire fuse. Variations and alternatives were touted from time to time and a few found a measure of success, especially for amateur use. In 1905, one French photographer was using intense non-explosive flashes produced by a special mechanized carbon arc lamp to photograph subjects in his studio, but more portable and less expensive devices prevailed. On through the 1920s, flash photography normally meant a professional photographer sprinkling powder into the trough of a T-shaped flash lamp, holding it aloft, then triggering a brief and (usually) harmless bit of pyrotechnics.
The use of flash powder in an open lamp was replaced by flashbulbs; magnesium filaments were contained in bulbs filled with oxygen gas, and electrically ignited by a contact in the camera shutter. Manufactured flashbulbs were first produced commercially in Germany in 1929. Such a bulb could only be used once, and was too hot to handle immediately after use, but the confinement of what would otherwise have amounted to a small explosion was an important advance. A later innovation was the coating of flashbulbs with a plastic film to maintain bulb integrity in the event of the glass shattering during the flash. A blue plastic film was introduced as an option to match the spectral quality of the flash to daylight-balanced colour film. Subsequently, the magnesium was replaced by zirconium, which produced a brighter flash.
There was a significant delay after ignition for a flashbulb to reach full brightness, and the bulb burned for a relatively long time, compared to shutter speeds required to stop motion and not display camera shake. Slower shutter speeds (typically from 1⁄10 to 1⁄50 of a second) were initially used on cameras to ensure proper synchronization and to make use of all the bulb's light output. Cameras with flash sync triggered the flashbulb a fraction of a second before opening the shutter to allow it to reach full brightness, allowing faster shutter speeds. A flashbulb widely used during the 1960s was the Press 25, the 25-millimetre (1 in) flashbulb often used by newspapermen in period movies, usually attached to a press camera or a twin-lens reflex camera. Its peak light output was around a million lumens. Other flashbulbs in common use were the M-series, M-2, M-3 etc., which had a small ("miniature") metal bayonet base fused to the glass bulb. The largest flashbulb ever produced was the GE Mazda No. 75, being over eight inches long with a girth of 4 inches, initially developed for nighttime aerial photography during World War II.
The all-glass PF1 bulb was introduced in 1954. Eliminating the metal base and the multiple manufacturing steps needed to attach it to the glass bulb cut the cost substantially compared to the larger M series bulbs. The design required a fibre ring around the base to hold the contact wires against the side of the glass base. An adapter was available allowing the bulb to fit into flash guns made for bayonet-capped bulbs. The PF1 (along with the M2) had a faster ignition time (less delay between shutter contact and peak output), so it could be used with X synch below 1⁄30 of a second—while most bulbs require a shutter speed of 1⁄15 on X synch to keep the shutter open long enough for the bulb to ignite and burn. A smaller version which was not as bright but did not require the fibre ring, the AG-1, was introduced in 1958; it was cheaper, and rapidly supplanted the PF1.
In 1965 Eastman Kodak of Rochester, New York replaced the individual flashbulb technology used on early Instamatic cameras with the Flashcube developed by Sylvania Electric Products.
