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Fred Wah
Fred Wah
Fred Wah
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Frederick James Wah, OC, (born January 23, 1939) is a Canadian poet, novelist, scholar and former Canadian Parliamentary Poet Laureate.

Key Information

Life

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Wah was born in Swift Current, Saskatchewan, but grew up in the interior (West Kootenay) of British Columbia. His father was born in Canada and raised in China, the son of a Chinese father and a Scots-Irish mother.[1][2] Wah's mother was a Swedish-born Canadian who came to Canada at age 6.[3] His diverse ethnic makeup figures significantly in his writings.

Wah studied literature and music at the University of British Columbia. While there, he was a founding editor and contributor to TISH. He later did graduate work at the University of New Mexico in Albuquerque and University at Buffalo, The State University of New York. He has taught at Selkirk College, David Thompson University Centre, and the University of Calgary. Well known for his work on literary journals and small-press, Wah has been a contributing editor to Open Letter since its beginning, involved in the editing of West Coast Line, and with Frank Davey edited the world's first online literary magazine, SwiftCurrent. Wah won the 'Governor General's Award' for his 1985 book "Waiting for Saskatchewan".

Wah retired after 40 years of teaching and lives in Vancouver, British Columbia with his wife Pauline Butling. He remains active writing and performing public readings of his poetry. From 2006 to 2007, he served as the Writer-in-Residence at Simon Fraser University in Burnaby, British Columbia.

On December 20, 2011, Wah was appointed as Canada's Parliamentary Poet Laureate.[4] He is the fifth poet to hold this office. In 2013 he was made an Officer in the Order of Canada.

Education

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Awards

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Bibliography

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Criticism

[edit]
  • Banting, Pamela. Body Inc.: A Theory of Translation Poetics. Winnipeg: Turnstone Press, 1995.
  • Diehl-Jones, Charlene. Fred Wah and His Works. Toronto: ECW Press, 1996.
  • Louis Cabri, ed. (2009). The False Laws of Narrative: The Poetry of Fred Wah. Wilfrid Laurier Univ. Press. ISBN 978-1-55458-046-0.
  • John Z. Ming Chen: The Influence of Daoism on Asian-Canadian Writers. Mellen, 2008.

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Fred Wah

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Fred Wah is a Canadian poet, novelist, and literary scholar known for his groundbreaking contributions to contemporary poetry, particularly through experimental forms that explore hybridity, racial identity, place, and language. Born on November 2, 1939 in Swift Current, Saskatchewan, to parents of Swedish and Chinese origin, he grew up in the West Kootenay region of British Columbia, where his family ran Chinese-Canadian cafés, experiences that deeply inform his writing on multicultural identity and small-town life. He earned a BA in Music and English from the University of British Columbia in 1963 and an MA in Linguistics and Literature from SUNY Buffalo in 1967, emerging as a key figure in the 1960s Vancouver avant-garde poetry scene as a founding editor of the influential newsletter TISH. After teaching at Selkirk College and David Thompson University Centre in Nelson, British Columbia, from 1967 to 1989, Wah joined the University of Calgary, where he taught creative writing and poetics until his retirement in 2003, becoming Professor Emeritus and helping develop writing programs. His early improvisational poetry, influenced by jazz and rooted in British Columbia geography, evolved in the 1980s toward examining mixed-race heritage in works such as Waiting for Saskatchewan and Diamond Grill, a biofiction that established him as a central voice in Canadian race writing. He has also published critical essays on poetics and hybridity, and his editorial involvement with magazines including Open Letter and West Coast Line has shaped literary culture in Canada. Wah served as Canada's Parliamentary Poet Laureate from 2011 to 2013 and was appointed an Officer of the Order of Canada in 2013 in recognition of his more than fifty years of contributions to poetry and literary community-building. His award-winning books include Waiting for Saskatchewan (Governor General’s Award), Diamond Grill (Howard O’Hagan Award), is a door (Dorothy Livesay Prize), and Faking It: Poetics and Hybridity (Gabrielle Roy Prize), alongside later works such as Sentenced to Light and beholden (co-authored with Rita Wong). He continues to engage with themes of environment, race, and form through projects involving the Columbia River and interactive poetry.

Early Life and Family Background

Birth and Heritage

Fred Wah was born on January 23, 1939, in Swift Current, Saskatchewan, Canada. His father was Canadian-born but raised in China, the son of a Chinese father and a Scots-Irish mother, resulting in paternal heritage that includes Chinese, Scottish, and Irish ancestry. His mother was Swedish-born and immigrated to Canada at the age of six. This mixed heritage of Chinese, Scottish, Irish, and Swedish origins forms the foundation of Wah's hyphenated identity.

Childhood in the West Kootenays

Fred Wah grew up in Nelson, British Columbia, after his birth in Swift Current, Saskatchewan, in 1939. This small town in the West Kootenay region of southeastern British Columbia provided a rural environment during his childhood years. The West Kootenays featured a landscape of mountains and lakes, with Nelson serving as a modest community typical of rural British Columbia. His family operated Chinese-Canadian cafés in the area, including the Diamond Grill in Nelson, which his father co-owned and ran as a central family business. The restaurant, situated in Nelson's Chinatown district, formed part of the local small-town fabric where Wah spent his early years.

Education and Early Influences

Studies at the University of British Columbia

Fred Wah pursued his undergraduate studies at the University of British Columbia, where he studied music and English and earned his Bachelor of Arts degree in 1962. In the early 1960s, while at UBC, he became one of the founding editors of TISH, a poetry newsletter that ran from 1961 to 1963 and served as a key platform for innovative poetics in Vancouver's emerging literary scene. TISH was initiated by a group of UBC students, including Fred Wah, Frank Davey, George Bowering, and others, who drew inspiration from American avant-garde poets such as Charles Olson, Robert Creeley, and Robert Duncan, as well as from UBC English professor Warren Tallman, whose home functioned as a gathering place for the group and visiting writers. Wah was described as one of the two most enthusiastic founders alongside Davey and contributed significantly by serving as the printer for the newsletter, helping produce its nineteen issues before the group's dispersion in 1963. His participation in this collective, which emphasized process-oriented writing, language attention, and provisionality over fixed content, marked his entry into the Vancouver poetry community and influenced the development of his early poetic voice.

Graduate Work in the United States

Fred Wah pursued his graduate studies in literature and linguistics in the United States after completing his bachelor's degree at the University of British Columbia. He began this phase of his education at the University of New Mexico in Albuquerque in 1963, where poet Robert Creeley arranged for him to undertake graduate work in poetry and linguistics. Wah remained at the institution for only one year, as he was disappointed with the linguistics program. In 1964, he transferred to the State University of New York at Buffalo, where he studied under Charles Olson and continued his focus on literature and linguistics. He earned his M.A. in Linguistics and Literature from SUNY Buffalo in 1967.

Literary Career

Founding Role in TISH and Early Poetry

Fred Wah was one of the five founding editors of TISH, a poetry newsletter launched in August 1961 by students at the University of British Columbia. The other founders included George Bowering, Frank Davey, David Dawson, and Jamie Reid, and Wah additionally served as the printer for the publication. TISH ran as a newsletter until 1966, emphasizing poetics that explored the interplay between speech and writing, the role of language in relation to events and objects, and the idea that poets co-author work with their local physical and cultural environment. The newsletter drew directly from Charles Olson's essay "Projective Verse," which framed place and history as energizing forces in writing, as well as Robert Duncan's concepts of lines, images, and rhythms generating new subject matter. Wah's early poetic output was closely tied to the TISH group and reflected strong influences from Black Mountain poets, particularly Charles Olson, Robert Creeley, and Robert Duncan. These influences deepened through his participation in the 1963 Vancouver Poetry Conference, where he met Creeley, Olson, Duncan, and others, leading to lasting impacts on his approach to composition. His early poetry was improvisational and experimental, informed by an interest in jazz and rooted in the geography of the Nelson area in British Columbia's West Kootenays. Wah's first book of poetry, Lardeau, appeared in 1965, followed by Mountain in 1967. These early publications focused on landscape as a central theme, aligning with the TISH emphasis on place and language.

Major Published Works

Fred Wah's major published works from the mid-1980s onward represent the mature phase of his career, featuring innovative poetry collections and hybrid forms that established his distinctive voice in Canadian literature. Waiting for Saskatchewan, published in 1985 by Turnstone Press, stands as one of his most recognized poetry collections. So Far followed in 1991 from Talonbooks, continuing his exploration through verse. In 1996, Diamond Grill appeared from NeWest Press as an autobiographical work blending prose and poetry centered on his family's restaurant experiences during his childhood in British Columbia. Later key publications include is a door, issued by Talonbooks in 2009, which further developed his poetic practice. Other significant volumes encompass collections such as Music at the Heart of Thinking (initially 1987, expanded and reissued in 2020 by Talonbooks) and beholden (2018, co-authored with Rita Wong and published by Talonbooks), alongside Scree: The Collected Earlier Poems, 1962–1991 (2015, Talonbooks), which gathered much of his prior work.

Poetic Themes and Innovations

Fred Wah's poetry centrally engages hybridity, hyphenated identity, and racial mixedness as generative sites of formal and linguistic invention rather than resolved states. He articulates an "alienethnic poetics" that emerges from ethnic experience yet deploys innovative strategies to resist assimilation into mainstream forms, treating doubleness not as a burden but as a deliberate tactic for cultural identification and disruption. This approach rejects universalizing claims that erase particularity, insisting instead on particular, circumstantial poetics to articulate a distinctive ethnic and ethical sensibility. Wah's concept of "synchronous foreignicity" embraces antithesis, polarity, confusion, and motion as ordinary conditions, positioning contradiction as productive rather than resolvable. Language innovation in Wah's work manifests through deliberate friction, tension, and paradox, favoring fragments over wholes, restless nomadic figuration, and refusal to settle into dominant syntactic or ideological structures. He views inherited forms, particularly the prose sentence, as sites of colonial tyranny, countering them with run-on and incomplete constructions, prose poems, haibun, and other hybrid structures that disrupt expected clarity and introduce embodied, improvisational rhythms akin to jazz phrasing. Such disruptions serve both aesthetic and political critique, inserting "drunken" elements into predictable forms to expose language as constructed and to maintain a poetics of paradox where opposition becomes enabling. Place profoundly shapes Wah's poetics, linked to the constellation of ethnos-ethos-ethic, where ethnic writing is simultaneously ethical writing in pursuit of right place, home, and otherness. The prairies, particularly Saskatchewan as a site of origin, recur as a visceral, politically charged landscape of flat horizons, wind, and sediment that demands bodily completion and inheritance, often figured as an unresolved hunger or magnetic convergence of familial histories. His early poetry emphasizes geographical and local particulars, influenced by West Coast bioregional sensibilities, before shifting toward more racialized and biotextual explorations of hybrid identity that continue to ground themselves in embodied emplacement and displacement. The hyphen itself operates as an active boundary—a borderland, knot, or no-man’s land—keeping hybridity in perpetual motion and refusing both nostalgic purity and seamless assimilation.

Academic and Editorial Career

Teaching Positions

Fred Wah's teaching career began in the late 1960s after he returned to Canada from graduate studies in the United States. He taught creative writing at Selkirk College in Castlegar, British Columbia, and served as the founding coordinator of the writing program at David Thompson University Centre. In the late 1980s, Wah relocated to Alberta and joined the University of Calgary as a professor in the Department of English. He continued teaching there until his retirement in 2003, after which he was appointed Professor Emeritus. His academic teaching roles across these institutions spanned over four decades. Following his retirement from the University of Calgary, Wah served as Writer-in-Residence at Simon Fraser University during the 2006-2007 academic year.

Contributions to Literary Journals and Online Publishing

Fred Wah has been a key figure in Canadian small-press and digital literary culture through his long-standing editorial roles in influential journals and his pioneering work in online publishing. He has served as a contributing editor to Open Letter, a major Canadian journal of writing and theory, since its inception, helping shape its focus on innovative and experimental poetics. He has also been an editor for West Coast Line, contributing to its role as a vital platform for contemporary Canadian writing and criticism. In 1984, Wah co-edited SwiftCurrent with Frank Davey, recognized as Canada's first online literary magazine; this groundbreaking project operated until 1990 and represented an early experiment in electronic literary distribution and community-building. These editorial efforts, often undertaken as volunteer work in grass-roots venues, have supported the development and dissemination of avant-garde literature in Canada across both print and digital formats.

Awards and Honors

Literary Prizes

Fred Wah has received several prestigious literary prizes recognizing his contributions across poetry, fiction, and criticism. His poetry collection Waiting for Saskatchewan was awarded the Governor General's Award for Poetry in 1985. So Far received the Stephan G. Stephansson Award in 1991. Diamond Grill won the Howard O'Hagan Prize for Short Fiction in 1996. Faking It: Poetics and Hybridity earned the Gabrielle Roy Prize for Criticism in 2001. The poetry book is a door was honored with the Dorothy Livesay B.C. Book Prize in 2010. These awards highlight the breadth and impact of Wah's innovative writing in Canadian literature.

Parliamentary Poet Laureate and Order of Canada

Fred Wah was appointed the fifth Parliamentary Poet Laureate of Canada on December 20, 2011, and served in the position from 2011 to 2013. This national role recognized his significant contributions to Canadian poetry and literature, following a career distinguished by key literary prizes. On June 28, 2013, Wah was appointed an Officer of the Order of Canada, one of the country's highest civilian honours, for his achievements as a poet, editor, and teacher who advanced Canadian literary culture. The appointment acknowledged his influence on poetry and his role in fostering creative expression across the nation.

Media and Documentary Involvement

Appearance in "Between: Living in the Hyphen"

Fred Wah appeared as himself in the 2005 National Film Board of Canada documentary Between: Living in the Hyphen, directed by Anne Marie Nakagawa. The film examines the experiences of seven Canadians of mixed ancestry—each with one parent from a European background and one from a visible minority group—and explores the challenges of navigating multi-ethnic identities in a society that often expects people to fit into a single ethnic category. It questions whether satisfactory frames of reference exist for such identities within Canada's multicultural context and proposes a future that celebrates fluidity and mixedness over hyphenated labels. Wah is one of several featured participants, including Shannon Waters, Suzette Mayr, Tinu Sinha, Tina Thomison, Charlene Hellson, and Karina Vernon, who contribute personal perspectives to the documentary's exploration of cultural hybridity. This appearance marks his only known credit in film media. The film's focus on hyphenated lives and mixed-race experiences aligns with themes relevant to Wah's own heritage.

Personal Life

Marriage and Residence

Fred Wah married Pauline Butling in 1962. The couple have two daughters. Both active in Canadian literary circles, they have maintained their partnership over the decades. After retiring from the University of Calgary in 2003, Wah established his longtime residence in Vancouver, British Columbia, where he lives with his wife. He also spends time in the West Kootenays region, dividing his time between Vancouver and seasonal stays near Nelson.

References

  1. https://lop.parl.ca/About/Parliament/Poet/former-Poet-laureate1-e.html
  2. https://www.gg.ca/en/honours/recipients/146-10668
  3. https://thecanadianencyclopedia.ca/en/article/fred-wah
  4. https://www.poetryfoundation.org/poets/fred-wah
  5. https://atom.archives.sfu.ca/wah-fred-1939
  6. http://www.lop.parl.gc.ca/About/Parliament/Poet/pdfs/youtube_supplements_pdfs/Fred_Wah_E.pdf
  7. https://fredwah.ca/fred-wah
  8. https://www.cbc.ca/news/canada/british-columbia/fred-wah-radio-play-1.6357847
  9. https://canpoetry.library.utoronto.ca/wah/index.htm
  10. https://fredwah.ca/sites/default/files/A11_high_lokifulltext_0.pdf
  11. https://soundbox.ok.ubc.ca/fred-wah/
  12. https://bcstudies.arts.ubc.ca/book_film_review/when-tish-happens-the-unlikely-story-of-canadas-most-influential-literary-magazine/
  13. https://writing.upenn.edu/epc/authors/wah/
  14. https://www.encyclopedia.com/arts/culture-magazines/wah-frederick-james
  15. https://thecanadianencyclopedia.ca/en/article/tish
  16. https://abcbookworld.com/writer/wah-fred/
  17. https://talonbooks.com/authors/fred-wah
  18. https://talonbooks.com/books/scree
  19. https://fredwah.ca/sites/default/files/c29_hi_poeticsethnic_0.pdf
  20. https://www.poetryfoundation.org/featured-blogger/77190/premonitions-of-fred-wah-an-interview
  21. https://fredwah.ca/sites/default/files/a17_Waiting%20for%20Saskatchewan.pdf
  22. https://www.erudit.org/en/journals/scl/2001-v26-n1-scl26_1/scl26_1art02.pdf
  23. https://profiles.ucalgary.ca/frederick-james-wah
  24. https://www.sfu.ca/english/writer-in-residence.html
  25. https://publish.uwo.ca/~fdavey/c/daveymain.htm
  26. https://canpoetry.library.utoronto.ca/wah/awards.htm
  27. https://bcyukonbookprizes.com/project/fred-wah/
  28. https://thetyee.ca/Books/2012/01/23/Fred-Wah-Poet-Laureate/
  29. https://globalnews.ca/news/191656/saskatchewan-writer-fred-wah-named-parliamentary-poet-laureate/
  30. https://www.poetryfoundation.org/poetry-news/62758/canada-gets-their-poet-laureate
  31. https://www.nfb.ca/film/between_living_in_the_hyphen/
  32. https://www.imdb.com/title/tt1239339/
  33. https://www.imdb.com/name/nm3028201/
  34. https://jacket2.org/commentary/short-interview-fred-wah
  35. https://poetryinvoice.ca/read/poets/fred-wah
  36. https://cascadiapoeticslab.org/2022/01/fred-wah-interview-the-simple-mht/
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