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Günter Brus
Günter Brus (27 September 1938 – 10 February 2024) was an Austrian painter, performance artist, graphic artist, experimental filmmaker, and writer.
Brus grew up in Mureck, attended the Kunstgewerbeschule Graz and went to Vienna in 1956, where he studied painting and met his lifelong friend Alfons Schilling. In the fall of 1960, influenced by German expressionism, Edvard Munch, Vincent van Gogh, abstract expressionism, and artists such as Emilio Vedova, he began to create artwork that was not confined to visual media.
His companion Otto Muehl, who met him at the time, said of his work: "The color sometimes exploded like a bomb when it hit the picture. That was total creative excess. [...] The entire room was covered with paint splatters, and the dried paint sludge lay inches high on the floor."
Shortly before his first major exhibition together with Schilling, he was conscripted into the military in May 1961. After completing his military service, he fell into a psychological crisis and did not start work again until the end of 1962. In 1964, Brus performed his first "Aktion" titled Ana, in which he painted his wife Anni Brus, his own body, and the surroundings of his studio with white and black paint. Throughout the latter half of the 1960s he staged numerous performances with his own body at the center of the action, as in the actions Selbstbemalung and Selbstverstümmelung.
Brus was a co-founder in 1964 of Viennese Actionism (German: Wiener Aktionismus) with Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler. His aggressively presented actionism intentionally disregarded conventions and taboos, with the intent of shocking the viewer. At the Kunst und Revolution event at the University of Vienna in 1968, Brus urinated into a glass then proceeded to cover his body in his own excrement, and during the performance Brus also sang the Austrian National Anthem while masturbating. Brus ended the piece by drinking his own urine and inducing vomiting, and was subsequently arrested. Through this piece and his other performance works, Brus hoped to reveal the still fascist essence of the nation. This performance created a public outrage at the time and the participants were dubbed by the media as uniferkel or "University Piggies." Sentenced to six months in prison after the event and subsequent public reactions, he fled to Berlin with his family and returned to Austria in 1976. Brus also was editor of the Die Schastrommel (author's edition) from 1969 on. He was involved in the NO!Art movement. In 1966 he participated in the Destruction in Art Symposium (DIAS) in London with fellow artists Gustav Metzger, Otto Muehl, Wolf Vostell, Yoko Ono, and others.
Brus participated in Documenta 5 in Kassel in 1972 and was represented as an artist at Documenta 6 (1977) and Documenta 7 in 1982. From 1970 he began on his novel Irrwisch, which was underpinned by numerous drawings. Works emerged that he called picture poems which opened a new section in Brus's work, the fruit of which is the rich graphic and literary work of the 1970s and 1980s.
Brus was awarded the Grand Austrian State Prize in 1996. Most of his works are shocking and controversial. The Joanneum now houses a permanent gallery, called the Bruseum, featuring the work of Brus and fellow Viennese Actionists.
Brus was a columnist and illustrator for the Austrian monthly magazine Datum since summer 2005. He lived and worked in Graz and on the Canary Islands.
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Günter Brus
Günter Brus (27 September 1938 – 10 February 2024) was an Austrian painter, performance artist, graphic artist, experimental filmmaker, and writer.
Brus grew up in Mureck, attended the Kunstgewerbeschule Graz and went to Vienna in 1956, where he studied painting and met his lifelong friend Alfons Schilling. In the fall of 1960, influenced by German expressionism, Edvard Munch, Vincent van Gogh, abstract expressionism, and artists such as Emilio Vedova, he began to create artwork that was not confined to visual media.
His companion Otto Muehl, who met him at the time, said of his work: "The color sometimes exploded like a bomb when it hit the picture. That was total creative excess. [...] The entire room was covered with paint splatters, and the dried paint sludge lay inches high on the floor."
Shortly before his first major exhibition together with Schilling, he was conscripted into the military in May 1961. After completing his military service, he fell into a psychological crisis and did not start work again until the end of 1962. In 1964, Brus performed his first "Aktion" titled Ana, in which he painted his wife Anni Brus, his own body, and the surroundings of his studio with white and black paint. Throughout the latter half of the 1960s he staged numerous performances with his own body at the center of the action, as in the actions Selbstbemalung and Selbstverstümmelung.
Brus was a co-founder in 1964 of Viennese Actionism (German: Wiener Aktionismus) with Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler. His aggressively presented actionism intentionally disregarded conventions and taboos, with the intent of shocking the viewer. At the Kunst und Revolution event at the University of Vienna in 1968, Brus urinated into a glass then proceeded to cover his body in his own excrement, and during the performance Brus also sang the Austrian National Anthem while masturbating. Brus ended the piece by drinking his own urine and inducing vomiting, and was subsequently arrested. Through this piece and his other performance works, Brus hoped to reveal the still fascist essence of the nation. This performance created a public outrage at the time and the participants were dubbed by the media as uniferkel or "University Piggies." Sentenced to six months in prison after the event and subsequent public reactions, he fled to Berlin with his family and returned to Austria in 1976. Brus also was editor of the Die Schastrommel (author's edition) from 1969 on. He was involved in the NO!Art movement. In 1966 he participated in the Destruction in Art Symposium (DIAS) in London with fellow artists Gustav Metzger, Otto Muehl, Wolf Vostell, Yoko Ono, and others.
Brus participated in Documenta 5 in Kassel in 1972 and was represented as an artist at Documenta 6 (1977) and Documenta 7 in 1982. From 1970 he began on his novel Irrwisch, which was underpinned by numerous drawings. Works emerged that he called picture poems which opened a new section in Brus's work, the fruit of which is the rich graphic and literary work of the 1970s and 1980s.
Brus was awarded the Grand Austrian State Prize in 1996. Most of his works are shocking and controversial. The Joanneum now houses a permanent gallery, called the Bruseum, featuring the work of Brus and fellow Viennese Actionists.
Brus was a columnist and illustrator for the Austrian monthly magazine Datum since summer 2005. He lived and worked in Graz and on the Canary Islands.